The Works of Director Justin Lin
List activity
55 views
• 0 this weekCreate a new list
List your movie, TV & celebrity picks.
16 titles
- DirectorQuentin LeeJustin LinStarsRadmar Agana JaoJeanne ChinnClint JungA married woman, who's been getting seductive phone calls from a lesbian, and a man, who believes he might be a werewolf, are about to find out who they deep down really are.Writer/Film Editor: Justin Lin
Co-Director/Film Editor/"Phil" Body Double: Quentin Lee
Film Editor: Sean Yeo
Composer: Steven Pranato
Cinematographer: Lisa Wiegand
Production Designer: Deeya Loram
Supervising Sound Editor: Markus Innocenti
Assistant Camera: David Colclasure
2nd Assistant Camera: Joel Juarez
Camera: Arriflex 35 BL4 (35mm Fuji Super F-64D 8522/F-500T 8572)
Lenses: Zeiss Super Speed Primes
AR: 1.85:1 (Spherical)
Budget: 100 Thousand USD
Budget AFI (2021): 166.3 Thousand USD - DirectorJustin LinStarsParry ShenJason TobinSung KangA group of over-achieving East Asian American high school seniors enjoy a power trip when they dip into extracurricular criminal activities.Writer/Film Editor: Justin Lin
Composers: Michael Gonzales, Tobin Mori
Cinematographer/Camera Operator: Patrice Lucien Cochet
Production Designer/Art Director: Han Yoo Jung
Costume Designer: Sandi Lieu
Additional Film Editor: Fred Raskin ACE
Negative Format: 35mm Kodak & Fuji Stock
AR: 1.85:1 (Spherical)
Budget: 250 Thousand USD
Budget AFI (2021): 371.1 Thousand USD
Attribute: Camera Equipment by The Camera House/Hollywood Camera - DirectorJustin LinStarsJames FrancoJordana BrewsterTyrese GibsonSet against the backdrop of boxing at the Naval Academy, centers on a young man from the wrong side of the tracks whose dream of attending Annapolis becomes a reality.Cinematographer: Phil Abraham ASC
Production Designer: Patti Podesta
Film Editor: Fred Raskin ACE
Costume Designer: Gloria Gresham
Composer/Conductor: Brian Tyler
SFX Director: Steven Kirshoff
VFX Supervisors: Kelvin McIlwain, David Sosalla
Stunt Coordinator: Nick Powell
A-Camera Operator: Patrick Capone
B-Camera Operator: David Taicher
Steadicam Operator: Stephen Consentino
Senior SFX Supervisor: John Stifanich
Supervising Digital Colorist: Michael Eaves
Filming Dates: 4 October 2004 - 17 December 2004
Camera: Panaflex Platinum (35mm Kodak Vision2 500T 5218)
Lenses: Panavision Primo Spherical Primes
AR: 1.85:1 (Spherical)
Budget: 26 Million USD
Budget AFI (2021): 35.5 Million USD
Printed on: Kodak Vision 2383
Distributed by: Walt Disney Studios Motion Pictures
Special Visual Effects Provided by: Illusion Arts
Attribute: Filmed with Panavision Cameras and Lenses - DirectorJustin LinStarsLucas BlackZachery Ty BryanShad MossA teenager becomes a major competitor in the world of drift racing after moving in with his father in Tokyo to avoid a jail sentence in America.Casting: Sarah Halley Finn CSA, Randi Hiller CSA
Composer/Conductor: Brian Tyler
Executive Music Producer: Kathy Nelson
Co-Producer: Amanda Cohen Lewis
Production VFX Supervisor: Michael J. Wassel
Costume Designer: Sanja Milkovic Hays
Main Film Editors: Fred Raskin ACE, Kelly Matsumoto ACE
Production Designer: Ida Random
Cinematographer: Stephen F. Windon ASC ACS
Cinematographer (Add'l Photography)/B-Camera Op: Leo J. Napolitano
Cinematographer (2nd Unit Tokyo): Jun Fukumoto
Executive Producer & UPM: Clayton Townsend
Writer: Chris Morgan
Co-Writer: Alfredo Botello
Stunt Coordinator & 2nd Unit Director: Terry Leonard
Add'l Stunt Coordinator: Malosi Leonard
Drift Racing Stunt Drivers: Rhys Millen, Tanner Frost
Stunt Player/Action Coordinator: Thomas Robinson Harper
Production Supervisor: Gary R. Wordham
Production Visual Effects Producer: Crystal Dowd
Hammerhead Senior VFX Supervisor: Thad Beier
Art Director: Tom Reta
Set Decorator: Doug Mowat
Set Designers: Lorrie Campbell, R. Todd Holland, Viva Wang
Graphic Designers: Susan Burig, Robert Kalafut
Key Storyboard Artist: Darrin Delinger
A-Camera/Steadicam Operator: Greg Lundsgaard
Add'l Camera Operator: Kim Guthrie
Aerial Unit DoP: Doug Holgate
Chief Lighting Technician: Don Bixby
Production Special FX Supervisor: Matt Sweeney
On-Set SFX Supervisors: William H. Schrimer, Bob Stoker
Picture Car Coordinator: Dennis McCarthy
Picture Car Consultant: Matt Rubarts
Sup. Technical Consultant: Keiichi Tsuchiya
Japanese Language Consultant: Michi Ukawa
Post Production Supervisor: Lisa Rodgers
2nd Film Editor: Dallas Puett ACE
Associate Film Editor: Greg D'Auria
Music Consultant: Ernesto Foronda
Visual Effects Plate Producer: Lynn M. Gephart
Production Visual FX Coordinator: Andra Bard
Assistant Visual Effects Coordinator: Kelly Kenan
Hammerhead VFX Producer: Michelle Eisenreich
Hammerhead CG Supervisor: Thomas Dadras
Hammerhead VFX Exec Producer: Dan Chuba
Hammerhead 2D FX Supervisor: Daniel Levitan
Hammerhead 3D FX Supervisor: Paolo Moscatelli
Hammerhead VFX Coordinator: Brady Doyle
R&H VFX Supervisors: Raymond Chen, Michael Meaker
R&H VFX Producer: Lisa Goldberg
R&H Effects Supervisor: Dan Smiczek
R&H Color Timing Supervisor: Anthony Harris
R&H Senior VFX Coordinator: Dawn Brooks
R&H Digital VFX Coordinator: Deborah Phillips
CIS VFX Supervisor: Gregory Leigey
CIS VFX Producer: Julie Orosz
CIS VFX Coordinator: Heather Elisa Hill
Café FX VFX Supervisor: Jeff Goldman
Café FX VFX Producer: Phillip Moses
PTAS VFX Supervisor: David Sosalla
PTAS VFX Executive Producer: Joe Gareri
Illusion Arts SVFX Supervisors: Syd Dutton, Bill Taylor ASC
Illusion Arts VFX Supervisor: Kelvin McIlwain
Illusion Arts VFX Producer: Catherine Sudolcan
ILM VFX Supervisor: Edward Hirsh
ILM VFX Producer: Jeanie King
ILM CG Supervisor: Kevin Barnhill
ILM VFX Editor: Lorelei David
ILM VFX Coordinator: Dale Taylor
PMP VFX Supervisor: Richard Malzahn
Dig Backlot VFX Supervisor: Robert Stromberg
Dig Backlot Compositing Supervisor: Paul Graff
Dig Backlot 3D Effects Supervisor: Adam Watkins
Hatch VFX Executive Producer: Cheryl Bainum
Previsualization VFX Supervisor: Alexander Vegh
2nd Unit DoP: Jan Kiesser ASC
2nd Unit A Camera Operator: John Skotchdopole
2nd Unit B Camera Operator: Joe Cicio
2nd Unit C Camera Operator: Michael Ferris
2nd Unit Aerial A Camera Operator & Director of Photography: Phil Pastuhov
2nd Unit Chief Lighting Technician: Mark Vuille
Stunt Coord (Tokyo Crew): Makoto Yokoyama
Additional UPM (Tokyo Crew): Bill Johnson
Art Director (Tokyo Crew): Hidefumi Hanatani
Set Decorator (Tokyo Crew): Yoshihito Akatsuka
C-Camera Operator (Tokyo Crew): Nobuhisa Ito
Chief Lighting Techn (Tokyo Crew): Yuji Wada
SFX Technician (Tokyo Crew): Masami Kobayashi
Pic Car Coord (Tokyo Crew): Takahiro Kikushim
Stunt Car Coord (2nd Unit Tokyo): Chiaki Otomo
B Camera Op (2nd Unit Tokyo): Kozo Miyagawa
Aerial Unit A Cam Op (2nd Unit Tokyo): Takayuki Karasawa
Chief Lighting Tech (2nd Unit Tokyo): Daisuke Nakagawa
Digital Film Colorist: Trent Johnson
Filming Dates: 3 October 2005 - December 2005
Cameras: Arriflex 235, 435, Panaflex Millennium & Genesis (35mm Kodak Vision2 500T 5218)
Lenses: Panavision Primo Spherical Primes
AR: 2.39:1 (3-Perf/4-Perf Super 35mm)(HD Video: Tokyo Aerial Unit Plates)
Budget: 85 Million USD
Budget AFI (2021): 112.5 Million USD
Printed on: Kodak Vision 2383
Special Visual Effects & Animation Provided by: Industrial Light & Magic, Rhythm & Hues, Hammerhead Productions, Illusion Arts + CIS Hollywood
Attribute: Filmed with Panavision Cameras and Lenses - DirectorJustin LinStarsRoger FanDustin NguyenSung KangBruce Lee's shocking death left legions of stunned fans and a legacy of 12 minutes from his unfinished Game Of Death. Undeterred, studio executives launched a search for his replacement chronicled here through the eyes of five aspiring thespians who find out what the real game is.Composer/Conductor: Brian Tyler
Cinematographer: Tom Clancey
Film Editor: Greg Louie
Production Designer: Candi Gutterres
Costune Designer: Annie Yun
Post-Production Supervisor/2nd Unit Director: Evan Jackson Leong
DI Colorists: Robert S. Douglas, Robert Gill, Ken Locsmandi
VFX Supervisor: Chris Holmes
Stunt Coordinators: Richard Moreno, Don Thai Theerathada
Steadicam Operator: BJ McDonnell
2nd Unit DP: Eric Leach
Camera: Aaton XTR Prod (16mm Kodak Vision2 500T 7218)
Lenses: Panavision Primo Spherical Primes
AR: 1.85:1 (Super 16mm)
Attribute: Filmed with Panavision Cameras and Lenses - DirectorJustin LinStarsVin DieselPaul WalkerMichelle RodriguezBrian O'Conner, back working for the FBI in Los Angeles, teams up with Dominic Toretto to bring down a heroin importer by infiltrating his operation.Writer: Chris Morgan
Script Revisionist: David Ayer
Producer: Vin Diesel
Producer/Unit Production Manager: Michael Fottrell
Cinematographer: Amir Mokri
Cinematographer (Add'l Photography)/2nd Unit Insert Unit DoP: Tom Clancey
Production Designer: Ida Random
Film Editors: Fred Raskin ACE, Christian Wagner
Casting: Sarah Halley Finn CSA, Randi Hiller CSA
Composer/Conductor: Brian Tyler
Music Supervisor: Kathy Nelson
Costume Designer: Sanja Milkovic Hays
Unit Production Manager: Sara E. White
1st Assistant Director: Vincent Lascoumes
Senior Stunt Coordinator/Mexico 2nd Unit Director: Mike Gunther
Stunt Coordinator: Freddie Hice
Stunts: Jeff Imada, Tim Trella
Stunts/Stunt Double: Hank Amos
Stunts/Stunt Driver: Thomas Robinson Harper
Stunts/Michelle Rodriguez Stunt Double: Heidi Moneymaker
Action Sequence Contributor: David CP Chan
Aerial Unit Helicopter Pilot: Alan Purwin
Production VFX Supervisors: Michael J. Wassel, Thaddeus 'Thad' Beier
Production VFX Producer: Lori J. Nelson
2nd Unit Directors: Terry Leonard, Mic Rodgers
Production Supervisor: David J. Grant
Supervising Art Director: David Lazan
A-Camera Operator: Michael Scott
B-Camera/Steadicam Operator: Colin Hudson
Add'l Camera Operator: Kent Harvey SOC
Add'l Cinematographer: Jason Inouye
Doggicam Operator: Frank Buono
1st Assistant A-Camera: Brad Peterman
Gaffer: Joseph F. Warren
Key Grip: Michael J. Coo
Supervising SFX Coordinator: Matt Sweeney
On-Set SFX Supervisor: Bill Schirmer
Picture Car Coordinator: Dennis McCarthy
Associate Film Editor: Leigh Folsom Boyd ACE
Assistant Film Editor: Greg D'Auria
Music Consultant: Ernesto Foronda
VFX Production Supervisor: Patrick D. Hurd
VFX Camera Supervisor: Chris Dawson
VFX Compositing Supervisor: Jeremy Burns
VFX Associate Producer: Elaine Essex Thompson
Production VFX Coordinator: Laura Stuart Dawson
Ass't VFX Coordinator: Jason Magdaleno
VFX Unit DoP: Tony Cutrono
Company 3 Executive Producer/Senior Colorist: Stefan Sonnenfeld ASC
DI Producer (Company 3): Des Carey
2nd Unit DoP: Paul Hughen ASC
2nd Unit A-Camera Operator: Michael J. Walker SOC
2nd Unit B-Camera Operator: Maurice Keith McGuire SOC
2nd Unit C-Camera Operator: Chris Lombardi
2nd Unit Add'l Camera Operators: Brian Bernstein, David Richert
2nd Unit Gaffer: Justin Holdsworth
2nd Unit SFX Set Supervisor: Bob Stoker
2nd Unit Aerial DoPs: Hans Bjerno ASC, Michael FitzMaurice
Mexico Unit Co-Producer: Ricardo Del Rio
Unit Production Manager (Mexico Unit): Arturo Del Rio
Mexico Unit Art Director: Candi Guterres
Mexico Unit Gaffer: Fernando Moreno
DNEG VFX Supervisor: Frazer Churchill
DNEG VFX Producer: Moriah Etherington-Sparks
R&H Senior VFX Supervisor: Bob Mercier
R&H VFX Producer: Melissa Brockman Kalmus
R&H Digital VFX Supervisor: Salar Saleh
R&H VFX Art Director: Rich Mahon
R&H Digital VFX Producer: Stacey Shear-Riera
R&H 2D Effects Supervisor: Julie Stark
R&H VFX Coordinator: Michael Miller
R&H Color Timing Supervisor: Anthony Harris
CIS Senior VFX Supervisor: Gregory Liegey
CIS VFX Producer: David Van Dyke
CIS Digital VFX Producer: Julie Gaudette
CIS Ass't VFX Coordinator: Katie Miller
CIS Senior Inferno Artist: Greg Oehler
Hydraulx VFX Supervisor: Bill Kunin
Hydraulx VFX Designers: Colin Strause, Greg Strause
Hydraulx Senior Inferno Artist: Laura Sevilla
Hydraulx 2D Effects Supervisor: Erik Bruhwiler
Hydraulx VFX Coordinator: John Polyson
Hydraulx CG Coordinator: Kim LeBrane
Hydraulx Flame/Inferno Artist: Leong Wong-Savun
PTAS VFX Supervisors: David Sosalla, Mark Freund
PTAS VFX Executive Producer: Crystal Dowd
PTAS VFX Producer: Michele C. Vallillo
PTAS VFX Coordinator: Alicia Johnson
Mr. X VFX Supervisor: Dennis Berardi
Mr. X DFX Supervisor: Wojciech Zielinski
Mr. X VFX Coordinator: Matt Glover
Kaliber VFX Supervisor: Kelvin McIlwain
Zoic Studios VFX Producer: Raoul Yorke Bolognini
Zoic Studios VFX Supervisor: Christopher Jones
Zoic Studios CG Supervisor: David Funston
Filming Dates: 20 February 2008 - 13 June 2008
Cameras: Arriflex 235, 435, Panaflex XL2 & Lightweight (35mm Kodak Vision2 50D 5201/250D 5205/Vision3 500T 5219)
Lenses: Panavision Primo Spherical Primes
AR: 2.39:1 (3-Perf/4-Perf Super 35mm)
Budget: 85 Million USD
Budget AFI (2021): 105.8 Million USD
Printed on: Kodak Vision 2383
Digital Intermediate Provided by: Company 3
Visual Effects & Animation Provided by: Double Negative, Rhythm & Hues Studios, CIS Hollywood, Hydraulx, Mr. X, Kaliber VFX + Zoic Studios
Attribute: Filmed with Panavision Cameras and Lenses - DirectorJustin LinStarsJoel McHaleGillian JacobsDanny PudiWill Jeff blow off Annie's Halloween party and sell out his other classmates in order to get a chance to score with a sexy professor?
- DirectorJustin LinStarsJoel McHaleGillian JacobsDanny PudiJeff runs in to problems when the study group and the dean discover that he's seeing a professor, while Troy and Britta discover each other's secret that they are both taking dance classes.
- DirectorJustin LinStarsJoel McHaleGillian JacobsDanny PudiGreendale Community College is transformed into an apocalyptic war zone when the dean promises the winner of a paintball competition priority registration, and it could fan the flames of sexual tension between Jeff and Britta.
- DirectorJustin LinStarsVin DieselPaul WalkerDwayne JohnsonDominic Toretto and his crew of street racers plan a massive heist to buy their freedom while in the sights of a powerful Brazilian drug lord and a dangerous federal agent.Executive Producer: Justin Lin
Writer: Chris Morgan
Producer: Vin Diesel
Producer/Unit Production Manager: Michael Fottrell
Cinematographer: Stephen F. Windon ASC ACS
Production Designer: Peter Wenham
Film Editors: Fred Raskin ACE, Kelly Matsumoto ACE, Christian Wagner
Composer/Conductor: Brian Tyler
Costume Designer: Sanja Milkovic Hays
Production VFX Supervisor: Michael J. Wassel
1st Assistant Director: Vincent Lascoumes
Supervising Stunt Coordinator: Mike Gunther
Stunt Coordinator: Troy Robinson
2nd Unit Stunt Coordinator: Jack Gill
Train Unit & 2nd Unit Stunt Coordinator: Gary Hymes
Rigging Stunt Coordinators: James M. Churchman, Paul Leonard
Stunts: Andy Gill
Production VFX Producer: Josh R. Jaggers
Stunt Coordinator/2nd Unit Director: Spiro Razatos
Train Heist 2nd Unit Director/Arizona 2nd Unit DoP: Alexander Witt ASC
Supervising Art Director: Thomas Valentine
Art Director: Andrew Neskoromny
Lead Set Designer: A. Todd Holland
Set Designer: Jann Engel
Graphic Designers: Jason Sweers, Sheila Nash
A-Camera/Steadicam Operator: Geoffrey Haley SOC
B-Camera Operator: Bill O'Drobinak SOC
Add'l B-Camera Operators: Maurice Keith McGuire SOC, Ian Forsyth
Add'l Camera Operator: Luca Mercuri
Aerial Unit DoP: Hans Bjerno ASC
Monaco Unit Aerial DoP: Adam Dale
Gaffer: Dan Cornwall
Key Grip: C. Alan Rawlins
Senior Supervising SFX Coordinator: R. Bruce Steinheimer
Production SFX Coordinator: David Fletcher
SFX Set Supervisor: Rick Thompson
Picture Car Coordinator: Dennis McCarthy
Post-Production Supervisor: Lisa Rodgers
1st Assistant Editor: Leigh Folsom Boyd ACE
Assistant Film Editors: Greg D'Auria, Brett Carroll
Senior DI Colorist: Yvan Lucas
2nd Colorist: Tom Reiser
DI Producer: Loan Phan
DI Editor: Amy Pawlowski
2nd Unit Camera Operator: Christopher Duskin
2nd Unit 1st Ass't Camera: Sergius Nafa Nofield
Puerto Rico Unit Art Director: Beat Frutiger
Puerto Rico 2nd Unit DoP: Igor Meglic ZFS
Puerto Rico 2nd Unit A-Camera Operator: Jacques Haitkin
Puerto Rico 2nd Unit B-Camera Operator: Jason Ellson
Train Unit & Puerto Rico 2nd Unit C-Camera Operator: Greg Baldi
Puerto Rico 2nd Unit D-Camera Operator: Patrick O'Brien
Puerto Rico 2nd Unit E-Camera Operator: Rafael Molinary
Puerto Rico 2nd Unit Aerial DoP: Steve Koster
Puerto Rico 2nd Unit Insert Unit DoP: Tom Clancey
Puerto Rico 2nd Unit SFX Supervisor: Garry Elmendorf
Train Unit & Arizona 2nd Unit 1st Ass't Director: David Sardi
Arizona 2nd Unit 2nd Ass't Director: Basti Van Der Woude
Arizona 2nd Unit Set Designer (Train Heist): Peter Clemens
Arizona 2nd Unit A-Camera Operator: Ken Fisher
Arizona 2nd Unit B-Camera Operator/Director of Photography/Aerial Unit DoP: Ronald Hersey
Train Unit & Arizona 2nd Unit SFX Coordinator: Matt Sweeney
Brazil Unit Set Decorator: Monica Costa
Brazil Unit Stunt Coordinator: Agnaldo Bueno
Brazil Unit Camera Operator: Gustavo Hadba
Add'l VFX Supervisor: Kelvin McIlwain
VFX Production Supervisor: Fiona Campbell Westgate
VFX Unit DoP: Tony Cutrono
Pixomondo VFX Senior VFX Supervisor: Rainer Gombos
Pixomondo VFX Senior VFX Producer: Sophie Leclerc
Pixomondo VFX CG Supervisor: Andrew Roberts
Pixomondo VFX Compositing Supervisor: Theresa Ellis Rygiel
Pixomondo VFX Associate VFX Producer: Jan Fiedler
Pixomondo VFX Associate VFX Supervisor: John Groshans
MPC VFX Supervisor: Guillaume Rocheron
MPC VFX Producer: Dawn Brooks MacLeod
MPC Compositing Supervisor: Mark Curtis
MPC Animation Supervisor: Daryl Sawchuk
Hammerhead VFX Supervisor: Justin Jones
Hammerhead VFX Producers: Michelle Eisenreich, Lynn Gephart
Hammerhead CG Supervisor: Dan Smiczek
Pre-Visualization Supervisor: Alexander Vegh
Look FX Senior VFX Supervisor: Adam Avitabile
Look FX VFX Producer: Melinda Thompson-Godot
Look FX Digital VFX Supervisor: Gabriel Sanchez
Look FX VFX Supervisor: Danny S. Kim
Look FX VFX Executive Producer: Steve Dellerson
Filming Dates: 28 June 2010 - 15 October 2010
Cameras: Arriflex 235, 435 ES, Panaflex XL2 & Platinum (35mm Kodak Vision2 50D 5201/Vision3 250D 5207/500T 5219)
Lenses: Panavision Primo Spherical Primes
AR: 2.39:1 (4-Perf Super 35mm)
Budget: 125 Million USD
Budget AFI (2021): 148.4 Million USD
Printed on: Kodak Vision 2383
Visual Effects Provided by: Moving Picture Company, Pixomondo VFX & Hammerhead Productions
Additional Digital Visual Effects Provided by: Look FX
Attribute: Filmed with Panavision Cameras and Lenses - DirectorJustin LinStarsVin DieselPaul WalkerDwayne JohnsonHobbs has Dominic and Brian reassemble their crew to take down a team of mercenaries, but Dominic unexpectedly gets sidetracked with facing his presumed deceased girlfriend, Letty.Executive Producer: Justin Lin
Producer: Vin Diesel
Composer: Lucas Vidal
Costume Designer: Sanja Milkovic Hays
Production VFX Supervisors: Kelvin McIlwain, David Vickery
Main Film Editors: Kelly Matsumoto ACE, Christian Wagner, Dylan Highsmith
Production Designer: Jan Roelfs
Cinematographer: Stephen F. Windon ASC ACS
Executive Producer/Writer: Chris Morgan
Producer/Unit Production Manager: Clayton Townsend
Unit Production Manager: Simon Emanuel
1st Assistant Director: Vincent Lascoumes
Supervising Stunt Coordinator: Greg Powell
Ass't Stunt Coordinator: Sarah Franzl
Stunt Coordinator/Vin Diesel Stunt Double: Troy Robinson
Fight Choreographer: Olivier Schneider
Senior Stunt Coordinator/2nd Unit Director: Spiro Razatos
Stunts/Add'l 2nd Unit Director: Denney Pierce
Production VFX Producer: Kevin Elam
Film Editors: Leigh Folsom Boyd ACE, Greg D'Auria
Supervising Art Director: James Hambidge
Senior Art Directors: Leslie Tomkins, Stuart Rose
A-Camera Operator: Tim Wooster
B-Camera/Steadicam Operator: Stuart Howell
Add'l Camera/Steadicam Operator: Matt Petrosky SOC
1st Assistant A-Camera: Matt Windon
1st Assistant B-Camera: Chris Bain
Aerial Unit DoP/2nd Unit Edge Arm Camera Operator: Steve Koster
Splinter Unit DoP (LA Unit)/Add'l Cinematographer: Goran Pavicevic
Production SFX Supervisor: Joss Williams
Production SFX Coordinator: Victoria Stokes
Ass't SFX Coordinator: Fliss Jaine
Picture Vehicle Coordinator: Dennis McCarthy
UK Unit Picture Vehicle Coordinator: Ian Clarke
Ass't Picture Vehicle Coordinator: Sean Thornton
Digital Colorist: Tom Reiser
DI Producer: Loan Phan
DI Editor: Amy Pawlowski
Unit Production Manager (2nd Unit): Michael J. Malone
2nd Unit DoP: Igor Meglic ZFS
2nd Unit Stunt Coordinator: Andy Gill
2nd Unit Art Director: Susan Whitaker
2nd Unit A-Camera Operators: Peter Field, Clive Jackson
2nd Unit Add'l A-Camera Operator: Michael J. Walker SOC
2nd Unit B-Camera Operator: Nino Pansini
2nd Unit Edge Camera Operator: Maurice Keith McGuire SOC
2nd Unit 1st Ass't A-Camera: Oliver Driscoll
2nd Unit 1st Ass't D-Camera: Andrew Banwell
Splinter Unit DoP: Peter Talbot
Canary Islands Unit SFX Supervisor: Pau Costa
LA Unit Art Director: Erik Polczwartek
LA Unit Set Decorator: Leslie Ann Pope
LA Unit A-Camera/Steadicam Operator: Geoffrey Haley SOC
LA Unit B-Camera Operator: Billy O'Drobinak SOC
LA Unit SFX Coordinator: Bruce Minkus
Add'l VFX Supervisor: Aleksander Vishemirski
VFX Production Supervisor: Catherine Lu
Digital Post-Production Supervisors: Elaine Essex Thompson, Serge Riou
VFX Unit Camera Operator: Arthur Zajac
DNEG VFX Producer: Ann Podlonzy
DNEG Senior VFX Supervisor: Nathan McGuinness
DNEG VFX Supervisors: Sean Stranks, Paul Riddle
DNEG Senior CG Supervisor: Julian Foddy
DNEG Effects Supervisor: Alexander Seaman
DNEG VFX Production Supervisor: Rob Shears
MPC VFX Supervisor: Erik Nordby
MPC DFX Supervisor: Christian Irles
MPC VFX Producer: Liz Roberts
MPC R&D Supervisor: Andrew Poole
MPC VFX Coordinator: James Cochrane
Image Engine VFX Supervisor: Chris Harvey
Image Engine VFX Producer: Geoff Anderson
Image Engine VFX Executive Producer: Stephen Garrad
Image Engine Senior VFX Coordinator: Sarah McLaughlin
Pixomondo VFX Supervisors: Sean Andrew Faden, Boris Schmidt
Pixomondo VFX Producer: BJ Farmer
Pixomondo VFX Division Supervisor: Thomas Lautenbach
Pixomondo VFX Division Producer: Christoph Zollinger
Lola VFX Supervisor: Edson Williams
Lola VFX Producer: Thomas Nittmann
Lola VFX Coordinator: Allison Paul
Factory VFX Co-VFX Supervisor: Juan Melgoza
Factory VFX Executive Producer: Christal Wolgamott
VFX & Previsualization Supervisor: Alexander Vegh
Filming Dates: July 30, 2012 - December 2012
Cameras: Arricam LT, ST, Arriflex 235 & 435 Xtreme (35mm Kodak Vision3 500T 5219)
Lenses: Panavision/Zeiss Ultra Primes & Angenieux Optimo Zooms
AR: 2.39:1 (3-Perf/4-Perf Super 35mm)
Budget: 160 Million USD
Printed on: Kodak Vision 2383
Visual Effects Provided by: Double Negative, Moving Picture Company, Image Engine, Pixomondo & Lola VFX
Score Recorded at: Abbey Road Studios & Air Studios
Attribute: Filmed in Panavision - DirectorJustin LinStarsElyes GabelKatharine McPheeEddie Kaye ThomasWalter O'Brien and his team of super geniuses are assigned, by the government, to help land airplanes after the communication system shuts down.
- DirectorJustin LinStarsColin FarrellRachel McAdamsTaylor KitschA bizarre murder brings together three police officers and a career criminal in the corrupt city of Vinci, California.
- DirectorJustin LinStarsColin FarrellRachel McAdamsTaylor KitschRay, Ani, and Paul are assigned to Casper's murder case. Frank tries to keep his business deals going, even after Caspere's death.
- DirectorJustin LinStarsChris PineZachary QuintoKarl UrbanThe crew of the USS Enterprise explores the furthest reaches of uncharted space, where they encounter a new ruthless enemy, who puts them, and everything the Federation stands for, to the test.Producers: Justin Lin, JJ Abrams
Co-Writer: Simon Pegg
Producer/Co-Writer: Roberto Orci
Script Consultant: Alfredo Botello
Executive Producer/Unit Production Manager: Jeffrey Chernov
Cinematographer: Stephen F. Windon ASC ACS
Production Designer: Thomas Sanders
Production Designer (Add'l Photography): Andrew Murdock
Film Editors: Kelly Matsumoto ACE, Steven Sprung ACE, Dylan Highsmith, Greg D'Auria
Composer: Michael Giacchino
Costume Designer: Sanja Milkovic Hays
Production VFX Supervisor: Peter Chiang
Associate Producer/Production VFX Producer: Ron Ames
Special Makeup Effects Designer: Joel Harlow
Dedicated to: Leonard Nimoy & Anton Yelchin
Associate Producer/Unit Production Manager: Helen Pollak
1st Assistant Director: Nick Satriano
2nd Assistant Director: Philip Nee Nee
Associate Producer: Joshua Henson
Stunt Coordinator/2nd Unit Director: Mike Gunther
Production Manager: Stewart Bethune
Supervising Art Director: Don MacAuley
Set Decorator: Lin MacDonald
C-Camera Operator: Stephen Maier
1st Assistant A-Camera: Gregory Irwin
A-Camera/Steadicam Operator: Geoffrey Haley SOC
Steadicam Operator: Peter Wilke
Aerial Unit DoP: Steve Koster
Supervising SFX Coordinator: Cameron Waldbauer
VFX Art Director/Senior Concept Designer: Sean Hargreaves
VFX Production Supervisors: Kim Doyle, Shelly Lloyd-Samson
Political Consultant: Richard Klein
Consultant: Marc Okrand
2nd Unit Director/Visualization Supervisor: Alexander Vegh
2nd Unit Key 1st Ass't Dir.: Misha Bukowski
2nd Unit 1st Ass't Director: Douglas Plasse
2nd Unit DoP: Bruce McCleery ASC
2nd Unit Camera Operator: Dean Heselden
Unit Production Managers (Dubai Unit): Scott Thaler, Leigh Clarke
Dubai Unit C-Camera Operators: Riki Butland
Dubai Unit SFX Coordinator: Rudolphe Saleh
Dubai Unit Art Director: Salim Al Razouk
Dubai Unit Drone Camera Operator: Davide Tiraboschi
Dubai Unit Set Designer: Sonia Savova
C-Camera Operator (Reshoots): Jesse Roth SOC
SFX Supervisor (Add'l Photography): Casey D. Noel
Art Director (Add'l Photography): Eric Sundahl
DNEG VFX Producer: Andy Taylor
DNEG VFX Supervisors: Raymond Chen, Sean Stranks
DNEG VFX CG Supervisors: Rick Leary, Stuart Farley, Daniel Paullson
DNEG CG FX Supervisors: Mark Hodgkins, Shaun Roth, May Leung
DNEG VFX Animation Supervisor: Michael Lum
DNEG VFX Associate Producer: Katrina Navassartian
DNEG VFX Colorist: Aurora Shannon
DNEG VFX Mocap Supervisor: Simon Kay
DNEG VFX Supervisor (Barco Escape): Gregor Lakner
Barco Escape Supervisor: Varun Hadkar
Atomic Fiction Senior VFX Supervisor: Kevin Baillie
Atomic Fiction VFX Supervisor: Ryan Tudhope
Atomic Fiction DFX Supervisor: Jonathan Harman
Atomic Fiction Add'l VFX Supervisors: Jim Gibbs, Michael Janov
Atomic Fiction VFX Executive Producer: Marc Sadeghi
Atomic Fiction VFX Producers: Annie Normandin, Jenna Kent
Atomic Fiction Associate VFX Producer: Dale Taylor
Atomic Fiction VFX Art Director: Brian Flora
Kelvin Optical Senior VFX Producer: Chrysta Marie Burton
Kelvin Optical VFX Supervisors: Pauline Duvall, Stefano Trivelli
Kelvin Optical Consulting VFX Supervisor: Luke McDonald
Kelvin Optical Assets Supervisor: Nicholas Barnes
Kelvin Optical Lead Lighting Artist: Li Xu
Kelvin Optical Environments Department Supervisor: Ting Lo
Base FX VFX Supervisor: Geng Li
Rodeo FX VP of Production: Isabelle Langlois
Rodeo FX VFX Executive Producer: Sebastian Moreau
Rodeo FX VFX Producer: Adam O'Brien Locke
Rodeo FX VP of Development & Technology: Jordan Soles
UPP VFX Supervisor: Viktor Muller
Action Sequence Consultant: David Chan
Stereo D Stereo Exec Producers: William Sherak, Aaron Parry, Mike Gunter
Stereo D Stereographer: Brian Taber
Stereo D Stereo Producer: Alexandra Gonzalez
Stereo D Stereo Supervisors: Jeremy Carroll, Prateek Kaushal, Brad Darrow
Stereo D Stereo Prod Supervisors: Ryan Fisk, Vincent De Febo
Stereo D Depth Supervisor: Roy Vincent Mann
Stereo D Finaling Supervisor: Brian Schultz
Stereo D Roto Supervisor: Daniel Schrepf
Stereo D VP of Int'l Prod Services: Prafull Gade
Stereo D VP of 3D Technology: Nizar Thabet
Stereo D VP of Conversion (VFX): Adam Schardein
Stereo D Stereoscopic Post Executive: Milton Amadou
Stereo D Post-Production Manager: Derek Prusak
Stereo D Line Producers: Chris Treichel, Krishna Prasad
Stereo D Asset Producer: Michael Anders
Stereo D Stereo Editor: Emily Mason
Stereo D Pipeline Supervisor: Chris Montesanto
Stereo D Element QC Supervisor: Les Foor
Supervising Digital Colorist: Tom Reiser
DI Producer: Vanessa Galvez
DI Editor: Amy Pawlowski
DI Color Assistant: Andre Rivas
DI Ass't Producer: Hunter Clancey
EFilm VFX Portal Producer: Jeremy Stapleton
Dailies Colorist: John Hart
Senior Dailies Producer: Ken Lebre
Filming Dates: 25 June 2015 - 14 October 2015, 14 March 2016 - 31 March 2016 (Reshoots)
Cameras: Alexa XT & Red Epic Dragon (3.4K ARRIRAW & 6K Redcode RAW)
Lenses: Arri Master Anamorphic Primes, Zeiss Compact Primes, Master Primes, Ultra Primes, Anamorphic Ultra-Wide Zoom & Angenieux Optimo 2S Anamorphic Zooms
AR: 2.39:1 (Anamorphic/Super 35mm Hybrid), 5.95:1 (Barco Escape Version: Some Scenes)
Budget: 185 Million USD
Printed on: Kodak Vision 2383
Visual Effects Provided by: Double Negative VFX, Atomic Fiction & Kelvin Optical
Additional Visual Effects Provided by: Base FX, Rodeo FX & Universal Production Partners
3D Conversion Provided by: Stereo D
Attribute: Filmed with Arri Cameras and Lenses - DirectorJustin LinStarsVin DieselMichelle RodriguezJordana BrewsterDom and the crew must take on an international terrorist who turns out to be Dom and Mia's estranged brother.Producer/Co-Writer: Justin Lin
Co-Writer: Daniel Casey
Story Writer: Alfredo Botello
Producer: Vin Diesel
Producer/Unit Production Manager: Clayton Townsend
Cinematographer: Stephen F. Windon ASC ACS
Production Designer: Jan Roelfs
Film Editors: Kelly Matsumoto ACE, Dylan Highsmith, Greg D'Auria
Costume Designer: Sanja Milkovic Hays
Composer/Conductor: Brian Tyler
Production VFX Supervisor/VFX 2nd Unit Director: Peter Chiang
Stunt Coordinator/2nd Unit Director: Spiro Razatos
Unit Production Manager: David Cain
1st Assistant Director: Vincent Lascoumes
Stunt Coordinators: Troy Robinson, Steve Griffin
Ass't Stunt Coordinator: Jason Oettle
Stunt Double/LA Unit Stunt Coordinator: Steve Kelso
Sung Kang Stunt Double/Fight Coordinator: Michael Lehr
Supervising Stunt Coordinator/2nd Unit Director: JJ Perry
Co-Producer: Joshua Henson
Associate Producer/Head of Visualization/2nd Unit Director: Alexander Vegh
Associate Producer/Add'l VFX Producer: Scott Shapiro
Associate Producer/Consulting VFX Producer: Kevin Elam
Associate Producer: F. Valentino Morales
Key 2nd Ass't Director: Charlie Reed
Supervising Art Director: Ashley Lamont
Senior Art Director: Andrew Palmer
Co-Senior Art Director: Toby Britton
Action Vehicles Art Director: Jake Hall
Graphic Art Director: Alan Payne
Set Decorator: Lucy Eyre
A Cam/Steadicam Operator: Geoffrey Haley SOC
C Camera Operator: Matt Windon
Steadicam/Add'l Cam Op: Jonathan Chunky Richmond
Assistant to Stephen Windon: Thomas Windon
UPM (Scotland 2nd Unit)/Sup. Location Manager: Chris Moore
Gaffer: Perry Evans
Production SFX Supervisor: Alistair Williams
Special Effects Floor Supervisor: Iain Hutton
Special Effects Prep Supervisor: Pete Haran
Special FX Workshop Supervisor: Arthur Spink
SFX W/Shop Supervisor-Design Co-Lead: Simon Rafferty
3rd Assistant Director: Claire Frayn
Digital Media Executive: Thyrale Thai
Add'l Film Editor: David Kern
VFX Ass't Editor: John P. Husky
2nd Unit Ass't Editor: Panupan Kanchanawat
Supervising Music Editor: Paul Rabjohns
Supervising Score Editor: Joe Lisanti
Ass't Supervising Sound Editor: Paul Aulicino
Production VFX Producer: Hal Couzens
VFX Assoc. Producers: Catherine Liu, Kim Doyle
VFX Prod Supervisors: Jon Brown, Adrianna Davies
Production VFX Coordinators: Anthony Cally, Michael Chan, Ali Ingham, Derek Fortuna, Camille Zurcher, Kelly Zoldak
VFX Plate Coordinators: Sali Chokheli, Bancha Lilasinlatham
VFX Data IO Coordinators: David Hyde, Stephanie Tenn
Production VFX Executive: Christopher Cram
Sr Picture Vehicle Coordinator: Dennis McCarthy
Picture Vehicle Supervisor (UK): Alex King
Picture Vehicle Coordinator: Alex Barrett
Senior Finishing Colorist: Andre Rivas
3D Finishing Colorist: Jason Hanel
Finishing Producer: Loan Phan
Ass't Colorist: Catherine Farquharson
CO3 President: Stefan Sonnenfeld ASC
LA Unit Key 2nd ADs: Eric Glasser, Julian Brain
LA Unit Art Director: Fay Viola
LA Unit Set Decorator: Brana Rosenfeld
LA Unit C Camera Operator: Sarah Levy SOC
LA Unit Moco Camera Operator: Chris Toth
LA Unit Gaffer: Michael Ambrose
LA Unit SFX Supervisor: Michael Meinardus
LA Unit On-Set SFX Coordinator: John Ziegler
LA Unit 2nd 2nd Ass't Director: John Stern
2nd Unit Production Manager: Andrew Surry
2nd Unit 1st ADs: Stewart Hamilton, Frazer Fennell-Ball
2nd Unit DoP: Igor Meglic ZFS
UK 2nd Unit DoP: Callan Green ACS NZCS
2nd Unit Stunt Coordinator: Andy Gill
2nd Unit A Camera Operator: Nino Pansini
Thailand 2nd Unit B Cam Operator: Peter Field
Thailand 2nd Unit C Cam Op: Picha Srisansanee
2nd Unit Edge Cam Op: Maurice Keith McGuire SOC
UK 2nd Unit B Camera Operator: Barney Piercy
UK 2nd Unit C Camera Operator: Julia Green
2nd Unit A Cam/Steady Op (UK Splinter Unit): Sean Savage
2nd Unit Key 1st Ass't A-Camera: Oliver Driscoll
2nd Unit Add'l 1st Ass't A-Camera: Sam Bell
2nd Unit Array 1st Assistant Camera: Abbi Catto
2nd Unit Array 2nd Ass't Camera: Lisa McGregor
2nd Unit Aerial DoP: David B. Nowell ASC
2nd Unit Drone Camera Operator: Stephen Oh
2nd Unit Drone DoP: Steve Koster
2nd Unit Drone 1st Assistant Camera: Phil Martin
2nd Unit Underwater DoP: Peter Zuccarini
2nd Unit SFX Floor Supervisors: Matt Armstrong, Chris Giles, Gareth Wingrove
2nd Unit SFX Prep Supervisors: Kevin Bitters, Bruce Bright
2nd Unit Key 2nd Ass't Directors: Adam Byles, Tom Mulberge
2nd Unit 3rd Ass't Directors: Jules Kirby, Barney Shakespeare, Suzi Wilson, Teariki Leonard
2nd Unit Pic Vehicle Coordinator: Nick Murray
Line Producer (2nd Unit - Thailand; Local Crew): Thunn Pestonji
Producer/UPM (2nd Unit - Thailand; Local Crew): Piya Pestonji
Art Director (2nd Unit - Thailand; Local Crew): Anussorn Musicabutr
Action Vehicle Coord (2nd Unit - Thailand; Local Crew): Panotte Ratanajarn
SFX Supervisor (2nd Unit - Thailand; Local Crew): Watcharachai Panichsuk
SFX Coord (2nd Unit - Thailand; Local Crew): Sathanee Kladkaew
Ass't SFX Coord (2nd Unit - Thailand; Local Crew): Nanpassamon Tabellion
Line Producers (2nd Unit - Tbilisi; Local Crew): Sophio Bendiashvili, Bacho Meburishvili
Stunt Coord (2nd Unit - Tbilisi; Local Crew): Davit Khubua
Art Directors (2nd Unit - Tbilisi; Local Crew): Erik Polczwartek, Sopo Bazgadze
Graph Designer (2nd Unit - Tbilisi; Local Crew): Mariam Lashvili
Set Decorator (2nd Unit - Tbilisi; Local Crew): Mamuka Esadze
Pic Vehicle Coord (2nd Unit - Tbilisi; Local Crew): Zuka Gogorikide
2nd Camera Operator (2nd Unit - Tbilisi; Local Crew): Goga Devdariani
SFX Sup (2nd Unit - Tbilisi; Local Crew): Soso Gvasalia
SFX Coordinators (2nd Unit - Tbilisi; Local Crew): Tami Morchiladze, Grigol Janashia
C Camera Op (2nd Unit - LA): Kent Harvey SOC
Key 2nd AC (2nd Unit - LA): Tim McCarthy
Array 1st ACs (2nd Unit - LA): Jim Thibo, Dustin Whittlesley
Array 2nd AC (2nd Unit - LA): Seth Gallagher
Drone Cam Op (2nd Unit - LA): Zack Haskell
ILM VFX Supervisor: Julian Foddy
ILM VFX Producer: Rob Shears
ILM Senior VFX Executive Producer: Jeanie King
ILM VFX Executive Producer: Jill Brooks
ILM Associate VFX Producer: Umar Hussain
ILM Compositing Supervisor: Jeff Sutherland
ILM CG Supervisor: Joel Bodin
ILM Lead Digital Artists: Jean-Nicolas Costa, Sarah de Schot, Koenraad Hofmeester, Douglas Moore, Jeremy Sawyer
ILM Senior VFX Concept Artist: Jason Horley
ILM VFX Concept Artist: Bimpe Alliu
ILM Digital Compositor: Wayne Chan
ILM VFX Production Manager: Brooke Masotti
ILM VFX Line Producers: Caroline Whitehill, Sophie Olive-Calver
ILM VFX Production Coordinators: Jessica Royce, Will Ross, Emma Ihecherenoma
ILM VFX Editor: Bethany Harvey
ILM Senior Virtual Production TD: Chris Johnston
ILM Head of VFX Production: Sue Lyster
DNEG VFX Supervisor: Daniel Rauchwerger
DNEG Senior VFX Producer: Carlos Ciudad
DNEG Add'l VFX Supervisors: Michael Grobe, Derek Wentworth
DNEG Animation Supervisor: Emile Ghorayeb
DNEG Senior DFX Supervisors: Daniel Baldwin, Ian Simpson, Mike Stillwell, Ean Carr
DNEG DFX Supervisors: Benoit De Longlee, Caine Dickinson, Mohinder Katrik
DNEG Senior CG Supervisors: Rick Leary, Tom Edwards, Peter Lasrado
DNEG CG Supervisors: Vimal Subramaniam, Alexandre Corbe, Ajay Jian, Ravindra Bhandi
DNEG VFX Producer: Alexandra Added
DNEG VFX Associate Producer: Echo Liu
DNEG VFX Production Managers: Austin Aplin, Ashwin Raju, Blair Brownlee, Lisa Hansen
DNEG VFX Shoot Crew Technical Director: Andy Warren
DNEG On-Set VFX Shoot Crew Technical Director: Daniel Gilligan
DNEG VFX Shoot Crew Photographer: Emily Roper
DNEG Senior VFX Colorist: Aurora Shannon
DNEG 3D Producer: Adam Ohl
DNEG 3D Editor: Travois Dultz
DNEG Stereo Supervisor: Ritesh "Ricky" Aggarwal
DNEG Global Head of 3D Production: Rohan Desai
DNEG Stereo Executive Producers: Lindsey Kaiser, Timmy Broderick
DNEG Head of Production: Gaurav Jain
DNEG Stereo Production Manager: Annsh Patel
DNEG Stereo Head of Pipeline: Isaac Guenard
DNEG Stereo Senior TD: Charles Luce
DNEG Stereo Line Producer: Reshma Jhangimal
Lola VFX Supervisor: Jeremiah Sweeney
Lola VFX Producer: Thomas Nittmann
Lola VFX Senior Compositing Supervisor: Loeng Wong-Savun
Lola VFX Senior VFX Coordinators: Jack Dorst, Ricardo Mendozo
Lola VFX Compositor: David Myles
Lola VFX Digital Artists: Matthew Unwin, David Clifton, Cody Brunty
Lola VFX Editor: John Polyson
Lola VFX Matte Painter: Sun Lee
Lola VFX Coordinator: William Wright Anderson
Stereo D VFX Producer: Mark Simone
Stereo D VFX Line Producer: Melissa Espina
Stereo D Head of VFX Production: Franklin Mascarenhas
Stereo D Compositing Supervisor: Grant Lee
Stereo D VFX Supervisor: Thailraju Madhav
Stereo D VFX Production Manager: Kari-Lyn Gravel
Stereo D Pipeline TD: Thomas E. Haley-Hermiz IV
Factory VFX Supervisor: Nicholas Cerniglia
Factory VFX Senior VFX Producer: Christal Wolgamott
Factory VFX Producer: Eric Christensen
Factory VFX Senior Compositing Supervisor: Juan Melgoza
Factory VFX CG Supervisor: Steve Mihaylov
Factory VFX Compositing Supervisors: Spencer Howson, Russ Sueyoshi
Blind LTD CG Supervisor: Andrew Booth
Blind LTD CG Producer: Helen Baker
Panavision VP of Optical Engineering: Dan Sasaki ASC
Filming Dates: June 24, 2019 - November 11, 2019, January 2020 - February 2020 (Add'l Photography)
Cameras: Arriflex 235, 435, 435ES Advanced, Alexa LF, Mini, SXT, Panaflex XL2 & Red Helium (35mm Kodak Vision3 500T 5219 & 3.4K ARRIRAW)
Lenses: Panavision Primo Spherical Primes, C-Series Anamorphic Primes & Angenieux Optimo Zooms
AR: 2.39:1 (3-Perf/4-Perf Super 35mm)(Anamorphic: One Scene)(4.5K ARRIRAW: Underwater Scenes)(Redcode RAW: VFX Plates)
Budget: 200-225 Million USD
Color & Finish Provided by: Company 3
Main Visual Effects, Animation & 3D Conversion Provided by: Industrial Light & Magic, Double Negative, Lola VFX, Stereo D + Factory VFX
Score Recorded at: Air Studios, London, UK
Attribute: Filmed in Panavision