Production Details on Universal Monster Movie Remakes, Spinoffs & Whatnot
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- DirectorJohn BadhamStarsFrank LangellaLaurence OlivierDonald PleasenceIn 1913, the charming, seductive and sinister vampire Count Dracula travels to England in search of an immortal bride.Director: John Badham
Composer/Conductor: John Williams
Cinematographers: Gil Taylor BSC, Frank Tidy
Visual Consultant: Maurice Binder
Film Editor: John Bloom
Production Designer: Peter Murton
Art Director: Brian Ackland-Snow
Costume Designer: Julie Harris
Assistant Director: Anthony Waye
2nd Unit Director: Gerry Gavigan
SFX Supervisor: Roy Arbogast
Special Visual Effects Supervisor: Albert Whitlock
Models Supervisor: Brian Smithees
Stunt Coordinator: Eddie Powell
Camera Operator: Roy Ford
Additional DPs: Leslie Dear, Harry Oakes
Ass't Camera: Peter Taylor
Digital Colorist (Remaster): Julian Francis Adderley
Filming Dates: 18 August 1978 - 4 December 1978
Camera: Panaflex (35mm)
Lenses: Panavision C-Series Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Budget: 12.1 Million USD
Budget AFI (2021): 45.1 Million USD
Anecdote: Filmed in Panavision - DirectorStephen SommersStarsBrendan FraserRachel WeiszJohn HannahAt an archaeological dig in the ancient city of Hamunaptra, an American serving in the French Foreign Legion accidentally awakens a mummy who begins to wreak havoc as he searches for the reincarnation of his long-lost love.Director & Co-Writer: Stephen Sommers
Screen Story Writer: Lloyd Fonvielle
Screen Story Writer & Executive Producer: Kevin Jarre
Producers: James Jacks, Sean Daniel
Cinematographer: Adrian Biddle BSC
Cinematographer (2nd Unit Crew): Harvey Harrison BSC
Production Designer: Allan Cameron
Co-Producer & Unit Production Manager: Patricia Carr
Film Editor: Bob Ducsay ACE
Composer & Score Conductor: Jerry Goldsmith
Costume Designer: John Bloomfield
Stunt Coordinator: Simon Crane
Stunt Performers: Wade Eastwood, George Cottle, Rob Inch, Paul Jennings, Tom Struthers, Jo McLaren
1st Assistant Director: Cliff Lanning
Production Visual Effects Supervisor: John Andrew Berton Jr
Production Visual Effects Producer: Jennifer Bell
ILM Character Design Supervisor: Jeff Mann
ILM Senior Animation Supervisor: Dan Jeannette
ILM Senior Visual Effects Producer: Tom Kennedy
2nd Film Editor: Kelly Matsumoto ACE
Sound Designer & Re-Recording Mixer: Les Shatz
2nd Unit Director: Greg Michael
Post-Production Supervisor: Doreen A. Dixon
Production Special Effects Supervisor: Chris Corbould
Live-Action Creature FX Supervisor: Nicholas Dudman
Associate Producer: Megan Moran
Egyptology Consultant: Stuart Smith
Unit Production Manager: Jo Burn
Production Manager (Morocco): Neil Ravan
A Camera Operator: David Worley
1st Assistant A Camera: Adam Biddle
2nd Assistant A Camera: Shaun Evans
B Camera Operator: Roderick Barron
1st Assistant B Camera: Clive Mackey
2nd Assistant B Camera: Ben Perry
Key Grip: John Flemming
A Camera Grip: Derek Russell
B Camera Grip: Dave Rist
A Camera Technician: Ian Speed
B Camera Technician: Dave Freeth
Camera Intern: James Offord
1st Assistant Editors: Andrew MacRitchie, Meghan L. Noble
AVID 1st Assistant Editor: Jim May ACE
2nd Assistant Editor: Michael Gay
3rd Assistant Editor: Ian Differ
5th Assistant Editor: Mark Sanger ACE
1st Apprentice Editor: Ray Bushey III
Re-Recording Mixers: Rick Kline, Chris Carpenter
Art Directors: Tony Reading, Giles Russell, Clifford Robinson, Peter Russell
Assistant Art Director: Mike Stallion
Set Decorator: Peter Howitt
Art Department Coordinator: Nicola Barnes
Art Department Assistant: Alice Biddle
Scenic Artist: James Gemmill
Supervising Sculptor: Roy Rodgers
2nd Special FX Supervisors: Steve Hamilton, Andy Williams
Special FX Animatronic Designers: Ian Lowe, David Keen, Ian Mitchell, Tom Murtagh
Special Effects Wire Supervisor: David Williams
Production SPFX Technic. & Wind Operator: Graham Booker
Production Special Effects Administrator: Lynne Corbould
Production Special Effects Trainee: Andrew Warner
Visual Effects Production Coordinator: Lucy Killick
Visual FX Post-Production Coordinator: Gabrielle C. Frlekin
Effects Unit Director of Photography: Ray Gilberti
VFX Unit VistaVision A Camera Operator: Steven Hall ASC
VFX Unit VistaVision B Camera Operator: Andy Newall
Production VFX Matchmovers: Alex Head, Simon Dunsdon
Live-Action Mummy Designer: Gary Pollard
Mummy Fabrication Supervisor: Shirley Cooper
Senior Animatronic Model Designer: Chris Barton
Key Animatronic Model Designers: Mark Coulier, Michelle Taylor
Unit Manager (UK): Peter Heslop
Production Coordinator: Patsy De Lord
Assistant Production Coordinator: Tania Clarke
Location Coordinator: Siobhan Lyons
2nd Assistant Directors: Jamie Christopher, Adam Somner
3rd Assistant Director: Jim Threapleton
Sup Loc Managers (Morocco): Terry Blyther, Gilles Castrera, Gilles Charvin
Location Manager (UK): Gilly Case
Assistant Location Manager (UK): Lucy Williams
Location Accountant (Morocco): Sarah Trowse
Supervising Prop Master: David Balfour
Loc Prop Masters (Morocco): Paul Hedges, Micky Pugh
Horse Master: Greg Powell
Horse Trainers (Morocco): Pedro Garcia, Luiz Santos, Eugenio Yenes
Horse Trainer (Chariots): Lex Ruddiman
Wire Effects Supervisor: Robert Schofield
Sword Master: Nicholas Powell
Crane Operator (Morocco): Stephen Yates
Gaffer: Kevin Day
Rigging Gaffer: Michael Chambers
Sound Effects Editor: Richard Burton
Supervising ADR Editor: Patrick Dodd
Assistant ADR Editor: Anne Laing
Supervising Music Editor: Kenny Hall
Music Editor: Darrell Hall
Assistant Music Editor: Bob Bayless
Temp Music Editor: John Finklea
Temp Assistant Music Editor: Sienna Finklea
Score Orchestrator: Alexander Courage
Score Recordist: Mike Ross Trevor
Orchestra Contractor: Isobel Griffiths
Score Mixer: Bruce Botnick
Production Assistant (Morocco): Caroline Roemmele
Transport Manager (Morocco): Arthur Dunn
Transport Manager (UK): Phil Allchin
1st Assistant Director (2nd Unit Crew): Peter Bennett
2nd ADs (2nd Unit Crew): Richard Styles, Sophie Sorenson
3rd Assistant Director (2nd Unit Crew): Gary Talbot
A Camera Operator (2nd Unit Crew): Peter Taylor
B Camera Operator (2nd Unit Crew): David Budd
Focus Puller (2nd Unit Crew): Mike Evans
A Camera Clapper Loader (2nd Unit Crew): Mik Allen
B Camera Clapper Loader (2nd Unit Crew): Marc Atherfold
C Camera Clapper Loader (2nd Unit Crew): Spencer Murray
A Camera Grip (2nd Unit Crew): Kenny Atherfold
B Camera Grip (2nd Unit Crew): Tony Turner
C Camera Grip (2nd Unit Crew): Pat Garratt
Crane Grip (2nd Unit Crew; Morocco): Phil Kenyon
Gaffer (2nd Unit Crew): Steve Foster
Prod Supervisor (Morocco Crew): Abdelkrim Abouobayd
Production Manager (Morocco Crew): Abdelhafed Balafrej
Location Manager (Morocco Crew): Driss Gaidi
Art Director (Morocco Crew): Ahmed Abounouom
1st Assistant Director (Morocco Crew): Ahmed Hatimi
Production Coordinator (Morocco Crew): Hind Hanif
2nd Unit Manager (Morocco Crew): Rachid Bouzida
ILM CG Supervisors: Mike Bauer, Ben Snow, Scott Frankel
ILM CG Animation Supervisor: Dennis Turner
ILM Digital Model Supervisor: James Doherty
ILM Digital Color Timing Supervisor: Kenneth Smith
ILM VFX Art Director & Mummy Designer: Alex Laurant
ILM Associate Visual Effects Producer: Sandra Scott
ILM Lead Sequence Animator: Jenn Emberly
ILM CG Seq. Supervisors: Ed Kramer, Mike Dean Ludlum, Dave Horsley
ILM Lead Compositor: Marshall Richard Krasser
ILM CG Digital Effects Supervisor: Joakim Arnesson
ILM CG Technical Director: Raul Essig
ILM VFX Coordinators: Margaret Lynch, Peter Nicolai
ILM Lead Viewpaint Artist: Catherine Craig
ILM Lead Creature Developer: Richard Grandy
ILM 3D Camera Matchmove Supervisors: Terry Chostner, Selwyn Eddy III
ILM Location Matchmove Artist: Marla Selhorn
ILM Mocap Supervisors: Seth Rosenthal, Jeff Light
ILM Mocap Engineers: Doug Griffin, Mike Sanders
ILM Visual Effects Editor: Tim Eaton
ILM Visual Effects 1st Assistant Editor: Jennifer Gonzalez
ILM VFX Production Assistants: Camille Eden, Stacey Shear
ILM Film Scanning Supervisor: Joshua Pines
ILM VFX Sup (Thebes & Hamunaptra Collapse Sequences): Scott Farrar ASC
ILM VFX Unit DoP (Thebes & Hamunaptra Collapse Sequences): Pat Sweeney
ILM FX Unit Ass't A-Cam (Thebes & Hamunaptra Collapse Sequences): Carl Miller
ILM Pyro Tech (Thebes & Hamunaptra Collapse Sequences): Geoffrey Heron
ILM Model Supervisor (Thebes & Hamunaptra Collapse Sequences): Barbara Affonso
ILM Plate Coordinator (Thebes & Hamunaptra Collapse Sequences): Diane Freney
ILM GM (Thebes & Hamunaptra Collapse Sequences): Jim Morris
ILM Creature Fabricator: Michael Wick
Cinesite Visual Effects Supervisor: Kevin Lingenfelser
Cinesite Visual Effects Producer: Ariana Lingenfelser
Cinesite Art Director: Lubo Hristov
Cinesite CG Supervisor: Richard Kidd
Cinesite CG Motion Tracker: Vicky Kwan
Cinesite Digital Compositors: Pat Tubach, Dave Lingenfelser
Cinesite Visual Effects Editor: Kevin C. Clark
Cinesite AVID Editor: Jonathan Alvord
Cinesite Digital Data Supervisor: Tony Sgueglia
Cinesite 3D TA Supervisor: Vincent Lavares
Cinesite Digital Imaging Operator: Kristopher Gregg
VCU Miniatures Supervisor: Evan Jacobs
PT/M Visual Effects Supervisor: Mark Freund
PT/M Visual Effects Producer: Ken D. Smith
PT/M Associate Visual Effects Producer: Lynne Coyer
PT/M Visual Effects Coordinator: Sandy Della Marie
Filming Dates: 5 May 1998 - 29 August 1998
Cameras: Arriflex 35-III, Panaflex Platinum & VistaVision (35mm Kodak Vision 500T 5279, Eastman EXR 50D 5245 & 500T 5298)
Lenses: Panavision Primo Anamorphic Primes & C-Series Anamorphic Primes
AR: 2.39:1 (Anamorphic)(8-Perf VistaVision: Visual Effects)
Budget: 80 Million USD
Budget AFI (2021): 127.1 Million USD
Music Scored & Recorded at: Air Lyndhurst Studios
Special Digital Visual Effects & Animation Provided by: Industrial Light & Magic, Cinesite + Pacific Title/Mirage
Miniatures Provided by: Vision Crew Unlimited
Photographed at: Shepperton Studios, England
Shot on: Eastman Kodak Film
Attribute: Filmed in Panavision - DirectorStephen SommersStarsBrendan FraserRachel WeiszJohn HannahThe mummified body of Imhotep is shipped to a museum in London, where he once again wakes and begins his campaign of rage and terror.Director & Writer: Stephen Sommers
Producers: James Jacks, Sean Daniel
Executive Producer & Film Editor: Bob Ducsay ACE
Executive Producer & Unit Production Manager: Don Zepfel
Cinematographer: Adrian Biddle BSC
Production Designer: Allan Cameron
Film Editor: Kelly Matsumoto ACE
Composer & Score Conductor: Alan Silvestri
Score Orchestrator: William Ross
Costume Designer: John Bloomfield
Production Visual Effects Supervisor: John Andrew Berton Jr
Supervising Stunt Coordinator: Steve Dent
Assistant Stunt Coordinator: Gary Powell
Fight Coordinator: Hiro Koda
Stunts: Rob Inch, Rowley Irlam, CC Smiff
2nd Unit Director: Greg Michael
Stunt Department Coordinator: Greg Campbell
1st Assistant Director: Cliff Lanning
Key 2nd Assistant Director: Jamie Christopher
Production Animation Supervisor: Daniel Jeanette
Creature & Makeup FX Designer: Nick Dudman
Production Visual Effects Producer: Jennifer C. Bell
Sound Designer & Re-Recording Mixer: Leslie Shatz
ILM Character Design Supervisor: Mark Moore
ILM Senior Visual Effects Producer: Heather MacDonald
ILM Senior CG Supervisor: Robert Marinic
ILM Senior Compositing Supervisor: Tom Rosseter
Production Supervisor: Jo Burn
Post-Production Supervisor: Sean Stratton
Associate Producer: Megan Moran
Production Special Effects Supervisor: Neil Corbould
A Camera Operator: David Worley
B Camera Operator: Roderick Barron
Steadicam Operator: Alf Tramontin
A Camera 1st Assistant & Focus Puller: Clive Mackey
1st Assistant B Camera: Ashley Bond
A Camera Clapper/Loader: Shaun Evans
B Camera Clapper/Loader: Ben Perry
Key Grip: John Flemming
Dolly Grip: David Russell
Remote Head Operator: Ian Townsend
Video Playback Operator: Stephen Lee
Aerial Unit A Camera Operator & Director of Photography: Adam Dale
Re-Recording Mixers: David Parker, Rick Ash
Executive in Charge of Production: Ron Lynch
Production Visual Effects Editor: Andrew MacRitchie
Supervising 1st Assistant Editor: Tzarina Edillon Burrell
1st Assistant Film Editor: Michael D. Gay
AVID 1st Assistant Editor: Mark Sanger ACE
2nd Assistant Editors: Kevin Holt, Mark V. Phillips
1st Apprentice Editor: Ray Bushey III
2nd Apprentice Editor: Russ Ekkel
1st Editorial Assistant: Peden Young
2nd Editorial Assistant: Jo-Anne Dixon
Post-Production Coordinator: Steven T. Ellis
HDCA Telecine Custom Finishing Colorist: Michael Healey
Art Directors: Anthony Reading, Giles Masters
Assistant Art Director: Gary Tomkins
Standby Art Director: Nick Palmer
Storyboard Artist: Stephen Forrest-Smith
Head Scenic Artist: James Gemmill
Scenic Artist: Marcus Williams
Set Decorator: Peter Young
Assistant Set Decorator: Robert Cameron
Prop Master: David Balfour
Location Prop Master: Steve Wheeler
Supervising Gaffer: Kevin Day
Gaffer: Michael Chambers
Rigging Gaffer: Simon Lucas
Supervising Rigger: John Pitt
2nd Special FX Supervisors: David Hunter, Andy Williams
SFX Lead Techs: Dave Brighton, Steve Cullane, Trevor Wood
Production Special Effects Buyer: Norman Baillie
Production Special Effects Coordinator: Carol McAulay
Special Effects Supervising Wireman: Dave Williams
Senior Effects Technicians: Michael Dunleavy, Dave Knowles
Special Effects Test Technician: Malcolm Crash Corbould
Egyptology Consultant: Stuart Smith
Production Manager: Angus More Gordon
Location Production Manager: John Bernard
Production Coordinator: Judy Britton
Ass't Production Coordinators: Kate Garbett, Virginia Murphy
Location Manager (UK): Simon McNair Scott
Assistant Location Managers: Jonathan JJ Hook, Simon Hook
Additional 2nd Assistant Director: Dan John
3rd Assistant Director: William Dodds
Executive in Charge of Music: Kathy Nelson
Supervising Music Editor: Kenneth Karman
Score Mixer: Dennis S. Sands
Score Coordinator: Dave Bifano
2nd Unit DoP: Harvey Harrison BSC
2nd Unit 1st Assistant Director: Peter Bennett
2nd Unit 2nd Assistant Director: Matthew Sharp
2nd Unit 3rd Assistant Director: Scott Bates
Unit Manager (2nd Unit): Piers Dunn
2nd Unit A Camera Operator: Peter Taylor
2nd Unit A Cam 1st Assistant & Focus Puller: Michael Evans
2nd Unit A Camera Focus Puller: Mik Allen
2nd Unit Key Grip: Pat Garrett
2nd Unit Grip: Phil Murray
2nd Unit Video Operator: Gary Blowfield
2nd Unit Special Effects Supervisor: John Evans
2nd Unit Gaffers: Steve Foster, Steve Roberts
2nd Unit VFX Coordinators: Lucy Killick, Jose Ruisanchez, Emily Edwards
2nd Unit VistaVision A Camera Operator & Director of Photography: Steven Hall
2nd Unit Matchmover (Visual Effects): Alex Head
2nd Unit Location Matchmover (Visual Effects): John Brown
2nd Unit Aerial A Camera Operator-Director of Photography: Simon Werry
Supervising Prod Manager (Morocco): Abdelkrim Abouobayd
PMs (Morocco): Philip Kohler, Abdelhafed Balafrej
Production Coordinators (Morocco): Hind Hanif, Bi Benton
Location Managers (Morocco): Driss Gaidi, Hamid Araissi
1st Assistant Director (Morocco): Rachid Gaidi
Key 2nd ADs (Morocco): Simon Downes, Driss Chouika
Co-2nd Assistant Director (Morocco): Keith Young
Art Director (Morocco): Ahmed Abounouom
Production Manager (Jordan): Munir Y. Nassar
Production Coordinator (Jordan): Lulu Morgan
Location Manager (Jordan): Hisham Majali
1st Assistant Director (Jordan): Jackie Sawiris
2nd Assistant Director (Jordan): Maya Mufti
Art Director (Jordan): Fawaz Zou'Bi
ILM VFX Aerial Unit Director & Plate Supervisor: Kevin Rafferty
ILM Art Director: Alex Laurant
ILM CG Supervisors: Erik Mattson, David Meny
ILM Pygmy Animation Supervisor: Colin Brady
ILM Canyon Wave Supervisor: Paul Griffin
ILM Lead Animators: Marjolaine Tremblay-Silva, Miguel Fuertes
ILM Seq. Supervisors: Ed Kramer, Indira Guerrieri, Henry Preston
ILM Animators: Tim Harrington, Kevin Martel
ILM Lead Technical Animator: Christopher Mitchell
ILM Technical Animators: Janice Lew, Neil Lim Sang
ILM Visual FX CG Technical Director: David Marsh
ILM Digital Model Supervisor: George Aleco-Sima
ILM Lead Creature Developer: Aaron Ferguson
ILM Creature Developers: Aaron Holly, Ron Bulbitz
ILM Viewpaint Supervisor: Catherine Craig
ILM Lead Sabre Artist: Catherine Tate
ILM Lead Matte Painter: Rick Rische
ILM Color Timing Supervisor: Kenneth Smith
ILM VFX Coordinators: Jeanie King, Monique Gougeon, John Levin
ILM 3D Matchmove Supervisor: Alia Agra
ILM Location Matchmove Artist: Marla Selhorn
ILM 3D Matchmove Supervisor: Selwyn Eddy III VES
ILM Lead Digital Paint/Roto Artist: Heidi Zabit
ILM Mocap Supervisor: Seth Rosenthal
ILM Mocap Lead Technical Director: Doug Griffin
ILM Mocap Engineer: Mike Sanders
ILM Visual Effects Editor: Tim Eaton
ILM Co-Visual Effects Editor: Carey Burens
ILM Model Supervisor: Barbara Affonso
ILM VFX Unit A Camera Operator/Director of Photography: Ray Gilberti
ILM Visual Effects Unit Gaffer: Thomas Clouthier
ILM VFX PAs: Leigh Ann Fan, Gordon Wittmann
ILM Senior Scanning Supervisor: Joshua Pines
ILM Scanning Operator: Mike Ellis
ILM General Manager: Jim Morris
MWD Visual Effects Supervisor: Craig Barron ASC
MWD Visual Effects Producer: Krystyna Demkowicz
MWD Matte Painter: Brett Northcutt
MWD Chief Matte Artist: Christopher Evans
MWD Compositors: Paul Rivera, Mike Root
MWD 3D Artist: Glen Cotter
CFC Executive Producer of Visual Effects: Drew Jones
CFC Digital Visual Effects Supervisor: Mark Nelmes
CFC Supervising CG Animator: Dominic Parker
CFC Visual Effects Line Producer: Dominic Sidoli
CFC Digital Compositing Artist: Matt Kasmir
Digiscope Visual Effects Supervisor: Brad Kuehn
Digiscope Visual Effects Exec Producer: Mary Stuart Welch
Digiscope Visual Effects Producer: Carole Crowley
Digiscope Visual Effects Coordinator: Keiko Koyama
Digiscope Visual Effects Compositor: Grady Cofer
Production Creature Effects Supervisor: Gary Pollard
Filming Dates: 1 May 2000 - 29 September 2000
Cameras: Panaflex XL, Panastar & VistaVision (35mm Eastman EXR 100T 5248/Kodak Vision 800T 5289/EXR 500T 5298)
Lenses: Panavision Primo Anamorphic Primes, C-, E-Series Anamorphic Primes & Cooke Super Anamorphic PanaZooms
AR: 2.35:1 (Anamorphic)(8-Perf VistaVision: Visual Effects)
Budget: 98 Million USD
Budget AFI (2021): 146.6 Million USD
Printed on: Kodak Vision 2383
Score Performed by: Sinfonia of London
Special Visual Effects & Animation Provided by: Industrial Light & Magic, Computer Film Company + Digiscope
Additional Matte Paintings Provided by: Matte World Digital
Photographed at: Shepperton Studios, London, England
Additional Photography at: Pinewood Studios, London, England
Shot on: Kodak Motion Picture Film
Attribute: Filmed in Panavision - DirectorChuck RussellStarsDwayne JohnsonSteven BrandMichael Clarke DuncanA desert warrior rises up against the evil army that is destroying his homeland. He captures the enemy's key sorcerer, takes her deep into the desert and prepares for a final showdown.Director: Chuck Russell
Producer & Co-Writer: Stephen Sommers
Screenwriter: David Hayter
Story Writer: Jonathan Hales
Producers: James Jacks, Sean Daniel
Executive Producer: Vince McMahon
Cinematographer: John Leonetti ASC
Cinematographer (Add'l 2nd Unit): Hiro Narita ASC
Production Designer: Ed Verreaux
Associate Producer & Film Editor: Michael Tronick ACE
Film Editor: Greg Parsons
Co-Producer: Richard Luke Rothschild
Composer: John Debney
Costume Designer: John Bloomfield
Associate Producer & Key 1st AD: Josh McLaglen
Casting: Sarah Halley Finn CSA, Randi Hiller CSA
Unit Production Manager: Andrew G. La Marca
2nd Assistant Directors: Rich Sickler, Danny Green
Production Visual Effects Producer: Juliette Yager
Stunt Coordinator/2nd Unit Director: Billy Burton
2nd Unit Director (Add'l Photography): Greg Michael
Stunt Coordinator: Thomas L. Lupo
Sword Fight Coordinator: Al Leong
Fight Choreographer & Add'l Stunt Coordinator: Andy Cheng
Stunt Doubles (D. Johnson): Tanoai Reed, Norm Compton
A Camera Operator: Michael St. Hilaire SOC
B Camera/Steadicam Operator: Stephen Ullman
Post-Production Supervisor: Virginia Landis Albertson
1st Assistant & Production VFX Editor: James Andrykowski
Supervising Art Director: Greg Papalia
Art Director: Doug Meerdink
Assistant Art Director: Roy Barnes
Set Designers: Noelle King, Kristen Pratt, Bill Law, James J. Murakami, Dean P. Wolcott, Gary Diamond
Supervising Storyboard Artist: David J. Negron Jr
Set Decorator: Kate Sullivan
Prop Master: Tracy Farrington
Assistant Prop Master: Mike Cunningham
Location Manager: Michael Neale
Assistant Location Manager: Robert S. Frank
Chief Lighting Technician: Derrick Kolus
Rigging Gaffer: Rodger Meilink
Production Special Effects Coordinator: Larz Anderson
Production Special Effects Assistant: Sara R. Morris
2nd 2nd Assistant Director: Scott Wolf
Production Executive: Ty Warren
Sound Designer: Paul NJ Ottosson
Executive in Charge of Music: Kathy Nelson
Production Music Coordinator: Rick Fleishman
Music Editor: Will Kaplan
Score Co-Producer: Michael Mason
Score Mixer: Shawn Murphy
Orchestra Conductor: Pete Anthony
Orchestra Contractor: Sandy DeCrescent
2nd Unit Production Supervisor: Lisa A. Becker
2nd Unit DoP: Robert La Bonge
2nd Unit 1st Assistant Director: J. Tom Archuleta
2nd Unit 2nd Assistant Director: Kevin Duncan
2nd Unit A Camera Operator: Leo J. Napolitano
2nd Unit B Camera Operator: Buzz Feitshans IV
2nd Unit Add'l 2nd Assist Director: Stephen Lonano
2nd Unit Chief Lighting Technician: Don Bixby
2nd Unit Assistant Location Manager: Greg Kappy
2nd Unit Special Effects Coordinator: Dennis Dion
2nd Unit VFX Coordinators: Josh Arsenault, Jacqueline Rosado
CFX/Das Work Visual Effects Supervisor: Rodney Iwashina
CFX/Das Work Visual Effects Producer: Chris Del Conte
CFX/Das Work Digital Effects Supervisor: Nelson Sepulveda
CFX/Das Work CG Supervisors: Bret St. Clair, Michael McNeill, Mark Lasoff
CFX/Das Work Animation Supervisor: Daniel Robichaud
CFX/Das Work R&D Technical Supervisor: Andy King
CFX/Das Work 3D Texture Artist: Michelle Deniaud
CFX/Das Work Digital Matte Paint Supervisor: Robert Scifo
CFX/Das Work 3D Trackers: James Park, Juan Gonzalez
CFX/Das Work Data I/O Supervisor: Gary George
CFX/Das Work Digital Imaging Supervisor: Greg Hanigan
CFX/Das Work VFX Production Coordinator: John Bozalla
CFX/Das Work VFX Production Assistant: Karina Desin
CFX/Das Work Executive VFX Producer: Mark Franco
CFX/Das Work Head of Production: Aaron Dem
R!OT Concept Designer: Deak Ferrand
R!OT Sr Matte Painters: Rocco Gioffre, Michele Moen, Ken Nakada
R!OT Visual Effects Producer: Andrea D'Amico
R!OT Visual Effects Supervisor: Bob Wiatr
R!OT On-Set Visual Effects Supervisor: Mark Stetson
R!OT Miniatures Supervisor: Gregory Jein
R!OT Visual Effects Coordinator: Jaime Norman
R!OT Senior Compositor: Brian Hanable
R!OT 3D Tracking Supervisor: Matt O'Callaghan
R!OT Scanning/Recording Manager: Matt McFarland
R!OT Technical Operations Manager: Lauralee Wiseman
R!OT I/O Technician: Joe Frasca
Production Coordinator (Add'l Photography): Noelle Green
APC (Add'l Photography): Monica Frommholz
Assistant Art Director (Add'l Photography): Andrew Menzies
2nd 2nd Assistant Director (Add'l Photography): Rick Kelly
Camera Assistant (Add'l Photography): Chris Mack
Stunt Co-Coordinators (Add'l Photography): Al Goto, Daniel Southworth
Location Manager (Add'l Photography): John Panzarella
1st Assistant Director (Add'l 2nd Unit): Nilo Otero
2nd ADs (Add'l 2nd Unit): Maria Mantia, Allen Kupetsky
Stunt Coordinator (Add'l 2nd Unit): Bob Brown
A Camera Operator (Add'l 2nd Unit): Vern Nobles Jr
A Camera/Steadicam Operator (Add'l 2nd Unit): Jody Miller
Dedicated to: Ron White
Filming Dates: April 2001 - June 2001
Cameras: Panaflex Millennium XL, Platinum & Panastar (35mm Eastman EXR 100T 5248/Kodak Vision 500T 5279)
Lenses: Panavision Primo Spherical Primes & Zeiss Primes
AR: 2.39:1 (4-Perf Super 35mm)
Budget: 60 Million USD
Budget AFI (2021): 89.7 Million USD
Visual Effects & Animation Provided by: CFX/Das Work & R!OT
Attribute: Filmed with Panavision Cameras and Lenses - DirectorStephen SommersStarsHugh JackmanKate BeckinsaleRichard RoxburghThe famed monster hunter is sent to Transylvania to stop Count Dracula, who is using Dr. Frankenstein's research and a werewolf for nefarious purposes.Director: Stephen Sommers
Composer/Conductor: Alan Silvestri
Additional Orchestrator: William Ross
Cinematographer: Allen Daviau ASC
Producer/Film Editor: Bob Ducsay ACE
Film Editors: Jim May ACE, Kelly Matsumoto
Production Designer: Allan Cameron
Costume Designers: Gabriella Pescucci, Carlo Poggioli
Unit Production Manager: JoAnn Perritano
Senior VFX Supervisors: Ben Snow, Scott Squires
VFX Supervisors: Bruce Holcomb, Richard Malzahn
Additional VFX Supervisor: Mark Freund
Weta VFX Supervisor: Joe Letteri
2nd Unit Director: Greg Michael
VFX Plate Supervisor/Additional Unit Director: Michael Owens
SFX Unit Directors: Garry Elmendorf, Thomas Fisher
Senior SFX Supervisor: Kamil Jaffar
2nd Unit SFX Supervisor: David Blitstein
Snow Effects Supervisor: Roland Hathaway
VFX Art Director: Christian Alzmann
VFX Producers: Jennifer C. Bell, Annette Wullems, Garson Yu
VFX Associate Producer: Jeanie King
VFX Location Coordinator: Wayne Billheimer
VFX DP: Martin Rosenberg ASC
VFX Post-Production Coordinator: Christopher Cram
Inferno Supervisor: Grady Cofer
Technical Director: Lindy DeQuattro
Matte Painting Supervisor: Syd Dutton
CG Supervisor: Craig Hammack
Additional Animation Supervisor: Hal Hickel
Digital Effects Artist: Ed Kramer
Computer Graphics Supervisor: Dan Lemmon
Previsualization Supervisor: Rpin Suwannath
Creature Concept Designer: Patrick Tatopoulos
Creature Technical Director: Jeff White
DI Coordinator: Helga Salmena
ILM Sabre Artist: Adam Howard
ILM Senior Staff: Jim Morris
Digital Color Timer: Steven J. Scott ASC
1st Assistant A-Camera: Jimmy Jensen
Camera Operators: Klaus Fuxjager, Leo J. Napolitano
2nd Camera Operator: Tom Connole
Steadicam Operator: Craig Fiske
2nd Unit DP: Josh Bleibtreu ASC
2nd Unit Camera Operators: Milan Chadima, David Luckenbach, Zoran Veselic
Additional DP: Brett Mabry
Aerial Unit DP: Dwayne McClintock
Assistant Editor: Josh Campbell
Digital Colorist: Michael Healey
Colorist: Mark Sachen
Orchestra Contractor: Sandy DeCrescent
Music Librarian: Mark Graham
Score Mixer: Dennis S. Sands
Filming Dates: January 2003 - June 2003
Cameras: Arriflex 435, Panaflex Millennium & Platinum (35mm Kodak Vision2 500T 5218)
Lenses: Panavision Primo Spherical Primes
AR: 1.85:1 (Spherical)
Budget: 160 Million USD
Budget AFI (2021): 224.3 Million USD
Printed on: Kodak Vision 2383
Visual Effects Provided by: Industrial Light & Magic + Weta Digital
Attribute: Filmed with Panavision Cameras and Lenses - DirectorRob CohenStarsBrendan FraserJet LiMaria BelloIn the Far East, Alex O'Connell, the son of famed mummy fighters Rick and Evy O'Connell, unearths the mummy of the first Emperor of Qin -- a shape-shifting entity cursed by a witch centuries ago.Director: Rob Cohen
Writers: Alfred Gough, Miles Millar
Producers: Bob Ducsay ACE, Stephen Sommers, James Jacks, Sean Daniel
Executive Producer/Unit Production Manger: Chris Brigham
Executive Producers: Jianxin Huang, Ren Zhonglun
Cinematographer: Simon Duggan ASC ACS
Production Designer: Nigel Phelps
Film Editors: Joel Negron ACE, Kelly Matsumoto ACE
Composer: Randy Edelman
Composer (Add'l Music): John Debney
Costume Designer: Sanja Milkovic Hays
2nd Unit Director (Action Unit) & Supervising Stunt Coordinator: Vic Armstrong
Co-Producer/Unit Production Manager: Josette Perrotta
1st Assistant Director: PJ Voeten
2nd Assistant Director: Bethan Mowat
Stunt Coordinator: Mark Southworth
Canada Unit Stunt Supervisor: Marc Desourdy
Asian Fight & Sword Choreographer: Mike Lambert
Stunts: Scott Armstrong
Production VFX Supervisors: Joel Hynek, Matt Butler, Derek Spears
Assoc. Producers: Marc Pitre, Matthew Stuecken, Xu Pengle
Production Visual FX Producers: Ginger Theisen, Garv Thorp
Production Special Effects Coordinator: Bruce Steinheimer
Supervising Art Director: Isabelle Guay
Head Set Decorator: Anna Kuljian
Add'l Cinematographer: Sion Michel ACS
A Camera/Steadicam Operator: Francois Archambault
B Camera Operator: Alfonso Moreiari
Aerial Unit DoP: Hans Bjerno ASC
Aerial Unit A Camera Technician: Dane Bjerno
Sound Designer & Supervisor: Bruce Stambler
Editorial Consultant: Pietro Scalia ACE
1st Assistant Editor: Peter Gvozdas ACE
Chief Lighting Technician: Jean Courteau
Supervising Rigging Gaffer: Gilles Fortier
Electrical Rigging Gaffer: Jacob Fortier
Prop Masters: CJ Maguire, Claire Alary
Production Special Effects Supervisor: Mario Dumont
Special FX Assistant Coordinator: Richard L. Thompson
Senior SFX Technicians: J. Claude Montplaisir, Gary Coates
Special Effects Floor Supervisor: Ryal Cosgrove
Picture Car Coordinator: Real Hamel
Executive in Charge of Music: Kathy Nelson
Chinese ADR Consultant: Elizabeth Sung
CO3 EP & Senior Finishing Colorist: Stefan Sonnenfeld ASC
CO3 DI Finishing Supervisor: Nick Monton
CO3 DI Finishing Producer: Des Carey
CO3 Senior Online Editor: Rob Doolittle
CO3 Additional Online Editor: Salvatore Catanzaro
CO3 DI Scanners: Taylor Black, Ian Turpen
CO3 Dailies Colorist: Mark Todd Osborne
CO3 Dailies Producer: Moises Cruz
Action Unit Production Manager: Jacky Lavoie
Action Unit 1st Assistant Director: Terry Madden
Action Unit 2nd Assistant Director: Renato De Cotiis
Action Unit 3rd Assistant Director: Holly Brace Lavoie
Action Unit DoP: Jonathan Taylor ASC
Action Unit A Camera Operator: Joseph V. Cicio
Action Unit Gaffer: Daniel Schwartzberg
China Unit Line Producer: Chiu Wah Lee
UPMs (China Unit): Kim Hung Fan, Er Dong Liu
China Unit Production Manager (SH): Billy Shun Choi Ngai
China Unit Co-Assoc. Producers: Tianyun Wang, Wenxia Fu
China Unit 1st Assistant Director: Sylvia Liu
China Unit 2nd Assistant Director: Lemon Liu
China Unit 2nd 2nd Assistant Director: Davina To
China Unit Art Director (50BC): Zhen Zhou Yi
China Unit Art Director (1946): Olympic Sai Wan Lau
China Unit Set Designers: Zhe Ying Pu, Wen Xun Wang
China Unit Prop Designers: Liang Han, Bing Jiang
China Unit Assistant Set Designer: Ke Lin Li
China Unit Assistant Prop Designer: Fei Zheng
China Unit Assistant Graphic Designer: Zhi Gang Yu
China Unit Senior Graphic Artist: Hua Yi
China Unit Graphic Artist: Guang Lei Yi
China Unit Stage Art Director: Joel Chong
China Unit Senior Illustrator: De Lin Fu
China Unit Senior Assistant Art Director: Qing Hua Yu
China Unit Assistant Art Director: Wai Wong
China Unit Assistant Art Director (1946): Lain Xiu Guo
China Unit Assistant Stage Art Director: Sherrie Dai
China Unit Set Decorator (50BC): Attis Kin Wai Lee
China Unit Set Decorator (1946): Sai Hung Chau
China Unit Assistant Set Decorator: Bin Shi
China Unit 2nd 2nd Assistant A Camera: Matthew Wakai
China Unit B Camera Operator: John Platt
China Unit 1st Assistant B Camera: David Elmes
China Unit 2nd 2nd Assistant B Camera: Kin Wai Lee
China Unit C Cam Ops: Tony Leung Cheung, Man Chin Ng
China Unit 2nd Assistant C Camera: Wing Yu Ng
China Unit 3rd Assistant Directors: Bin Liao, Sean Xiao Liu
China Unit Location Manager (SH): Feng Lei Chen
China Unit HD Witness Camera Technician: Richard Xu Ho
China Unit On-Set Visual Effects Technician: Yee Kong Loo
China Unit VFX Witness Camera Assistant: Tze Him Chan
China Unit Visual Effects Office Assistant: Grace Chen
China Unit Gaffer: Xiao Jun Zhang
China Unit Props Master (50BC): Kim Wai Chung
China Unit Props Master (1946): Sai Kit Wong
China Unit Horse Master: Andy Hric
China Unit Horse Trainer Coordinator: Tao Liu
China Unit Effects Foreman: Ji Xia
China Unit Head Painter (50BC): Jia Wang
China Unit Picture Car Coordinator: John Wiser
China Unit Vehicle Coordinator: Joseph Chong Chaves
China Unit Special Effects Supervisor (BJ): Bruce Law Yin
China Unit Special Effects Supervisor (SH): Arthur Lau Kit
China Unit SPFX Assistant Coordinator: Joe Montenegro
China Unit SPFX Office Coordinators: Kate Luo, Cice Chen
China Unit Fight Choreographer: David Forman
China Unit Stunt Coordinator: Dee Dee Huen Chiu Ku
China Unit Assistant Stunt Coordinator: Chi Ling
China Action Unit Production Supervisor: Lu Cien Hore
China Action Unit 2nd ADs: Paul Taylor, Terence Madden, Yu Liu, Fei Wang
China Action Unit 2nd 2nd Assist Director: Jason Ming Siu
China Action Unit A Cam 1st ACs: Kev Potter, Lou DeMarco
China Action Unit 2nd Assistant A Camera: Scott Whitbread
China Action Unit B Camera Operator: Peter Field
China Action Unit 1st Assist B Camera: John Gamble ACO
China Action Unit C Camera Operator: Andy Kwong
China Action Unit Gaffers: Dan Riffel, Wai Chuen Wong
China Action Unit Props Master: Rudy Reachi
China Action Unit Props On-Set Lead (50BC): Daniel Chan
1st Assistant Director (Reshoots): Richard Goodwin
Production Visual Effects Coordinator: Paula Nederman
VFX Ass't Coordinators: Amy Spanner, Isabelle Leduc
Key Visual Effects Assistant: Hugo Lalodne
Production VFX Assistants: Ben Marks, Andrew Burnett
Production Visual Effects Consultant: Christopher Cram
R&H Visual Effects Producer: Bill Tlusty
R&H Co-Visual Effects Supervisor: Bob Mercier
R&H Art Director: Mike Meaker
R&H Senior Animation Supervisor: Craig Talmy
R&H Digital Effects Supervisor: Jason Bayever
R&H Digital Visual Effects Producer: Lisa K. Spence
R&H Assistant Digital Visual Effects Producer: Jennie Morse
R&H Look Development Supervisor: Joshua Bryer
R&H Animation Supervisors: Dan Speck, Bill Campbell, Ruth Daly
R&H Seq. Supervisors: Pauline Duvall, Edwin Rivera, Gee Yeung, Serkan Zelzele
R&H Environment Supervisor: Chris Rogers
R&H Lighting Supervisor: Raymond Chih
R&H Character Rigging Supervisor: Gavin McMillan
R&H Effects Supervisor: Jason Iverson
R&H Matchmove Supervisor: Rich Enders
R&H Animation Layout Supervisor: Colbert Fennelly
R&H Technical Animation Supervisor: Jimmy Gordon
R&H 2D Supervisor: Brian Tatosky
R&H Visual Effects Production Manager: Karl Rumpf
R&H Digital Production Manager: Gene Kozicki
R&H VFX Production Coordinator: Charise E. Angone
R&H Lead Matte Painter: Richard Mahon
R&H Lead Modeler: Jung-Yoon Choi
R&H Lead Character Rigger: Ryan English
R&H Animation Layout Artist: Ellen Brenner
R&H Lead Technical Animator: Philip Duncan
R&H Effects Technical Director: Chris Chapman
R&H Lead Digital Effects Artist: Allen Rose
R&H BG Prep Lead Artist: Elam Parithi
R&H Lead Matchmove Artist: Mayur Samant
R&H Lead Pipeline TD: Joey Tobiska
R&H Pipeline Technical Director: Rachel Drews
R&H Principal Software Engineer: Ivan Neulander
R&H Software Engineer: Nathan Courina
R&H Visual Effects Editor: Zeke Morales
R&H Render I/O Coordinator: Jason Smith
R&H Executive Visual Effects Producer: Erika Burton
Digital Domain Visual Effects Producer: Kelly L'Estrange
Digital Domain Visual Effects Plate Supervisor: Kelly Port
Dig. Domain CG Supervisors: Dave Hodgins, Nordin Rahhali
Digital Domain Modeling Supervisor: Francisco A. Cortina
Digital Domain Animation Supervisor: Kelvin Lee
Digital Domain Lighting Supervisor: Hanzhi Tang
Digital Domain Compositing Supervisor: Lou Pecora
Dig. Domain VFX Concept Artists: Claas Henke, Jim Parris
Digital Domain VFX Production Manager: Michelle Jacobs
Digital Domain Digital Production Manager: Jaimie Lee Jota
Digital Domain Lead Character Rigger: Richard Grandy
Digital Domain Lead Procedural Character Animator: Chad Finnerty
Digital Domain MoCap Supervisor: Michelle Ladd
Digital Domain Lead MoCap Artist: Pierre Chastain
Digital Domain MoCap Artist: Adam Ghering
Digital Domain Lead Effects Artist: Mårten Larsson
Digital Domain 3D Int. Lead/On-Set Surveyor: Geoffrey Baumann
Digital Domain 3D Integration Lead: Swen Gillberg
Digital Domain 3D Integrationists: Justin Van Der Lek, Glenn Holbrook
Digital Domain Lead Matte Painter: David Niednagel
Digital Domain Matte Painter: Vanessa Cheung
Digital Domain Lead Texture Painter: Stan Seo
Digital Domain Texture Painter: Nicholas Barnes
Digital Domain Lead Compositors: Ted Andre, Joel Behrens
Digital Domain Compositors: Jason Billington, Joe Farrell
Digital Domain Lead Rotoscope/Paint Artist: Ian A. Harris
Digital Domain Visual Effects Editor: William Day
Digital Domain 1st Assistant VFX Editor: Brian Miller
Digital Domain Editorial Technician: Eric Rolnick
Digital Domain VFX Coordinator: Stephen Newman
Digital Domain Assist Digital Coordinators: Sarah Cho, Bradford Tillman Skiles
Digital Domain Color Grader: Christopher Savides
IAD VFX Supervisors: Syd Dutton, Bill Taylor ASC
IAD Visual Effects Producer: Catherine Sudolcan
IAD Animation Supervisor: Fumi Mashimo
IAD 3D Artist: Andrew Tucker
IAD Matte Artist: Bob Sckfo
IAD Visual Effects Coordinator: Collin Fowler
CIS Visual Effects Supervisor: Gregory Liegey
CIS Visual Effects Producer: Lisa Maher
CIS Visual Effects Coordinator: Brenda Finster
CIS Visual Effects Rotoscope/Paint Artist: Larry Gaynor
PTAS Visual Effects Supervisor: Mark Freund
PTAS Visual Effects Producer: Ladd Lanford
PTAS Visual Effects Associate Producer: Emily Fenster
PTAS Lead Compositor: Bob Wiatr
PTAS Lead 3D Artist: Lee Nelson
New Deal Character Designer: Aaron Sims
Filming Dates: 27 July 2007 - November 2007
Cameras: Arricam LT, Arriflex 235 & 435 ES (35mm Kodak Vision2 250D 5205/500T 5218)
Lenses: Panavision/Cooke S4 Primes & Angenieux Optimo Zooms
AR: 2.39:1 (4-Perf Common-Top Super 35mm)
Budget: 145 Million USD
Budget AFI (2021): 181.2 Million USD
Printed on: Kodak Vision 2383
Score Recorded at: Abbey Road Studios
Digital Intermediate Finishing Provided by: Company 3
Special Visual Effects & Digital Animation Provided by: Rhythm & Hues Studios, Digital Domain, Illusion Arts Digital, CIS VFX Group + Pacific Title & Arts Studio
Additional Visual Effects Design Provided by: New Deal
Attribute: Filmed with Panavision Cameras and Lenses - DirectorJoe JohnstonStarsBenicio Del ToroAnthony HopkinsEmily BluntUpon his return to his ancestral homeland, an American man is bitten and subsequently cursed by a werewolf.Director: Joe Johnston
Cinematographer: Shelly Johnson ASC
Film Editors: Walter Murch ACE, Dennis Virkler ACE, Mark Goldblatt ACE
Production Designer: Rick Heinrichs
Supervising Art Director: Andy Nicholson
Art Director: Philip Harvey
Set Decorator: John Bush
Model Unit Set Dresser: Angela Kyriacou
Costume Designer: Milena Canonero
Special Makeup Effects Supervisor: Rick Baker
Unit Production Manager: Nigel Gostelow
Action Unit/2nd Unit Production Manager: Siobhan Lyons
1st Assistant Director: Richard Whelan
2nd Unit Directors: Vic Armstrong, Phil Neilson
Senior SFX Supervisor: Paul Corbould
SFX Trainee: Jamie Corbould
Senior VFX Supervisor: Steven Begg
Senior DFX Supervisor: Derek Spears
Action Unit DPs/2nd Unit DPs: Harvey Harrison BSC, Fraser Taggart
Draughtsperson: Alice Biddle
Unit Production Manager (Add'l Photography): Stratton Leopold
Assistant Director: (Reshoots): Nanw Rowlands
2nd Ass't Directors (Add'l Photography): Tamana Bleasdale, Brad Arnold
Action Unit Add'l 3rd Ass't Dir. (Add'l Photography): Erin Lander
Draughtsman (Add'l Photography): Gregory Fangeaux
Prop Master (Add'l Photography): Darryl Paterson
Filming Dates: 20 March 2008 - 6 June 2008, 22 May 2009 - 31 May 2009 (Add'l Photography)
Camera: Panaflex Millennium XL (35mm Kodak Vision2 200T 5217/Vision3 500T 5219)
Lenses: Panavision Primo Spherical Primes
AR: 1.85:1 (3-Perf Super 35mm)
Budget: 150 Million USD
Budget AFI (2021): 185.1 Million USD
Printed on: Kodak Vision 2383
Attribute: Filmed with Panavision Cameras and Lenses - DirectorMatthijs van Heijningen Jr.StarsMary Elizabeth WinsteadJoel EdgertonUlrich ThomsenAt an Antarctica research site, the discovery of an alien craft leads to a confrontation between graduate student Kate Lloyd and scientist Dr. Sander Halvorson.Director: Matthijs van Heijningen Jr
Composer/Conductor: Marco Beltrami
Cinematographer: Michel Abramowicz AFC
Film Editors: Peter Boyle ACE, Julian Clarke ACE
Casting: Denise Chamian CSA, Angela Demo, Diane Kerbel
Production Designer: Sean Haworth
Costume Designer: Luis Sequeira
2nd Unit Director: Clay Staub
Executive Producer/Unit Production Manager: J. Miles Dale (Also 2nd Unit Director for Reshoots)
Pre-Visualization Supervisor: Alexander Vegh
Creature Effects Designers & Creators: Alec Gillis, Tom Woodruff Jr
Senior VXF Supervisor: Jesper Kjölsrud
Image Engine DFX Supervisor: Neil Eskuri
VFX Digital Coordinator: Magda Bernal
BC Plate Unit VFX Coordinator: Blaine Lougheed
Image Engine Senior VFX Coordinators: Greg Behrens, Gayle Munro
On-Set VFX Matchmover/Image Engine Senior VFX Production Coordinator: Paul King
Image Engine Senior VFX Production Coordinator: Rachel Scafe
Senior VFX Artist: James Cooper
Image Engine Senior VFX Lighting Technical Director: Marcell Nagy
Senior VFX Producers: Pam Hammarlund, Petra Holtorf
Senior DFX Producer: Isabelle Langlois
Image Engine VFX Executive Producer: Steve Garrad
Senior VFX Executive: Christopher Cram
Supervising Digital Colorist: Mitch Paulson ASC
VFX Colorist: Andrea Chlebak
Stunt Coordinator: Rick Forsayeth
Camera/Steadicam Operator: Gilles Corbeil
2nd Unit DP: David Franco
2nd Uint A-Camera Operator: Dino Laurenza
Aerial Unit DPs: Hans Bjerno ASC, Mark Hryma
Aerial Unit Camera Technician: Dane Bjerno
BC Plate Unit 2nd Ass't A-Camera: Justin Bergler
Assistant Director (Reshoots): Divya D'Souza
Graphic Designer (Reshoots): John Moran
Stunt Coordinator (Add'l Photography): Jamie Jones
2nd Ass't A-Camera (Reshoots): Amanda Wojtaszek
Camera Loader (Reshoots): Alan G. Kelly
Key Grip (Add'l Photography): Richard Emerson
Ass't Key Grip (Add'l Photography): Sean Bourdeau
Add'l Film Editors: Frank J. Urioste ACE, Jono Griffith
Filming Dates: 15 March 2010 - 17 June 2010
Cameras: Arriflex 235, 435 & Panaflex XL2 (35mm Kodak Vision3 500T 5219)
Lenses: Panavision Primo Anamorphic Primes, E- & G-Series Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Budget: 38 Million USD
Budget AFI (2021): 45.8 Million USD
Printed on: Kodak Vision 2383
Attribute: Filmed in Panavision - DirectorGary ShoreStarsLuke EvansDominic CooperSarah GadonAs his kingdom is being threatened by the Turks, young prince Vlad Tepes must become a monster feared by his own people in order to obtain the power needed to protect his own family, and the families of his kingdom.Director: Gary Shore
Director (Add'l Photography Unit): David Leitch
Composer: Ramin Djawadi
Cinematographer: John Schwartzman ASC
Cinematographer (Add'l Photography Unit): John Mathieson BSC
Film Editor: Richard Pearson ACE
Add'l Film Editors: Bob Murawski ACE, Sean Thompson
Production Designer: François Audouy
Supervising Art Director: Paul Inglis
Art Directors (Add'l Photography Unit): Stephen Dobric, Elaine Kusmishko
Costume Designer: Ngila Dickson
Costume Designer (Add'l Photography Unit): Penny Rose
Executive Producer/Unit Production Manger: Joseph M. Caracciolo Jr
2nd Unit Director: George Marshall Ruge
Senior SFX Supervisor: Uli Nefzer
On-Set SFX Supervisor: Jens Schmiedel
2nd Unit SFX Supervisor: Till Hertrich
On-Set SFX Supervisor (Add'l Photography Unit): Jamie Weguelin
Senior VFX Supervisor: Christian Manz
Framestore VFX Supervisors: Glen Pratt. Ivan Moran
Framestore Sequence VFX Supervisor: Matthew Twyford
Framestore Sequence CG Supervisors: Benjamin Loch, Andy Walker
Framestore Sequence Compositing Supervisor: Alex Payman
Senior VFX Producer: Fiona Campbell Westgate
Framestore VFX Producers: Sophie Orde Annie Godin
Production VFX Executive: Christopher Cram
Stunt Coordinator: Buster Reeves
Stunt Coordinator (Add'l Photography Unit): Peter Pedrero
A-Camera Operator: Ian Fox
B-Camera/Steadicam Operator: Pete Cavaciuti
2nd Unit DP: Patrick Loungway
2nd Unit Camera Operator: Carlos de Carvalho
2nd Unit A-Camera/Steadicam Operator: Cosmo Campbell
A-Camera Operator/2nd Unit DP (Add'l Photography Unit): Peter Taylor
B-Camera/Steadicam Operator (Add'l Photography Unit): Paul Edwards
Score Mixer: Dennis S. Sands
Senior Colorist: Stefan Sonnenfeld
Senior DI Producer: Erik Rogers
Filming Dates: August 5, 2013 - November 2013,
Cameras: Panaflex XL2 & Platinum (35mm Kodak Vision3 200T 5213/500T 5219)
Lenses: Panavision Primo Anamorphic Zooms, C-, E-, G-Series Anamorphic Primes & Anamorphic Zooms
AR: 2.39:1 (Anamorphic)
Budget: 70 Million USD
Printed on: Kodak Vision 2383
Visual Effects Provided by: Framestore
Digital Intermediate Provided by: Company 3
Attribute: Filmed in Panavision - DirectorAlex KurtzmanStarsTom CruiseSofia BoutellaAnnabelle WallisAn ancient Egyptian princess is awakened from her crypt beneath the desert, bringing with her malevolence grown over millennia and terrors that defy human comprehension.Director/Story Writer/Producer: Alex Kurtzman
Screenwriters: Dave Koepp, Chris McQuarrie, Dylan Kussman
Screen Story Writers: Jon Spaihts, Jenny Lumet
Producers: Chris Morgan, Sean Daniel
Producer & Key Unit PM: Susan Bradshaw
Executive Producers: Roberto Orci, Jeb Brody
Cinematographer: Ben Seresin ASC BSC
Cinematographer (AP): Salvatore Totino ASC AIC
Prod Designers: Jon Hutman, Dominic Watkins
Film Editors: Paul Hirsch ACE, Andrew Mondshein ACE, Gina Hirsch
Score Composer, Conductor & Mixer: Brian Tyler
Costume Designer: Penny Rose
Co-Producer: Tom Cruise
Casting: Lucinda Syson CDG CSA, Francine Maisler CSA
Creature Design Supervisor: Crash McCreery
Production Visual Effects Supervisor: Erik Nash
Unit Production Manager: Simone Goodridge
Key First Assistant Director: KC Colwell
Key Second Assistant Director: Sallie Hard
Second Assistant Director: Michael Eberle
Stunt Coord/2nd Unit Director: Wade Eastwood
First Assistant Director: Richard Graysmark
Associate Producer (VFX): Kevin Elam
Asst Stunt Coords: Scott Armstrong, Christopher Gordon
Fight Coordinator Wolfgang Stegemann
Key Stunt Riggers: Michael Li, David Van Zeyl
Supervising Art Director: Frank Walsh
Sr Art Directors: John Frankish, Andrew Ackland-Snow
Overall Visual Effects Art Director: Steve Street
Fourth Art Directors: Tom Whitehead, Jim Lewis
Sixth Art Director: Will Coubrough
Seventh Art Director: Justin Warburton
Eighth Art Director: Steve Carter
Standby Art Directors: Karl Probert, Huw Arthur
Assistant Standby Art Director: Alina Papp
Concept Modeler: Rob Bean
Model Maker: Alexander Hutchings
Key Concept Artist: Steve Jung
Storyboard Artists: Fede D'Alessandro, Jane Wu
Art Department Coordinator: Pippa Brady
Set Decorator: Jille Azis
Set Dec Coordinator/Asst. Buyer: Carrie Wemyss
Set Dec Assistant: Daisy Azis
Set Dec PA: Alice Mayhew
Lead Graphic Designers: Laura Dishington, Julian Nix
Assistant Graphic Designer: Hannah Kons
Production Graphic Artist: Jim Staines
Second Graphics Assistant: Sarah Bradley
Supervising Prop Master: David Chessman
Production Prop Supervisor: Jonathon Norman
Supervising Prop Maker: Jim McKeown
Office Manager (Props Department): Amy Meakin
Junior Prop Hand: Adam Doe
Sr Modeler (Props Department): Paul Scotson
3D Modeler (Props Department): Katie Hyatt
Junior Modeler (Props Dept.): Lindy Anderson
Sr Mold Room Modeler (Props): Nicholas Davis
Jr Modeler/Mold Room (Props): Martine Palmer
Prop Junior: Jevon Edwards
Prop Runner: Chloe Butler
Supervising Prop Painter: Steve Fox
Production Props Painter: Laura Skinner
Master Armorer (Props): Simon Atherton
Supervising Armorer (Props): Tim Lewis
Workshop Armorer (Props): Roy Stratford
Armory Coordinator: Kate Atherton
A Cam/Steadicam Operator: Colin Anderson SOC
B Camera Operator: Graham Albert Hall ACO
C Camera Operator: Julian Morson ACO
First Assistant A Camera: Peter Byrne
Second Assistant A Camera: Elliot Dupuy
First Assistant B Camera: Kenny Groom
Second Assistant B Camera: Jack Bentley
First Assistant C Camera: Leigh Gold
Second Assistant C Camera: James Perry
Camera Trainee: Jaime Ackroyd
Central Loader: Lawrence Beckwith
Research Assistants: Peter Boothby, Jack Mealing
Sup Sound Editor/Designer & Re-Record Mixer: Christopher Scarabosio
Supervising Sound Editor: Daniel Laurie
Re-Recording Mixer: Paul Massey
First Assistant Editor: Mark Tuminello
First Assistant Editor (UK): Emma McCleave
Visual Effects Editors: Jody Rogers, Annie Mahlik
Second Assistant Editor: Salvatore Valone
Third Assistant Editor: Carolyn Calvert
Fourth Assistant Editor: Sean Thompson
Fifth Assistant Editor: Jonathan Thornhill
Second Assistant Editor (UK): Amar Ingreji
Third Assistant Editor (UK): Esther Bailey
Fourth Assistant Editor (UK): Thy Quitch
Fifth Assistant Editor (UK): Luke Clare
Editorial Production Assistant: Audrey Rabine
Editorial Trainee: Holly Burn
Production 3D Stereo Producer: Adam Ohl
Production 3D Stereo Editor: Lara Mazzawi
3D Stereo Visual Effects Editor: Andrew Loschin
Production 3D Stereo Coordinator: James Lu
Prod Supers: Mark Layton, Hallam Rice-Edwards
Production Coordinator: Mike Mann
Asst Coords (Production): Ed Squires, Lizzie Bull
Key Production Assistant: Rory Johnston
2nd Unit Accountant: Miguel Pariente
Gaffers: Patrick Sweeney, Jeffrey Murrell
Rigging Gaffer: Steve Kitchen
Key Grip: John Flemming
Best Boy Grip: Derek Russell
B Camera Dolly Grip: Jack Flemming
C Camera Dolly Grip: Brett Flemming
Supervising Location Manager: Bill Darby
Unit Manager: Charlie Simpson
Key Assistant Location Manager: Kimberly White
2nd Assistant Location Manager: Santiago Placer
Assistant Unit Manager: Joseph Gould
Overall Location Coordinator: Rossie McArthur
Cast Location Assistant: James Kirby
LM (Shepperton Studios): Duncan Flower
Studio UMs: Charlotte Daniel, Jess MacDonald
Studio Unit Assists: George Fisher, Ellis Gordon
Hair & Makeup Designer: Lizzie Yianni Georgiou
Makeup & Hair Coordinator: Gemma Curran
Costume Supervisor: Andrew Hunt
1st Assist. Costume Designer: Helen Beaumont
2nd Assistant Costume Designer: Lucy Bowring
3rd Assist Costume Designer: Sophie Hart-Walsh
Lead Special Effects Supervisor: Dominic Tuohy
Special Effects Workshop Supervisor: Jem Lovett
SFX Floor Supers: Luke Murphy, Darrell Guyon
Production SFX Coordinator/Buyer: Alicia Davies
Special FX Assistant Coordinator: Claire Walker
Wire Supervisor (Special Effects): Kevin Welch
Production Special Effects Modeler: Sean Kenrick
Overall Special Effects Driver/Buyer: Neil Tuohy
Special Makeup Effects Designer: David White
PM (Special Makeup Effects): Sacha Carter
Special MUFX Workshop Manager: James Kernot
Special MUFX Coordinator/Buyer: Fawn Muller
Stunt Dept. Coordinator: Suzie Frize-Williams
2nd 2nd Assistant Director: Tom Browne
Crowd 2nd 2nd Assistant Director: Rob Madden
3rd ADs: Julia Hargitay, Rory Broadfoot, Thomas Turner
Crowd 2nd Assistant Director: Michael Michael
Movement Choreographer: Alex Reynolds
Asst Movement Choreographer: Charlie Mayhew
Military Advisor: Joost Janssen
Key Set Production Assistant: Donald Bentley
EPK BTS Cameraman: Rob Sorrenti
Picture Vehicle Supervisor: Graham Kelly
Workshop Supervisor (Pic Vehicles): Ian Marshall
Health & Safety Supervisor: Doug Yates
Sup Music Editors: Joe Lisanti, Erich Stratmann
Score Conductor & Vocal Contractor: Allan Wilson
Score Mixer: Frank Wolf
Scoring Coordinator: Merissa Fernandez
CO3 EP/Senior Colorist: Stefan Sonnenfeld ASC
CO3 DI Finishing Producer: Erik Rogers
CO3 Digital Conform Finishing Artist: Joe Ken
CO3 Color Assistant: John Tripp
CO3 Dailies Colorist, AP: Matt Wallach
2nd Unit DoP: Andrew Rowlands SOC
2nd Unit 1st AC - A Camera: Andrew Banwell
2nd Unit 2nd AC - A Camera: Daniel West
2nd Unit 1st AC - B Camera: Dora Krolikowska
2nd Unit Central Loader: Luke Selway
2nd Unit Gaffer: Lee Knight
Namibia Unit Producer: Genevieve Hofmeyr
Namibia Unit PMs: Donovan Baxter, Simon Crook
Namibia Unit Prod Supervisor: Deidre Williams
Namibia Unit PCs: Tom Forbes, Lance Venter
Namibia Unit Senior Art Director: Jules Cook
Namibia Unit Art Directors: Cathy Palmer, Bobby Cardoso
Namibia Unit Art Dept. Coord: Gaby Beyers
Namibia Unit Set Decorator: Daniel Birt
Namibia Unit Gaffer: John McKay
Namibia Unit A Camera Dolly: Bhodi Schoeman
Namibia Unit B Camera Dolly: Ken Hodgson
Namibia Unit C Camera Dolly: Jason Abramhese
Namibia Unit Freedom Arm Op.: Gustav Marais
Namibia Unit SFX Coords/Buyers: Tom O'Reilly, Jess Lewington
Namibia Unit SFX Pyro Sup (SA): Janek Zabielski
Namibia Unit SFX Sr Technic: Gergard Heerver
Namibia Unit SFX Lead Sr Tech: Charles Adcock
Namibia Unit 3rd Assist Director: Harry Khumalo
Namibia Unit Aerial Coordinator: Mel Anderson
Namibia Unit Aerial Ops Coordinator: Frank Stein
Namibia Unit Eclipse Technician: David Arms
Aerial Unit DIT (Namibia Unit): Paul Deane
1st AD (Splinter Unit Namibia): Jon Luke Laurens
2nd AD (Splinter Unit Namibia): Joy Hoes
B Op (Splinter Unit Namibia): Sarel Pretorious
1st AC - B (Splinter Unit Namibia): Telfer Barnes
2nd AC - B (Splinter Unit Namibia): Amy Yeats
C Op (Splinter Unit Namibia): Grant Appleton
1st AC - C (Splinter Unit Namibia): Alex Bayne
2nd AC-C (Splinter Unit Namibia): Andy Greenan
Aerial Unit 3rd Assistant Director: Tony McLeod
Aerial Unit Pilot: Marc Wolff
Aerial Unit Director of Photography: Adam Dale
Underwater Unit DoP: Pete Romano ASC
Underwater Unit A First AC: Loren Elkins
Underwater Unit A Second AC: Ben Parish
Underwater Unit DIT: Mustafa Tyebkhan
Underwater Unit Gaffer: Aaron Keating
A Camera Operator (Add'l Photog): Jason Ewart
A First Assistant Camera (AP): Simon Hume
B First Assistant Camera (AP): Olly Tellett
C First Assistant Camera (AP): Adam Coles
A Second Assistant Camera (AP): Simon Dunn
B Second Assistant Camera (AP): Paul Snell
C Second Assistant Camera (AP): Dean Murray
Central Loader (Add'l Photography): Jack Sands
Camera Trainee (Add'l Photography): Nick Poole
Gaffer (Additional Photography): David Sinfield
Rigging Gaffer (Add'l Photog): Tommy O'Sullivan
First Assistant Director (AP): Richard Whelan
Set Decorator (Add'l Photography): Liz Griffiths
Special Effects Supervisor (AP): Terry Glass
Special FX Floor Supervisor (AP): Terry Flowers
SFX Buyer/Coordinator (AP): Anne Marie Walters
Special FX Assist Technician (AP): Kristian Paul
VFX Associate Producer: Elaine Essex Thompson
VFX Prod Supervisors: Catherine Liu, Serge Riou
Key VFX Coords: Tien Nguyen, Joana S. Powell, Alex Belgeonne
DWs (VFX): Erran Lake, Aaron Roebuck, Farrah Zip, Zibele Mvila, Taylor Tulip-Close
Assistant Data Wrangler (VFX): Ben Soan
Visual Effects Previz Editor: Scott Clements
VFX PAs: Michael Wiles, Julia Pak, Benjamin Cuffin-Munday, Nezile Ntutha, Richard Morgan
MPC VFX Supers: Greg Butler, Arundi Asregadoo
MPC VFX Producers: Doug Oddy, Philipp Wolf
MPC CG Supers: Bryan Litson, Victor Lizarraga
MPC Comp Supers: Jan Dubberke, Laurence Lok
MPC Anim Supers: Matt Kowaliszyn, Omar Morsy
MPC Asset Supervisor: Chris Uyede
MPC Matchmove Supervisor: Prince Rajasekar
MPC Visual Effects Art Director: Ravi Bansal
MPC VFX PMs: Sian Judge, Katie-Leigh Murray, Justine Rosette-Nelligan
MPC VFX Editors: Bianca Cuffaro, Camille Uliana, Brian Wilcox, Garret Wilson, Lei Zhang
MPC VFX Prod Support Leads: Curtis Andrus, Chong Deng
MPC Global Head of Production: Rachel Matchett
MPC HOPs: Ross Johnson, Lauren McCallum, Uma Krishna-Murthy
MPC Heads of CG: Adriano Rinaldi, Daniel Tarmy
MPC EPs: Christian Robertson, Kelly L'Estrange, Laura Fitzpatrick
MPC Postviz Supervisor: Parker Sellers
DNEG Sr Visual Effects Supervisor: Darren Poe
DNEG Visual Effects Producer: Janet Yale
DNEG CG Supervisor: Bernhard Kersch-Baumer
DNEG Compositing Supervisor: Mike Brazelton
DNEG FX Supervisor: Daniel Jenkins
DNEG CG Seq. Supers: Albert Szostkiewicz, Mark Norrie
DNEG Comp Seq. Supers: Jen Meire, Pete Farkas
DNEG Additional VFX Supervision: Rif Dagher
DNEG VFX Product Supervisor: Genevieve Claire
DNEG Visual FX Line Producer: Yogita Narsian
DNEG VFX Production Assistant: Katie Johnson
DNEG Build Lead: Dan Nicholson
DNEG Body Track Supervisor: Sil Sunny D'Souza
DNEG Body Track Lead: Amit Kumar Singh
DNEG Lead Lighting TD: Ravindra Bhandi
DNEG Pipeline TD: Jacob Telleen
DNEG ATD: Chris Jackson
DNEG Colorist: Aurora Shannon
ILM VFX Supervisors: Pablo Helman, Mark Curtis
ILM Animation Supervisor: Glen McIntosh
ILM Visual Effects Producer: Simon Kenny
ILM CG SUPERVISOR: Tim Nassauer
ILM COMPOSITING SUPERVISOR: Ryan B. Clarke
ILM LAYOUT SUPERVISOR: Richard Enders
ILM Creature Supervisor: Mal Thomas-Gustave
ILM VFX Associate Producer: Laurel Montgomery
ILM Visual FX ASSISTANT EDITOR: Katrina Taylor
ILM CG LEADS: Marko Chulev, George Kuruvilla, Geordie Martinez, Jonathan J. McCallum, Michael J. Parker, Alexander Poei, Kat Tung, Shivas Thilak
ILM Digital Artist: Christian Alzmann
ILM VFX PCs: Erin Fernie, Mairi MacFarlane, Alexandra Fahey
ILM VFX PAs: Anita Milias, Michael Lockheart, Kristina Truong
ILM Executive Producer: Wayne Billheimer
ILM Executive in Charge of Prod: Randal Shore
Lola|VFX Visual FX Supervisor: Edson Williams
Lola|VFX Executive Producer: Thomas Nittmann
Lola|VFX Visual Effects Producer: Anwei Chen
Space Monkey Visual FX Super: Joseph DiValerio
Space Monkey Compositor: Ruben Rodas
Proof-London Previz Supervisor: Michael Cawood
Stereo D Stereographer: Yoichiro "Yo" Aoki
Stereo D Prods: Timmy Broderick White, Jeremy Carroll, Bhanu Prakash
Stereo D Stereo Prod Super: Steve Stransman
Stereo D EPs: William Sherak, Lindsay Kaiser
Stereo D Asst Supers: Vishal Tyagi, Aditi Joshi
Stereo D Finaling Supervisor: Anit Kumar Aman
Stereo D Depth Dept. Manager: Ravi Mahapatro
Stereo D Int'l Line Producer: Subhajit Sarkar
Stereo D Managing Sup, Deluxe India: Prafull Gade
Stereo D VP of 3D Technology: Nizar Thabet
Stereo D Ops Manager, Pune: Raja Sundaresan
Stereo D Post Production Manager: Derek Prusak
Stereo D Asst Depth Manager: Santosh Velumula
Stereo D Assistant Roto Manager: Akbar Shaikh
Stereo D Assist. Finaling Manager: Rohit Suresh
Stereo D Asst to Will Sherak: Rebecca Seamans
Stereo D Assistant EQC Manager: Cara Hindley
Stereo D Sr Prod Coordinator: Catherine Ennis
Stereo D Roto QC Supervisor: Ranjan Kumar
Stereo D VFX Supervisor: Brittany Piacente
Stereo D Lead Desktop Admin.: Rakesh Mahajan
Stereo D Desktop Administrator: Andrew Hall
Stereo D Sr Software Development: Cam Smith
Stereo D Technical Lead: Sudipta Ghosh
Stereo D Assist. Manager, Admin: Mahesh More
Stereo D QA Coordinator: Mayank Pandit
Stereo D HR Deputy Manager: Chirag Kanthi
Stereo D 3D Pipeline Sup: Chris Montesano
Stereo D Pipeline TD: Rustin Devendorf
Filming Dates: 4 April 2016 - 23 August 2016
Cameras: Arriflex 235, Alexa Mini, 65 & Panaflex XL2 (35mm Kodak Vision3 200T 5213/500T 5219 & 3.4K/6.5K ARRIRAW)
Lenses: Panavision® C-, E-, T-Series AL Primes, AL Telephoto 70-200mm Zoom, AL Wide-Angle 40-80mm Zoom & Arri Prime 65
AR: 1.78:1 (News Scenes), 2.39:1 (Anamorphic)
Budget: 125-195 Million USD
Post Production Sound Services by: Skywalker Sound
Score Performed by: The Pinewood Singers & The Philharmonia Orchestra, London
Score Recorded at: Abbey Road Studios, London UK
Digital Intermediate Finishing by: Company 3
Visual Effects & Animation by: Industrial Light & Magic, Moving Picture Company, Double Negative + Lola|VFX
Virtual Production Services Provided by: Digital Domain 3.0
3D Conversion Provided by: Stereo D
Filmed at: Pinewood Studios, Shepperton Studios & Warner Bros. Leavesden (London, England)
Attribute: Filmed in Panavision® (as Cameras & Lenses) - DirectorLeigh WhannellStarsElisabeth MossOliver Jackson-CohenHarriet DyerWhen Cecilia's abusive ex takes his own life and leaves her his fortune, she suspects his death was a hoax. As a series of coincidences turn lethal, Cecilia works to prove that she is being hunted by someone nobody can see.Director: Leigh Whannell
Cinematographer: Stefan Duscio ACS
Production Designer: Alex Holmes
Film Editor: Andy Canny
Costume Designer: Emily Seresin
Toronto Unit DP: Daniel Grant
Senior VFX Supervisor: Jonathan Dearing
Senior Finishing Colorist: Tom Poole ASC
Company 3 President: Stefan Sonnenfeld ASC
Cameras: Alexa LF & Mini LF (4.5K ARRIRAW)
Lenses: Arri Signature Primes
AR: 2.39:1 (4-Perf Super 35mm)
Digital Intermediate Provided by: Company 3
Attribute: Filmed with Arri Cameras and Lenses - DirectorChris McKayStarsNicholas HoultNicolas CageAwkwafinaRenfield, Dracula's tortured henchman, is forced to capture prey for his master and do his every bidding. But now, after centuries of servitude, Renfield is ready to see if there is a life outside his boss's shadow.Director & Producer: Chris McKay
Screenplay Writer: Ryan Ridley
Story Writer & Producer: Robert Kirkman
Producer: Sean Furst
Producers: David Alpert, Bryan Furst
Director of Photography: Mitchell Amundsen
Editors: Zene Baker ACE, Ryan Folsey, Giancarlo Ganziano
Composer: Marco Beltrami
Music Supervisor: Gabe Hilfer
Production Visual Effects Supervisor/2nd Unit Director: James E. Price
First Assistant Director: Jason Imn
Production VFX Producer: Denise Davis
Stunt Coordinator/2nd Unit Director: Christopher Brewster
A Camera/Steadicam Operator: Geoffrey Haley SOC
1st Assistant A Camera: Bill Coe
Head Techs: Ken Cooper, Mike Reynolds
Pursuit Car Arm Tech: John Betancourt
Pursuit Car Stabilized Head Tech: Yuriy Fuks
Production Special Effects Supervisor: Matt Kutcher
Production Special Effects Coordinator: Ty Abrahams
Special Effects Set Foreman: Matthew A. Hall
Special Effects Shop Foreman: Jason Evers
Special Effects Pyro Foreman: Durk Tyndall
Special Effects Purchaser/Technicians: Lisa "Mrs. Kaboom" Kutcher, Ashley Kopanski
Production Special Effects Technicians: Matthew Hollingsworth, Tyron K. King, Taylor Kutcher, Jackson Hale, D.J. Bodenheimer, Kurt Hilthon, David Segura, Cody Milliken, Wyatt Kopanski, Matthew "Smalls" Kutcher, Robert Gore, Michael May, Mike Miller, James Granger
Special Effects Production Assistant: Mariah Gonzalez
Additional Film Editor: Mako Kamitsuna ACE
Second Unit Script Supervisor: Nicole Garcea
Second Unit Production Coordinator: Bryan Gardiner
Second Unit Office Production Assistant: Carlos Franco
Second Unit 1st Assistant Director: Alan Breton
Second Unit Key 2nd Assistant Director: Andrew Shepherd
Second Unit Key 2nd 2nd Assistant Director: Jared Hopkins
Second Unit 2nd 2nd Assistant Director: Mary Anne Olinsky
Second Unit Additional 2nd Assistant Director: Bonnie Cook
Second Unit Set PA: Layne Prince
Second Unit DP/Operator: Jerry Jacob
Second Unit C Camera Operator: Paul Olinde
Second Unit First Assistant C Camera: Brouke Franklin
Second Unit Second Assistant C Camera: Sydney Viard
Second Unit D Camera Operator: Tony Politis
Second Unit First Assistant D Camera: Jason Cianella
VFX Production Manager: Alison Luong
Additional VFX Producer: Ana Marie Cruz
Additional VFX Production Manager: Carlos Bravo
Associate VFX Prep Producer: Sarah Miesen
Production VFX Coordinator: Collin Miller
VFX Assistant Coordinator: Angela Levitan
Concept Art Designers: Crash McCreery, Clayton Stillwell, Aaron Sims
Production Lead Data Wrangler, VFX: Nadir Bennaceur
Production Data Wrangler, VFX: Omar Nadir
Production VFX Assistant: Justin Lyon
ILM Visual Effects Supervisor: Anthony Smith
ILM Visual Effects Associate Producer: Sandra Beerenbrock
ILM Compositing Supervisor: Dan Breckwoldt
ILM CG Supervisor: Chantelle Williams
ILM Executive Producer: Jill Brooks
ILM Digital Supervisors Chris Bending, Julian Gregory, Tavis Roberts
ILM VFX Editor: Daniel Richardson
ILM Digital Leads: Jordan Booth, Nicolas Caillier, Kevin Chua, Emma Rosemary, Anne Cooney, Nathan J. Cox, Dustin Cumming, Ryan Digney, Martin Alvarez Garcia, Oscar Knott, Mateusz Krzastek, Arthur Leung, Filipe Marques, Norah Mulroney, Samidha Nagwekar, Monique O'Halloran, Noah Pascuzzi, Faizal Tahir Mohammed, Jordi Collet Texido
ILM Visual Effects Production Manager: Heather Martini
ILM Visual Effects Production Coordinator: Emily Pead
ILM Visual Effects Production Assistants: Georgia Croft, James Guy
ILM Lead Pipe TD: Daniel Flood
ILM Director of Virtual Production Operations: Maria Brill
ILM Information Security Analyst: Jonathan Hamot
ILM Talent Manager: Gisela Hermeling
FCS Supervising and Lead Digital Intermediate Colorist: David Cole ASC
FCS Digital Intermediate Colorist: Claire Iannelli
FCS Digital Intermediate Editor: Bob Fredrickson
FCS VP and Lead Digital Intermediate Producer: Jose Parra
FCS Senior Digital Intermediate Producer: Susan Alexander
FCS Manager, Resolve Engineering: Alex Sheman
FCS Resolve Engineers: Ed Thiele, Alex Quintanilla, Chadi Bousleiman
FotoKem NextLAB® Dailies Colorist: Justin Delong
NextLAB® Operator: Luke COGLIANO
FotoKem NextLAB® Dailies Producer: Brett PIERCE
FotoKem NextLAB® Dailies Operations Manager: Stacey England
NextLAB® Engineering Leads: Freddy Goeske, Richard Goedeken, Eric Cameron, Bryan Golder, Kyle Peters, James Bebenroth, Phil Dennison
Filming Dates: 3 February 2022 - 14 April 2022
Cameras: Millennium DXL2 & Red V-Raptor (8K Redcode RAW)
Lenses: Panavision® C-Series AL Primes, ATZ 75-210 Zoom & AWZ2 40-80 Zoom
AR: 2.39:1 (Anamorphic)
Budget: 65 Million USD
Concept Art Provided by: Weta Workshop
Visual Effects & Animation by: Industrial Light & Magic, Outpost VFX + Crafty Apes
Digital Intermediate Provided by: FotoKem Creative Services
Dailies by: FotoKem NextLAB®
Attribute: Filmed in Panavision®