Production Details on Disney Live-Action Remakes & Sequels
I put Mary Poppins Returns & Pete's Dragon on the list for reasons I don't have time to explain
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- DirectorStephen SommersStarsJason Scott LeeCary ElwesLena HeadeyRudyard Kipling's classic tale of Mowgli, the orphaned jungle boy raised by wild animals, and how he becomes king of the jungle.Director: Stephen Sommers
Cinematographer: Juan Ruiz Anchia ASC
Production Designer: Allan Cameron
Stunt Coordinator/2nd Unit Director: David R. Ellis
2nd Unit Director: Greg Michael
2nd Unit DPs: Peter Robertson, Michael Benson
Additional DP: John V. Fante
VFX Supervisor: Peter Montgomery
Composer: Basil Poledouris
Film Editor: Bob Ducsay
Costume Designer: John Mollo
Camera: Panaflex Platinum (35mm)
Lenses: Panavision Primo Anamorphic Primes, C- & E-Series Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Anecdote: Filmed in Panavision - DirectorStephen HerekStarsGlenn CloseJeff DanielsJoely RichardsonAn evil high-fashion designer plots to steal dalmatian puppies in order to make an extravagant fur coat but creates an extravagant mess instead.Director: Stephen Herek
Composer & Score Orchestrator: Michael Kamen
Costume Designers: Anthony Powell, Rosemary Burrows
Film Editors: Trudy Ship, Larry Bock
Production Designer: Assheton Gorton
Cinematographer: Adrian Biddle BSC
Executive Producer: Edward S. Feldman
Producer & Screenwriter: John Hughes
Associate Producer: Rebekah Rudd
Production Supervisor: John Comfort
Unit Production Manager: Callum McDougall
1st Assistant Director: David Tringham
2nd Assistant Director: Adam Somner
2nd Unit Director: Michael D. Moore
Production Visual FX Supervisor: Michael Owens
Production Visual FX Producer: Chrissie England
Mechanical Effects Supervisor: George Gibbs
Head Animal Trainer: Gary Gero
Stunt Coordinator: Simon Crane
Stunts: Paul Jennings, Gary Powell
Supervising Art Director: Alan Tomkins
A Camera Operator: David Worley
B Camera Operator: Ian Foster
A Camera Focus Puller: Fraser Taggart
B Camera Focus Puller: John Foster
A Camera Clapper Loader: Ashley Bond
B Camera Clapper Loader: Adam Biddle
Steadicam Operator: Alf Tramontin
Chief Makeup Artist: Lynda Armstrong
Chief Hairdresser: Colin Jamison
Additional 2nd Assist Director: Richard Whelan
Special Effects Floor Supervisor: Terry Glass
Snow Effects Supervisor: Dave Crownshaw
Chief Lighting Technician: Kevin Day
Rigging Gaffer: Michael Chambers
Prop Master: Terry Wells
Sup. Music Editors: Chris Brooks, Michael T. Ryan
Special Vocal Effects Actor: Frank Welker
2nd Unit DoP: Harvey Harrison BSC
Unit Manager & 1st AD (2nd Unit): Terry Bamber
2nd Unit Camera Operator: John Palmer
2nd Unit Special FX Supervisor: Steve Hamilton
2nd Unit Chief Lighting Technic: Stephen Foster
2nd Unit Head Puppy Trainer: Mary Kay Snyder
ILM Associate VFX Supervisor: Doug Smythe
ILM Character Animation Supervisors: Daniel Jeanette, Tom Bertino
ILM Supervising Digital Sculptor: Geoff Campbell
ILM Animation & Animal Behavior Consultant: Randal M. Dutra
ILM DFX Compositing Supervisor: Jon Alexander
ILM Digital FX Digital Compositor: Michael Conte
ILM DFX Sequence Assistant: Michael Di Como
ILM Digital FX Sequence Supervisor: Ed Kramer
ILM 2D Effects Art Director: Leah Anton
ILM Supervising Digital Modeler: Kyle Odermatt
ILM VFX Coordinators: Janet Lewin, Eliza Brown
ILM VFX Plate Unit Assist A Camera: John Gadzik
ILM VFX Unit VistaGlide Technic: Mike Mackenzie
ILM Color Timing Supervisor: Ken Smith
ILM General Manager: Jim Morris
JHCS Supervisor: John Stephenson
JHCS Creative Creature Supervisor: Neal Scanlan
JHCS Senior Hair Technician: Val Jones
JHCS Animatronic Supervisor: Jason Reed
JHCS Machine Shop Supervisor: Geoff Paige
JHCS Electronics Supervisor: Anton Boniface
Senior Disney Interactive Producer: Noah Dudley
Disney Interactive Producer: Scott Pettit
CCE 3D Producer: Duane Loose
CCE Senior CGI Animator: Ron Zorman
CCE Senior CGI Artist: Ronald Rose
BVI Effects Supervisor: Mark Dornfeld
BVI VFX Unit Optical Lineup: Kevin Downey SOC, Ed Easter
BVI Optical VFX Unit A Cam Op: Ron Peterson
BVI Optical VFX Unit B Cam Op: Douglas Ulm
Aerial Unit Wescam Operator: Peter Allwork
Executive in Charge of Music: Kathy Nelson
Filming Dates: 22 October 1995 - 21 January 1996
Camera: Panaflex Platinum (35mm Eastman EXR 500T 5298)
Lenses: Panavision Primo Anamorphic Primes, C- & E-Series Anamorphic Primes
AR: 2.20:1 (70mm Prints), 2.39:1 (Anamorphic)
Budget: 75 Million USD
Budget AFI (2021): 130.7 Million USD
Special Optical Digital Visual Effects, Video Game Sequences & Animation by: Industrial Light & Magic, Disney Interactive, Creative Capers Entertainment + Buena Vista Imaging
Animatronic Creatures by: Jim Henson's Creature Shop
Attribute: Filmed in Panavision (as Panavision Cameras) - DirectorMichael D MooreKevin LimaStarsGlenn CloseGérard DepardieuIoan GruffuddCruella DeVil gets out of prison and goes after the puppies once more.Director: Kevin Lima
Composer/Conductor: David Newman
Costume Designer: Anthony Powell
Production VFX Supervisor: Jim Rygiel
Film Editor: Gregory Perler
Production Designer: Assheton Gorton
Cinematographer: Adrian Biddle BSC
Associate Producer: Michelle Fox
Unit Production Managers: Michael Murray, Neil Ravan
1st Assistant Director: Cliff Lanning
2nd Assistant Director: Dan John
2nd Unit Director: Michael D. Moore
Animal Coordinator: Gary Gero
Supervising SFX Coordinator: Chris Corbould
Stunt Coordinator: Steve Dent
Stunts: George Cottle, Gary Powell, CC Smiff
Supervising Art Director: John Ralph
A-Camera Operator: Mike Roberts
B-Camera Operator: David Worley
Focus Puller: Simon Hume
Steadicam Operator: Alf Tramontin
Co-Cinematographer: Roger Pratt BSC
VFX Unit DoP (2nd Unit Pick-Ups)/Special Cinematographer: Rexford L. Metz ASC
Ass't Art Director: Christian Huband
Action Vehicle Coordinator: Graham Kelly
Add'l Film Editor: Donn Cambern
Supervising Chief Lighting Technician: Kevin Day
Chief Lighting Technician: Mike Chambers
SFX Floor Supervisors: Peter Notley, Steven Hamilton
Wire FX Supervisor: Steve Crawley
Animatronic Designers: Ian Mitchell, Dave Keen, Tom Murtagh
AHA Consultant: Janice Caputo
2nd Unit DoP: Harvey Harrison BSC
Unit Manager/1st Ass't Director (2nd Unit): Terry Bamber
2nd Unit 2nd Ass't Director: David Cain
2nd Unit 3rd Ass't Director: James Armstrong
2nd Unit Art Director: Keith Pain
2nd Unit Camera Operator: John Palmer
TSL Co-VFX Supervisor: Dan DeLeeuw
TSL VFX Producer: Liz Ralston
TSL Digital VFX Producer: Nancy Sampson
TSL VFX Plate Producer: David PI James
TSL Digital Compositing Supervisor: Brian Leach
TSL DFX Supervisor: D. Wallace Colvard
TSL Animation Supervisor: Matthew O'Callaghan
TSL CG Supervising Animator: Rob Dressel
TSL Lead Animator: Atsushi Sato
TSL Muscle & Skin Supervisor: David Oliver
TSL Digital Background Painter: Allen Gonzalez SOC
TSL VFX Editor: Amy Pawlowski
TSL Digital VFX Color Timer: Liz Cotter
TSL Animal Anatomy Consultant: Stuart Sumida
VistaVision Camera Operator (UK VFX Motion Control Crew): Steven Hall
NSS Senior Animatronic Supervisor: Neal Scanlan
NSS Animatronic Supervisor: Vincent Abbott
Re-Recording Mixer/Sound Design Consultant: Gary Rydstrom
Executive in Charge of Music: Kathy Nelson
Scoring Consultant: Krys Newman
Orchestra Contractor: Sandy DeCrescent
Asylum Main Title Designers: Robert Dawson, Nathan McGuinness
Asylum Main Titles Lead VFX Painter: Patrick Kavanagh
Filming Dates: 26 November 1999 - April 2000
Cameras: Arriflex 435, Moviecam Compact & SL (35mm Eastman EXR 100T 5248/Kodak Vision 500T 5279/800T 5289)
Lenses: PanArri Ultra Primes
AR: 1.66:1 (Negative Ratio), 1.85:1 (Spherical)(8-Perf VistaVision: Visual Effects)
Budget: 85 Million USD
Budget AFI (2021): 136.5 Million USD
Visual Effects Provided by: The Secret Lab
Animatronic Characters Created by: Neal Scanlan Studio
Main Title Sequence Designed by: Asylum
Post-Production Sound Services Provided by: Skywalker Sound
Attribute: Filmed in Panavision - DirectorTim BurtonStarsMia WasikowskaJohnny DeppHelena Bonham CarterNineteen-year-old Alice returns to the magical world from her childhood adventure, where she reunites with her old friends and learns of her true destiny: to end the Red Queen's reign of terror.Director: Tim Burton
Screenplay Writer: Linda Woolverton
Producer: Richard D. Zanuck
Producers: Suzanne Todd, Jennifer Todd
Producers: Joe Roth
Executive Producer / Unit P.M.: Peter Tobyansen
Editor / Executive Producer: Chris Lebenzon ACE
Co-Producer/Key First A.D.: Katterli Frauenfelder
Co-Producer / Production Visual Effects Producer: Tom Peitzman
Cinematographer: Dariusz Wolski ASC
Production Designer: Robert Stromberg
Costume Designer: Colleen Atwood
Senior Visual Effects Supervisor: Ken Ralston
Composer: Danny Elfman
Casting Director: Susie Figgis
Second Assistant Director: Brandon Lambdin
Associate Producer: Derek Frey
Visual Effects Supervisors: Carey Villegas, Sean Phillips
Production Animation Supervisor: David Shaub
Senior Visual Effects Producer: Crys Forsyth-Smith
Head of Conceptual Designs: Dermot Power
A First Assistant Camera: Carlos De Carvalho
Gaffer: Perry Evans
Music Scoring Mixer: Dennis S. Sands
SPI Effects Executive Producer: Debbie Denise
SPI Digital Producers: Chris Hejnal, Mickey Levy
SPI Visual Effects Senior Editor: Elaine Andrianos
SPI Effects Editors: Annie Mahlik, Guy Wiedmann
SPI APMs: Kevin Field, Timothy Loughran, Jann Wimmer, Nooshin Siadatnejad, Tiffany Wu
SPI Animation Coordinator: Jules Eschliman
SPI Lighting Coordinators: Michael Killoren, Beth Tyszkiewicz Nesbit, Sarah Mihalec Maloney, Adrian J. Sciutto
SPI Digital Coordinators: Christopher Blasko, Thomas Core, Jesus De Santiago, Kristy Lynn Fortier, Alyse Joseph, Jeanny Lee, Kevin Noel
SPI Production Coordinator: Jean Ho
SPI PAs: Megan Michitti, Melanie Rose Tucker
SPI Character Designers: Michael Kutche, Bobby Chui, Kei Acedera
SPI Modeling Supervisor: Marvin Kim
SPI Character Set-Up Supervisor: Aaron Pfau
SPI Character Body & Facial Set-Up TD: Peter Tieryas
SPI Character Set-Up Support: J. Todd Taylor
SPI Character Pipeline Lead: Chuck McIlvain
SPI Texture Paint Supervisor: Elbert Yen
SPI Look Development Lead: Terrance Tornberg
SPI Look Development TD's: Miku Kayama, Sarah Moore, Nicola Lavender, Joe Strasser, Kevin Souls
SPI Shader Lead: John Monos
SPI Senior Shader Writers: Laurence Treweek, Adam Martinez
SPI Look Dev Support: Jesse Andrewartha
SPI 2D Digital Lead: Nika Dunne
SPI 2D Digital Artist: Anand Seshadri
SPI Match Move Lead: David Spencer
SPI Match Mover: Rachel T. Nicoll
SPI Layout Leads: Brian Doman, Lisa Suzuki
SPI Technical Animators: Joe Cherian, T.P. Bala Morarji
SPI Cloth & Hair Supervisor: Sho Igarashi
SPI Cloth Lead: Gavin Baxter
SPI Hair Lead: Dustin Wicke
SPI FX Animation Lead: Stephen Marshall
SPI FX Animation ATDs: Jeffrey Benjamin, Miles Todorof
SPI Matte Painters: Nick Hiatt, Joe DiCesare, Ron Gress, Brandon Kachel, Adil Mustafabekov
SPI Lighting Leads: Ben Aguillon, Lynn Basas, Ruben Flores, Steve LaVietes, Stephen Lunn, Craig Wentworth
SPI Compositing Leads: Colin Drobnis, Aaron Kupferman, Craig Anthony Simms
SPI Compositing TD: Nathan Dunsworth
SPI Executive Director, Interactive Compositing: Dawn Guinta
SPI Interactive Compositing Coordinator: Jason Anderson
SPI Interactive Compositing Lead: Lisa Deaner
SPI Interactive Compositors: Rob Blue, Christian Boudman, TC Harrison, Todd B. Mesher, Candice Scott, David Takayama, Christina Adia Wang
SPI Stereographer: Corey Turner
SPI Stereo Camera Lead: Tom Schultz
SPI Stereo Cameras: Bill Beemer, Jeffrey Engle, Ellery Ortiz
SPI Stereo Pipeline Lead: Alan Davidson
SPI Stereo TD: Peter Palombi, Steve Shapiro
SPI India Facility General Manager: Joe Gareri
SPI India DFX Supervisor: Krishna Mishra
SPI India Production Manager: Navin Venkatesh
SPI India Senior Production Coordinator: Chirag Shah
SPI 3D Depth Layout Lead: G. Kumaragurubaran
SPI Stereo Depth Layout Sequence Lead: Ranjith Kizakkey
SPI Technical Support Lead: Mark Dietel
SPI Visual Effects Accountant: Jackie Szymanski
SPI EVP, General Manager: Randy Lake
SPI Chief Technology Officer: Rob Bredow
SPI Head of PM & Infrastructure: Suzanne Labrie
SPI Sr. Manager-Feature Prod: Regaye Fulcher
SPI Exec Director, Crew & Schedule: Diane St. Clair
SPI ALW Sr Crewing Manager: Wendy Mashburn
SPI Senior Crewing Manager: Dana Vanhove
SPI Senior Crewing Coordinator: Jillian Toohey
SPI VP, Artist Management: Sharon Berlin
SPI Artist Managers: Anett Gough, Rach Phillips, Stephanie Greco
SPI Art Management Coordinator: Chad Hellmuth
SPI Director, Art Management & Recruiting: Ken Maruyama
SPI Senior Recruiters: Chantal Bumgarner, Tiffany Herrington
SPI Recruiting Managers: Camille Eden, Aaron Tankenson
SPI Recruiting Coordinator: Samantha Ofole-Prince
SPI Executive Director, Training: Sande Scoredos
SPI Supervisor, Production Training: JC Cornwell
SPI Senior Digital Trainer: Steven Vargas
SPI Digital Trainer: Marianne Gorczyca
SPI Sr. Coordinator, Training & Art Development: Samantha Brown
SPI Sr. VP, Public Relations & Communications: Don Levy
SPI Marketing Manager: Rachel Falikoff
SPI Sr. Coordinator, Marketing: Jennifer Janes
SPI Sr. VP, Operations: Tom Hershey
SPI Manager, Studio Operations - ABQ: Jennifer Guyer Rojo
SPI Coordinator, SPDP Ops: Scott Fenstermaker
SPI Stage MoCap Supervisor: Albert Hastings
SPI Stage Producer: Julie Zackary
SPI Stage Crew Manager: Heather McCann
SPI Stage IT Crew: Bruce Dobrin, Claudia A. Decatur-Brown
SPI Prevision Tracking Lead: Ron Fischer
SPI MoCap Tracking: Demian Gordon, Josh Ochoa, Darin Andrew Velarde
SPI VFX Reference Photographers: Leah Hardstark, Chris Hebert, Alex Lampila
SPI VFX On Set Surveyors: Ian Doss, Fabio Zapata
SPI VFX Data Wrangler: Chris Antonini
SPI Senior Pipeline Producer: Brian Keeney
SPI Pipeline Producer: Barbara Ford
SPI Technical Production Mgr: Mitch Dobrowner
SPI Pipeline Producer: Erik Strauss
SPI Dept Coordinators: Freshta A. Ramsey, Paolo Suaya
SPI Pipeline Architects: Francois Chardavoine, Sam Richards
SPI Rendering Pipeline Supervisor: Rene Limberger
SPI Rendering Scientist: Larry Gritz
SPI Rendering Engineers: Alejandro Conty, Christopher Kulla, Clifford Stein
SPI Rendering Consultant: Solomon Boulos
SPI Shader TDs: Andres Bauer, Yasser Hamed, Derek Haase, Jay Reynolds, Dan Rolinek
SPI Principle Cloth/Hair Dynamics Engineer: Murilo Coutinho
SPI Animation Pipeline TDs: Amy Hronek, Dan Sheerin
SPI Software Supervisors: Armin Bruderlin, Tad Gielow, Brian Hall, Blair Zajac
SPI Software Leads: Moti Cohen, Cottalango Leon, Sosh Mirsepassi, J. Robert Ray, Parag Havaldar
SPI Pipeline TD: Steven Peter Dugaro
SPI Color Scientist: Jeremy Selan
SPI Color Pipeline Engineer: Joseph Slomka
SPI Technical Documentation: Lu Kondor
SPI VP, Systems Engineering: Alberto Velez
Company 3 DI Colourist: Stefan Sonnenfeld ASC
Camera Support Provider: J.L. Fisher
Filming Dates: September 2008 - Dec 2008
Cameras: Panaflex Platinum, Genesis HD & Dalsa Evolution (HD Video & 35mm Kodak Vision2 50D 5201, Vision3 500T 5219)
Lenses: PANAVISION® Primo SL Primes & Leica SL Primes
AR: 1.85:1 (3 & 4-Perf Super 35mm)
Budget: 150-200 Million USD
Budget AFI (2023): 204.1-272.2 Million USD
Printed on: Kodak Vision 2383 & Vision Premier 2393
Visual Effects and Animation by: Sony Pictures Imageworks, Café FX, Matte World Digital, In-Three & Sassoon Film Design
Stereo Work Provided by: Legend Films
Previsualization by: The Third Floor & Nvizage
Digital Intermediate Provided by: Company 3
Camera Dollies by: CHAPMAN/LEONARD
STUDIO EQUIPMENT
Color & International Prints by: TECHNICOLOR®
Domestic Prints Provided by: DELUXE®
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed with PANAVISION® Cameras & Lenses - DirectorJon TurteltaubStarsNicolas CageJay BaruchelAlfred MolinaA protege of the magician Merlin must train his teacher's successor - an introverted but resourceful physics prodigy - in the art of sorcery to prevent the return of Morgana le Fay.Director: Jon Turteltaub
EPs: Nicolas Cage, Michael Stenson, Chad Oman
Composer/Orchestrator: Trevor Rabin
Composers (Add'l Music): Paul Linford, David Reynolds
Production VFX Supervisor: John Nelson
Costume Designer: Michael Kaplan
Film Editor: William Goldenberg ACE
Production Designer: Naomi Shohan
Cinematographer: Bojan Bazelli ASC
Cinematographer (AP): Ben Seresin ASC BSC
EP/Unit Production Manager: Barry Waldman
Producer: Jerry Bruckheimer
Story Writers: Larry Konner, Mark Rosenthal
Co-Writer: Matt Lopez
Screenwriters: Doug Miro, Carlo Bernard
Unit Production Manager: Richard Baratta
First Assistant Director: Geoff Hansen
Second Assistant Director: Peter Thorell
Associate Producer: Pat Sandston
Production Supervisor: Trevor Waterson
Sup Stunt Coord/Second Unit Director: George Marshall Ruge
Ass't Stunt Coordinator: Daniel Barringer
Nicolas Cage Stunt Double: Thomas DuPont
Ass't Stunt Coord (Car Chase): Webster Whinery
Supervising Art Director: David Lazan
Art Director: David Swayze
Ass't Art Director: Miguel Lopez-Castillo
Ass't Art Director/Graphics: Leo Holder
Set Decorator: George De Titta Jr
Ass't Set Decorator/Buyer: Christine Mayer
Ass't Set Decorator: Charles Potter
A-Camera Operator: Mark Schmidt
B-Cam/Steadicam Op: Stephen Consentino
1st Assistant A-Camera: Eddie Effrein
1st Assistant B-Camera: Timothy Metivier
2nd Assistant A-Camera: Gregory Finkel
2nd Assistant B-Camera: Pierson Silver
Supervising Location Manager: Patty Carey Perazzo
Location Scout: Thomas Polleri
Exec in Charge of Production: Melissa Reid
Post-Prod Supervisor: Tami R. Goldman
Production VFX Editor: Christopher S. Capp
1st Assistant Editor: Brett M. Reed
AVID 1st Ass't Editor: Kevin A. Hickman
2nd Assistant Editor: Joe Galdo
Post-Prod Coordinators: Daniel Camins, Daphne Lambrinou
1st Apprentice Film Editor: Maria Paula Ayala
Post-Prod Assistants: Shannon O'Neill, Bernie Gomez
VFX Prod Ass't: David Osipowicz
1st Ass't Editor (NYC): Ulysses Guidotti
Sound Mixers: Kevin O'Connell, Christopher Boyes
Supervising Sound Editor: George Watters II
Sound FX Designer: Shannon Mills
Sound Editors: F. Hudson Miller MPSE, RJ Palmer
Supervising Dialogue Editor: Teri E. Dorman
Supervising ADR Editor: Kimberly Harris
Supervising Foley Editor: Victoria Martin
Add'l Sound FX Designer: David Whitehead
Chief Lighting Tech: Tony Nakonechnjy
Gaffer: Michael Gallart
Rigging Gaffer: Rocco Palmieri
Supervising Prop Master: James Mazzola
Ass't Prop Master: David Schanker
Production SFX Supervisor: John Frazier
Production SFX Coordinators: Mark Hawker, Steve Kirshoff
SFX On-Set Foreman: Eric Rylander
Production SFX Foreman/Purchaser: Mark Bero
Production Coordinator: John DI Simone
Ass't Prod Coordinator: Monica Celis Barraza
2nd 2nd Ass't Director: Nate Grubb
Chief of Staff: Jill Weiss
Key Set Production Assistant: Conor Kelly
Production VFX Accountant: Trevor Pawlik
Parking Coordinator: Jose Tejada
Picture Car Coordinator: Michael D. Antunez
Supervising Music Editor: Jeanette Surga
Music Editors: Katie Greathouse, Robbie Boyd
Score Mixer/Recordist: Steven Kempster
Orchestra Conductor: Gordon Goodwin
Choir Conductor: Don Harper
Title Designer: Simon Cassels
CO3 Exec Producer/Supervising Finishing Colorist: Stefan Sonnenfeld ASC
CO3 On-Line Finishing Editor: Alex Romano
CO3 DI Finishing Producer: Erik Rogers
CO3 Senior Finishing Producer: Missy Papageorge
CO3 Dailies Producers: Arthur Tremeau, Glenese Marks
CO3 DI Finishing Assistant: James Cody Baker
CO3 Dailies Colorist: Sean Dunckley
CO3 DI Finishing Technologist: Michael Chiado
2nd Unit Director: Philip G. Atwell
2nd Unit DoP: Patrick Loungway
Unit Prod Managers (2nd Unit): Carla Raij, Pamela Thur Weir
2nd Unit 1st Ass't Director: Douglas Torres
2nd Unit 2nd Ass't Director: Francisco Ortiz
2nd Unit Gaffer: Tom Percarpio
2nd Unit Location Manager: Evan Perazzo
2nd Unit Ass't Loc Managers: Jason Farrar, Rafael Lima
2nd Unit Moto Cam Tech: Rocky Babcock
2nd Unit Moto Cam Driver: Matt McBride
2nd Unit Prop Master: Joe Badalucco
2nd Unit Ass't Prop Master: James P. McDonagh
2nd Unit On-Camera Scenic Artist: Leslie Saulter Yacuk
Production VFX Producer: Amber Kirsch
Previz Supervisor: Steven F. Yamamoto
Production VFX Coordinators: Olivier Arneson, Courtney Ward
Production VFX Documentation: Shyan V. Yadav
Production VFX Data Wranglers: Viet Luu, Tyler Ham
Asylum Sr VFX Supervisor: Phil Brennan
Asylum VFX Creative Supervisor: Nathan McGuinness
Asylum Add'l VFX Sup: Jason Schugardt
Asylum CG Supervisor: Bret St. Clair
Asylum VFX Producer: Andy Foster
Asylum VFX Exec Producers: Katherine Chasen-Hay, Emma McGuinness
Asylum VFX Coordinator: Frank Spiziri
Asylum Senior CG Producer: Elizabeth Hitt
Asylum CG Producer: David Sajima
Asylum Head of CG: Jeff Werner
Asylum Animation Supervisor: Craig Van Dyke
Asylum Animation Lead: Stewart Burris
Asylum Modeling Supervisor: Greg Stuhl
Asylum Rigging Supervisor: Rick Grandy
Asylum Character Rigging Lead: Dae Ho Han
Asylum C&H Lead: Oscar Castillo
Asylum Lighting Tech Director: Hai Nguyen
Asylum Shader Supervisor: Matt Maude
Asylum FX Dev Lead: Jens Zalzala
Asylum M&L Supervisor: Fabio Zapata
Asylum Lead Matte Painter: Tim Clark
Asylum VFX Editors: Kosta Saric, Daniel Arkin
Asylum Color Timing Supervisor: Tommy Hooper
DNEG VFX Supervisor: Adrian De Witt
DNEG VFX Exec Producer: Alex Hope
DNEG VFX Producers: Moriah Etherington Sparks, Tracey Leadbetter
DNEG 3D Supervisor: Graham Jack
DNEG 2D Supervisor: Jonathan Bowen
DNEG 3D Leads: Georg Kaltenbrunner, Gavin Graham
DNEG Animation Lead: James Lewis
DNEG Matchmove Leads: Andrew Tulloch, Drew Collins
Method VFX Supervisor: Stephane Ceretti
Method VFX Team: Andy Boyd, Olivier Dumont, Aurelia Abate
Cameras: Arricam LT, ST & Arriflex 435 (35mm Kodak Vision3 250D 5207/500T 5219)
Lenses: Cooke S4 Primes, Zeiss Ultra Primes & Arri Master Primes
AR 2.39:1 (4-Perf Super 35mm)
Budget: 150 Million USD
Budget AFI (2022): 193.4 Million USD
Printed on: Kodak Vision 2383
Digital Intermediate & Dailies by: Company 3 LA & NY
Visual Effects by: Asylum, Double Negative & Method Studios
Shot on: Kodak Motion Picture Film
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Cameras by Arri CSC - DirectorRobert StrombergStarsAngelina JolieElle FanningSharlto CopleyA vengeful fairy is driven to curse an infant princess, only to discover that the child could be the one person who can restore peace to their troubled land.Director: Robert Stromberg
Screenwriter: Linda Woolverton
Co-Writer (Reshoots): John Lee Hancock
Producer: Joe Roth
Executive Producers: Angelina Jolie, Don Hahn
Executive Producer/Unit Production Manager: Sarah Bradshaw
Cinematographer: Dean Semler ASC ACS
Cinematographer (Add'l Photography): Michael Coulter BSC
Production Designers: Dylan Cole, Gary Freeman
Film Editors: Chris Lebenzon ACE, Richard Pearson ACE
Costume Designer: Anna B. Sheppard
Composer: James Newton Howard
Senior VFX Supervisor: Carey Grant Villegas
Unit Production Manager: Simone Goodridge
1st Assistant Director: Richard Whelan
2nd Assistant Director: Samar Pollitt
Production VFX Producer: Barrie Hemsley
Supervising Stunt Coordinator/2nd Unit Director: Simon Crane
Associate Producers: Zack Roth, Lori Korngiebel
MPC Senior VFX Supervisors: Adam Valdez, Seth Maury
Digital Domain Senior VFX Supervisor: Kelly Port
Stunt Coordinator: Eunice Huthart
Stunt Office Coordinator: Clare Glass
Wire Supervisor: Grant Wiesinger
Production Supervisor: Donald Sabourin
Supervising Art Director: Frank Walsh
Senior Art Directors: David Allday, Robert Cowper
Art Director: Phil Sims
3D Set Designer: Gregory Fangeaux
Design Consultant: Aline Bonetto
Set Decorator: Lee Sandales
Ass't Set Decorator: Ken Barrington-Groves
Ass't Art Director: Julie Pitt
Art Director (Props): Ashley Winter
Designer (Maleficent Costume): Jane Clive
Maleficent Makeup Designer: Rick Baker
Prosthetics Makeup Designer: David White
Prosthetics Production Manager: Sacha Carter
Prosthetics Workshop Manager: James Kernot
Mold Supervisor: James Iovino
Animatronic Designers: Josh Lee, Steve Wright
Prosthetics Mold Supervisor: Giacomo Iovino
A-Camera Operator: Gary Spratling ACO
B-Camera/Steadicam Operator: Tony Jackson ACO
1st Assistant A-Camera: John Ferguson
1st Assistant B-Camera: Kenny Groom
2nd Assistant A-Camera: Ray Meere
2nd Assistant B-Camera: Alan Hall
A-Camera Central Loader: Paul Wheeldon
B-Camera Central Loader: Elliot Purvis
Camera Trainee: Dom Cheung
Supervising Location Manager: Bill Darby
Location Manager: Teresa Darby
Ass't Location Manager: Duncan Broadfoot
Location Office Coordinator: Lindsey Powell
Unit Manager: Rob Campbell-Bell
Key Location Assistant: Jon Hills
Studio Unit Manager: Duncan Flower
Supervising VFX Editor: Paul Wagner
1st Assistant Editors: Christine Kim, Sean Thompson, JC Bond
3rd Assistant Editor: Nathaniel Fuller
4th Assistant Editor: Tom Davis
5th Assistant Editor: Jeremy Richardson
Add'l VFX Editors: Rolf Fleischmann, Jose Marra
VFX 1st Ass't Editor: Kevin Jolly
VFX 2nd Ass't Editor: Amar Ingreji
Stereo 1st Ass't Editor: Guy Wiedmann
Post-Production Coordinator: Stephen Yao
Post-Production Assistants: Tom Forbes, Emma Stickgold
Stereographer: Layne Friedman
VFX Production Manager (US): Matthew A. Rubin
VFX Production Manager (UK): Rupert Smith
Stereoscopic Prod Manager: Kelvin J. Padfield
VFX Senior Coordinator: Benjamin Aghdemi
VFX Survey Supervisor: Holly Gosnell
VFX Digital Prod Manager: Toby White
Production VFX Coordinators: Jason Anderson, Josie Henwood
Stereoscopic Coordinator: Michael Richardson
VFX Data Coordinator: Scott Fritzshall
Production SFX Supervisor: Michael Dawson
Ass't SFX Coordinator: Keith Dawson
Workshop Supervisor: Ray Ferguson
SFX Floor Supervisor: Steven Warner
SFX Technician: Jamie Corbould
Orchestrator: John Ashton Thomas
Supervising Digital Colorist: Yvan Lucas
2nd Digital Colorist: Elodie Ichter
Ass't Digital Colorist: Katie Jordan
DI Producer: Rob Phillips
Associate DI Producer: Rosalie Staley
CO3 Digital Dailies Producer: Alex Parrett
CO3 Dailies Executive Producer: Stefan Sonnenfeld ASC
2nd Unit Director: Cedric Nicolas-Troyan
2nd Unit Director/Director of Photography: Fraser Taggart
2nd Unit 1st Ass't Director: Nick Heckstall-Smith
2nd Unit A-Camera Operator: Roger Pearce
2nd Unit B-Camera Operator: Oliver Loncraine
2nd Unit 1st Ass't A-Camera: Robert Palmer
2nd Unit 2nd Ass't A-Camera: Andrew Jones
2nd Unit Gaffer: Martin Smith
2nd Unit SFX Floor Supervisor: Stephen Hutchinson
2nd Unit 2nd Ass't Director: Tom Rye
2nd Unit 2nd 2nd Ass't Dir.: Tom Edmondson
Splinter Unit DoP: Peter Talbot
Splinter Unit 1st Ass't Director: Lee Grumett
Splinter Unit Camera Operator: Nic Milner
Aerial Unit DoP: John Marzano
Line Producer (Add'l Photography): Stephen Jones
A-Camera Operator (Add'l Photography): Peter Taylor
B-Camera Operator (Add'l Photography): Martin Hume
Digital Imaging Technician (Add'l Photography): George Rumsey
Add'l VFX Producer (Prep): Dan Barrow
Add'l VFX Associate Producer (Prep): Rich Yeomans
VFX Production Assistant: Jaesung Oh
MPC Executive VFX Producer: Christian Robertson
MPC VFX Producers: Katherine Smith, Laura Fitzpatrick
MPC CG Supervisor: David Seager
Digital Domain VFX Producer: Kelly L'Estrange
Digital Domain DFX Supervisor: Darren Hendler
Digital Domain Animation Supervisor: David Andrews
Digital Domain Integration Artist: Jesse James Chisholm
Digital Domain Effects Animators: Ryo Sakaguchi, Brian Gazdik
Genre8 Executive Producer: Paul Becker
Genre8 Stereoscopic Supervisors: Ben Breckenridge, Warren Lyschenko
PFW Senior Stereo Supervisor: Richard Baker
PFW Head of Production: Matthew Bristowe
PFW Stereo Supervisors: Oliver Allen, Jimmy Philip, Barry O'Brien
Filming Dates: 13 June 2012 - 9 October 2012, October 2013 (Add'l Photography)
Cameras: Alexa Plus & Studio (2.8K ARRIRAW)
Lenses: Panavision Primo Spherical Primes
AR: 2.39:1 (Super 35mm)
Budget: 180-263 Million USD
Printed on: Kodak Vision 2383
Post-Production Sound Services Provided by: Skywalker Sound
Score Recorded at: Abbey Road Studios, London, UK & Air Lyndhurst Studios, London, UK
Digital Dailies Provided by: Company 3
Special Digital Visual Effects & Character Animation Provided by: Digital Domain & Moving Picture Company
Additional Visual Effects Provided by: Method Studios Vancouver
3D Conversion Provided by: Genre8, Prime Focus World & Legend3D
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed in Panavision - DirectorKenneth BranaghStarsLily JamesCate BlanchettRichard MaddenWhen her father unexpectedly dies, young Ella finds herself at the mercy of her cruel stepmother and her scheming stepsisters. Never one to give up hope, Ella's fortunes begin to change after meeting a dashing stranger.Director: Kenneth Branagh
Screenwriter: Chris Weitz
Producers: Simon Kinberg, David Barron, Alison Shearmur
Exec Producer/Unit Prod Manager: Tim Lewis
Cinematographer: Haris Zambarloukos BSC GSC
Production Designer: Dante Ferretti
Film Editor: Martin Walsh ACE
Costume Designer: Sandy Powell
Composer & Score Orchestrator: Patrick Doyle
Key Unit Prod Manager: Steven Harding
Key 1st Ass't Director: Will Dodds
Key 2nd Ass't Director: Samar Pollitt
Supervising Choreographer: Rob Ashford
Production VFX Supervisor: Charley Henley
Production VFX Producer: Emma Norton
2nd Unit Director/Director of Photography: Alexander Witt ASC
Performance Consultant: Jimmy Yuill
Stunt Coordinator: Steve Dent
Stunt Supervisor: Matthew Sampson
Horse Master: Haydn Webb
Fight Arranger: Terry King
Lily James Double: Kelly Dent
Richard Madden Double: Ryan Dent
Stunt Safety Supervisors: Nick Hobbs, Steen Young
Associate Choreographer: Chris Bailey
Assoc. To Rob Ashford (UK): Pip Jordan
Production Supervisor: Katherine Tibbets
Post-Prod Supervisor: Katie Reynolds
Prod Controller: Donna Glasser Hancock
Supervising Art Directors: Gary Freeman, Les Tomkins
Senior Art Director: Stuart Rose
Art Director: Anthony Caron-Delion
Ass't Art Director: Helen Xenopoulos
Main Unit Standby Art Director: Paul Laugier
Set Decorator: Francesca Ferretti
Prop Buyer (FR): Emmanuel Delis
Costume Supervisor: David Davenport
Makeup Designer: Naomi Donne
Makeup Artist Assistant: Sophie Corbould
Hair Designer: Carol Hemming
A-Camera Operator: Roger Pearce ACO
B-Camera Operator: Luke Redgrave ACO
C-Camera Operator: Stamos Triantaphyllos
1st Assistant A-Camera: Dean Thompson
1st Assistant B-Camera: Peter Byrne
1st Assistant C-Camera: Graham Martyr
2nd Assistant A-Camera: David Churchyard
2nd Assistant B-Camera: Abi Catto
2nd Assistant C-Camera: Ben Rogers
Steadicam Operator: Alf Tramontin
Central Loader: Dom Cheung
Camera Trainee: Robbie Bryant
Production SFX Supervisor: Dave Watkins
SFX Floor Supervisor: Terry Flowers
SFX Workshop Supervisor: Jim Machin
Production SFX Buyer & Coord: Victoria Martin
SFX Senior Technician: Peter Skehan
SFX Ass't Techs: Sam Perez, Roderick Pulis
SFX Model Designer: Kevin Gilmartin
Supervising Location Manager: Emma Pill
Production Location Manager: Tom Crooke
Ass't Location Manager: David Taylor
Unit Manager: Luke Stevenson
Ass't Unit Manager: Carrick Welsh
Associate Film Editor: Matthew Tucker
1st Assistant Editor: Nicholas Davis
2nd Assistant Editor: Sadaf Nazari
Production VFX Editor: Matthew Glen
VFX 1st Ass't Editor: Wayne Smith
Supervising Sound Editor: James Mather
Chief Lighting Technician: Julian White
Rigging Gaffer: Dan Lowe
Rigging Supervisor: Gerry Higgins
Key Grip: Michael Huse
A-Camera Grip: Sam Phillips
B-Camera Grip: John Dunne
Supervising Prop Master: David Balfour
Add'l Prop Master: John Wells
Prop Supervisor: Robert Hill
Prop Coordinator & Researcher: Charlotte Bushnell
Prop Assistant: Alexandra Kemp
Lead Drape Supervisor: Les Ward
Action Vehicles W/Shop Sup.: Steve Cole
Action Vehicles Specialist: Lee Sutton
Production Coordinator: Richard Daldry
Key Ass't Prod Coord.: Kelly Taylor-Dias
Ass't Prod Coordinator: Ella Daines-Smith
Producer's Assistant: Fred Bonham Carter
Unit Production Manager: Barry Waldman
1st Assistant Director: Richard Whelan
Crowd 2nd Ass't Director: Nan Rowlands
Floor 2nd ADs: Stewart Hamilton, Daniel Channing Williams
2nd 2nd Ass't Director: Samuel Smith
3rd Assistant Director: Sam Rook
Floor 3rd Ass't Director: Sandrine Loisy
Add'l 3rd Ass't Dir: Phoebe Vale Markham
Post-Prod Coordinator: Gemma Nicholson
Post-Production Secretary: Sarah Bowden
VFX Production Manager: Nikeah Ford
Production VFX Coordinator: Simon Bennet Leyh
VFX Add'l Coordinators: Joe Carhart, Jack Daniels
Production VFX Assistant: Matt Badham
VFX Production Assistant: Sara Pedramnia
VFX Architectural Consultant: Inigo Minns
VFX Color Pipeline Lead: Jerome Dewhurst
Lead Data Wrangler: Justin Peer
Data Wranglers: Jack George, Ben Brown
Production VFX Compositors: Neil Culley, Ed Plant, Daniel Rickard
Greens Consultant: Jon Marson
Music Producer: Maggie Rodford
Score Orchestrator & Conductor: James Shearman
Supervising Music Editor: Chris Benstead
Music Editor: Peter Clarke
Score Recordist & Mixer: Jake Jackson
Main Title Sequence Animator: Andy Daffy
Supervising Finishing Colorist: Rob Pizzey
DI Finishing Producer: Jonathan Collard
Digital Conform Editor & Finishing Artist: Herbert Butler
DI Finishing Technologist: John Quartel
Add'l Finishing Colorist: Trevor Brown
CO3 Head of Production (Dailies): Jon Gray
CO3 Head of Operations: Claire McGrane
CO3 Executive Finishing Producer: Stefan Sonnenfeld ASC
2nd Unit 1st Ass't Director: Cordelia Hardy
2nd Unit 2nd Ass't Director: Bryn Lawrence
2nd Unit 3rd Ass't Director: Mark Cockren
2nd Unit Standby Art Director: Patricia Johnson
2nd Unit A-Camera Operator: Clive Jackson
2nd Unit 1st Ass't A-Cam: Chris Summers
2nd Unit 1st Ass't B-Camera: Mike Green
2nd Unit 2nd Ass't A-Camera: Phil Hardy
2nd Unit 2nd Ass't B-Camera: Louise Ben Nathan
2nd Unit Central A-Camera Loader: Maiya Rose
2nd Unit A-Camera Trainee: Bruno Witt
2nd Unit Costume Supervisor: Linda O'Reilly
2nd Unit Chief Lighting Tech: Alan Martin
2nd Unit Rigging Gaffer: Jason Martin
2nd Unit Makeup Supervisor: Andrea Finch
MPC VFX Supervisor: Patrick Ledda
MPC CG Supervisor: Richard Clegg
MPC VFX Producer: Alain Lalanne
MPC Animation Sup.: Warren Leathem
MPC 2D Supervisors: Warren Brinton, Reuben Barkataki
MPC VFX Prod Manager: Michelle Teefey Lee
MPC Add'l VFX Supervisor: Richard Little
MPC VFX Editorial Supervisors: Andrew Howarth, Chris Collas
MPC Prod Assistants: Emma Carter, Tom Barber
3D Moco Supervisor: Andy Bull
Moco Producer: Rob Delicata
Filming Dates: 23 September 2013 - 14 December 2013
Cameras: Arriflex 435, Panaflex XL2 & Red Epic Dragon (35mm Kodak Vision3 50D 5203/200T 5213 & 5K Redcode RAW)
Lenses: Panavision Primo Anamorphic Primes, C- & G-Series Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Printed on: Kodak Vision 2383
Budget: 95 Million USD
Score Recorded & Mixed at: Air Lyndhurst Recording Studios
Digital Intermediate Finishing & Film Dailies Services Provided by: Company 3 & I-Dailies London
Visual Effects Provided by: Moving Picture Company & Rodeo VFX Company
Shot on: Kodak Motion Picture Film
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed in Panavision - DirectorJon FavreauStarsNeel SethiBill MurrayBen KingsleyAfter a threat from the tiger Shere Khan forces him to flee the jungle, a man-cub named Mowgli embarks on a journey of self discovery with the help of panther Bagheera and free-spirited bear Baloo.Director/Producer: Jon Favreau
Screenwriter: Justin Marks
Producer: Brigham Taylor
Executive Producers: Peter Tobyansen, Molly Allen, Karen Gilchrist
Cinematographer: Bill Pope ASC
Production Designer: Christopher Glass
Film Editor: Mark Levolsi ACE
Costume Designer: Laura Jean Shannon
Composer: John Debney
Production Visual Effects Supervisor, Second Unit Director & Director of Photog: Robert Legato ASC
Prod. Visual Effects Supervisor: Adam Valdez
Production Visual Effects Producer / Co-Producer: Joyce Cox
Production Animation Supervisor: Andrew Jones
Casting Director: Sarah Halley Finn CSA
Unit Production Manager: David M. Bernstein
UPM/First Assistant Director: David Venghaus Jr
Second Assistant Director: Gregory Pawlik Jr
Co-Producer: John Bartnicki
MPC Sr Visual Effects Supervisor: Charlie Henley
MPC Senior Executive Producer: Philip Greenlow
MPC Senior Animation Supervisors: Peta Bayley, Gabriele Zucchelli
WETA Senior Visual Effects Supervisors: Daniel Lemmon, Keith Miller, Joe Letteri
WETA Senior Animation Supervisor: Paul Story
Supervising Sound Editor/Re-Recording Sound Mixer: Christopher Boyes
Supervising Sound Editor: Frank Eulner
Re-Recording Sound Mixer: Lora Hirschberg
Supervising Finishing Artist: Steven J. Scott ASC
Second Film Editor: Adam Gerstel
Stunt Coordinator/Second Unit Director: Thomas Robinson Harper
Stunt Coordinator: Casey O'Neill
Head of Stunt Water Safety: Michael T. Brady
Dive Masters: Jim Pearson, Kris A. Jeffrey
Safety Divers: James Mitchell Clyde, Brett Smith
Production Supervisor: Lisa Vijitchanton
Supervising Art Director: Andrew L. Jones
Production Art Director: John Lord Booth III
MOCAP Art Director: Mike Stassi
Assistant Art Directors: Heide Waldbaum, Anne Costa, Meghan McClure
Supervising Virtual Art Director: Yuri Bartoli
Art Department Coordinator: Lindsay Good
Art Dept. Researchers: Amina Die’Ye, Damani Mangum
Art Dept. PAs: Evan Seccombe, Matt McLaughlin
Concept Artists: Jonathan Bach, Michael Kutsche
Creative/Conceptual Consultants: Iain McCaig, Claire Wendling, Christian Alzmann
Illustrator: Anthony Leonardi III
Jr. Illustrators: Nellie Prestine-Lowery, Oli Dear
Head of Storyboards: Dave Lowery
Storyboard Coordinator: Emily Bruza
Storyboard Artists: Marc Baird, Ryan Falkner, James A. Mitchell, Phil Norwood, John Fox
Overall Animatic Supervisor: Jeremy Thompson
Production Animatic Artist: James Rothwell
Animatic Assistants: Eric William Armstrong, Aaron Holmlund
Asst. Animatic Sequencer: William Weigand
First Assist. Editor: William Joseph Kruzykowski
Lead Visual Effects Editor: Andrew Ryan Turner
Visual Effects Editors: David Heinz, Julian Andraus, Jom Schermerhorn
Editorial Assistant: Ian McClarren
Post Production Supervisor: Jonas Thaler
Post Production Coordinator: Amanda Weir
Post Production Assistant: Brian Russell
Visual Effects Associate Producer: Barry St. John
Visual Effects Production Manager: Matt Rubin
Virtual Production Manager: Bruce Franklin
Lead Visual Effects Coordinator: P.J. Tobyansen
Production Visual Effects Coordinator: Pasquale Antonelli
Asset Manager & Prod Visual Effects Coordinator: Svetlana Tesnes
Add'l Visual Effects Coordinator: Michael Legato
Assist Visual Effects Coordinator: Brian Runnels
Visual Effects Data Coordinator: Tim Brodsky
Prod. Visual Effects Accountant: Emily McGatlin
Visual Effects Bidding Producer: Jac Barnbrook
Assistants to Mr. Favreau: Meghan Malloy, Wayne Horton
Assistants to Mr. Taylor: Corrine Greco, Trevor Eldridge
Cast Coordinator to Mr. Murray: Kris Moran
Digital Asset Managers: Sarah Delucchi, Dianne Ott
Production Controller: Doug Moreno
First Assistant Accountant: Troy McGatlin
Second Assistant Accountants: Brett Eidelman, Robert Soto
Payroll Accountant: Lori Ikeda
Payroll Clerk: Bryan Persichetti
Casting Associate: Tamara Hunter
Casting Assistant: Claire Koonce
NY Casting Director: Janet M. Bulter
Extras Casting Director: Richard King
Extras Casting Assistant: Jeremy Lambert
Production Set Decorator: Amanda Moss Serino
Set Dec Leadman: Thierry Labbe
Leadman/On-Set Dresser: Merdyce McClaren
Set Dressers: David Venezky, David L. Bush, Glenn Strauss
Set Decoration Buyer: Anne Tobin
Drapery Foreman: Deborah Jones
Key Costume Supervisor: Sarah Lee-Taylor
MOCAP Costume Supervisors: Antonio Almaraz, Marilu Hernandez
Key Costumers: Lisa Marie Harris, Jason Moore
Key Set Costumer: Paul Corricelli
MOCAP Set Costumer: Ashley Ellsworth
Costume Illustrator: Christian Cordella
Makeup Dept. Head: George Black
Special Effects Makeup Lead: Margie Kaklamanos
Hair Dept. Head: Marie Larkin
Key Hairstylist: Bryn E. Leetch
A/Steadicam Operator: Roberto De Angelis
A First Assistant Camera: E.J. Misisco Jr
B First Assistant Camera: Michael Klimchak
C First Assistant Camera: Liam Sinnott
A Second Assistant Camera: William McConnell
B Second Assistant Camera: Tyler Emmett
C Second Assistant Camera: Paul Tilden
3D Engineer/DIT: Robin Charters
3D Technicians: Jeff Rios, Manning Tillman
Convergence Engineer, 3D: Joshua Mellinger
Flight Head Technicians: Michael M. Pagan, Drew Dumas
G3 Remote Head Technician: James H. Razo
A Camera Reference Operator: A.J. Raitano
B Camera Reference Operator: Brian Garbellini
C Cam Reference Operator: Michole Bergstrom
D Camera Reference Operator: Tyler Allison
E Camera Reference Operator: Paul Tobyansen
Reference Camera Utility First AC: Lynda Wu
Reference Camera Utility Second AC: Colleen Marshall
Reference Camera Technician: Brett Egan
On Set Survey - Setup Unit: Ron Underdahl
Script Supervisor: Kathy McHugh
Script Supervisor - Virtual Unit: Becky Boyle
Digital Notes Supervisor: Greta Anderson
Sound Mixer: Ronald Judkins
Pro Tools Playback Operator: Michael Krikorian
Playback Operator (MOCAP): Jeff Zimmerman
Boom Operator: Scotty Jacobs
Utility Sound: Veronica Kahn, Rene DeFrancesch
Overall Location Manager: Kei Rowan-Young
Assistant Location Manager: Diana Lara
Environmental Steward: Matt Rusk
Gaffer: Robert Finley III
Best Boy Electric: Dale Balani
Dimmer Board Operators: Joshua Thatcher, Duane Katz
Gaffer - Setup Unit: Salim Bensrhir
Photo Booth Gaffer: Christian Killingsworth
Rigging Gaffer: Frank Dorowsky
Best Boy Rigging Electric: Brian Dennis
Rigging Electricians: Thomas F. DeRose, Michael Dorowsky, Dean Halvorsen, Oscar Rodriguez
Key Grip: Tony Mazzucchi
Best Boy Grip: Max Gerson
Dolly Grips: Daniel Pershing, Timothy S. Christie, Billy Pierson, Kurt Stevens
Crane Technicians: David Hammer, Peter Drinco,
Brian McPherson, David Haeussler
Key Rigging Grip: Chris Leidholdt
Best Boy Rigging Grip: Chris Conahan
Rigging Grip Gang Boss: Domenic Pacino
Rigging Grips: James Alden, Robert Foulds, Jim Leidholdt, Jason Blaise Cunningham
Sewing Grip: Damon T. Doherty
Key Grip - Setup Unit: Dave Cole
MOCAP Key Grip: Dennis Hoerter
MOCAP Best Boy Grip: James Monroe Tharp Jr
Production Video Supervisor: Ian Kelly
Video Assist Supervisor: Jesse Olivares
Video Operators: Richmond G. Cogswell, Brad Ralston
Simulcam Supervisor: Glenn Derry
Simulcam Technicians: Gary P. Martinez, Chuck Ghislandi
Virtual Video Operator: Dan Moore
Simulcam CG Rigging Lead: Kalan Ray
Simulcam Engineer: Alejandro Arango
Supervising Property Master: James L. Kroning
Assistant Property Master: Lorri Jakubuv
Senior Illustrator - Props: Andrea Dopaso
Propmakers: Lynn Garrido, Jane Kilkenny
Property Production Assistant: Daniel Riva
Overall Special Effects Supervisor: JD Schwalm
Prod. Special Effects Coordinator: Gintar Repecka
Special Effects Office Coordinator: Colleen Daniel
Production Special Effects Foreman: Joseph Judd
Special Effects Lead Technician: Sean Amborn
Special Effects Technicians: Gregory Bryant, Jeremiah Cooke, Mark Gulleserian, Tom Amborn, Thomas R. Homsher, Nathaniel Acord, Kim Derry,
Mike Derry, Roland Fullajtar
Ritter Fan Operator: Adam Davenport
Assist Production Coordinator: Sally Jean Potters
Production Secretary: Brian Runnels
2nd 2nd Assistant Directors: Lillian Awa, Jason Z. Kemp, Stephanie Tull
Additional 2nd AD: Kim Richards
Set PAs: Laura Brooks, Robert Nyerges, Andrew Sitter, Laura Hoyt, Melissa Cottingham, John Meyers
Office PAs: Kurt Humphreys, Kalif Fuller, Nick Newman, Mark C. Livolsi, Stephen Ellis, Olivia Taylor
IT Support: Dustin Tiep
Specialist Set Designer: Aric Cheng
Set Designers: David Chow, Richard F. Mays, Julien Pougnier
Model Makers: Tony Bohorquez, Leo Rijn
Graphic Designer: Sara Escamilla
Construction Coordinator: Tom Early
Greens Coordinator: Richard J. Bell
Greens Foreman: Richard W. Jones
Greens Gang Boss: Todd Barnowski
Stand-by Greens: Jeffrey Thomas
Greens Labor: John Savola
General Foreman: Marcel Michael Worch
Foremen: James Barron, Bryan Turk
Propmaker: Jim Early
Propmaker Gang Boss: Fred O'Connor
Standby Propmaker: Alfred J. Ransdell
Labor Foreman: James Piccione
Labor Gang Bosses: Omar Gutierrez, Isaac Guerrero, Ruben A. Lahn Jr, Ty Beck
Paint Supervisor: Stacy Clinger
Lead Scenic: Josh Votaw, Michael D. Valdes
Paint Gang Bosses: Chris Wessman, Leslie Lawson, Sean Sult
Lead Sculptor: Jamie Miller
Modeler Gang Bosses: Craig Abele, Duncan Crawford
Mold Shop Supervisor: David Cohen
Molder: Charlie Araiza
Plaster Supervisor: Robert Wilbanks
Construction Accountant: Jim Scaife
Studio Teacher: Lois Yaroshefsky
Motion Capture & Acting Coach: Sara Arrington
Stunt Department Office Mgr.: Jenn Grundstad
Unit Publicist: Gregg Brilliant
Still Photographer: Glen Wilson
EPK M3 Productions Producer: Brad Baruh
M3 Field Producers: Alexia Necoechea, Sean Ricigliano
Transportation Captain: Nathan Hardcastle
Transportation Co-Captain: Keith Fisher
JHCS Creative Supervisor: Pete Brooke
JHCS Production Manager: Jeremy Nocon
JHCS Production Coordinator: Amy Smith
SWS/LE Project Supervisor: Shane Patrick Mahan
Legacy Preliminary Animal Design: Chris Swift, Glenn Hanz, Jared Marantz, Won Il-Song, Kourtney Coats, Constantine Serkis
Legacy Mechanical/Digital Interface Device Team: Richard Landon, Gregory Smith, Rodrick Khachatorian
Legacy Digital Interface Device Team-Concept Overdrive Control Systems Designer: Steve Rosenbluth
Legacy Digital Interface Device Team-Concept Overdrive Control Systems Operator: Johnnie Spence
Legacy Digital Interface Device Team-Concept Overdrive Control Systems Programmers: Steven Sandoval, Bob Nolty, Archie Te
Legacy Digital Interface Device Team-Concept Overdrive Control Systems Technician: Vincent Ramirez
MPC VFX Producers: Anton Agerbo, Christina Graham
MPC DFX Supervisors: Clwyd Edwards, Antoine Moulinesau, Jon Neill, Elliot Newman
MPC Character Supervisor: Ben Jones
MPC Environment Supervisor: Audrey Ferrara
MPC Compositing Supervisors: David Griffiths, Stephen Kennedy, Richard Little, David Shire
MPC Animation Producer: Duncan Ramsay
MPC Production Managers: Olivia Lyne, Joel MacDonald, Lucy Tanner, Cecilia Marin, George Pembrey
MPC Matchmove & Roto Animation Supervisors, Additional Supervision: Puja Parikh, Kabir Verma
MPC Layout Supervisor, Additional Supervision: Stanley A. Dellimore
MPC Environment Supervisor, Add'l Supervision: Marco Rolandi
MPC FX Supervisor, Add'l Supervision: Oliver Winwood
MPC Rotoscope & Paint Prep Supervisors, Add'l Supervision: Richard Baillie, Payal Dani
Head of MPC Film, Studio Team: Chris Robertson
MPC Global Head of Production, Studio Team: Rachel Matchlett
MPC Heads of Production, Studio Team: Lauren McCallum, Uma Krishnamurthy
MPC Global Head of VFX Operations, Studio Team: Damien Fagnou
MPC Head of VFX, Studio Team: Jigesh Gajjar
MPC R&D Supervisor, Software Research & Development: Rob Pieke
MPC R&D Manager, Software Research & Development: Safiya Greensword
MPC Global Head of Technology: Nick Cannon
MPC Heads of Technology: Georg Wieland, Shajy Thomas
MPC LA Unit VFX Producer: Dawn Guinta
MPC LA Unit DFX Supervisor: Michael Kennedy
MPC LA Unit Lighting Visualization Supervisor: Michael Hipp
MPC LA Unit Systems Support: Ron Rebensdorf
WETA Visual Effects Producer: Ben Pickering
WETA Executive Producer: David Conley
WETA Head Of Production: Cyndi Ochs
WETA CG Supervisors: Thelvin Tico Cabezas, Daniele Tosti
WETA Compositing Supervisor: Chris Salzmann
WETA Creatures Supervisor: Matthew Muntean
WETA Models Supervisor: Florian Fernandez
WETA Texture Lead: Masaya Suzuki
WETA Shader Lead: Emiliano Padovani
WETA Layout Leads: Shweta Bhatnagar, Michael Paget
WETA Digital Stereographer: Angus Ward
WETA Animation Supervisors & Leads: Nino Kristoffer C. Ancieto, Jamie Beard, Alexander Burt, Matthew Riordan, Christian Rivers, Dennis Yoo
WETA FX Supervisors & Leads: Gerardo Aguilera, David Caeiro Cebrian, Johnathan M. Nixon, Alex Nowotny
WETA Editing & Imaging: Tom McHattie, James Meikle, Stephen Roucher
WETA Research and Development: Holly Dale, Martin Grozinger, Steven Longay, Paolo Emilio Selva
WETA Production Engineering: Tim Murphy, Reed Wade
WETA Rendering: Shijun Haw, Robin Hub
WETA IT: Malcolm Aitchison, Svend Andersen, Andrew Lambert, Matthew John Penman, Campbell Taylor-Fairweather
DD1.0 Virtual Production Supervisor & Producer: Gary Roberts
DD1.0 VAD/LAB Supervisor: April Warren
DD1.0 MOCAP Production Supervisor: Gaby Rios
DD1.0 MOCAP Pipeline Supervisor: Ryan Beagen
DD1.0 Virtual Camera Layout Op: John Brennan
DD1.0 V.C. Layout TD: Girish Balakrishnan
DD1.0 Virtual A/Simulcam Op: Mahyar Sadri
DD1.0 Virtual B/Simulcam Op: Anthony Jacob
DD1.0 Virtual C/Simulcam Operator: IAN ADAMS
Digital Domain Digital Notes Lead: Brett Skaggs
Digital Domain VAD Coordinator: Sam Tung
DD1.0 Virtual Production CG Supervisor: Mark Rodahl
DD1.0 LAB Master Scene Lead: Jose Astacio
DD1.0 LAB Master Scene Coordinator: Elizabeth Willaman
DD1.0 LAB Animation Lead: Andrew Greenlee
DD LAB Animation Coordinator: Clayton Shank
Digital Domain LAB Shots Lead: Joe Henderson
DD1.0 LAB Shots Coordinator: Alisha Lim
DD1.0 LAB Shots Artists: Long Hai-Pham, Kirsten Jelliffe
DD1.0 Virtual Production TDs: Adrian Dimond, Rick Fronek
DD1.0 Systems/IT: Roger Van Helden, Oded Rosenblum
DD Senior Production Accountant: Andrea Biklian
Photon Project Lead/Creative Supervisor: Habib Zargarpour
Photon Architects: Girish Balakrishnan, Gary Roberts
Photon Principal Software Engineer: Wes Potter
Photon Software Engineers: Ludovic Chabant, Andrew Clements, John Hable, Dom Humphrey, Maurice Ko, David Lam
Genre8 DMS Stereo Supervisor: Tim Chou
Genre8 DMS Executive Producer: Paul Becker
Genre8 DMS Producer: Chad Cortvriednt
Genre8 DMS Depth Supervisor: Ashish Kukian
Genre8 DMS Asset Supervisor: Bhavani Shankar
MPC Previsualization Supervisor: Duane Floch
MPC Previz Executive Producer: Julian Levi
MPC Previz Production Manager: Kim Menastar
T3F Previz Supervisor: Brian Pace
T3F Previz Artists: Roger Liu, Roger Mathews,
Joseph Civitate, Eduardo Franz, Jordan Emerick
T3F Previz Creative Supervisor: Chris Edwards
T3F Previz Producer: Kerry Shea
T3F Production Manager: Charlotte Nelson
Magnopus Visual Effects Executive Producer: Ben Grossman
Magnopus Visual Effects Producer: Magdalena Wolf
Magnopus Matchmove Artist: Carl Stern
Magnopus Compositors: Davy Nethercutt, Bee Jin Tan
Magnopus Matte Painter: Alex Nice
Magnopus Visual Effects Editor: Brian Miller
Tangerine Visual Effects Supervisor: Joe Farrell
Tangerine Apps Layout Supervisor: Derek Blume
Tangerine Digital Production Mgr.: Patrick Halm
Tangerine Matchmove Supervisor: Steve Hansen
Tangerine Lighting Artists: Christina Lee, Patrick Vidal
Tangerine Apps Animator: Andrew Greenlee
Tangerine Compositors: Kevin Pierce, Ian Harris, Austin Brown, Suzette Barnett
Tangerine Apps Matchmove Artist: Nha Lee
Tangerine Apps Systems Engineer: Tao Ma
Tangerine Head of Management: Dogan Koslu
Tangerine Apps Hand Drawn Logo Animation Supervisor: Bill Perkins
Tangerine Logo Hand FX Animator & Design: Phillip Vigil
Tangerine Logo Ink and Paint Artist: Serena Reid
Tangerine Logo Backgrounds Lead: Max Perkins
Skywalker Sound Effects Editors: Ken Fischer, David Chrastka
Skywalker Sound Dialogue Editor: Marshall Winn
Skywalker Foley Editors: Jim Likowski, Dee Selby
Assistant Supervising Sound Editor: Andre Fenley
Skywalker Assistant Dialogue Editor: Lisa Chino
Skywalker Apprentice Sound Editor: Lucas Miller
Sound Foley Artists: Jana Vance, Denny Thorpe
Skywalker Sound Foley Mixer: Chris Manning
Assistant Re-Recording Mixer: Kevin Bolen
Skywalker Sound Head of Engineering: Steve Morris
Hula Post Chief Technology Officer: Joshua Rizzo
Hula Post Senior Engineer: Dennis Bethke
Hula Post Senior Technician: James Tejeda
Hula Post Background Voices Coord: Barb Harris
TCS Associate Finishing Colorist: Mike Sowa ASC
TCS Assist Digital Finishing Colorist: Juan Flores
TCS Digital Conform Editor: Bob Schneider
TCS Color Scientist: Josh Pines
TCS Digital Intermediate Producer: Mike Dillon
Sound Mix Tech: Tom Y. Burns
Supervising Music Editor: Charles Martin Inouye
Music Editors: Tanya Noel Hill, Jim Harrison
Score Recordist and Mixer: Simon Rhodes
Score Orchestrators: Kevin Kasha
Orchestra Contractor: Dan Savant
Choir Contractor: Bobbi Page
Heads of Music Preparation: Mark Graham, Greg Jamrock, Andrew Hauschild
Score Recordist: Kevin Globerman
Score Coordinator: Lola Debney
Score Production Supervisors: Natalie Stowell, Stephanie Pereida
Score Technical Assistant: Jaime Hartwick
Songs Recordists: Vince Caro, Riccardo Damian,
Mike Dorsey, Jens Jungkurth, Mark Ronson, Misha Kachkachishvili
Additional Song Arrangers: Mark Mullins, Scott Lee Miller, William August Hunt
USC Light Stage Sr Supervisor: Paul Debevec
USC Light Stage Supervisor: Xueming Yu
USC Light Stage Producer: Kathleen Haase
USC Light Stage Software Developer: Graham Fyffe
USC Light Stage Associate Supervisor: Jay Busch
GGS 3D Scanning Supervisor: Yoshi De Herrera
GGS Producer: Brian Adler
GGS Scan Technicians: Rodrigo Carrasco, Larry Taylor, Stephen Casa, Neal Bradshaw
BFR LIDAR Technician: Nick Curry
Special Thanks: Mark Andrews, Brian Larson, Katherine Sarafian, Paul Reynolds, Tamara Reynolds, Elizabeth Chassie, Jaimie Councilor, Michael Rooney, Saffery Champness
Los Angeles Zoo Consultant: John Lewis
Dedicated to: Garry Shandling, Shawn Robinson
Camera: Alexa XT M (3.4K ARRIRAW)
Lenses: Panavision Primo Spherical Primes
AR: 1.85:1 (Dual-Strip 3D)
Budget: 175-177 Million USD
On-Set Reference Puppets Created by: Jim Henson's Creature Shop
Live Action Prop Effects/Digital Interface Created at: Stan Winston Studio/Legacy Effects
Visualization, Visual Effects & Animation by: MPC Previz, MPC, Weta Digital, Tangerine Apps & The Third Floor
Virtual Production, Real Time Visualization and Development Provided by: Digital Domain & Photon
3D Services by: Gener8 Digital Media Services
Medusa Performance Capture, Concept Design & Visual Development by: Industrial Light & Magic, Magnopus + Disney Research
Post Production Sound Services by: Skywalker Sound
Editing Systems and Service by: Hula Post
Digital Intermediate by: Technicolor Creative Services
Sound Re-Recorded at: The William Holden Theater & Sony Post Production Services Culver City, CA
Music Preparation by: JoAnn Kane Music Services
Score Recorded at: Sony Scoring Stage, Culver City, CA
Score Mixed at: Technicolor at Paramount, Hollywood, CA
Songs Recorded at: Chalice Recording Studio (Los Angeles, CA), Diamond Mine Recording Co (Long Island City, NY), Esplanade Studios & Music Shed Studios (New Orleans, LA), Electric Lady (New York, NY) + Zelig Studios (London, UK)
Main on End Type Design & End Crawl Sequence Designed by: YU+CO
Facial Reflectance Capture by: The University of Southern California Institute for Creative Technologies
3D Scanning by: 3D Systems/Gentle Giant Studios
LIDAR Services Provided by: Big Flick Rentals
Digital Asset Management Provided by: 5th Kind
3D Camera Systems, Grip & Lighting Provided by: Cineverse (A Division of VER)
Lenses Provided by: Panavision
Camera Cranes Provided by: Pro-Cam Rentals
Camera Cranes, Dollies and Stabilized Camera Systems Provided by: Chapman/Leonard Studio Equipment
Remote Heads by: Camera Car Systems
Filmed at: Los Angeles Center Studios
Soundtrack Available on: Walt Disney Records
Filmed in: Downtown Los Angeles
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed in Panavision - DirectorJames BobinStarsMia WasikowskaJohnny DeppHelena Bonham CarterAlice is appointed to save her beloved Mad Hatter from deadly grief by travelling back to the past, but this means fatally harming Time himself, the noble clockwork man with the device needed to save the Hatter's family from the Red Queen.Director / Producer: James Bobin
Writer: Linda Woolverton
Producers: Joe Roth, Suzanne Todd, Jennifer Todd
Executive Producer/Unit PM: John G. Scotti
Cinematographer: Stuart Dryburgh BSC
Production Designer: Dan Hennah
Film Editor: Andrew Weisblum ACE
Costume Designer: Colleen Atwood
Production Visual Effects Supervisors: Kenneth Ralston, Jay Redd
Production Animation Supervisor: Troy Saliba
Composer: Danny Elfman
Casting Director: Lucy Bevan CSA
Dedicated to: Alan Rickman
Unit Production Mgr./Co-Producer: Jeremy Johns
First Assistant Director: Richard Goodwin
Key Visual Effects Producer: Mike Chambers
Imageworks Senior Visual Effects Producer: Eric Scott
Additional Film Editor: Wyatt Smith ACE
Second Unit Director / Director of Photography: Shaun O'Dell
Supervising Stunt Coordinator: Ben Cooke
Stunt Department Coordinator: Hayley Saywell
Horse Master: Daniel Naprous
Johnny Depp Stunt Double: Kat Martin
Mia Wasikowska Stunt Double: Helen Bailey
Sacha Baron Cohen Stunt Double: Doug Robson
Key Stunt Rigger: Ben Mahoney
Stunt Riggers: Rob Hayden, Loui Horvath, Danny Sansom
Production Supervisor: David Cain
Financial Supervisor: Nathan Woods
Key Second Assistant Director: Dan John
Supervising Art Director (UK): Niall Moroney
Supervising Art Director (US): Todd Cherniawsky
Art Directors: Nick Gottschalk, Alex Cameron, Richard Selway
Standby Art Director: Laura Ng
Assistant Art Directors: Simon Elsley, Denise Ball, Gary Jopling
Storyboard Artists: John Coven, Dan Sweetman, Oliver Thomas, Josh Sheppard, Dwayne Turner
Character Designers: Michael Kutsche, Bobby Chiu, Kei Acedera, Vladimir Todorov
Concept Artists: Anthony Allan, Laurent Ben-Mimoun, Lizzie Bentley, Richard K. Buoen, Eva Kuntz, Victor Martinez, Michelle Moen, Paul Ozzimo, Imery Watson
Set Designers/Draughtsmen: John Berger, Jann Engel, Terri Fairhurst, Sarah Finlay, Rich Hardy, Patrick Harris, Scott Hebertson, Jeff Markwith, Richard F. Mays, Iain McFadyen, Sophie Neil, Mary Piee, Alex Smith, Aoife Warren, Lotta Wolgers, Robert Woodruff
Model Makers: Dan Eagle, Jeff Frost, Josh Horobin, Gregory Jein, Jason Mahakin
Modellers: Mark Maher, Alasdair Mckay
Graphic Designer: Karen Tenvece
Art Department Coordinator (UK): Gabi Dolenska
Art Department Coordinator (US): Andrea Carter
Storyboard Coordinator: Keith O Hara
Art Department Assistant: Tim Dutton
Art Department Researcher: Chris Steother
Art Department PA (UK): Emily Connell
Art Department PA (US): Kate English
Set Decorators: Anna Lynch-Robinson, Ra Vincent
Assistant Set Decorator: Maudie Andrews
Junior Assistant Set Decorator: Jannecke Nilsen
Production Buyer: James Hendy
Assistant Buyers: Krysia Whitty, Harriet Willis
Set Dec Coordinator: Caitlin Thompson
Graphic Designers: Sarah Pasqualt, Carol Kupisz
Scenic Artists: Rohan Harris, Jamie Newell
Set Dec Art Director: Hannah Santeugini
Supervising Prop Maker: Craig Narramore
Model Maker, Props: Fiona Gourlay
Modellers, Props: Matt Boyton, Peter Lee, Alex Rutherford, Clint Whelan
Drapes Master: Anthony Szuch
Assistant Drapesman: Les Ward
Costume Supervisor: Donna O Neal
Assistant Costume Designer: Laura Revitt
Costume Cutters: Karen Naser, Lucy Denny
Head Textile Artist: Matt Reitsma
Costume Prop Modeler: David Bethell
Costume Prop Makers: Warren Haigh, Bryony Tyrrell
Crowd Costume Supervisor: Sarah Touaibi
Costume Buyer: Kay Manasseh
Junior Costume Buyer: Emily Knight
Costumer to Mr. Depp: Charlotte Child
Set Costumers: James Shuttleworth, Lucilla Simbari, Jaclyn Tamizato, Lex Wood
Costume Makers: Karolyn Reece, Helen Beasley
Crowd Costume Fitters: Eleanor Landgrebe, Heather Leat
Crowd Costumer: Hannah Warren
Costume Fitter: Jo Dawn
Costume Makers: Maria Endara, Esther Himer, Emma O Connor, Jenny Powell, Sue MacKenzie
Costume Maker/Embroiderer: Sarah Howson
Head of Costume Alterations: Francis Ponisi
Deputy Head Costume Textile Artist: Sacha Chandisingh
Textile Artist: Caroilne Nicholls
Costume Coordinator: Caroline Fallon
Junior Costume Coordinator: Amanda McLauglan
Costume PAs: Raquel Gremler, Sarah Scotti
Make-Up and Hair Designer: Peter Swords King
A/Steadicam Operator: Peter Cavaciuti ACO
B Camera Operator: Rodrigo Gutierrez ACO
A First Assistant Camera: Ashley Bond
B First Assistant Camera: Ryan Taggart
A Second Assistant Camera: Chris McAleese
B Second Assistant Camera: Luke Selway
Alexa XT & Sony F65 Central Loader: Cenay Said
Alexa XT & Sony F65 Camera Trainee: Sam Irwin
DIT: Peter Welch
Assistant DIT: Adam McGrady
Key Grip: Kevin Fraser
Best Boy Grip: Tony Benjamin
Dolly Grip: David Risi
Grip: Dean Morris
Crane Tech: Dennis Fraser Jnr
Head Tech: Peter Whitcombe
Video Operator: Zoe Whittaker
Video Assistant: Jonathan Ames
Video Trainee: Liam Beard
Production Sound Mixer: John Midgley
Boom Operator: Steven Hancock
Sound Assistant: Charlotte Gray
Sound Trainee: Jack Kelly
Post Production Supervisor: Abigail Callahan
Prod. Special Effects Supervisor: Neil Corbould
Prod. Special Effects Manager: Maria Corbould
Prod. Special Effects Team Player/Trainee: Luc Corbould
Additional Still Photographer: Susie Allnutt
Music Scoring Mixer: Dennis S. Sands
Head of Music Preparation: Dave Hage
VFX Production Manager, US Visual Effects: Katie Stetson
VFX Coordinators, US Visual Effects: Bridget Swerecki, Craig Andujar
Digital Asset Manager, US Visual Effects: Jeff Reeves
VFX Accountant, US Visual Effects: Evan Peuerman
VFX Production Assistants, US Visual Effects: Emily Shatle, Nathalie Portunel
Stereoscopic Supervisor, US Visual Effects: Ed W. Maren
Stereo Coordinator, US Visual Effects: James Lu
3D Editor, US Visual Effects: Lara Maxewai
SPI Effects Executive Producer: Debbie Denise
SPI Digital Effects Supervisors: Theo Bialek, Craig Wentworth
SPI Digital Producer: Carey Ann Smith
SPI Asset Build Supervisor: Brian Steiner
SPI Lighting Designer: Kevin Souls
SPI Lighting Supervisor: Charles G. Abou
SPI Sequence Supervisor: Patrick Cohen
SPI Compositing Supervisors: Benjamin Seagoat Hendricks, Pablo Holcer, Orde Stevanoski
SPI Stereoscopic Supervisor: Layne Friedman
SPI Additional Compositing Supervision: Matthew Welford
SPI Senior Digital PMs: Julie M. Groll, Jeremie Winslow
SPI Stereo Digital Production Manager: Thomas H. Core
SPI Senior VFX Editor: Elaine C. Andriands
DNEG Visual Effects Supervisors: Ollie Rankin, Jesfer Kj Olerub, Andrew Lockley
DNEG Visual Effects Producer: Vera Zivny
DNEG Compositing Supervisor: Tom Rolte
DNEG CG Supervisor: Zoe Cranley
DNEG Sequence Supervisors: Robin Beard, Philip Johnson, Joel Praer, Stephen James, Bernhard Kerschbaumer, Sebastian Von Overheidt
DNEG FX Supervisor: Shaun Roth
DNEG Production Manager: Karen Clarke
DNEG Line Producer: Katy Mummery
DNEG Production Coordinators: Ryan Barbarara, Nonis Maria Nicole, Jenn Yle, Amanda Knight, Shoshanah Wall
DNEG Animation Lead: Benjamin Kousholt
DNEG CG Leads: Stephen Borneman, Nick Marshall, Alison Wortman, Petle Bowmar, Kai Pedereen, Torn Elliot, Kristin Pratt
DNEG Digital Matte Painters: Kalene Dukemoore Rayond, Lai Jin, Melaina Mack
DNEG Lead Compositor: Evan Von Overheidt
DNEG RPM Supervisors: Megan Hutchison, Chris Cooper
DNEG Matchmove Lead: Jon Bragado-Diez
DNEG Editorial Lead: Xinyi Puab
DNEG Research and Development: Dan Bailey, Christopher Kerr, Matthew Warner
DNEG Pipeline TDs: Yi Min Fan, Andrew Palmer
DNEG Production Assistant: Richard Leo Cook
DNEG Previz Supervisor: Rpin Suwannath
DNEG Previz and Postviz VFX Artists: Andreas Hikel, Gleen Burton, Matt Parell, Hailey White, Mike Makara
DNEG Previz Artists: Brian Burks, Jardod Hale
John Hewitt, Matthew Newhart
DNEG Postviz Artists: Robert Ostis, Michael Archamrault
HALON Postviz Supervisor: Tefft Smith II
HALON Postviz Producer: Patrice Avery
HALON Postviz Lead: Zachary Wong
Legacy Effects Supervisors: Shane Mahan, Alan Scott
LE Design Team for Time: Daniel Baker, Mauricio Rioz, Simon Webber, Alan Holt
PRIME FOCUS Senior Stereo Supervisor: Richard W. Baker
PRIME FOCUS Senior Producer: Valeria Andio
PRIME FOCUS Stereo Supervision: Jimmy Phillip, Barry O Brien, Marc Brzeicki
PRIME FOCUS Senior Editor: Lewis Sonny Menga
PRIME FOCUS Production Mgr: Richard Edwards
PRIME FOCUS Stereo Producer: Subbu Pillai
PRIME FOCUS Production Coordinators: Daniel Hogg, Chris Preston Barnes
Company 3 EP/Colorist: Stefan Sonnenfeld ASC
EC3 Dailies Operators: James Slattery, Doychin Margoevski, Mike Davis, Jonathan Smiles
EC3 Dailies Producers: John Bush, Alex Parrett
Editorial Consultants: Bob Ducsay ACE, James Thomas ACE, Michael Tronick ACE
Weather Consultant: Richard Wild
Filming Dates: 4 August 2014 - 31 October 2014
Cameras: Alexa XT & Sony CineAlta F65 (2.8K ARRIRAW & 4K F65 RAW)
Lenses: Hawk V-Lite 1.3x Anamorphic Primes, Arri Master Primes & Angenieux Optimo Zooms
AR: 1.85:1 (Anamorphic & Super 35mm)
Budget: 170 Million USD
Post Production Sound Services by: SKYWALKER SOUND
Music Preparation by: Dakota Music Service
Score Recorded at: Abbey Road Studios, London, UK
Score Mixed at: Technicolor, Los Angeles & Sound Waves SB, Santa Barbara, CA
Visual Effects and Animation by: SONY PICTURES IMAGEWORKS, YANNIX (THAILAND), BASILLIC FLY STUDIO, IMAGELLUM VISUAL EFFECTS, CANTINA CREATIVE & DOUBLE NEGATIVE
Postvisualization by: HALON ENTERTAINMENT
Creature Created by: LEGACY EFFECTS
Virtual Set Services by: Encodacam/Solidtrack
Cyberscanning and Photogrammetry by: CLEAR ANGLE
Lidar Services by: MOTION ASSOCIATES
Motion Control Services by: THE VFX COMPANY
Stereo Conversion Services by: LEGEND3D, GENRE8 & PRIME FOCUS
Feature Finishing Provided by: COMPANY 3
Near Set Dailies Provided by: EC3
Main on End Title Sequence Designed by: Blur Studio
End Titles Provided by: Scarlet Letters
Soundtrack Available on: Walt Disney Records
Filmed on Location in: London, Gloucestershire, Oxfordshire, The Home Counties & At Pinewood Shepperton Facilities, UK
Camera Dollies by: Chapman/Leonard Studio Equipment
Camera and Lenses by: ARRI Rental
Lighting Services by: Panalux
Distributed by: Walt Disney Studios Motion Pictures - DirectorDavid LoweryStarsBryce Dallas HowardRobert RedfordOakes FegleyThe adventures of an orphaned boy named Pete and his best friend Elliott, who happens to be a dragon.Director/Co-Writer: David Lowery
Executive Producer: Barrie M. Osborne
Cinematographer: Bojan Bazelli ASC
Production Designer: Jade Healy
Film Editor: Lisa Zeno Churgin ACE
Costume Designer: Amanda Neale
Composer: Daniel Hart
Co-Producer: Adam Borba
Unit Production Manager: Margaret Hilliard
1st Assistant Director: Joe Nolan
2nd Assistant Director: Bruno Du Bois
Production VFX Supervisor: Eric Saindon
Production VFX Producer: Arthur Windus
Stunt Coordinator: Augie Davis
Ass't Stunt Coordinator: Tim Wong
Stunt Vehicle Supervisor: Mick Van Moorsel
Associate Producer: Carthew Neal
Supervising Art Director: Kim Sinclair
Art Directors: Jill Cormack, Ken Turner
Ass't Art Director: Rosie Guthrie
Art Director (Add'l Photography)/Set Decorator: Simon Bright
A-Camera/Steadicam Operator: Cameron McLean
B-Camera Operator: Andrew McGeorge
Add'l Camera Operator: Peter McCaffrey
On-Set Colorist: Pete Harrow
Chief Lighting Technician: Jonathan Spencer
Production SFX Supervisor: Steve Ingram
On-Set SFX Coordinator: Karl Chisholm
Set Designer: Yvonne Yip
Picture Vehicles Supervisor: Geoff Naylor
Consulting VFX Supervisor: Carey Villegas
Weta Senior VFX Supervisor: Joe Letteri
Weta Animation Supervisor: Michael Cozens
Weta 2nd Unit VFX Supervisor: Charles Tait
Weta VFX Producer: Juliette Davis
Weta VFX Executive Producer: David Conley
Weta Supervising VFX Colorist: Joerg W. Bungert
Weta Internal Production Supervisor: Steven McKendry
Weta Head of VFX Production: Cyndi Ochs
Weta CG Supervisors: Nick Epstein, Mike Perry
Weta FX Supervisor: Gray D. Horsfield
DNEG VFX Supervisor: Adam McInnes
DNEG VFX Producer: Fay McConkey
DNEG VFX Line Producer: Joseph Lloyd Pack
DNEG VFX Production Coordinator: Benjamin Carlson
Crafty Apes VFX Supervisor: Tim LeDoux
Crafty Apes VFX Producer: Jason Sanford
Crafty Apes Digital Compositor: Mark LeDoux
Exceptional Minds VFX Supervisor: Immanuel Morris
Exceptional Minds VFX Executive Producer: Susan Zwerman
2nd Unit Director: Christian Rivers
Unit Production Manager (2nd Unit): Carol Kim
2nd Unit 1st Ass't Director: David Norris
2nd Unit Camera Operator/Director of Photography: John Cavill
Production Manager (Add'l Photography): Annie Dodman
Drone Camera Operator (Add'l Photography): Simon Baumfield
Supervising Digital Colorist: Mitch Paulson ASC
DI Producer: Rob Phillips
DI Editor: Amy Pawlowski
DI Ass't Colorist: Joel McWilliams
DI Ass't Producer: Rebecca Markham
EFilm Company 3 CEO: Stefan Sonnenfeld ASC
Filming Dates: 26 January 2015 - 30 April 2015
Camera: Alexa XT Studio (3.4K ARRIRAW)
Lenses: Cooke Anamorphic/I Primes & Arri Master Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Budget: 65 Million USD
Post-Production Sound Services Provided by: Skywalker Sound
Main Visual Effects & Animation Created by: Weta Digital
Additional Visual Effects Provided by: Double Negative, Crafty Apes & Exceptional Minds
3D Conversion Provided by: Genre8
Digital Intermediate Provided by: EFilm Company 3
Attribute: Camera Equipment Provided by Arri Rental Deutschland - DirectorBill CondonStarsEmma WatsonDan StevensLuke EvansA selfish Prince is cursed to become a monster for the rest of his life, unless he learns to fall in love with a beautiful young woman he keeps prisoner.Director: Bill Condon
Co-Writer: Stephen Chbosky
Composer/Songwriter: Alan Menken
Executive Producer: Don Hahn
Cinematographer: Tobias Schliessler ASC
Cinematographer (Add'l Photography)/A-Cam & Steadicam Op: Lorenzo Senatore ASC
Production Designer: Sarah Greenwood
Film Editor: Virginia Katz ACE
Costume Designer: Jacqueline Durran
Production VFX Supervisors: Kyle McCulloch, Kelly Port
Co-Producer/Production VFX Producer: Steve Gaub
Digital Domain Senior Animation Supervisor: Steve Preeg
Framestore Senior VFX Supervisor: Richard R. Hoover
Framestore Lead VFX Supervisor: Glen Platt
2nd Unit Director: Thomas Napper
Stunt Coordinator: Adam Kirley
Production Supervisor: David Cain
Key 2nd Ass't Director: Matthew Sharp
Associate Film Editor: Ian Slater
Theatrical Lighting Designers: Jules Fisher, Peggy Eisenhauer
Supervising Art Director: Niall Moroney
Senior Art Directors: James Foster, Nick Gottschalk
Art Directors: Mark Swain, Mike Stallion, Tom Still
Senior Ass't Art Director: Matt Robinson
3D Set Designer: Stephen Wong
Visual Researcher: Philip Clark
Set Decorator: Katie Spencer
Senior Ass't Set Decorator: Alison Harvey
Set Dec Art Director: Choi Ho Man
Set Designer/Draughtsperson: Alice Biddle
B-Camera Operator: Jonathan 'Chunky' Richmond
Supervising VFX Editor: Paul Wagner
Production Consultant: Mary Richards
Production SFX Supervisor: Paul Corbould
Special Effects Co-Supervisor: Gareth Wingrove
SFX Workshop Supervisor: Tony Edwards
SFX Floor Supervisor: Dan Williams
SFX Wire Supervisor: Neal Murray
Production SFX Coordinator: Benjamin Vokes
SFX Ass't Buyer: Sophie Corbould
Frost FX Supervisor: Richard Van Der Bergh
VFX Production Supervisor: David Feinsilber
Production VFX Coordinator: Patrick Hernandez
VFX Ass't Coordinator: Joana Santana Powell
Digital Domain VFX Producer: Gayle Munro
Digital Domain DFX Supervisors: Darren Hendler, R. Matt Smith
Digital Domain Animation Supervisor: Ian Blum
Digital Domain CG Supervisor: Alexandre Millet
Digital Domain VFX Sequence Supervisor: Robert Andrew David Frick
Digital Domain Character Effects Supervisor: Nathan Fox
Digital Domain Digital VFX Producer: Jenne Marie Guerra
Digital Domain On-Set Data Integration Artist: Viki Chan
Framestore VFX Producers: Danielle Morley, Carrie Rishel
Lola VFX Producers: Mare McIntosh, Thomas Nittmann
Lola VFX Executive Producer: Mark Stern
Lola VFX Coordinator: Anwei Chen
Lola VFX Compositing Supervisor: Edson Williams
Method Studios VFX Supervisor: David Piombino
Method Studios VFX Producer: David Derwin
Method Studios CG Supervisor: Ivan Andres Guerrero
Method Studios VFX Coordinator: Camara Edwards
2nd Unit DoP: Dino Parks
2nd Unit A-Camera Operator: Stefan Stankowski
2nd Unit B-Camera Operator: Graham Hall
CO3 Executive Producer/Supervising Finishing Colorist: Stefan Sonnenfeld ASC
Ass't Finishing Colorists: Andy Geary, Sofie Friis Borup
Finishing Producer: Nick Monton
Digital Conform Editor & Finishing Artist: John Diesso
CO3 Finishing Account Executive: Jackie Lee
Digital Artist (IMAX Version): Ryan D. Romero
Filming Dates: 18 May 2015 - 21 August 2015
Camera: Alexa XT Plus (3.4K ARRIRAW)
Lenses: Leica Summilux-C
AR: 1.90:1 (IMAX version), 2.39:1 (Super 35mm)
Budget: 160-255 Million USD
Special Visual Effects & Character Animation Provided by: Digital Domain & Framestore
Additional Visual Effects Provided by: Lola VFX & Method Studios
3D Conversion Provided by: Prime Focus
Music Recorded at: Abbey Road Studios & Air Lyndhurst Studios
Digital Intermediate Finishing Provided by: Company 3
Attribute: Cameras And Lenses by Movietech - DirectorMarc ForsterStarsEwan McGregorHayley AtwellBronte CarmichaelA working-class family man, Christopher Robin, encounters his childhood friend Winnie-the-Pooh, who helps him to rediscover the joys of life.Director: Marc Forster
Composers: Jon Brion, Geoff Zanelli
Co-Producer/Production VFX Producer: Steve Gaub
Production VFX Supervisor: Christopher Lawrence
Production Animation Supervisor: Michael Eames
Costume Designer: Jenny Beavan
Film Editor: Matt Chessé ACE
Production Designer: Jennifer Williams
Cinematographer: Matthias Koenigswieser
Screenwriter: Tom McCarthy
Story Writer: Mark Steven Johnson
Unit Production Manager: David Cain
1st Assistant Director: Will Dodds
Production SFX Supervisor/2nd Unit Director: Chris Corbould
Stunt Coordinator: Mark Mottram
Key 2nd Ass't Director: Tom Mulberge
Supervising Art Director: Stuart Kearns
Senior Art Director: Nick Dent
Set Decorator: Caroline Smith
Draughtsperson: Alice Biddle
A-Camera/Steadicam Operator: Jason Ewart ACO
B-Camera Operator: Oliver Loncraine
Add'l Film Editor: Kristina Hetherington
VFX Associate Producer: Fahed 'Freddy' Alhabib
Production VFX Coordinators: Zack Fox, Mitch Claspy
Score Mixers/Recordists: Dennis S. Sands, Greg Koller
HOD Creature FX Designer: Nik Williams
Creature FX Supervisor: Tina Foster
Creature FX Coordinator: Mary Hanrahan
Creature FX Runner: Simon Richards
SFX Floor Supervisor: John Van Der Pool
SFX Workshop Supervisor: Daniel Homewood
SFX Wire Supervisor: Steve Crawley
Production SFX Buyer/Coordinator: Lynne Corbould
Senior SFX Technician: Ian Corbould
Lead SFX Technician: Toby Marrow
SFX Administrative Assistant: Felicity Corbould
Action Vehicle Coordinator: Neil Layton
Action Vehicle Supervisor: Ashley Hollebone
2nd Unit DoP: Peter Talbot
2nd Unit Camera Operator: Tony Jackson
Framestore Senior VFX Supervisors: Theo Jones, Carlos Monzon
Framestore LA VFX Supervisor: Michael Ralla
Framestore VFX Executive Producer: James Whitlam
Framestore Senior VFX Producers: Sophie Carroll, Caitlin Thomas, Claire Denwood
Framestore LA VFX Producer: Morgan MacCuish
Framestore Animation Supervisors: Arslan Elver, Laurent Laban
Framestore Associate Animation Supervisor: Kayn Garcia
Framestore CG Supervisors: Maxx Leong, Adrien Saint Girons, Neil Weatherley
Framestore Compositing Supervisors: Alex Payman, Geoff Wigmore
Iloura VFX Executive Producer: Ineke Majoor
Iloura VFX Supervisor: Glenn Melenhorst
Iloura VFX CG Supervisor: Avi Goodman
Iloura VFX Production Manager: Pippa Sheen
Iloura VFX Asset Supervisor: Samuel Jensen
Iloura VFX Matchmove Supervisor: Adrian Watkins
Iloura VFX Animation Supervisor: Nicholas Tripodi
Iloura VFX FX Supervisor: Paul Buckley
Lola VFX Executive Producer: Thomas Nittmann
Lola VFX Compositing Supervisor: Edson Williams
Lola VFX Supervisor: Jeremiah Sweeney
Lola VFX Producers: Anwei Chen, Max Leonard
Lola VFX Associate Producer: Aileen Mu
DI Finishing Colorist: Sofie Friis Borup
Finishing Producer: Annie Johnson
Finishing Editor: Rob Doolittle
DI Finishing Accountant: Ian Sullivan
CO3 Executive Finishing Producer: Stefan Sonnenfeld ASC
Dedicated to: Johann Johannsson
Filming Dates: August 2017 - 4 November 2017
Cameras: Panaflex XL2, System 65 Studio, 65 HR, Alexa Mini & SXT (35mm/65mm Kodak Vision3 250D 5207/500T 5219 & 2.8K/3.4K ARRIRAW)
Lenses: Panavision C-, E-, G-Series Anamorphic Primes, APO Panatar Anamorphic & System 65 Primes
AR: 2.39:1 (Anamorphic)(Panavision Super 70: Some Scenes)
Budget: 75 Million USD
Dailies & Feature Finishing Provided by: Company 3
Main Visual Effects & Animation Provided by: Framestore & Method Studios
Visual Effects Provided by: Iloura VFX & Lola VFX
Attribute: Filmed in Panavision - DirectorRob MarshallStarsEmily BluntLin-Manuel MirandaBen WhishawA few decades after her original visit, Mary Poppins, the magical nanny, returns to help the Banks siblings and Michael's children through a difficult time in their lives.Director: Rob Marshall
Costume Designer: Sandy Powell
Film Editor: Wyatt Smith ACE
Production Designer: John Myhre
Cinematographer: Dion Beebe ACS
Cinematographer (Add'l Photog & 2nd Unit): Alan Stewart BSC
2nd Unit Director: Thomas Napper
Production Special FX Technician: Toby Marrow
Draughtsperson: Alice Biddle
Cameras: Alexa Mini & SXT (3.4K ARRIRAW)
Lenses: Panavision Primo-V Spherical Primes, Primo ALZ11 (48-550mm) Zoom, G-, T-Series Anamorphic Primes, Anamorphic Zooms & Angenieux Optimo Anamorphic Zooms
AR: 2.39:1 (Anamorphic & 4-Perf S35mm)
Attribute: Filmed in Panavision - DirectorTim BurtonStarsColin FarrellMichael KeatonDanny DeVitoA young elephant, whose oversized ears enable him to fly, helps save a struggling circus, but when the circus plans a new venture, Dumbo and his friends discover dark secrets beneath its shiny veneer.Director & Executive Producer: Tim Burton
Screenwriter & Producer: Ehren Kruger
Producer & 1st AD: Katterli Frauenfelder
Executive Producer & UPM: Nigel Gostelow
Cinematographer: Ben Davis BSC
Cinematographer (Add'l Photog-Splinter Units): Sam Renton ACO
Production Designer: Rick Heinrichs
Film Editor: Chris Lebenzon ACE
Costume Designer: Colleen Atwood
Composer: Danny Elfman
Music Supervisor: Mike Higham
Production VFX Supervisor: Richard Stammers
Production Visual Effects Producer: Hal Couzens
2nd Unit DoP: Carlos De Carvalho
Music Scoring Mixer: Dennis S. Sands
MPC Visual Effects Supervisor: Patrick Ledda
Framestore VFX Supervisor: Richard Hoover
RISE VFX Supervisor: Jonathan Weber
DNEG Stereo Supervisor: Barry O'Brien
DNEG Stereo Producer: Cassius Vaz
Cameras: Alexa 65, Mini & SXT (3.4K & 5.1K ARRIRAW)
Lenses: Hasselblad Prime DNA & Prime 65-S
AR: 1.85:1 (Arri 765)
Visual Effects Provided by: Moving Picture Company, Framestore, RISE VFX Studios, Rising Sun Pictures & Rodeo FX
3D Conversion Provided by: Double Negative
Budget: 170 Million USD
Attribute: Cameras & Lenses Provided by Arri Rental - DirectorGuy RitchieStarsWill SmithMena MassoudNaomi ScottAladdin, a kind thief, woos Jasmine, the princess of Agrabah, with the help of Genie. When Jafar, the grand vizier, tries to usurp the king, Jasmine, Aladdin and Genie must stop him from succeeding.Director/Screenwriter: Guy Ritchie
Co-Executive Producer: Will Smith
Co-Producer & Key 1st AD: Max Keene
Co-Producer & UPM: Mark Mostyn
Composer (Add'l Music), Supervising Music Arranger & Editor: Christopher Benstead
Musical Score Conductor: Michael Kosarin
Supervising Musical Score & Song Producer: Matt Sullivan
Songwriter (Original Songs), Score Composer & Song Producer: Alan Menken
Lyricists (Original Songs): Howard Ashman, Tim Rice
Lyricists (New Songs): Ben Pasek, Justin Paul
Production VFX Producer: Victoria Keeling
Production VFX Supervisor: Chas Jarrett
Production Choreographer & Will Smith Dancing Double: Jamal Sims
Costume Designer: Michael Wilkinson
Film Editor & Associate Producer: James Herbert
Production Designer: Gemma Jackson
Cinematographer: Alan Stewart BSC
Executive Producer: Marc Platt
Executive Producer & UPM: Kevin De La Noy
Producers: Dan Lin, Jonathan Eirich
Screenwriter: John August
Special Thanks: Ron Clements, John Musker, Ted Elliott, Terry Rossio
ILM Sr VFX Supervisors: Mike Mullholland, David Seager
ILM Sr Animation Supervisors: Steph Aplin, Tim Harrington
ILM Senior VFX Producer: Tracey Leadbetter
Assoc. Producers: Karl McMillan, Ivan Atkinson
Production Sound Mixer: Simon Hayes AMPS CAS
Makeup & Hair Designer: Christine Blundell
2nd Unit Director: Thomas Napper
Post Production Supervisor: Siobhan Boyes
Supervising Sound Editor: Dominic Gibbs
Re-Recording Mixer: Mike Prestwood Smith
Re-Recording Mixer/Sound FX Editor: Mark Taylor
Supervising Stunt Coordinator: Adam Kirley
Assistant Stunt Coordinator: Jason Hunjan
Stunt Dept. Coordinator: Sarah Greensmith
Floor Stunt Supervisor: Roy Taylor
Ass't Choreographer & Mena Massoud Dancing Double: Nicky Anderson
Assistant Choreographer: Leah Hill
Production Supervisor: Jo Wallett
Supervising Art Director: Peter Russell
Senior Art Director: Rod McLean
Standby Art Director: Lizzie Kilham
Concept Artists: Dominic Lavery, Kim Pope
3D Concept Modeler: Tom Wingrove
Concept Modeler: Michael Kelm
Art Dept. Coordinator: Gabi Brown
Storyboard Artist (LA): Michael Fong
VFX Storyboard Artist (LA): Yori Mochizuki
VFX Storyboard Artists: Tony Chance, John Colebourn
Costume Supervisor: Clare Spragge
Assistant Costume Designer: John Norster
Assistant Costume Supervisor: Joe Kawalewski
Assistant Junior Costume Designer: Lupt Utama
Costume Design Coordinator: Kelly Jones
On Set Supervisor (Costumes): Rob Brown
A Camera Operator: Chris Plevin
A Camera 1st AC: Dermot Hickey
A Camera 2nd AC: Elliot Purvis
B Camera/Steadicam Operator: Paul Edwards
B Camera 1st AC: Andy Banwell
B Camera 2nd AC: Dan West
Data Wrangler (Camera Dept.): Will Gardner
Supervising Location Manager: Jacob McIntyre
Supervising Studio Manager: Terry Blyther
Studio Unit Coordinator: Anneka Haskins
Studio Site Supervisor: Frank Hart
Unit Manager: Charlie Simpson
Studio Manager (Arbor Field): Robbie Tarrant
Studio Site Sup (Arbor Field): Jack Cowan-Bates
Associate Film Editor: Philip Hedgecock
Production VFX Editors: Tina Richardson Smith, Myles Robey
1st Assistant Editors: Angus Munro, Alex Fenn
2nd Assistant Editor: Robert Jones
Post Production Coordinator: Flora Miller
Sound Designer: Luke Gentry
VFX Prod Managers: Josie Henwood, Jon Brown
Visual Effects Data Coordinator: Andy Brown
VFX Postviz & Marketing Coord: Lila Sara Tahri
Visual Effects Office Coordinator: Alice Ingram
Production VFX Coordinator: Benjamin Riehl
VFX Prod Assistants: Andrew McDowell, Robert Bolding
Visual FX Bidding Producer: Jacquie Barnbrook
2nd VFX Storyboard Artist: Dino Athanassiou
Visual Effects Set Supervisor: Giles Harding
On-Set Visual FX Coordinator: Alex Belgeonne
Lead Data Wrangler (Visual Effects): Ed Price
Add'l Data Wrangler (VFX): Nadir Bennaceur
Witness A Camera Operator (VFX): Chris Upson
Witness B Camera Operator (VFX): Atem Kuol
On-Set Visual Effects Assistant: Nicky Penn
Puppeteers (VFX): Mickey Brett, Jack Parker
Moco Prep Supervisors: Andy Bull, Rich Widgery, Simone Tartaglia
Stereoscopic Supervisor: Jared Sandrew
Stereoscopic Producer: Kelvin J. Palford
Stereoscopic Coordinator: Amy Gibson
Stereo Editor (US): Steven Mates
Stereo Editor (UK): HR Barnett
Gaffer: David Sinfield
Genny Op & Lighting technician: Mark Joiner
Rigging Gaffer: Tom O'Sullivan
A Camera Grip: Malcolm McGilchrist
B Camera Grip: Elliott Polley
Supervising Prop Master: Graeme Purdy
1st Assistant Prop Master: Nick Milner
Supervising Props Coordinator: Suzy Fink
Ass't Props Coordinator: Paula Gonzalez Abad
3D Modeler (Props): Katie Hyatt
Production Special Effects Supervisor: Mark Holt
Assistant Special FX Supervisor: Mike Dawson
Production SFX Buyer & Coord: Carmila Gittens
Assistant Special Effects Coordinator: Lucy Myers
Production Special Effects Designer: Will Wyatt
Special Effects Assistant Designer: Andy Roberts
SFX W/Shop Leads: Paul Clark, Mark Vanstone
Special Effects Floor Supervisor: David Holt
Special Effects ADR Driver: Fernando De Silva
Production Coordinator: Vicky Bishop
Key Assistant Prod Coordinator: Lindy Chambers
Key 2nd Assistant Director: Paul Bennett
Floor 2nd Assistant Director: Barney Hughes
Crowd 2nd Assistant Director: Sarah Selway
2nd Assistant Director (Music & Dance): Jo Tew
Key 3rd Assistant Director: Dan Hillary
Base 3rd Assistant Director: Michela Marini
Crowd 3rd Assistant Director: Patrick Waggett
Cast 3rd Assistant Director: Charlie Vaughan
3rd Assistant Director: Freddie Hall
Production Executive (Overbrook): Jamal Watson
Set Decorator: Tina Jones
Assistant Set Decorator: Clare Porritt
Set Dec Art Director: Renate Nicolaisen
Assistant Set Dec Art Director: Daniel Vincent
Set Dec Coordinator: Sophie Worley
Production Consultant (Music): Chris Monton
Musical Score Recordist & Mixer Frank Wolf
Additional Score Mixer: Alan Meyerson
Vocal Consultant (Music): James Taylor
Song Orchestrators: Doug Besterman
Lead Score Orchestrator: James Shearman
Main Titles Designer: Matt Curtis
ILM VFX Exec Producers: Ann Podlonzy, Nina Fallon
ILM VFX Supervisors: Dan Bigi, Jeff Capogreco, Mark Bakowski
ILM Assoc. VFX Supervisors: Greg Kegel, John J. Galloway
ILM Animation Supervisors: Mat Cowie, Mat Vig, Eric Leong, Dave Crispino
ILM VFX Producers: Dani Immerman, Hui Ling Chang, Ed Randolph, Kacy McDonald
ILM Senior CG Supervisors: Christoph Ammann, Nihal Friedel, Brian Paik, Jo Plaete, Tony Zwartouw
ILM Comp Supervisors: Marian Mavrovic, Don Rausch, Sam Bassett, Charles Lai
ILM VFX Art Directors: Jason Horley, Tania Richard
ILM Facial Supervisor: Stuart Adcock
ILM Lighting Supervisor: Joel Bodin
ILM Crowd Supervisor: Marco Carboni
ILM Lighting/Lookdev Supervisor: Rémy Dalmas
ILM Digital Paint Supervisors: Samual Dawes, Shivas Thilak
ILM Texture Supervisor: Marco Juan Roxas Firme
ILM Creature Supervisors: Mauro Giacomazzo, Shih Ming Tay
ILM FX TD Supervisor: Jamie Haydock
ILM Render Supervisor: Matthew Hunt
ILM Layout Supervisors: Abbie Kennedy, Andrew Ritchie
ILM Modeling Supervisor: Michal Kriukow
ILM DFX Supervisor: George Kuruvilla
ILM FX Supervisor: Adam Lee
ILM Matchmove Supervisor: Kate Lee
ILM Stereoscopic Supervisor: Sean Mackenzie
ILM Lookdev Supervisor: Gaelle Morand
ILM CG Supervisor: Daniel Schmid
ILM Generalist Supervisor: John Seru
ILM Supervising Lighting TD: Ben Tillmann
ILM VFX Concept Artists: Adam Baines, Jama Djurabaev, Pablo Dominguez AV Petrov, Timothy Rodriguez, Jan Sarbort, Gaelle Seguillon
ILM Mocap Leads: Jack Brown, Arnaud Mavoka-Isana, Laura Millar
ILM VFX PMs: Alexa Greene, Claudia Li, Shawn Smolensky, Lucy Tanner, Jeen Yee, Eranka Weerasuriya, Dan Cortez
ILM VFX APMs: Will Bartlett, Ashley Holden, Tim Trimmings, Emma Moffat, Duncan Ramsay
ILM VFX Editors: Simon Scott, Conor Byrne, Beth Harvey
ILM VFX Prod Accountants: Joe Meehan, Karim Essabhai, Spencer Kent, Pam Sinsheimer
ILM SVP & CCO of Visual Effects: Rob Bredow
ILM VP of Technology: Francois Chardavoine
ILM Head of Production: Sue Lyster
ILM Executive VFX Producer: Gretchen Libby
ILM Additional VFX Supervisor: Ben Morris
Hybride VFX Supervisors: Joseph Kasparian, Francois Lambert
Hybride VFX Executive Producer: Thierry Delattre
Hybride VFX Producers: Louise Bertrand, Richard Martin
OOU Executive VFX Producer: Rachael Penfold
OOU Creative Supervisor (VFX): Dominic Parker
OOU VFX Supervisor: Tyson Donnelly
OOU Comp Supervisor: Lars Anderson
OOU VFX Producer: Leila Nicotera
OOU VFX Assoc. Prod Manager: Carine Ong
OOU VFX Editor: Paul O'Byrne
Magic Lab VFX Supervisor: Michal Krecek
Magic Lab VFX Producer: Kamila Ostra
TPS London Assistant Animator: Denise Dean
TPS London Sr Dailies Operator: Tom Mitchell
TPS London Dailies Op: Charbel Bou-Antoun
TPS London Dailies PM: Stephen McGowan
TPS London Technical Ops Man.: Chema Gomez
TPS London Assistant TOM: Stuart Bryce
Technicolor Pulse Sr VFX Producer: Simon Dunne
Technicolor Pulse VFX Producer: Jason Morrow
Technicolor Pulse Sr Picture Op: Dexter Kong
Technicolor Pulse Conform Op: Maikel Popic
Supervising Digital Colorist: Michael Hatzer ASC
Technicolor Senior Digital Colorist: Brett Trider
Add'l Finish Colorists: Chris Jensen, Paul McGhee
Ass't Finishing Colorists: Val Eisleben, Jay Myers
Technicolor 1st Roto Artist: Juan Alvarez
Technicolor 2nd Roto Artist: David Franks
DI Finish Editors: Mark Sahagun, Carrie Oliver, Jenny-Jayne Webb
Sr DI Finish Producers: Bob Peishel, Colin Davis
Assoc. DI Finish Producers: Eli Eastlund, Travis Avitabile
Technicolor Digital Workflow Sup: Grace Lan
Technicolor 1st Finishing Account Exec: Morning Star Schott
Technicolor 2nd Finish Account Exec: Matt Adams
DNEG Senior Stereo Supervisor: Barry O'Brien
DNEG Stereo Supervisors: Jimmy Philip, Mark Brzezicki
DNEG Global Head of Production: Rohan Desai
DNEG Stereo Executive Producer: Paul Becker
DNEG Stereo Producer: Cassius Vas
DNEG Stereo Elements Line Producer: Reshma Jhangimal
2nd Unit 1st Assistant Director: Joe Geary
2nd Unit 2nd Assistant Director: Tom Browne
2nd Unit 3rd Assistant Director: Luke Kimble
2nd Unit Standby Art Director: Sarah Ginn
Splinter Unit A Camera Operator & Director of Photography (2nd Unit): Ben Wilson ACO
2nd Unit 1st Assistant A Cam: Rene Adefarasin
2nd Unit 2nd Assistant A Cam: Adrian Stephens
2nd Unit 2nd Assistant B Cam: Jonathan Wright
2nd Unit A Camera Trainee: Ban Gadsden
2nd Unit Gaffer: Toby Tyler
2nd Unit Lead Sr SFX Technician: Peter Kersey
2nd Unit Sr SFX Techs: Paul McGuinness, Lee Hales
Unit Prod Manager (Jordan Unit): Mark Somner
Jordan Unit Production Manager: Fuad Khalil
Jordan Unit Production Supervisor: Diala Raie
Jordan Unit Art Director: Samy Keilani
Jordan Unit Art Dept. Coord: May Khalili
Jordan Unit 2nd Assistant A Cam: Jared Kohler
Jordan Unit Location Manager: Saeb Abu Ragheb
Jordan Unit Ass't Location Manager: Ziad Azar
Jordan Unit Visual Effects PA: Joseph Shamoun
Jordan Unit Ass't Prod Coord: Leen Demashqieh
Jordan Unit Key 3rd Ass't Director: Tamir Naber
Jordan Unit 3rd Ass't Director: Ahmed Khomakho
Underwater Unit Camera Operator: Sean Connor
Underwater Unit 2nd Camera Op: Tim Wooster
Underwater Unit 1st Ass't Camera: Alice Hobden
Underwater Unit Topside 1st AC: Simon Heck
Underwater Unit Topside 2nd AC: Richard Davis
Gaffer (Underwater): Aaron Keating
Sup. Art Director (Add'l Photog): Oliver Carroll
Ass't Art Dir (Add'l Photog): Joanna Kira Kemble
H&S Advisor (Add'l Photography): Mick Dent
Filming Dates: 6 September 2017 - 24 January 2018, August 2018 (Reshoots)
Cameras: Alexa Mini & SXT (2.8K/3.4K ARRIRAW)
Lenses: Panavision Primo Anamorphic Zooms + Spherical Primes, G- & T-Series Anamorphic Primes
AR: 2.39:1 (Anamorphic)(Spherical: Some Shots)
Budget: 183 Million USD
Score Recorded & Mixed at: Air Lyndhurst Studios, British Grove Studios & Sullivstead Studios (London, UK)
Visual Effects, Animation, Digital Intermediate Finishing Pulls & Digital Dailies Provided by: Industrial Light & Magic, Magic Lab + Technicolor
Additional Visual Effects Provided by: Hybride & One of Us
3D Conversion Provided by: Double Negative
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed in Panavision - DirectorJon FavreauStarsDonald GloverBeyoncéSeth RogenAfter the murder of his father, a young lion prince flees his kingdom only to learn the true meaning of responsibility and bravery.Director: Jon Favreau
Producer: Karen Gilchrist
Executive Producers: Tom Peitzman, Julie Taymor
Cinematographer: Caleb Deschanel ASC
Production Designer: James Chinlund
Film Editors: Mark Livolsi ACE, Adam Gerstel
Co-Producer: John Bartnicki
Composer/Executive Music Producer: Hans Zimmer
Original Songs: Elton John, Tim Rice
Songs Producer: Pharrell Williams
Production VFX Supervisor/2nd Unit Director: Robert Legato ASC
Production VFX Supervisor: Adam Valdez
Production Animation Supervisor: Andrew R. Jones
Casting: Sarah Halley Finn CSA
Unit Production Manager: Jeffrey Silver
Associate Producer/1st Ass't Director: David J. Venghaus Jr
2nd Assistant Director: Kim Richards
Associate Producer: Debbi Bossi
Production VFX Producers: Barry St. John, Matthew A. Rubin
MPC Senior VFX Supervisor: Elliot Newman
MPC Senior DFX Supervisor: Audrey Ferrara
MPC Senior Animation Supervisors: Gabriele Zucchelli, Stephen Enticott
MPC Virtual Production Supervisor: Girish Balakrishnan
MPC Senior VFX Producer: Christoph Roth
MPC Senior VFX Executive Producers: Philip Greenlow, Christian Robertson
Head of Story: Dave Lowery
Supervising Finishing Artist: Steven J. Scott ASC
Supervising Art Director: Vlad Bina
Art Consultants: Joseph Ramiro, Derek Pendleton
Animatics Supervisor: James Rothwell
Add'l Film Editor: Jessica Schulte
Production VFX Coordinator: Pasquale Antonelli
VFX Associate Producer: Yasamin Ismaili
A-Camera/Steadicam Operator: Henry Tirl
B-Camera/Steadicam Operator: Chris Haarhoff
2nd Assistant Camera: Eric Amundsen
MPC Senior VFX Digital Producer: Will Newis
MPC VFX Executive Producer: Christina Graham
MPC VFX Digital Producer: Danny Huerta
Virtual Production Producer (MPC Virtual Production Unit): Maude Lewis
Head of Virtual Production (MPC Virtual Production Unit): Adam Davis
MPC Virtual Production Unit Animation Supervisor: Julio Del Rio Hernandez
Consultant: Chris Montan
African Music Consultant: Lebo M
3D Finishing Artist: Charles Bunnag
Finishing Artist: Mandy Sorenson
Finishing Artist/Colorist: Adam Nazarenko
Finishing Producer: Laura Geucherian
CO3 President/Executive Producer/Senior Finishing Colorist: Stefan Sonnenfeld ASC
Finishing Editor: Joe Ken
Senior Technical Lead: Juan Flores
Filming Dates: 1 February 2017 - 31 December 2018
Cameras: Alexa 65 & 65 IMAX (6.5K ARRIRAW)
Lenses: Panavision Sphero 65 Primes, 2400mm & Canon 150-600mm Zoom
AR: 1.43:1 (Select IMAX Laser Venues: some scenes), 1.78:1 (4K UHD, Blu-Ray, DVD and Digital Versions), 1.85:1 (Panavision Super 70/IMAX), 1.90:1 (IMAX Digital and Laser Venues)
Budget: 250-260 Million USD
Color & Finish Provided by: Company 3
Visual Effects & Animation Provided by: Moving Picture Company
Post-Production Sound Services Provided by: Skywalker Sound
Attribute: Filmed in Panavision/IMAX - DirectorJoachim RønningStarsAngelina JolieElle FanningHarris DickinsonMaleficent and her goddaughter Aurora begin to question the complex family ties that bind them as they are pulled in different directions by impending nuptials, unexpected allies, and dark new forces at play.Director: Joaquim Rønning
Producers: Joe Roth, Angelina Jolie
Composer: Geoff Zanelli
Composers (Add'l Score Arrangements): Zak McNeil, Phill Boucher
Production VFX Supervisor: Gary Brozenich
Co-Producers: Nikki Penny, Zach Roth
Co-Producer/Unit Production Manager: RJ Mino
Costume Designer: Ellen Mirojnick
Film Editors: Craig Wood ACE, Laura Jennings
Production Designer/Phoenix & Fey Designs Supervisor: Patrick Tatopoulos
Cinematographer: Henry Braham BSC
Executive Producer/Writer: Linda Woolverton
Writers: Noah Harpster, Micha Fitzerman-Blue
Unit Production Manager: Joan Schneider
Assoc. Producer/1st Ass't Director: Chris Castaldi
2nd Assistant Director: Matthew Sharp
Supervising Stunt Coordinator/2nd Unit Director: Simon Crane
2nd Unit Director: Ubbe Haavind
VFX Associate Producer: Fahed Freddy Alhabib
VFX Set Supervisor: Giles Harding
MPC Senior VFX Supervisors: Jessica Norman, Damien Stumpf, Bryan Litson, Ferran Domenech
Assoc. Producer/Post-Prod Sup: Bryan H. Carroll
Off Camera Reader: Melanie Hudson
Stunt Coordinator: Jo McLaren
Ass't Stunt Coordinator: Leos Stransky
Add'l Photography Unit Stunt Coordinator: Eunice Huthart
Stunts Office Coordinator: Dominic P. Grant
Stunt Fight Coordinator: Ian Pead
Stunt Floor Supervisor: Andy Wareham
Production Supervisor: Alison Banks
Supervising Art Director: Helen Jarvis
Senior Art Director: Toby Britton
Art Directors: Greg Fangeaux, Andrew Palmer
Standby Art Director: Jason Virok
Set Designer: Jamie Burrows
Ass't Set Designer: Jon Ziman Bright
Digital Set Designer: Anshuman Prasad
Junior Set Designer: Heather Rackstraw
Art Dept. Coordinator (UK): Tabitha Quitman
Art Dept. Coordinator (US): Jessica Ripka
Set Decorator: Dominic Capon
3D Modeler: Steve Dring
Set Dec Runner: Abigail Alvarez
VFX Production Manager: Alex Belgeonne
Senior VFX Coordinators: Carly Lamenta, Lucinda Keeler
Production VFX Coordinator: Maddison Gannon
VFX Ass't Coordinator: Jasper Shah
Costume Supervisor (US): Bob Morgan
Costume Supervisor (UK): Sarah Robinson
Special Makeup FX Designer & Creator: David White
A-Camera Operator: Des Whelan ACO
B-Camera Operator: Julian Morson ACO
2nd Assistant A-Camera: Elliot Purvis
2nd Assistant B-Camera: Paul Snell
2nd Assistant Steadicam: Jessica Saunders
Supervising Location Manager: Amanda Stevens
Unit Manager: Drew Payne
Post-Production Coordinator: Joseph Atkinson
1st Assistant Editor: Paolo Buzzetti
2nd Assistant Editors: James Devlin, Ruth Antoine, Samuel Clough
2nd 2nd Ass't Editor: Francine Leach
VFX 1st Ass't Editor: Sam Hodge
Production VFX Editor: Michael Chang
Post-production Assistant: Rebecca Robb
Re-Recording Mixer: Paul Massey
VFX Lead Data Wranglers: Sam Barnett, Ben Soan, Aron Merritt, Chris Lynch
Production VFX Data Wrangler: Tom Carter
VFX 1st Ass't Data Wrangler: Richard PA Morgan
VFX 2nd Ass't Data Wrangler: Nicky Penn
VFX 3rd Ass't Data Wrangler: Atem Kuol
VFX On-Set Prod Assistant: Samuel Grainger
VFX Unit Witness A-Cam Op: Chris Bailey
3D Character Sculptors: Antony Nguyen, Thierry Nguyen
Stereoscopic Supervisor: Jared Sandrew
Stereoscopic Producer: Kelvin J. Padfield
VFX Stereo Coordinator: Benjy Riehl
Stereo IO Coordinator: Peter Cromwell
Senior Stereo Editor: HR Barnett
Stereo Editor: Peter Yates
Gaffer: Shawn White
Rigging Gaffer: Ben Wilson
Supervising Prop Master: David Balfour
Add'l Prop Master: John Wells
Prop Supervisor: Rob Hill
Production SFX Supervisor: Hayley Williams
production SFX Buyer: Chris Hutton
Production SFX Coordinator: Sue Hutton
SFX H&S & Machine Compliance Advisor: Jess Lewington
SFX Floor Supervisor: David Watson
SFX Prep Supervisor: Jody Taylor
SFX Workshop Supervisor: Dave Eves
SFX 2nd Unit Floor Supervisor: Dave McGeary
SFX Senior Technician: Paul Kelly
SFX Lead Senior Tech: Keith Shannon
SFX Lead Technician: Chris Giles
Production SFX Technician: Derek Jones
Production SFX Driver & Ass't Tech: Paul Gilston
Production SFX Wireman: Mark Goldeman
Production SFX Electrician: Mark Filer
SFX Co-Senior Technician: Karl Openshaw
Supervising Production Coordinator: Miranda Marks
Production Coordinator (US): Michael Galasso
Post-Production Accountant (UK): Becky Maxwell
Production Accountant (US): James DeMarco
Supervising Music Editor: Kenneth Karman
Orchestra & Choir Conductor: Nick Glennie-Smith
Temp Music Editor: Allan Jenkins
Supervising Orchestrator: Mark Graham
Senior Score Recordist: Peter Cobbin
Orchestrator: John Ashton Thomas
Score Mixer: Dennis S. Sands
Score Recordist: Gordon Davidson
2nd Unit 1st Ass't Director: Richard Whelan
2nd Unit 2nd Ass't Director: Terence Madden
2nd Unit Production Supervisor: Samar Pollitt
2nd Unit DoP: Fraser Taggart
2nd Unit A-Camera Operators: Oliver Loncraine, Derek Walker, Peter Field
2nd Unit 1st Ass't A-Camera: Max Glickman, Paul Wheeldon
2nd Unit 1st Ass't B-Camera: Steve Burgess
2nd Unit 2nd Ass't A-Camera: Andrew Jones
2nd Unit 2nd Ass't B-Camera: Dan Gamble
2nd Unit 2nd Ass't C-Camera: Oliver Squire
2nd Unit Gaffer: Niko Kalimerakis
Splinter Unit 1st Ass't Director: Tom Edmondson
Splinter Unit 2nd Ass't Directors: Jess Link, Tom Bentley
Splinter Unit DoP: Peter Taylor
Splinter Unit 1st Ass't A-Camera: Jacob Barrie
Mocap Unit 1st Ass't Director: Nick Lawrence
Mocap Unit 3rd Ass't Director: Christian Proctor
AMS Mocap Supervisor: Brian Mitchell
AMS Mocap Producer: Sarah Whiting
AMS Ass't Producer: Nicole Rouyer Guillet
AMS Animation Supervisor: Diarmaid McConnor
AMS Technical Director: James Witt
AMS Studio Supervisor: Connor Ling
ILM/Disney Virtual Production Supervisor: matt Rank
ILM/Disney Virtual Production Manager: Chris Jestico
ILM/Disney Production Manager: Eranka Weerasuriya
ILM/Disney Technical Assistant: Brian Insua
ILM/Disney VFX Editor: Bethany Harvey
2nd Ass't Dir (Add'l Photography Unit): Fraser Fennell-Ball
Add'l Prod Sup (Add'l Photography Unit): Sarah Roberts
Set Decorator (Add'l Photography Unit): Lucy Yates
B-Camera Operators (Add'l Photography Unit): Chris Plevin, John Ferguson
2nd Ass't B-Camera (Add'l Photography Unit): Alex Van Heerden
SFX Supervisor (Add'l Photography Unit): Hayley Hubbard
Crowd 3rd AD (Add'l Photography 2nd Unit): Jonny Eagle
Splinter/C-Cam Unit 3rd AD: David Sowerby
Splinter/C-Cam Unit A-Cam 2nd AC: Dan West
Splinter/C-Cam Unit B-Cam 1st AC: Ashley Bond
Splinter/C-Cam Unit B-Cam 2nd AC: Nick Thursby
Splinter/C-Cam Unit Gaffer: Dave Rideout
Supervising Dailies Colorist: Matt Watson
Dailies Colorist: Ariana Bonavia
Dailies Data Manager: Gary Palmer
Dailies Lab Assistant: Ed MacDonald
Dailies Producer: Kim Honeyman
Supervising Finishing Colorist: Stefan Sonnenfeld ASC
Add'l 2D Finishing Colorist: Paul Ensby
Finishing Producers (UK): Laura Metcalfe, Hannah Perkins
Add'l 3D Finishing Colorists: Jared Pecht, Adam Nazarenko
Finishing Producer (US): Laura Gercherian
2D Finishing Editors: Stuart Nippard, Nikoleta Lanakova
3D Finishing Editor: Joe Ken
MPC VFX Producers: Ben Harris, Thandiwe Phillips, Melanie Callaghan
MPC DFX Supervisor: Carlos Valdes
Mill Film VFX Supervisor: Laurent Gillet
Mill Film VFX Producer: Marie-Eve Authier
Mill Film CG Supervisor: Sergey Kononenko
Mill Film 2D Supervisor: Gaelle Bossis
Mill Film VFX Prod Manager: Caroline Boisvert
Mill Film VFX Exec Producer: Lauren McCallum
DNEG Senior Stereo Supervisor: Barry O'Brien
DNEG Stereo Supervisors: Jimmy Philip, Ritesh Ricky Aggarwal
DNEG Stereo Global HOP: Rohan Desai
DNEG Stereo Producer: Cassius Vaz
DNEG Stereo Exec Producer: Paul Becker
DNEG Stereo Prod Managers: Romi Kiran, Annsh Patel
DNEG Stereo Senior Pipeline TD: Charlie Luce
DNEG Stereo Line Producer: Reshma Jhangimal
3rd Floor Vice President: Dane Allan Smith
Special Thanks: Jeffrey Chernov
Filming Dates: 29 May 2018 - 24 August 2018
Cameras: Millennium DXL2 & Red Helium (8K Redcode RAW)
Lenses: Panavision Primo 70 Primes, Primo Artiste Primes & Sphero 65 Primes
AR: 1.90:1 (IMAX Version), 2.39:1 (3-Perf S35mm & PS70)
Budget: 185 Million USD
Score Recorded at: Abbey Road Studios, London, UK
Additional Score Recording Provided by: Air Studios, London, UK
Motion Capture Provided By: Audio Motion Studios
Medusa & Anyma Facial Capture Provided by: Industrial Light & Magic + Disney Research
Color & Finish Provided by: Company 3
Visual Effects Provided by: Moving Picture Company & Mill Film
3D Conversion Provided by: Double Negative
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed in Panavision - DirectorCharlie BeanStarsTessa ThompsonJustin TherouxSam ElliottThe romantic tale of a sheltered uptown Cocker Spaniel dog and a streetwise downtown Mutt.Director: Charlie Bean
Cinematographer: Enrique Chediak ASC
Production Designer: John Myhre
2nd Unit Director: Philip Keller
2nd Unit DP: Patrick Capone
Additional DP: Dino Parks
Consulting VFX Supervisor: Sean Andrew Faden
VFX Supervisor: Robert Weaver
Film Editor: Melissa Bretherton
Costume Designers: Colleen Atwood, Timothy Wosnik
Cameras: Alexa Mini & LF (3.4K/4.5K ARRIRAW)
Lenses: Panavision H-Series Spherical Primes
AR: 2.00:1 (Super 35mm)
Anecdote: Filmed with Panavision Cameras and Lenses - DirectorNiki CaroStarsLiu YifeiDonnie YenGong LiTo keep her ailing father from serving in the Imperial Army, a fearless young woman disguises herself as a man and battles northern invaders in China.Director: Niki Caro
Executive Producer: Barrie M. Osborne
Cinematographer: Mandy Walker ASC ACS
Production Designer: Grant Major
Film Editor: David Coulson
Costume Designer: Bina Daigeler
Composer/Conductor: Harry Gregson-Williams
Hair, Makeup & Prosthetics Designer: Denise Kum
Production VFX Supervisor: Sean Andrew Faden
Co-Producer/Production VFX Producer: Diana Giorgiutti
Co-Producer/1st Ass't Director: Liz Tan
Main 2nd Unit Director: John Mahaffie NZCS
Unit Production Manager: Simon Ambridge
Stunt Coordinator: Ben Cooke
Ass't Stunt Coordinator: Clint Elvy
Stunt Wire Coordinator: Andy Owen
Fight Coordinator: Nuo "Sunny" Sun
Fight Trainer: Cherry Sun
Supervising Art Director: Ian Gracie
Senior Storyboard Artist & Conceptual Consultant: Jane Wu
Add'l Film Editors: Paul Rubell ACE, Lisa Lassek
Supervising 1st Ass't Editor: James Taylor Andrykowski
Production VFX Coordinator: Scott McPhate
Ass't SFX Coordinator: Roslyn Craig
Add'l VFX Supervisor: Marc D. Rienzo
NZ Unit Senior VFX Data Wrangler: Stephen Chan
NZ Unit VFX Data Wrangler: Riki Kahi
NZ Unit VFX Coordinators: Ricky McLennan, Emily Higgins
Art Director: Jill Cormack
Sup Art Director (Add'l Photography)/US Unit Art Director: Thomas P. Wilkins
US Unit Art Director: Jason T. Clark
Set Decorators: Amber Richards, Anne Kuljian
A-Camera/Steadicam Operator: Jason Ellson ACO
B-Camera Operator: Ulric Raymond
C-Camera Operators: Ian McCarroll, Dave Garbett
Assistant to Mandy Walker: Ruby Bell
Production SFX Supervisor: Steve Ingram
Ass't SFX Supervisor: Scott Sutherland
On-Set SFX Coordinators: Phil McLaren, Darian Lumsden
Off-Set SFX Coordinator: Karl Chisholm
SFX Office Coordinator: Amy Singh Ingram
2nd Ass't Director (Battle Sequence): Joshua Watkins
On-Set 2nd Ass't Director: Teuila Field
On-Set 2nd 2nd Ass't Director: Ant Davies
Off-Set 2nd 2nd Ass't Director: Ngaire Woods
Chinese Military/Historical Consultants: Ralph D. Sawyer, Prof. Chang Yu
Chinese Cultural Consultant: Xiang Shi
Qi Master Technical Consultant: Orlando Garcia Morales
NZ Unit Associate Producer: Polly Fryer
3D Set Designer: Aric Cheng
Specialist Set Designer: David Chow
Graphic Designer: Sarah Dunn
Senior Illustrators: Michelle Moen, Andrew H. Leung, Simon Murton
US Unit Illustrator: Andrea Dopaso
US Unit Senior Model Makers: Gregory Jien, Adam Gelbart
Horse Master: Wayne McCormack
Aerial Drone Unit DoP: Sam Peacock
Supervising Digital Colorist: Natasha Leonnet
DI Feature Ass't Colorists: Raymond Ruotolo, Lily Henry
DI Feature Producer: Loan Phan
DI Feature Production Coordinator: Emma Escamilla
DI Feature Editor: Patrick Clancey
Feature Mastering Producer: Hunter Clancey
Feature Mastering Executive Producer: Stefan Sonnenfeld ASC
2nd Unit Production Manager: Carol Kim
2nd Unit 1st Ass't Director: Joe Nolan
2nd Unit Key 2nd Ass't Dir.: Katie Tate
2nd Unit On-Set 2nd AD: Guy Campbell
2nd Unit 2nd 2nd Ass't Dir: Lynn Hargreaves
2nd Unit On-Set 2nd 2nd AD: Harry Ashby
2nd Unit 3rd Ass't Director: Barratt Henry
2nd Unit Art Director: Gabriel Kearney
2nd Unit DoP: Aaron Morton NZCS
2nd Unit A-Camera Operator: Cameron McLean
2nd Unit B-Camera Operator: Todd Bilton
2nd Unit C-Camera Operator: Peter McCaffrey
2nd Unit Underwater Camera Operator: Murray Milne
Scenic 2nd Unit Director/Director of Photography (China Scenic Unit): Dyanna Taylor
China Scenic Unit Co-Producer: Johnny Man-Yiu Lee
China Unit Art Director (China Scenic Unit): Calvin Tsoi
China Scenic Unit Set Designer: Xiaoyan Liu
China Scenic Unit Aerial Drone DoP: Phil Pastuhov
China Scenic Unit Supervising Aerial Drone Pilot: Mike Ferguson
Weta Workshop Creative Supervisor: Richard Taylor
Unit Production Manager (Add'l Photography): Margaret Hilliard
1st Ass't Director (Add'l Photography): Alex Gayner
2nd Ass't Director (Add'l Photography): Emily McGovern
Stunt Coordinator/2nd Unit Director (Add'l Photography): Scott Rogers
Stunt Coordinators/Riggers (Add'l Photography): Stephen Dunlevy, Kyle Weishaar
Stunt Fight Coordinators (Add'l Photography): Heidi Moneymaker, Junqiang "Shane" Yan
Production Supervisor (Add'l Photography): Christie Kwan
Art Director (Add'l Photography): Steve Hardie
Illustrator (Add'l Photography): Andrew Kim
Set Decorator (Add'l Photography): Brian Kasch
A-Camera/Steadicam Operator (Add'l Photography): David Emmerichs
B-Camera Operator (Add'l Photography): Josh Medak
C-Camera Operator (Add'l Photography): Chris Robertson
SFX Coordinator (Add'l Photography): Mark R. Byers
2nd Unit DoP (Add'l Photography): Lukasz Jogalla
2nd Unit Stunt Coordinator (Add'l Photography): Stephen Dunlevy
2nd Unit A-Camera Operator (Add'l Photography): Andrew Rowlands SOC
2nd Unit B-Camera Operator (Add'l Photography): Kent Harvey SOC
Weta Senior VFX Supervisor: Joe Letteri
Weta VFX Supervisor: Anders Langlands
Weta FX Supervisor: Frédéric Valleur
Weta Animation Supervisor: Mark Smith
Weta CG Supervisor: Daniele Tosti
Weta Compositing Supervisor: Christoph Salzmann
Weta VFX Producer: Rene Sekula
Weta Executive VFX Producer: David Conley
Weta VFX Production Manager: Stanislas De Lesquin
Weta Head of VFX Production: Steven McKendry
SPI VFX Supervisor: Seth Maury
SPI Animation Supervisor: Julius Kwan
SPI 2D Supervisor: Sandra Balej
SPI CG Supervisor: Benjamin Hendricks
SPI VFX Producers: Fiona Crawford, Jarrod Nesbit
SPI Digital VFX Producer: Lisa Jacqueline Bechard
Framestore VFX Supervisor: Hubert Maston
Framestore VFX Producer: Jeanne-Élise Prévost
IED VFX Supervisor: Christian Irles
IED Senior VFX Coordinator: Katie Johnson
DNEG Stereo Supervisor: Barry O'Brien
DNEG Stereo Producer: Cassius Vaz
Panavision VP of Optical Engineering: Dan Sasaki ASC
Filming Dates: 13 August 2018 - 25 November 2018, 2019 (Add'l Photography)
Cameras: Alexa LF & 65 (4.5K/6.5K ARRIRAW)
Lenses: Panavision Primo Spherical Zooms, Sphero 65 Primes & Petzval 58mm
AR: 2.39:1 (Panavision Super 70)
Budget: 200 Million USD
Post-Production Sound Services Provided by: Skywalker Sound
Digital Intermediate Mastering Provided by: EFilm Company 3
Specialty Armor & Weapons Provided by: Weta Workshop
Visual Effects & Animation Provided by: Weta Digital, Sony Pictures Imageworks, Framestore & Image Engine Design
3D Conversion Provided by: Double Negative
Attribute: Filmed in Panavision/Arri - DirectorCraig GillespieStarsEmma StoneEmma ThompsonJoel FryA live-action prequel feature film following a young Cruella de Vil.Director: Craig Gillespie
Screenwriters: Dana Fox, Tony McNamara
Story Writers: Aline B. McKenna, Kelly Marcel, Steve Zissis
Producers: Andrew Gunn, Marc Platt, Kristin Burr
EPs: Emma Stone, Glenn Close, Jared LeBoff
Executive Producer: Michelle Wright
Cinematographer: Nicolas Karakatsanis
Second Unit Cinematographer/A Op., Shadow Unit: Stuart Graham
Production Designer: Fiona Crombie
Film Editor: Tatiana S. Riegel ACE
Costume Designer: Jenny Beavan
Production Visual Effects Supervisor: Max Wood
Composer/Orchestrator/Score Producer, Original Score: Nicholas Britell
Music Supervisor: Susan Jacobs
Casting Directors: Mary Vernieu CSA, Lucy Bevan
Unit Production Manager/Co-Prod: Mark Mostyn
First Assistant Director: Alexander Oakley
Key Second Assistant Director: Nick Laurence
Production Choreographer: Adam Murray
Associate Producer: Lori Korngiebel
Production Visual Effects Producer: Sarah Tulloch
Supervising Stunt Coordinator: Jason Hunjan
Assistant Stunt Coordinator: Sarah Franzl
Core Stunts Supervisor: Marvin Campbell
Fight Coordinator: Vincent Wang
Additional Assistant Stunt Coord: Ben Dimmock
Stunt Department Office Coord: Emma Ennis
HOD Stunt Rigger: Kevin Lyons
Stunt Riggers: Kevin Morgan, Sam Trimming
Production Supervisor: Vicky Bishop
Financial Controller: Seamus Devine
Supervising Art Director: Martin Foley
Standby Art Director: Lisa McDiarmid
Art Dir's: Lydia Fry, Kev T. Hill, Alice Walker, Luke Whitelock, Georgia Warner
Assistant ADs: Tim Dutton, Rebecca White
Art Dept. Coordinator: Vicky Ralph
Assistant to Fiona Crombie: Laura McDonald
Production Storyboard Artist: Dan Milligan
Concept Artists: Katren Wood, Lauren Wakefield
Visual Research & Development Lead: Phil Clark
Lead Graphic Designers: Eleanor Lamb, Jo Kealy
HOD Décor & Lettering Artist: Helena Anthony
Art Department Assistant: Owen Meadows
Production Set Decorator: Alice Felton
Lead Assistant Set Decorator: Jo Graysmark
Set Decoration Art Director: Darren Tubby
Action Props Buyer: Lizzie Bravo
Action Prop Buyer Assistant: Chrissie Foyle
Set Decoration Textile Coordinator: Natalia Eyres
Set Dec Trainee Coordinator: Hannah Gautrey
Assistant Set Dec's: Chloe Taylor, Anna Cumming
Assistant Set Dec Art Director: Sarah Bicknell
Costume Supervisor: Clara Spragge
Associate Costume Designer: Sarah Young
Assistant Costume Supervisor: Joe Kowalewski
Costume Coordinator: Lily Gibbs
Costume Assistant, US: Jaclyn Tamizato
A Camera Operator: Peter Batten ACO
A First Assistant Camera: Job Reineke GBCT
B First Assistant Camera: Emma Friend GBCT
Central Loader, A Camera: Stephanie Kennedy
A Second Assistant Camera: Lawrence Beckwith
B Second Assistant Camera: Cristina Cretu
B Camera Op./Steadicam Operator: Jess Doxey
A Camera Trainee: Molly Burcham
B Camera Trainee: Dean Southan
Aerial Unit DoP: Jeremy Braben BSC
DIT Technician: Francesco Giardiello
DIT Wrangler: Will Gardner
DIT Assistant: Ollie Smith
Video Operator: Chris Cavanagh
Assistant Video Operator: Florina Barabas
Supervising Location Manager: Ali James
Unit Manager: Alice Doughty
Night Manager: Ed Burrell
Production Location Scout: Karin Kavanaugh
Locations Practical Electrician
Studio Unit Manager: Amy Smith
Studio Assistant: Wayne Power-Davis
Studio Marshall: Luke Greenaway
1st Assistant Editor: Dan Boccoli
Second Assistant Editor: Alexandra Scratch
Second Assistant Editor, UK: Melissa McLeary
Apprentice Editor: Kaitlin Hollingswoth Hecker
Editorial Trainee, UK: Annamaria Pennazzi
Third Editorial Assistant, UK: Rebecca Orton
Production VFX Editor: Tom Reagan
VFX First Assistant Editor: Alan McCurdy
Supervising Music Editor: Philip Tallman
Additional Music Editor: Joseph DeBeasi
Third Editorial Assistant, US: Emily Cramer
VFX Prod Managers: Daniel Moody, Liz Willaman
VFX Senior Coordinator: Patrick Hernandez
Production VFX Coordinator: Lydia Bland
VFX Asst Coords: Ed Bauman, Amy Gibson
VFX PAs: Ellie Nicole Bones, Mason Weigel
VFX Lead Data Wrangler: James Cooper
Production VFX Data Wrangler: David Jackson
VFX Assistant Data Wrangler: Simon Jago
Witness A Camera Operator, VFX: Andy Shawley
VFX Texture Photogs: Scott Bartels, Kathy Squire
Lead Pre-Visualization Supervisor: Nikki Atkinson
Overall Post-Visualization Supervisor: Josh Lange
Key Post-Visualization Coordinator: Jing Marshall
VFX Art Department Producer: Maryanne Pittman
Re-Recording Mixer: Ron Bartlett
Sound Design/Re-Record Mixer: Martyn Zub CAS
Supervising Sound Editor: Mark P. Stoeckinger
Supervising Dialogue Editor: Paul Tim Carden
Lead Sound Designers: Alan Rankin, Ann Scibelli
Gaffer: Chuck Finch
Rigging Gaffer: Tommy Finch
Supervising Prop Master: Muffin Green
Assistant Prop Master: Chris Ulusele
Production Prop Coordinator: Lizzy Carr
Picture Vehicles Supervisor: Stewart Homan
Picture Vehicles Consultant: Alex King
Picture Vehicles Office Junior: Oliver Homan
Picture Vehicles Assistant: David Eaton
Picture Vehicles Floor Supervisor: Sean Haskett
Picture Vehicles Office Assistant: Emma Sudall
Production SFX Supervisor: Steve Warner
Overall SFX Co-Supervisor: Stephen Hutchinson
SFX Floor Supervisor: Robbie Beavis
SFX Workshop Supervisor: Steve Benelisha
SFX Coordinator/Buyer: Anna Krawczyk
SFX Key Designer: Matt Veale
SFX Lead Senior Technics: Nigel Wilkinson, Dave McGeary
Production SFX Buyer: Nigel Nixon
Production Coordinator: Catherine Mednick
Assist Production Coordinator: Michael Gillespie
Asst to Ms. Wright/Animal Coord: Oliver Stotter
Asset Coordinator: Claire Scott
Franchise Photographer: Susie Allnutt
Franchise Liaison: Lauren Smith
Crowd 2nd Assistant Director: Annie Hitchcock
Floor 2nd Assistant Director: Tom Turner
Base 3rd Assistant Director: Jenna Pearson
Floor 3rd Assistant Director: Emma Baker
Crowd 3rd Assistant Director: Corrin Allen
Second Assistant Director - AP: Alex Russ
UK Casting Associate: Emily Brockmann
UK Casting Assistant: Olivia Grant
LA Casting Associate: Bret Howe
LA Casting Assistant: Geena Dioquino
Head Handler, US: Mark Forbes
Wink Trainer, US: April Mackin
Head Trainer, UK: Julie Tottman
Wink Trainer, UK: Gewn Griffiths
Dalmatian Trainer, UK: Joanna Vaughan
Health & Safety Supervisor: Mark Poole
Score Music Editors: Todd Kasow, John Finklea
Technical Score Assistance: David Giuli
Score Conductor: Hugh Brunt
Score Recordist & Mixer: Geoff Foster
Score Orchestrations Supervisor: Matt Dunkley
Additional Score Mixer: Casey Stone
Additional Score Engineer (AIR): Adam Miller
Additional Score Engineer (BGS): Andrew Cook
Music Coordinator: Jackie Mulhearn
Elastic Design Creative Supervisor: Lisa Bolan
Company 3 Dailies Producer: Gemma Saunders
CO3 Dailies Operators: John Maltby, Dan Perry
CO3 Head of Dailies Operations: James Long
CO3 Supervising Digital Colorist: Tom Poole ASC
CO3 Senior Finishing Producer: Erik Rogers
CO3 Senior Finishing Editor: Chad Schermerhorn
Company 3 Image Scientist: John Quartel
Company 3 Head of Imaging: Paul Doogan
Company 3 Color Assist (LA): John Tripp
Company 3 Color Assist (NY): Melina Smith
Company 3 Account Executive: Jon Gray
Company Operations Manager: Claire McGrane
CO3 HOPs: Carl S.G. Moore, Laura Geucherian
Company 3 Color EP: Stefan Sonnenfeld ASC
Shadow Unit First AD/PM: Mark Hopkins
Shadow Unit Second Asst Director: Tamara King
Shadow Unit Third ADs: Alex Irvine, Clare Glass
Shadow Unit Set PA: Jeremiah Moss O'Donoghue
Shadow Unit PC: Rachel Beaconsfield Press
Shadow Unit Prod Assistant: Katie-Mae Griffith
Shadow Unit B/Steadicam Operator: Dan Gamble
Shadow Unit C/Steadicam Operator: Will Lyte
Shadow Unit A First AC: Barney Batchelor
Shadow Unit A Clapper Loader: Jonny Lewis
Shadow Unit B Clapper Loader: Toby McKay
Shadow Unit Camera Trainee: Robyn Skead
Shadow Unit DIT: Thomas Patrick
Shadow Unit Data Manager: Andrea Michelon
Shadow Unit DIT Assistant: Matt England
Shadow Unit Gaffer: Will Finch
Shadow Unit Best Boy: Guy Minoli
Shadow Unit Costume Sup: Becca Cunningham
Shadow Unit Key Grip: Tom North
Shadow Unit VFX On-Set Super.: Giles Harding
Shadow Unit Video Operator: Ian Dobbs
Shadow Unit Video Trainee: Isaac Perez
Shadow Unit Standby Art Dir: Emily Woodward
MPC Visual Effects Supervisor: Damien Stumpf
MPC Visual Effects Producer: Christoph Roth
MPC Animation Supervisor: Dan Blacker
MPC CG Supers.: Luc Martin, Anthony Durand
MPC 2D Supervisors: Luis Villegas, Win Wilson, Mohammed Aseem
MPC Character Supervisor: Giles Davies
MPC Visual Effects Digital Prod.: Sarah Moussaif
MPC VFX PMs: Dave De Somma, Sabrina Martins, Hayden White, Matthew Marshall
MPC VFX EPs: Christina Graham, Philip Greenlow
MPC Global Head of Creative Ops: Leah Beevers
MPC Head of Creative Ops: Marilyne Fleury
MPC Heads of Creative Ops (India): Kiran Kumar, Payal Dani
MPC HOPs: Ben Harrison, Veronique Lauzon, Kiran Prasad
MPC Heads of Studio: Isabelle Roy, Kranti Sarma
SSVFX Visual Effects Supervisor: Ed Bruce
SSVFX Visual Effects Producer: Caoimhe Maguire
SSVFX Visual Effects PM: Diana Cobo Castrillo
SSVFX Compositing Lead: Andrew Barry
Filming Dates: 24 August 2019 - 26 Nov. 2019
Cameras: Alexa 65 & Mini (3.4K/6.5K ARRIRAW)
Lenses: Leica Summilux-C SL Primes & Thalia SL Primes
AR: 1.85:1 (Super 35mm)
Budget: 200 Million USD
Score Recorded & Mixed at: Abbey Road Studios, Air Studios & British Grove Studios, London
Main on End Titles & Newspaper Headlines Designed by: Elastic Design
Dailies, Color & Finishing by: Company 3 LA & NY
Visual Effects Provided by: MPC & SSVFX
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Captured by ALEXA - DirectorRobert ZemeckisStarsJoseph Gordon-LevittTom HanksBenjamin Evan AinsworthA puppet is brought to life by a fairy, who assigns him to lead a virtuous life in order to become a real boy.Director/Screenwriter/Producer: Robert Zemeckis ACE
Screenwriter/Producer: Chris Weitz
Producers: Andrew Miano, Derek Hogue
EPs: Jack Rapke, Jacqueline Levine, Paul Weitz
Executive Producer/Unit PM: Jeremy Johns
Cinematographer: Don Burgess ASC
Production Designers: Doug Chiang, Stefan Dechant
Film Editors: Jesse Goldsmith, Mick Audsley
Costume Designer: Joanna Johnston
Composer & Producer (Original Score & Songs): Alan Silvestri
Composer & Producer (Original Songs): Glen Ballard
Overall Visual Effects Supervisor & 2nd Unit Director: Kevin Baillie
Production Visual Effects Producer: Sandra Scott
Music Supervisor: Matt Sullivan
Casting: Victoria Burrows CSA, Scott Boland CSA
Key Unit Production Manager: David Cain
First Assistant Director/Co-Producer: Lee Grumett
Second Assistant Director: Emma Horton
MPC Senior Visual Effects Supervisor: Ben Jones
MPC Sr Animation Supers: Christophe Paradis, Kaveh Ruintan
Make-Up & Hair Designer: Jenny Shircore
Overall Sound Designer/Re-Record Mixer: Randy Thom
Production Sound Mixer: John Midgley
Lead Puppeteer: Ronnie Le Drew
Consulting Stunt Coordinator: Eunice Huthart
Co Stunt Coordinator: Paul Lowe
Head Stunt Rigger: Leos Stransky
Choreographer, Stunts: Francesca Jaynes
Assistant Choreographer, Stunts: Dale Mercer
Co-Producer: Dan Balgoyan
Production Supervisor: Katie Byles
Production Financial Controller: Sheamus Devine
1st Assistant Editor: Christi Leftwich
Second Assistant Editor: Diana Yip
Production VFX Editors: Jeremy Bradley, Paul Parsons
First AEs, UK: Pani Scott, Tony Trompetto, Edward Jones, Sarah Bowden
Second AEs, UK: Anna Korankiewicz, Jamie Stagg
Post Prod Assists: Keenan McGuckin, Zane Zemeckis
Visual Effects PMs: Francesca Mancini, Jenna Kerr
Virtual Production Supervisor: John Root
Production Visual Effects Coordinator: Marisa Perkins
Visual Effects Assistant Coordinator: James Lee
Visual Effects Production Assistant: Chris Cooper
Supervising Art Directors: Ashley Lamont, Douglas J. Meerdink
Senior Art Director: Andrew Palmer
VAD Art Director: Vlad Bina
Art Department Coordinator: Josh Dobkin
Set Decorator: Tina Jones
Set Dec Art Director: Glenn Marsh
A Camera Operator: Peter Wilke SOC
B Camera Operator: Graham Albert Hall ACO
Technodolly Operator: Anthony Jacques
A First Assistant Camera: Julian Bucknell
B First Assistant Camera: Ian Jackson
A Second Assistant Camera: Alex Collings
B Second Assistant Camera: Andy Jones
Central Loader: Nick Poole
Camera Trainee: Hayden Hill
Digital Imaging Technician: Joe Steel
Data Manager: Glyn Williams
DIT Trainee: Sara Reiser
Gaffer: Perry Evans
Rigging Gaffer: Warren Evans
Chargehand Rigging Electrician/Second Unit Gaffer: Mark Evans
Supervising Prop Master: John Hajdukiewicz
Assistant Prop Master: Nick Milner
Production Prop Supervisor: Ian Cooper
Puppet & Character Reference Supervisor: Dave Asling
Puppetry Consultant: Kate Katz
Production Special Effects Supervisor: Alistair Williams
Production Assistant SFX Supervisor: Pete Britten
Production SFX Floor Supervisor: Nick Joscelyne
Special Effects Prep Supervisor: Jake Dimmer
Production SFX Buyer/Coordinator: Carmila Gittens
Production SFX Design Lead: Alexander Fabre
Production SFX Designer: Rollo Cooper
Production Coordinator: Danielle Stanners
Assistant Production Coordinator: Hayleigh Roberts
Production Supervisor, US: Alice S. Kim
Production Coordinator, US: Ryce Hetherington
Production Intern, US: Cameron McGuinness
Studio Unit Manager: Michael McDermott
Floor Second Assistant Director: James Reid
Crowd Second Assistant Director: James Chasey
Third Assistant Director: Maccy Monteiro
Crowd Third Assistant Director: Talar Baker
Production Accountant, UK: Ola Kaminska-Omozik
Production Accountant, US: Kimberly Robinson
Construction Consultant: Paul Hayes
Casting Director, UK: Robert Sterne CSA CDG
Casting Associate, US: Laura Boushehri
Casting Assistant, US: Beth Ryne
Casting Assistant, UK: Charlotte Chapman
Voice Casting Director, Sabina: Micah Dahlberg CSA
Music Editors: Jeff Carson Stephen Durkee, Charles Martin Inouye
Associate Music Supervisor: James Taylor
Scoring Coordinator: David Bifano
Scoring Production Assistant: James Findlay
Score Orchestrator & Conductor: Mark Graham
Score Mixer: Dennis S. Sands
Score Recordist: Peter Cobbin
Scoring Editor: Kristy Whalley
Sup Sound Editor/Add'l Re-Record Mixer: Leff Lefferts
Re-Recording Mixer: Gary A. Rizzo CAS
First Apprentice Sound Editor: Allison Ng
Assistant Re-Recording Mixer: Robert Cooper
Skywalker Sound HOP: Jon Null
Skywalker Sound GM: Josh Lowden
Second Unit First Assistant Director: Samuel Smith
Splinter Unit DoP, Second Unit: Matt Windon
Second Unit Second Assistant Director: Tom Westgate
Splinter Unit A Camera Operator, 2nd Unit: James Frater
Second Unit A First Assistant Camera: Dave Pearce
Splinter Unit B First AC, Second Unit: Ben Adefarasin
Second Unit A Second Asst Camera: Damon Sewell
Second Unit B Second Asst Camera: Andres Claridge
Second Unit Camera Trainee: Charlie Tierney
Second Unit DIT: Howard Colin
Second Unit DIT Assistant: Bethan Brean
Second VFX Coordinator: Alison Pak
Additional Visual Effects Coordinator: Eamon Yates
Second VFX Assistant Coordinator: Jannik Kuczynski
2nd Unit VFX Super/Lead Data Wrangler: Giles Harding
Production VFX Data Wrangler: David Jackson
VFX Production Assistant: Mishaal Memon
MPC Visual Effects Producer: Sarah Moussaif
MPC Digital Effect Supervisor: Michele Alessi
MPC Additional Supervision: Etienne Daigle
MPC VFX EPs: Christina Graham, Virendra Chauhan, Tom Williams, Christian Robertson, Siobhan Bentley
Framestore Visual Effects Producer: Nick King
Halon Entertainment Executive Producer: Chris Ferriter
Halon Virtual Production Supervisor: Casey Pyke
ILM|DRS Facial Capture Supervisor: Peter Dworin
ILM|DRS Lead Modeler: Duncan Graham
ILM|DRS Facial Artists: Laura Miller, Tom Szenher
Picture Shop Supervising Producer: JASON T. MORROW
Picture Shop Dailies Producer: Victoria Burrows
Picture Shop Dailies Ops: Monica Di Sabatino, Elliot Bick
Picture Shop Dailies Operations Manager: Tristan Hey
Picture Shop Dailies Operations Support: Alessio Ciattini
CO3 Supervising Digital Colorist: Jill Bogdanowicz ASC
CO3 Additional Finishing Colorist: Adam Nazarenko
CO3 Finishing Producers: Erik Rogers, Ricardo Ramos
CO3 Senior Finishing Editor: Matthew Johnson
CO3 Image Scientist: John Quartel
CO3 Senior Technical Lead: Zach Korpi
CO3 Senior Finishing Technologist: Michael Chiado
CO3 Finishing Executive: Jackie Lee
CO3 Heads of Prod: Laura Geucherian Carl S.G. Moore
CO3 Executive Color Producer: Stefan Sonnenfeld ASC
Filming Dates: 17 March 2021 - 22 April 2021
Cameras: Millennium DXL2, Red Komodo & Monstro (6K & 8K Redcode RAW)
AR: 1.85:1 (Panavision®)
Budget: 150 Million USD
Score Recorded at: Abbey Road
Post Production Sound Services by: Skywalker Sound
Visual Effects Provided by: MPC & Framestore
Visualization Provided by: Halon Entertainment
Medusa Performance Capture by: Industrial Light & Magic + Disney Research Studios
Dailies Provided by: PICTURE SHOP
Color & Finish Provided by: Company 3
Filmed in the UK at: Cardington Studios
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed in Panavision® - DirectorDavid LoweryStarsAlexander MolonyEver AndersonJude LawFollow the adventures of Peter Pan, a boy who does not want to grow up, and how he recruits three siblings in London, and together they embark on a magical adventure on the enchanted island of Neverland.Director & Screenplay Writer: David Lowery
Screenplay Writer/Executive Producer: Toby Halbrooks
Producer: Jim Whitaker
Executive Producer: Adam Borba
Executive Producer/Unit Production Manager: Thomas M. Hammel
Director of Photography: Bojan Bazelli ASC
Production Designer: Jade Healy
Film Editor: Lisa Zeno Churgin ACE
Costume Designer: Ngila Dickson
Composer, Original Score: Daniel Hart
Second Unit Director, Visual Effects / Production Visual Effects Supervisor: Rich McBride
Production Visual Effects Producer: Christopher Raimo
Casting Directors: Debra Zane CSA, Dylan Jury
First Assistant Director: Walter Gasparovic
Second Assistant Director: Dan Mansfield
Second Unit Director: James M. Johnston
Alexander Molony Stunt Doubles: Chanelle Hunter, Jade Quon
Ever Anderson Stunt Double: Cassandra Ebner
Jude Law Stunt Double: Matt Reimer
Alyssa Wapanatâhk Stunt Double: Devon Riches
Jim Gaffigan Stunt Double: David Jacox
Jacobi Jupe / Florence Bensberg Stunt Double: Devyn Dalton
Joshua Pickering Stunt Double: Joseph Franco
John DeSantis Stunt Doubles: Andre Tricoteaux, Nathaniel Shuker
Fight Coordinator: Adam Hart
Supervising Stunt Coordinator: Doug Coleman
Stunt Coordinator: Eli Zagoudakis
Horse Stunt Coordinator: Danny Virtue
Key Stunt Rigging: Corbin Fox
Stunt Riggers: Perry Beckham, Jamie Lakerveld, Ryan Bilodeau, Neil Caldwell, Dar Hicks, Luke Cormier, Mike Larrivee, Jason Kruk, Chris Atkinson, Dave Dunaway
Stunt Office Assistant: Jane Goldsmith Jones
Associate Producer: John Catron
Unit Manager: Bliss McDonald
Production Supervisor: Ariel Bond
Financial Controller: Anne Jacobsen
Supervising Art Director: Grant Van Der Slagt
Art Directors: Chris Beach, Pat Banister, Craig Humphries, Doug Higgins
Assistant Art Directors: Liz Goldwyn, Devin Gray, Nick Dudar
Set Designers: Jonathan Abbott, Bryan Sutton, Jay Mitchell, Eric Lajoie, Michael Sargent
Creature Designer: Nicholas Ashe Bateman
Company 3 Colorist: Stephen Nakamura
Company 3 Finishing Producer: Carl Moore
Company 3 Finishing Associate Producer: James Levine
Company 3 Finishing Editors: John Diesso, Chad Schermerhorn
Company 3 Image Scientist: John Quartel
Company 3 Technologist: Mike Chiado
Company 3 Color Assistants: Nick Nassif, Aaron Bennett, Malky Hoyl-Davis
Company 3 Finishing Executive: Jackie Lee
Company 3 Finishing Accountant: Cassandra Howland
Company 3 Head of Production: Laura Geucherian
Company 3 Operations/Post Coordinator: Beatriz Rodriguez
CO3 President: Stefan Sonnenfeld ASC
Company 3 Dailies Colorist: Matt Wells
Company 3 Dailies Supervisor: Ross Thomson
Company 3 Dailies Lab Operator: Syafiq Jaffar
Second Unit 1st Assistant Director: Lorie Gibson
Second Unit 2nd Assistant Director: Scott Kukurudz
Second Unit 3rd Assistant Directors: Megan Schaufele, Robyn Ledoux
Filming Dates: 16 March 2021 - August 2021, 2 February 2022 - 8 February 2022 (Vancouver Reshoots)
Camera: Alexa 65 (6.5K ARRIRAW)
Lenses: ARRI Rental Prime DNA, DNA LF Primes, Signature Primes, Nikon AI-S Zero Optik Primes & T Type (LPL) 58mm
AR: 2.00:1 (Arri 765)
End Crawl Provided by: Scarlet Letters
Color & Finish by: Company 3 Los Angeles
Dailies By: Company 3 Vancouver
Digital Projection Technology & Managed Services Provided By: Christie
Visual Effects by: Framestore, DNEG & Cinesite - DirectorRob MarshallStarsHalle BaileyJonah Hauer-KingMelissa McCarthyA young mermaid makes a deal with a sea witch to trade her beautiful voice for human legs so she can discover the world above water and impress a prince.Director/Story Writer/Producer: Rob Marshall
Co-Writer: David Magee
Story Writer/Producer: John DeLuca
Producer: Marc Platt
Producer/Songwriter: Lin-Manuel Miranda
Executive Producer: Jeffrey Silver
Cinematographer: Dion Beebe ASC ACS
Film Editor: Wyatt Smith ACE
Composer (Songs & Score): Alan Menken
Production Visual Effects Supervisor: Tim Burke
Production Visual Effects Producer: Dan Barrow
Post Prod. Co-Supervisor: Rebekah Hernandez
Second AEs: Gemma Bourne, Thomas Lane
Third Assistant Editor: David Thomashower
Editorial Trainee: Adam Bourne
Second Unit VFX On-Set PA: Samantha Choat
PSL Supervising Colorist: Michael Hatzer ASC
PSL Head of Workflow: Dexter Kong
PSL Services Coordinator: Hannah McLaughlin
PSL VFX Pulls Supervisor: Michael McKnight
Company 3 Head of Dailies: Andrew Dearnley
Company 3 Dailies Producer: Karl Verna
ILM Animation Supervisor: Jhon Alvarado
Framestore Animation Supervisor: Kayn Garcia
Framestore Animation DM: Cynthia Crimmins
MPC Visual Effects Supervisor: Patrick Ledda
DNEG Stereo Supervisor: Ben Breckenridge
DNEG Stereo Producer: Gagan Kathuria
Filming Dates: 30 January 2021 - 11 July 2021
AR: 2.39:1
Dailies Provided by: Company 3
Visual Effects & Animation by: Industrial Light & Magic, Framestore, Moving Picture Company + Wētā FX
Stereo Conversion Provided by: DNEG
Distributed by: Walt Disney Studios Motion Pictures