The Works of Director Michael Bay
Fine! I'll add Pain & Gain, ya sons of bitches.
Note: Bay would later disown ROTF (2009)
Note: Bay would later disown ROTF (2009)
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18 titles
- DirectorMichael BayStarsDivinylsChristina AmphlettMark McEnteeDivinyls perform in the music video "I Touch Myself" from the album "Divinyls" recorded for Virgin Records. Christina Amphlett sings the song and moves erotically why laying in bed, looking in the mirror, and sitting in a lounge chair. The bad plays surrounded by window frames while video clips show several seductive women posing.
- DirectorMichael BayStarsMeat LoafDana PatrickLorraine CrosbyThe video is based on Beauty and the Beast and The Phantom of the Opera. Bob Keane did Meat Loaf's make-up, which took up to two hours to apply. The make-up was designed to be simple and scary, yet "with the ability to make him sympathetic." It went over budget, and was filmed in 90 °F (32 °C) heat, across four days. According to one executive, it "probably had the budget of Four Weddings and a Funeral." It is the abridged seven-minute single version, rather than the twelve-minute album version. Michael Bay directed the music video.Composer / Music Producer / Songwriter: Jim Steinman
Cinematographer: Daniel Pearl ASC
Producer: Scott Gardenhour
Makeup Artist: Bob Keane
POP Final Colorist: Stefan Sonnenfeld ASC
Filming Dates: July 1993 - August 1993
Camera: Arriflex 35-II- (35mm Eastman 250D 5297, EXR 50D 5245, EXR 500T 5296)
Lenses: Panavision® Primo SL Primes, SLZ 17.5-75mm Zoom & SLZ11 24-275mm Zoom
AR: 1.33:1 (4-Perf 35mm Spherical)
Budget: 4-4.5 Million USD
Budget AFI (2022): 8.2-9.2 Million USD
Produced by: Propaganda Films
Color Provided by: Pacific Ocean Post
Attribute: Filmed in Panavision® - DirectorMichael BayStarsRob PaulsenSean WhalenA history buff in a private museum full of artifacts from the Aaron Burr/Alexander Hamilton duel finds himself unable to intelligibly answer a radio host's trivia question about the duel because his mouth is full of peanut butter.Composer: Jonathan Elias
Commercial Editor: Thomas Muldoon
Cinematographer: Mark Plummer
Producers: Scott Gardenhour, Cindy Epps
Writer: Chuck McBride
Radio Announcer Voice Actor: Rob Paulsen
POP Final Colorist: Stefan Sonnenfeld ASC
Negative Format: 35mm Film
AR: 1.33:1 (4-Perf 35mm Spherical)
Produced by: Propaganda Films
Color Provided by: Pacific Ocean Post - DirectorMichael BayStarsWill SmithMartin LawrenceLisa BoyleTwo hip detectives protect a witness to a murder while investigating a case of stolen heroin from the evidence storage room from their police precinct.Composer: Mark Mancina
Composer, Additional Music: Nick Glennie-Smith
Costume Designer: Bobbie Read
Film Editor: Christian Wagner
Production Designer: John Vallone
Cinematographer: Howard Atherton BSC
Story Writer: George Gallo
Producer: Jerry Bruckheimer
Stunts: William Burton, Chuck Picerni Jr, Steve Picerni
Unit Production Manager: Christopher Conwyn
First Assistant Director: Bruce Moriarty
Second Assistant Director: Jonathan M. Watson
A Camera Operator: Doug O'Neons
B Camera Operator: Chris Haagensen
Aerial Unit Operators: Dylan Goss, Michael Kelem
Chief Lighting Technician: Gary Ryan
Stunt Coordinator/Second Unit Dir: Kenny Bates
Production SFX Coordinator: Richard Lee Jones
Chief Pyrotechnician: Michael Meinardus
Re-Recording Mixer: Kevin O'Connell
Second Unit Director/DoP: Peter Lyons Collister ASC
Second Unit First AD: Barry H. Waldman
Second Unit Chief Lighting Tech: Eugene Moffatt
Music Consultant: Jeffrey Pollack
Interactive Design Creative Dir: Kent DeMaine
Digital Colorist: Steve Rodriguez
Colorist, 2018 Remaster: Stefan Sonnenfeld ASC
Filming Dates: 27 June 1994 - 31 August 1994
Cameras: Panaflex GII & Platinum (35mm Eastman EXR 100T 5248/200T 5293/500T 5298)
Lenses: Panavision Primo Spherical Primes
AR: 1.85:1 (Spherical)
Budget: 19 Million USD
Budget AFI (2022): 34.6 Million USD
2018 Remaster Provided by: Company 3
Attribute: Filmed with Panavision Cameras and Lenses - DirectorMichael BayStarsSean ConneryNicolas CageEd HarrisA mild-mannered chemist and an ex-con must lead the counterstrike when a rogue group of military men, led by a renegade general, threaten a nerve gas attack from Alcatraz against San Francisco.C-Camera Operator: Michael Bay
Executive Producer: Sean Connery
Composers/Arrangers: Hans Zimmer, Nick Glennie-Smith
Add'l Composer: Harry Gregson-Williams
Costume Designer: Bobbie Read
Film Editor: Richard Francis-Bruce ACE
Production Designer: Michael White
Cinematographer: John Schwartzman ASC
Co-Writers: Jonathan Hensleigh, Aaron Sorkin, Quentin Tarantino
Producer: Jerry Bruckheimer
Dedicated to: Don Simpson
Assoc. Prod/Stunt Coord/2nd Unit Dir: Kenny Bates
Ass't Stunt Coordinator: Steve Picerni
Stunts: Ivan Bates, Andy Gill, Jack Gill, Mic Rodgers
Associate Producer/Unit Production Manager: Barry H. Waldman
2nd Ass't Director/Underwater Unit 1st Ass't Director: John G. Scotti
Add'l Film Editors: Mark Goldblatt ACE, Glen Scantlebury ACE
Production VFX Supervisor: Hoyt Yeatman
Technical Advisor: Harry Humphries
2nd 2nd Ass't Director: Darin Rivetti
A-Camera Operator: Mitch Dubin SOC
B-Camera/Steadicam Operator: Chris Haarhoff SOC
Underwater Unit DoP: Pete Romano ASC
Add'l Cinematographer: Mauro Fiore ASC
1st Assistant A-Camera: Christopher Duskin
Film Loader: Eric Amundsen
Camera Technician: Steven J. Winslow
AVID Ass't Editor: Todd E. Miller
Re-Recording Mixers: Kevin O'Connell, Greg P. Russell
Supervising Music Editor: Bob Badami
Chief Lighting Technician: Andy Ryan
Ass't Chief Lighting Technician: Brian Evans
Aerial Unit Coordinator/Helicopter Pilot: Alan Purwin
Production SFX Coordinator: Michael Meinardus
Supervising Art Director: Mark W. Mansbridge
Art Director: Ed McAvoy
Set Decorator: Rosemary Brandenburg
VFX Unit VistaVision Camera Operator: Mark Gutterud
DQI VFX Producer: Rae Griffith
DQI Executive VFX Producer: Dennis Hoffman
DQI Effects Photography Supervisor: Scott Beattie
DQI Effects Unit DoPs: Kevin Fitzgerald, Rick Johnson, Craig Moore, Brian Mussetter
DQI SFX Supervisor: John Gray
DQI Model Shop Supervisor: Jim McGeachy
DQI Model Shop Coordinator: Warren Farina
DQI DFX Supervisor: Dan DeLeeuw
SF Unit Production Supervisor: Nancy King
2nd Unit 1st Ass't Director: KC Hodenfield
2nd Unit 2nd Ass't Director: Jeff Okabayashi
Alcatraz 2nd Unit DP: Peter Lyons Collister ASC
Aerial Unit DoPs: David B. Nowell ASC, Larry Blanford ASC
Executive in Charge of Music for Disney: Kathy Nelson
Music Contractor: Sandy DeCrescent
Assistant to Composers: Marc Streitenfeld
Title Designer: Robert Dawson
BVI Optical Effects Supervisor: Mark Dornfeld
Senior Colorist (2007 Blu-Ray Release): Stefan Sonnenfeld ASC
Filming Dates: 30 October 1995 - 22 February 1996
Cameras: Arriflex 35-III, Panaflex GII & Platinum (35mm Eastman EXR 100T 5248/200T 5293/500T 5298)
Lenses: Panavision Primo Spherical Primes
AR: 2.39:1 (Super 35mm)
Budget: 75 Million USD
Budget AFI (2021): 132.8 Million USD
Distributed By: Walt Disney Studios Motion Pictures
Visual Effects Provided by: Dream Quest Images
Video Displays Provided by: Video Image
Additional Optical Effects & Titles Designed by: Buena Vista Imaging
Anecdote: Filmed with Panavision Cameras and Lenses - DirectorMichael BayStarsBruce WillisBilly Bob ThorntonBen AffleckAfter discovering that an asteroid the size of Texas will impact Earth in less than a month, NASA recruits a misfit team of deep-core drillers to save the planet.Producers: Michael Bay, Jerry Bruckheimer, Gale Anne Hurd
Sup. Exec in Charge of Music: Kathy Nelson
Music Supervisor: Bob Badami
Composer: Trevor Rabin
Composer - Add'l Music: Harry Gregson-Williams
Costume Designer: Michael Kaplan
Additional Costume Designer: Magali Guidasci
Production Visual FX Supervisors: Pat McClung, Richard Hoover
Film Editors: Mark Goldblatt ACE, Chris Lebenzon ACE, Glen Scantlebury ACE
Production Designer: Michael White
Cinematographer: John Schwartzman ASC
Cinematographer (Int'l Unit): Mark Plummer
Cinematographer (Add'l Photog) & A Cam Op: Mitchell Amundsen ASC SOC
Cinematographer - AP: Janusz Kaminski ASC
Exec Producer/Co-Writer: Jonathan Hensleigh
Executive Producer: Chad Oman
Story Writer: Robert Roy Pool
Co-Writers: Tony Gilroy, Shane Salerno
Screenwriter: JJ Abrams
Assoc. Producer & UPM: Barry H. Waldman
1st Assistant Director: KC Hodenfield
2nd AD & 2nd Unit 1st AD: Jeff Okabayashi
Associate Producer: Pat Sandston
AP, SC & 2nd Unit Director: Kenny Bates
Narrator: Charlton Heston
Stunts: Ivan Bates, Steve M. Davison, Andy Gill, Phil Neilson, Charlie Picerni, Steve Picerni
2nd 2nd Assistant Director: Nick Satriano
Supervising Art Director: Geoff Hubbard
Art Director: Lawrence Hubbs
Assistant Art Director: Doug J. Meerdink
Vehicle Designer: Harald Becker
B Cam & Steadicam Op: David Emmerichs SOC
Underwater Unit DoP: Pete Romano ASC
Libra Head Technician: Chad Rivetti
Product Placement Consultant: David B. Leener
Add'l Film Editor: Michael Miller
Associate Film Editors: Roger Barton ACE, Todd E. Miller
Supervising VFX Editor: Jim May ACE
Production DFX Producer: Michael Cooper
AVID Ass't Editor: Joel Negron ACE
Re-Recording Sound Mixers: Kevin O'Connell, Greg P. Russell
Chief Lighting Technician: Andy Ryan
Ass't Chief Lighting Technician: Brian Evans
Rigging Gaffer: Jeffrey P. Soderberg
Production SFX Supervisor: John Frazier
SFX Set Foreman: Jim Schwalm
Underwater Unit 1st Ass't Camera: Brad Peterman
Aerial Unit DoPs: David B. Nowell ASC, Kurt E. Soderling SOC
Aerial Unit Coordinator/Helicopter Pilot: Alan Purwin
Asteroid Consultant: Ivan Bekey
NASA Consultant: Joseph P. Allen
Mission Control Advisor: Jerry Bostick
Technical Advisor: Harry Humphries
Prop Shop/Electronic Effects Supervisor: Gustavo Ferreyra
Effects Unit Camera Operator: Tom Fraser
DQI VFX Producer: Rae Griffith
DQI VFX Production Manager: Crys Forsyth-Smith
DQI Executive VFX Producer: Keith Shartle
DQI DFX Supervisor: Darin Hollings
DQI VFX Editor: Amy Pawlowski
DQI Director of Miniature Photography (Motion Control 1st Unit): Scott Beattie
DQI Motion Control 1st Unit Gaffer: Martin Hill
DQI Motion Control 2nd Unit DoP: Mike Talarico
DQI High-Speed Miniatures Unit DoP: Scott Campbell
DQI High-Speed Miniatures Unit Gaffer: Mike Curtis
DQI High-Speed Miniatures Unit SFX Coordinators: John Gray, John Striber
DQI Model Construction VFX Art Director: Mike Stuart
DQI Model Construction Miniatures Set Designer: Susan Hippen
DQI Model Construction Model Shop Supervisor: Smokey Stover
DQI Model Construction Model Shop Coordinator: Warren Farina
DQI VFX Supervisor (Paris Destruction Sequence): Hoyt Yeatman
DQI DFX Supervisor (Paris Destruction Sequence): Dan DeLeeuw
DQI VFX Unit Camera Operator (Paris Destruction Sequence): Kevin Fitzgerald
DQI VFX Production Manager (Paris Destruction Sequence): David PI James
DQI SFX Coordinator (Paris Destruction Sequence): Richard Helmer
DQI SFX Supervisor (Paris Destruction Sequence): Bill Schrimer
DQI Compositing Supervisor (VFX Shoot Crew): Adam Howard
DQI VFX Project Supervisor (VFX Shoot Crew): David Sanger
DQI VFX Illustrator (VFX Shoot Crew): Tracey Wilson
DQI VFX Administrator (VFX Shoot Crew): Jennifer Nickson
DQI VFX Plate Unit DoP (VFX Shoot Crew): Timothy Angulo
DQI VFX Unit DoPs (VFX Shoot Crew): Philip Timme, Tony Cutrono
DQI VFX Unit Gaffer (VFX Shoot Crew): Dennis McHugh
DQI DFX Coordinator (VFX Shoot Crew): Mandy Kisthardt
Cinesite Digital VFX Supervisor: Carlos Arguello
Cinesite Digital VFX Producer: Aaron Dem
Cinesite VFX Producer: Karin Joy
Cinesite Composite Supervisor: Kevin Lingenfelser
Cinesite Digital Compositors: David Lingenfelser, Patrick Tubach
Cinesite CGI Supervisor: Sean Dever
Cinesite CGI Animators: Lubo Hristov, Richard Kidd
Cinesite Matte Painting Supervisor: Charles Darby
Cinesite Roto Supervisor: Karen Klein
CFC DFX Supervisor: Rob Hodgson
CFC DFX Producer: Aisling O'Brien
CFC Executive DFX Producer: Daniel Lombardo
Tippett Studio VFX Supervisor: Bruce Nicholson
Tippett Studio Animation Supervisor: Blair Clark
Tippett Studio Digital Lighting Supervisor: Julie Newdoll
Tippett Studio Compositing Supervisor: Zoe Peck
Tippett Studio VFX Producer: Ken Kokka
Tippett Studio VFX Coordinator: Molly Lynch
Tippett Studio Art Department Supervisor: Joel Friesch
Tippett Studio DFX Animation Supervisor: Darby Johnson
Editel Executive DFX Producer: Melissa Hagman
Editel DFX Producer: Janette Shaw
Blue Sky/VIFX VFX Supervisor: Richard E. Hollander
Blue Sky/VIFX VFX Producer: Josh R. Jaggers
Blue Sky/VIFX Digital VFX Supervisor: Anthony Max Ivins
Digital Domain VFX Supervisor: Erik Nash
Digital Domain VFX Creative Supervisor: Robert Legato ASC
Digital Domain VFX Producer: Cari Thomas
Digital Domain Digital Compositing Supervisor: Mark O. Forker
Digital Domain Digital 3D Supervisor: Matthew Butler
Digital Domain Digital Production Manager: Lisa Spence
Digital Domain VFX Associate Producer: Steve Dietrich
Digital Domain VFX Coordinator: Jennifer Califano
Digital Domain Digital Compositor: Darren Poe
Rainmaker DFX Supervisor: Peter Sternlicht
Rainmaker DFX Producer: Tim Belcher
MWD VFX Supervisor: Craig Barron ASC
MWD VFX Producer: Krystyna Demkowicz
525 Executive VFX Producer: Jenny Bright
Digital Magic DFX Supervisor: Bryan Grill
Digital Magic DFX Producer: JB Levine
Digital Magic CG Supervisor: Stephen Brand
POP Digital Compositor: Michael Peterson
BVI VFX Supervisor: Mark Dornfeld
BVI Digital VFX Supervisor: Christofer Dierdorff
Miniatures VFX Art Director: George Trimmer
Miniatures Supervisor: Alan Faucher
Ass't Miniatures Supervisor: Erika McKee
Miniatures VFX Set Designer: Lorrie Steiben
Physical Effects Supervisor: Richard Stutsman
2nd Unit DoP: Mauro Fiore ASC
2nd Unit 1st Ass't A-Camera: Chris Schenck
Kennedy Space Center/Florida Unit Production Coordinator: Leslie Stevens
Kennedy Space Center/Florida Unit Add'l 2nd AD: Jayson Merrill
Galveston & Johnson Space Center/Houston Unit Production Supervisor: Nancy King
Unit Production Manager (NYC Unit): Carl Clifford
NYC Unit Chief Lighting Technician: William O'Leary
NYC Unit Aerial DoP: Larry Blanford ASC
Int'l Unit Associate Producer: Scott Gardenhour
Int'l Unit Aerial Coordinator: Fred North
Title Designer: Robert Dawson
Producer - 1999 Criterion DVD: Karen Stetler
Co-Producer & Menu Designer - Criterion DVD: Sean Wright Anderson
Exec Producer - 1999 Criterion DVD: Pete Becker
Technical Director - '99 Criterion DVD: Lee Kline
PMs - '99 Criterion DVD: Cathy Gray, Grace Kim
Editorial Coordinator - Criterion DVD: Shannon Attaway
Audio Coordinator & Mixer + Commentary Editor & Recordist - Criterion DVD: Michael W. Wiese
Commentary Editors - 1999 Criterion DVD: Rex Arthur, Fletcher Chenn
Asst Audio Editor - Criterion DVD: Heather Shaw
MGRS LA Commentary Recordist - 1999 Criterion DVD: Julien Cook
PNP DC Commentary Recordist - Criterion DVD: Dave Berger
Westlake LA Commentary Recordist - Criterion DVD: Charity Lomax
BPS NYX Commentary Recordist - Criterion DVD: Butch Jones
MVF Telecine Colorist - 1999 Criterion DVD: Skip Kimball
Production Assistant - Criterion DVD: Peter Hahn
Contributor - Criterion DVD: Jeanine Basinger
Final Colorist - Blu-Ray: Stefan Sonnenfeld ASC
Filming Dates: 27 August 1997 - 29 January 1998
Cameras: Bell & Howell Eyemo, Panaflex Lightweight, Platinum, Panastar & VistaVision (35mm Eastman EXR 100T 5248/200T 5393/Kodak Vision 500T 5279)
Lenses: Panavision Primo AL 11:1 + 3:1 Hubble Zooms, C- & E-Series AL Primes
AR: 2.20:1 (70mm Prints), 2.39:1 (Anamorphic)(8-Perf VV: VFX)
Budget: 140 Million USD
Budget AFI (2021): 238.7 Million USD
Digital Visual Effects & Animation Provided by: Dream Quest Images, Cinesite & Computer Film Company
Rock Storm Sequence Designed by: Tippett Studio & Editel
"End of the World" Opening Sequence Designed by: Blue Sky/VIFX, Digital Domain, Rainmaker, Matte World Digital & Digital Magic
Digital Compositing Provided by: 525 Post & Pacific Ocean Post
Opticals & Additional Visual Effects Provided by: Buena Vista Imaging
1999 Criterion DVD Master Provided by: Modern VideoFilm
2010 Blu-ray Master Provided by: Company 3
Distributed By: Walt Disney Studios Motion Pictures
Attribute: Filmed in Panavision - DirectorMichael BayStarsBen AffleckKate BeckinsaleJosh HartnettA tale of war and romance mixed in with history. The story follows two lifelong friends and a beautiful nurse who are caught up in the horror of an infamous Sunday morning in 1941.Producer & C Camera Operator: Michael Bay
Writer & Executive Producer: Randall Wallace
Producer: Jerry Bruckheimer
Executive Producers: Mike Stenson, Chad Oman
Executive Producer & UPM: Barry H. Waldman
EP & 2nd Unit Director: Bruce Hendricks
Cinematographer: John Schwartzman ASC
Cinematographer (Add'l Photog & 2nd Units): Mitchell Amundsen ASC SOC
VFX Cinematographer (ILM Miniatures Unit) & B Camera Operator: Kim Marks SOC
Production Designer: Nigel Phelps
Film Editors: Chris Lebenzon ACE, Steven Rosenblum ACE, Mark Goldblatt ACE, Roger Barton ACE
Production VFX Supervisor & 2nd Unit Director: Eric Brevig
Costume Designer: Michael Kaplan
Composer: Hans Zimmer
Unit Production Manager: Kelly Van Horn
Associate Producer & Key 1st AD: KC Hodenfield
2nd Assistant Director: Jeff Okabayashi
Music Supervisors: Bob Badami, Kathy Nelson
Associate Producer: Pat Sandston
Assoc. Producer-Supervising Stunt Coordinator: Kenny Bates
ILM Sr VFX Producers: Ned Gorman, Janet Healy
ILM Co-Visual Effects Supervisor: Edward Hirsh
ILM Visual FX Associate Supervisor: Ben Snow
Stunt Co-Coordinator: Steve Picerni, Andy Gill
Stunts: Ivan Bates
Aerial Unit Coordinator & Pilot: Alan Purwin
Aerial Unit Director & Director of Photography: David B. Nowell ASC
Aerial Unit Pilot: Kevin LaRosa
Production Supervisors: Trevor Waterson, Tina Newman
Script Coord-Research Associate: Matthew Cohan
Supervising Art Director: Martin Laing
2nd Art Director: Jon Billington
Visual Consultant: Robert Consing
Conceptual Illustrator: Guy Hendrix Dyas
A Cam/Steadicam Operator: Robert Presley SOC
Film Loader: Daniel McFayden
VFX Unit VistaVision Assist A Cam: Chris Schenck
Plate Unit 1st Assistant A Camera: John Gazdik
VFX Unit Camera Operator/Aerial Unit Wescam Operator: Kurt E. Soderling SOC
Aerial Unit 1st Ass't Camera: Scott C. Smith
Aerial Unit 1st Ass't Gyrosphere Operator: Richard Brooks Burton
Aerial Unit Wescam Technician: Steven J. Winslow
Underwater Unit DoP: Pete Romano ASC
Libra Head Operator: Chad Rivetti
SWS Effects Supervisor: John Rosengrant
SWS On-Set Supervisor: Scott Stoddard
SWS Key Makeup Effects Artist: Shane Patrick Mahan
Add'l Costume Designers: Gary Eastman, Mitzi Haralson
Chief Lighting Technician: Andrew Ryan
Ass't Chief Lighting Technician: David Christensen
Set Electrician/Underwater Unit Gaffer: William Cueto
Rigging Gaffer: Jeffrey P. Soderling
Add'l Film Editor: Jim May ACE
Associate Film Editor: Joel Negron ACE
Assoc. Film Editor/AVID Ass't Editor: Tony Ciccone
Supervising SFX Coordinator: John Frazier
SFX Set Coordinator: Jim Schwalm
SFX 2nd Unit Set Coordinators: Danny Cangemi, Bill Aldridge
Re-Recording Sound Mixers: Kevin O'Connell, Greg P. Russell
Sound Designer: Ethan Van Der Ryn
Prop Master: Charles M. Stewart
Set Decorator: Jennifer Williams
Conceptual Advisor to Michael Bay: Mark Palansky
ILM CG Supervisor: Michael Bauer
ILM Compositing Supervisor: Marshall Richard Krasser
ILM VFX Art Director: Alex Jaeger
ILM CG Sequence Supervisors: Joel Aron, Hayden Landis, David Horsley, Steve Braggs
ILM Lead Animation Artists: Scott Benza, Scott Wirtz
ILM Physical Model Supervisor: Michael Lynch
ILM Technical Director: Russell Earl
ILM Digital Artists: Raul Essig, Blake Sweeney
ILM Lead Development Artist: Craig Hammack
ILM VFX Technical Director: Mohen Leo
ILM Digital Compositor: Greg Maloney
ILM DFX Artist: Ken McGaugh
ILM Lead Digital Artist: Doug Sutton
ILM CG Animators: Paul Kavanagh, Doug E. Smith
ILM CG Modelers: Bruce Holcomb, Simon Cheung
ILM 3D Matchmove Supervisor: Terry Chostner
ILM 3D Matchmove Artists: Wendy Hendrickson-Smith, Pat Turner
ILM Digital Paint & Roto Supervisor: Katharine Baird
ILM Digital Timing Supervisor: Kenneth Smith
ILM VFX Coordinators: Susan Greenhow, David Gray, Lindsey Cline
ILM Miniatures Unit VFX DoPs: Martin Rosenberg, Vance Piper, Ray Gilberti, Carl Miller
ILM Miniatures Unit Practical Effects Supervisor: Geoffrey Heron
ILM Miniatures Unit Chief Model maker: Brian Gernand
ILM Miniatures Unit Plate Coordinator: Margaret Lynch
ILM Senior Staff: Jim Morris, Chrissie England
Asylum VFX Supervisor: Nathan McGuinness
Asylum VFX Producer: Kathy Chasen-Hay
Asylum VFX Executive Producer: Emma McGuinness
Asylum VFX Lead Inferno Artist: Pierre LaQuerre
Asylum VFX Inferno Artist: Phil Brennan
Asylum VFX 2D Artist: Patrick Kavanaugh
2nd Unit 1st Ass't Director: Bruce Moriarty
2nd Unit Camera Operator: Michael Stone
Hawaii Unit Supervising Art Director: Geoff Hubbard
Hawaii Unit Art Director: Mark W. Mansbridge
Baja Unit Executive Producer: Scott Gardenhour
Baja Unit Production Supervisor: Christine Fransen
Unit Production Manager (Baja Unit): Hector Lopez
Baja Unit Set Decorator: Hugo Reyes
England Unit Line Producer: Selwyn Roberts
England Unit Production Coordinator: Emily Stillman-Carr
England Unit 2nd Ass't Director: Michael Stevenson
Music Contractor: Sandy DeCrescent
Title Designer: Robert Dawson
Panavision Lens Technician: Dan Sasaki ASC
Home Video Colorist: Stefan Sonnenfeld ASC
Filming Dates: 10 April 2000 - 15 September 2000
Cameras: Arriflex 35-III, 416, 435, Bolex, Bell & Howell Eyemo, Panaflex XL, Platinum, Panastar, Photo-Sonics 4ML & VistaVision (8mm, 16mm & 35mm Kodak Vision 200T 5274/320T 5277/500T 5279/7279)
Lenses: Panavision C- & E-Series Anamorphic Primes
AR: 2.39:1 (Anamorphic)(Spherical 16mm & Super 8mm: Some Shots)(VistaVision: Visual Effects)
Budget: 140 Million USD
Budget AFI (2021): 219.8 Million USD
Printed on: Kodak Vision 2383 & Vision Premier 2393
Distributed By: Walt Disney Studios Motion Pictures
Special Makeup Effects Designed & Created by: Stan Winston Studio
Special Visual Effects & Animation Provided By: Industrial Light & Magic + Asylum VFX
Attribute: Filmed in Panavision - DirectorMichael BayStarsWill SmithMartin LawrenceGabrielle UnionTwo loose-cannon narcotics cops investigate the flow of Ecstasy into Florida from a Cuban drug cartel.C-Cam Op/Exec Soundtrack Producer: Michael Bay
Costume Designers: Deborah Lynn Scott, Carol Ramsey
Music Supervisors: Kathy Nelson, Bob Badami
Score Composer: Trevor Rabin
Add'l Score Composer: Steve Jablonsky
Add'l Soundtrack Composer: Andre "Dr. Dre" Young
Executive Music Consultant: Sean "P. Diddy" Combs
Film Editors: Roger Barton ACE, Mark Goldblatt ACE, Thomas Muldoon
Production Designer: Dominic Watkins
Cinematographer: Amir Mokri
Executive Producers: Mike Stenson, Chad Oman
Executive Producer/Unit Production Manager: Barry H. Waldman
Producer: Jerry Bruckheimer
Story Writers: Cormac Wibberley, Marianne Wibberley
Co-Writer: Ron Shelton
Screenwriter: Jerry Stahl
Unit Production Manager: John H. Starke
Key 1st Ass't Director: John G. Scotti
1st Assistant Director: Julian Well
Key 2nd Ass't Director: Douglas Plasse
2nd Assistant Director: Joseph E. Lotito
Associate Producers: Pat Sandston, Don Ferrarone, Matthew Cohan
Production VFX Supervisors: Robert Legato ASC, Carey Grant Villegas
Stunt Coordinators: Andy Gill, Steve Picerni
Stunts: Charlie Picerni, Steven Ritzi
Aerial Unit Coordinator: Alan Purwin
Art Director: Brad Ricker
Set Decorator: Jennifer Williams
A-Camera/Steadicam Operator: David Emmerichs SOC
B-Camera Operator: Philippe Carr-Forster
C-Camera Operator: Igor Meglic ZFS
Doggicam Operator: Frank Buono
1st Assistant A-Camera: John Grillo
Aerial Unit DoP: David B. Nowell ASC
Underwater Unit DoP: Pete Romano ASC
Chief Lighting Technician: Joseph Warren
Ass't Chief Lighting Technician: Chris Warren
Production SFX Supervisor: John Frazier
Production SFX Coordinators: Dan Cangemi, Jim Schwalm
Production Supervisor: Trevor Waterson
Visual Consultant/Storyboard Artist/2nd Unit Director: Robert Consing
Set Designer: Gina Cranham
Add'l Film Editor: Jason Hellmann
Supervising Sound Mixers: Kevin O'Connell, Greg P. Russell
Stunt Advisor/2nd Unit Director/Stunt Coordinator: Spiro Razatos
2nd Unit DoP: Mitchell Amundsen ASC SOC
2nd Unit Add'l DoP: David Golia
2nd Unit 1st Ass't Director: Darin Rivetti
2nd Unit 2nd Ass't Director: Basil Bryant Grillo
2nd Unit Gaffer: Michael Walsh
Puerto Rico Unit Art Director: Richard Fojo
SPI VFX Producer: David Taritero
SPI VFX Executive Producer: Jenny Fulle
SPI CG Supervisor: Layne Friedman
SPI VFX Production Coordinator: Elizabeth Hitt
SPI Interactive Comp. Production Manager: Dawn Guinta
SPI VFX Editor: Allen Cappuccilli
SPI VFX Production Assistant: Chris Antonini
SPI VFX Plate Producer: Cari Thomas
Digital Backlot Digital Matte Painter: Robert Stromberg
Asylum Senior VFX Supervisor: Nathan McGuinness
Asylum VFX Supervisor: David Jones
Asylum Executive VFX Producers: Emma McGuinness, Blondel Aidoo
Asylum VFX Compositors: Joe Ken, Joel Behrens
Supervising Digital Colorist: Stefan Sonnenfeld ASC
Ass't Colorists: Mark Todd Osborne, Shane Harris
Finishing Producers: Missy Papageorge, Thatcher Peterson, Steve Mora
DI Post Supervisor: Erik Rogers
Digital On-Line Editor: John Scheer
Filming Dates: 22 July 2002 - December 2002
Cameras: Arriflex 435 ES, Bell & Howell Eyemo, Cine SL 35, Panaflex XL, GII & Platinum (35mm Kodak Vision 250D 5246/500T 5279)
Lenses: Panavision Primo Spherical Primes
AR: 2.39:1 (3-Perf/4-Perf Super 35mm)
Budget: 130 Million USD
Budget AFI (2022): 196.3 Million USD
Printed on: Kodak Vision 2383 & Vision Premier 2393
Special Visual Effects & Animation Provided by: Sony Pictures Imageworks
Additional Visual Effects Services Provided by: Digital Backlot
Main Titles & Additional Visual Effects Designed by: Asylum
Digital Intermediate Finishing Provided By: Company 3
Attribute: Filmed with Panavision Cameras and Lenses - DirectorMichael BayStarsScarlett JohanssonEwan McGregorDjimon HounsouA man living in a futuristic sterile colony begins to question his circumscribed existence when his friend is chosen to go to the Island, the last uncontaminated place on earth.Producer & C - Camera Operator: Michael Bay
Producer: Walter Parkes
Executive Producer: Laurie MacDonald
Casting Director: Denise Chamian CSA
Composer / Score Producer: Steve Jablonsky
Composer, Additional Music & Conductor: Blake Neely
Composers, Additional Music: Ramin Djawadi, Trevor Morris, Clay Duncan
Production Visual Effects Supervisor/Additional Second Unit Director: Eric Brevig
Costume Designer: Deborah Lynn Scott
Film Editors: Paul Rubell ACE, Christian Wagner
Production Designer: Nigel Phelps
Cinematographer: Mauro Fiore ASC AIC
Cinematographer, Second Unit Aerials: Douglas Holgate
Cinematographer, Second Unit Underwater Photography: Pete Romano ASC
Cinematographer, VFX - ILM: Kim Marks
Executive Producer: Steven Spielberg
Producer: Ian Bryce
Co-Writer: Caspian Tredwell-Owen
Screenwriters: Alex Kurtzman, Roberto Orci
Unit P.M. / Associate Producer: Steven P. Saeta
Key First AD / Associate Producer: Josh McLaglen
Key Second Asst Director: Maria Battle Campbell
Second AD/Second Unit First AD: Steve Battaglia
Second Unit Director / Associate Producer / Stunt Coordinator: Kenny Bates
Associate Producer: Heidi Fugeman Lindelof
Associate Producer: Matthew Cohan
Production Visual Effects Producer: Shari Hanson
Ewan McGregor Double: Kevin Dorman
Stunt Co-Coordinator: Kurt Bryant
Stunt Performers: Ivan Bates, Doug Coleman, Simon Crane, Wade Eastwood, Corey Eubanks, Steve Kelso
Aerial Unit Coordinator / Pilot: Alan Purwin
Aerial Unit Pilots: David Paris, David Calvert-Jones, Peter McKernan
Crew Supervising Art Director: David Sandefur
Art Directors: Jon Billington, Martin Whist, Sean Haworth
Assistant Art Dir's: Julian Ashby, James E. Toshi
Asst Art Director / Set Designer: Thom Frohling
Set Decorator: Rosemary Brandenburg SDSA
A - / Steadicam Operator: David Emmerichs SOC
Crew B - Camera Operator: Philippe Carr-Forster
C - Camera Operator: Maurice K. McGuire SOC
Crew DoggiCam Operator: Frank Buono
Aerial Unit Director of Photography: David Nowell ASC
A - First Assistant Camera: Lawrence W. Nielsen
Crew B - First Assistant Camera: Brad Peterman
C - First Assistant Camera: David W. Rickert
A - Second Assistant Camera: Richard Masino
B - Second Assistant Camera: Mika Michaels
C - Second Assistant Camera: Ryotaro Kinno
Crew Key Film Loader: Todd Avery
Crew Still Photographer: Merrick Morton SMSMP
Crew Script Supervisor: Karen Golden
Crew Sound Mixer: Peter J. Devlin CAS
Crew Boom Operator: Kevin Cerchiai
Crew Cableman: Michael Piotrowski
Crew Video Assist Operator: Dave Keever
Crew Playback Supervisor: Matthew Morrissey
Playback Coordinators: Al Ainsworth, David Henri
Crew Playback Engineer: Brent Ekstrand
Crew Chief Lighting Technician: Michael Bauman
Assist. Chief Lighting Technic: Michael Bonnaud
Crew Lighting Technician #3: Tommy Dangcil
Rigging Gaffers: Jeffrey Soderberg, Kevin J. Lang
Crew A - Camera Rigging Best Boy: Edward Cox
B - Camera Rigging Best Boy: Steve Hastings
C - Camera Rigging Best Boy: Duncan M. Sobel
Crew Fixtures Foreman: Dave Dunbar
Crew Key Grip: Les T. Tomita
Crew Best Boy Grip: Michael Travers
Crew A - Camera Dolly Grip: Alan "Moose" Shultz
Crew B - Camera Dolly Grip: Jack Glenn
Crew Rigging Key Grip: Rick Harris
Crew Rigging Best Boy Grip: Donald A. Spadoni
Crew Louma Crane Operator: Brooks P. Guyer
Crew Supervising Prop Master: Steven B. Melton
Assistant Prop Masters: Scott Bauer, Chela Fiorini
Crew Third Assistant Prop Master: Greg Poulos
Assistant Prop Master, Detroit / Desert Locations: Glenn Forbes
Assistant Prop Master / Dayplayer: Jim Landis
Prod. Special Effects Supervisor / Coordinator: John R. Frazier
Prod Special Effects Coordinator: James Schwalm
Prod Special Effects Foremen: Bruce Hayes, Dave Amborn, James G. Thomas
Production Special Effects Technicians: Howard B. Frazier, Eric Frazier, Casey Noel, JD Schwalm, Richie Schwalm
Crew Prop Shop Supervisor: Andrew Weder
Prop Shop Foremen: Jeff Ogg, Thomas Pelton II, Jeff Khachadoorian
Prod Special Effects Accountant: Kat Peterson
Assistant Costume Designers: Lois Deamond, Marjorie McCown
Costume Supervisors: Anthony Scarano, Mitchell Kenney
Key Costumers: Jeanie Baker, Kim M. Holly
Set Costumers: Danny Dirks, Betsy Glick, Jill Korengold
Costumers: Nancy Collini, Lee Harris, Andrea Knaub, Jack Wright
Costume Buyer: Maureen O'Heron
Costumes Tailor: John Atrouni
Department Head Makeup Artist: Edouard F. Henriques III
Key Makeup Artist: Greg Funk
Makeup Artist: Heba Thorisdottir
Department Head Hair Stylist: Yolanda Toussieng
Key Hair Stylist: Kathe Swanson
Hair Stylist: Dena M. Fayne
Crew Production Supervisor: Ty Warren
Prod Coordinators: Rob West, Liz Wynn-Owen
Assist Prod Coordinators: Sue Smith, John West
Crew Production Secretary: Lauren Suarez
Production Accountant: Denise Morgan McGrath
First Assist Accountants: Susana Ines Fattorini, Coleen Aiello
Payroll Accountant: David krudis
Payroll Assistant: Caroline Miller
Construction Accountant: Maureen Higgins
Accounting Clerk: Barbara Casner
Supervising Location Manager: Andrew Ullman
Key Asst Loc Mgrs.: Alex Apple, Michael J. Soleau
Asst Loc Mgrs.: Kandice Billingsley, Richard Clark
Crew 2nd Second AD/Second Unit First AD: Doug Dean III
Second Second Assistant Director: Paul Domick
Additional Second Assist Director: Jason Roberts
Additional Assistant Director: Christian Pichler
Crew DGA Trainee: Mike Naylor
Crew Additional Casting Director: Lisa Fields
Chamian Casting Associate: Scout Masterson
Crew Chamian Casting Assistant: Angela Demo
Crew Fields Casting Associate: Susan Abramson
Crew Fields Casting Assistant: Meagan Lewis
Crew Extras Casting Director: Jimmy Jue
Crew Dialect Coach: Carla Meyer
Crew Unit Publicist: Alex Worman
Crew Art Department Coordinator: Andrea Carter
Set Designers: Al Hobbs, Dawn Brown Manser, Jeff Markwith, Masako Masuda, Theodore Sharps, Robert Woodruff
Illustrators: George Hull, Tani Kunitaki, Simon Murton, Christopher Ross
Crew Graphic Designer: David E. Scott
Crew Modelmakers: Tony Bohorquez, Benjamin Edelberg
Crew Storyboard Artist: Robert Consing
Prod. Pre-Vis Artists: Laurent Lavigne, Robin Roepstorff
Crew Leadmen: Brett Smith, Edward J. Protiva
Art Department Researcher: Beverley Barritt
Art Department Assistant: Joseph Magazenni
On-Set Dressers: Erik Berentsen, Chris Patterson
Set Decorating Coordinator: Darlene Salinas
Asst Set Decorators: Teresa Visinare, Amanda Moss Serino
Set Dressing Buyers: Helen Kozora-Tell, Kimberly Rosenberg
Crew Construction Coordinator: Gary A. Krakoff
Crew General Foreman: Gary B. Krakoff Jr
Crew Welding Foremen: H. Bruce Norrbom, Chet Garlow
Crew Paint Foreman: David T. Valdes
Crew Standby Painter: Ronald J. Puga Sr
Crew Greens Foreman: Ildefonso Goris
Crew Lead Moldmaker: Kim Roebuck
Crew Transportation Coordinator: Randy Peters
Transportation Captains: Candace Wells, Joey Freitas, Cesar Solis
Crew Picture Car Coordinator: Paul Schwanke
Transportation Office Coordinator: Sheila Mandel
Crew Technical Advisor: Harry Humphries
Production Associates: Moses Zyus Paskowitz II,
Pawel Araszkiewicz
Executive Assistant to Mr. Bay: Joli Eberhardt
Crew Assistant to Mr. Parkes: Riyoko Tanaka
Crew Assistant to Mr. Bryce: Michelle McGonagle
Crew Assistant to Ms. MacDonald: Linda Kroll
Crew Assistant to Mr. Bates: Tina Sen
Head of Feature Production: Michael Grillo
Production Executive: Steven R. Molen
Executive Production Coordinator: Jen Sanger
Post Production Executive: Martin Cohen
Post Production Supervisor: Mark Graziano
Post Production Coordinator: Lisa Marie Serra
Casting Executive: Leslee Feldman
Music Executive: Lenny Wohl
Production Controller: Jim Turner
Post Production Accountant: Maria DeVane
Supervising Sound Editors: Per Hallberg MPSE, Karen Baker Landers
Supervising Sound Mixers: Kevin O'Connell, Greg P. Russell
Additional Editors: Roger Barton ACE, Thomas Muldoon, John Murray
Associate Film Editors: Nina Lucia, Todd E. Miller
First Assistant Editor: Ken Blackwell ACE
Second AEs: Adam Kimmerlin, Paul Parsons
Post FX Supervisor: Rob Yamamoto
Post Assistants: Sam Restivo, Kevin Stermer
Sony / CGT Re-Recordist: Dan Sharp
Sony / CGT Supervising ADR Editor: Chris Jargo
Supervising Foley Editor: Chris S. Jaeger MPSE
ADR Editors: Michelle Pazer, Laura Graham
Todd-AO ADR Mixer: Greg Steele
Todd-AO ADR Recordist: GregZimmerman
Todd-AO Stage Engineer: Gary Simpson
Crew Supervising Music Editor: Dan Pinder
Crew Music Editors: Del Spiva, Stephen Lotwiz
Crew First Assistant Music Editor: Mario Vitale
Score Producer / Consultant: Hans Zimmer
Nightmare Music Sequence Design: Mel Wesson
Score Recordist & Mixer: Alan Meyerson
Assistant Engineers, Score: Jeff Biggers, Greg Vines
Score Orchestrators: Bruce Fowler, Y. Suzette Moriarty, Ladd McIntosh, Ric Giovinazzo, Eliza Finch
Additional Score Programming: James Brett, Bart K. Hendrickson
Orchestra Contractor: Sandy DeCrescent
Metro Voices Choir Master: Jenny O'Grady
Metro Voices Choir Conductor: Alistair King
Metro Voices Choir Recordist: Nick Wollage
VP, Music Production Services: Steven Kofsky
Music Copyist: Booker White
Assistant to Mr. Jablonsky: Pieter A. Schlosser
Pacific Title Negative Cutter: Gary Burritt
Pacific Title Color Timer: Dale Grahn
Additional Second Unit Director: Mark Palansky
Second Unit First Assistant Director: Rich Sickler
Second Unit Key Second AD: Jack Steinberg
Second Unit DoP: Mitchell Amundsen ASC SOC
Second Unit A - First AC: Michael Klimchak
Second Unit A - Second AC: Robert Baek
Second Unit Transport Captain: Frank Morreale
Additional First AC, Detroit Shoot: William Eichler
Additional Second AC, Detroit Shoot: Brad Baker
Pre-Rigging Electrician, Detroit Shoot: Sean Kelly
Rigging Electrician, Detroit Shoot: Brad Knopf
Unit PM, Italy Shoot: Luca Fortunato Asquini
First Assistant Director, Italy Shoot: Inti Carboni
Second Assist Director, Italy Shoot: Edoardo Petti
First & Second AC, Italy Shoot: Luciano Teolis
Aerial Unit DoP, Italy Shoot: John Marzano
Location Manager, Italy Shoot: Andrea Alunni
ILM Digital Prod Supervisor: Chris Townsend
ILM Additional V. Effects Supervisor: Ed Hirsh
ILM Animation Supervisor: Scott Benza
ILM TD Supervisor: Hayden Landis
ILM Compositing Supervisor: Dorne Huebler
ILM Inferno Supervisor: Mark Casey
ILM Model / Miniature Supervisor: Brian Gernand
ILM Sequence Supervisors: David Marsh, Polly Ing, Michael Kennedy, Paul Sharpe, Doug Sutton, Jon Alexander
ILM Visual Effects / Conceptual Design Art Director: Alex Jaeger
ILM Digital Model Supervisors: Bruce Holcomb, Michael Koperwas
ILM Creature Development Lead: Andy Buecker
ILM Visual Effects Editor: Nicolas Anastassiou
ILM Digital Matte Lead: Johan Thorngren
ILM Matchmove Lead: Talmage Watson
ILM Digital Paint & Roto Lead: Jiri Jacknowitz
ILM Animators: Paul Kavanagh, Chris Mitchell, Kevin Scott, Mark Powers, Wesley Mandell, Jay Rennie, Jean-Denis Haas, Andy Wong, Derrick Carlin, David Shirk
ILM TD's: Hiromi Ono, Joe Metten, Bruce Powell, Dennis Martin, Jeff Hatchell
ILM Digital Compositors: Bruce Vecchitto, Jeff Wozniak, David Gottleib
ILM Inferno Artists: Adam Howard, Greg Gilmore, Rita Zimmerman, Sam Edwards, Sebastien Moreau
ILM Digital Matte Painters: Simon Wicker, Pamela Hobbs
ILM Digital Matte Sequence Supervisors: Richard Bluff, Chris Stoski
ILM Digital Matte Artist: Vanessa Cheung
ILM VFX Production Manager: Susan Greenhow
ILM CGI Production Manager: Stuart Lowder
ILM VFX Location/Plate Photography Coordinator: Damien Carr
ILM VFX Coordinators: Laura Denicke, Katie Lynch, Ryan Mayeda
ILM VFX PAs: Kendra Boardman, Shane O'Connor
ILM First Assistant Editor: Lorelei David
A - First Assistant Camera, VFX/ILM: Vance Piper
Video Assist Operator, VFX - ILM: Jonathan Doff
ILM Chief Model Makers: Michael Lynch, Phillip Brotherton
ILM Practical Effects Supervisor: Geoffrey Heron
ILM Practical Effects Technicians: David Heron, Richard Spah, Joseph Fulmer, Thomas Clouthier, Philip Heron, William Moore, Brad Jerrell
ILM Stage Technicians: Michael Olague, Bobby Finley III, Carl Assmus, William Barr
ILM General Manager: Jim Morris
ILM Software Engineer: Ryan Kautzman
BBD Visual Effects Supervisor: Will Robbins
BBD Lead Creative: Kent De Maine
BBD Computer Playback Prod: Karin Levinson
BBD Lead Designer: Mark Cloeran
BBD Flame Lead: Max Harris
BBD 2D Animator: Paul Luna
BBD 2D Artist: Jordan Vine
BBD Projectionists: Sean Binns, Dan Ellis, Keith McPeters, Bill Smythe
Asylum Senior Visual Effects Supervisor: Nathan McGuinness
Asylum Visual Effects Supervisor: Mark Varisco
Asylum Visual Effects Executive Producer: Emma McGuinness
Asylum Visual Effects Producer: Kimberly Covate
Asylum Compositors: Kevin Moseley, Mark Laso, David Crawford
Asylum Design Lead: Simon Cassels
Asylum CG Supervisor: Dottie Starling
Asylum Visual Effects Editor: Kosta Saric
Asylum Editor, Title Sequence: Kristopher Kasper
KNB Project Supervisors: Howard Berger, Greg Nicotero
KNB EFX Project Coordinator: Michael S. Deak
KNB EFX Special Effects Technician: Dirk Rogers
Company 3 Executive Producer & Colorist: Stefan Sonnenfeld ASC
Company 3 Additional Colorist: Jimmy Tom
CO3 Executive Producer, Digital Intermediates: Carrie Holecek
CO3 Digital Intermediate Editor: Dylan Carter
Company 3 On-Line Editor: Rob Doolittle
Company 3 Additional Editor: Milton Adamou
CO3 Color Assistant/Dailies Colorist: Mark Todd Osborne
CO3 Digital Intermediate Producers: David Feldman, Christine Carr, Missy Papageorge
CO3 DI Assistants: Nick Hasson, Chris Reichel, Salvatore Catanzaro
CO3 VFX Digital Intermediate Prod: Des Carey
CO3 Digital Intermediate Scanner: Ian Turpen
Film Data Interface for DI: April Lewis
Film Data Management for DI: Marilyn Sommer
Negative Assembly & Prep. for DI: Allen Glass II
Filming Dates: 24 October 2004 - 22 February 2005
Cameras: Arriflex 235, 435, Bell & Howell Eyemo, Panaflex XL, Platinum + Photo-Sonics 4ER (35mm Kodak Vision 260D 5246 & Vision2 500T 5218)
Lenses: Panavision® Primo AL Primes, C-, E-Series AL Primes, Canon AL Primes, Anamorphic Frazier Lens System, Kent Worthy AL Primes, AWZ2 Zoom & Angenieux HR Anamorphic Zooms
AR: 2.39:1 (Anamorphic)
Budget: 126 Million USD
Budget AFI (2022): 179.8 Million USD
Printed on: Kodak Vision 2383
Crew Extras Casting Provided by: Central Casting
Sound Editorial Provided by: Soundelux
Sound Mixed at: Sony / Cary Grant Theatre
ADR Recorded at: Todd-AO Studios West & Warner Bros. Studios Facility
Score Mixed at: Remote Control Productions
Choir Recorded at: Air Lyndhurst Studios, London
End Titles & Digital Opticals by: Pacific Title
Main Titles, Special Visual Effects & Animation By: Industrial Light & Magic, Black Box Digital + Asylum
Special Make-Up Effects by: KNB EFX Group
Digital Intermediate Provided By: Company 3
Filmed in Part at: Downey Studios (Downey, California)
Soundtrack Available on: Milan Records
Prints Provided by: Technicolor®
Shot on: Kodak Motion Picture Film
Attribute: Filmed in Panavision® - DirectorMichael BayStarsShia LaBeoufMegan FoxJosh DuhamelAn ancient struggle between two Cybertronian races, the heroic Autobots and the evil Decepticons, comes to Earth, with a clue to the ultimate power held by a teenager.Executive Producer/D-Camera Operator: Michael Bay
Co-Writers: Alex Kurtzman, Roberto Orci
Story Writer: John Rogers
Producer: Ian Bryce
Executive Producer: Steven Spielberg
Cinematographer: Mitchell Amundsen ASC SOC
Production Designer: Jeff Mann
Film Editors: Paul Rubell ACE, Glen Scantlebury ACE, Thomas Muldoon
Costume Designer: Deborah Lynn Scott
Composer: Steve Jablonsky
Add'l Composers: Lorne Balfe, Clay Duncan
Conductor: Nick Glennie-Smith
Production VFX Supervisor: Scott Farrar ASC
Co-Producer/Unit Production Manager: Allegra Clegg
Co-Producer/Stunt Coordinator/2nd Unit Director: Kenny Bates
1st Assistant Director: Simon Warnock
Key 2nd Ass't Director: Frederick A. Usher III
2nd Assistant Director: Brian F. Relyea
Associate Producer: Matthew Cohan, Michelle McGonagle
Production VFX Producer: Shari Hanson
Supervising Animation Director: Scott Benza
Music Supervisor: Dave Jordan
Stunt Co-Coordinator: Frank Torres
Aerial Unit Coordinator/Pilot: Alan Purwin
Aerial Unit Pilot: Kevin LaRosa
Supervising Art Director: Geoff Hubbard
Art Directors: Sean Haworth, Beat Frutiger, Kevin Kavanaugh
Set Decorators: Larry Dias, Rosemary Brandenburg
A-Camera/Steadicam Operator: David Emmerichs SOC
B-Camera Operator/Add'l Cinematographer: Christopher Duskin
B-Camera Operator: Philippe Carr-Forster
B-Camera/C-Camera Operator: Thom Owens
C-Camera Operator: Richard J. Brock
E-Camera Operator: Hans Bjerno ASC
Add'l Cinematographer: David Dubois
Aerial Unit DoP: David B. Nowell ASC
2nd Assistant A-Camera: Eric Amundsen
Russian Arm Camera Operator: Brooks P. Guyer
DoggiCam Operator: Frank Buono
Aerial Unit Wescam Technician: Steven J. Winslow
Supervising Sound Editor: Ethan Van Der Ryn
Re-Recording Mixers: Kevin O'Connell, Greg P. Russell
Chief Lighting Technician: Andy Ryan
Supervising SFX Director: John Frazier
Production SFX Coordinator: Jim Schwalm
Special Effects Co-Coordinator: Danny Cangemi
SFX Foreperson: Al Di Sarro
Production Supervisors: Matthew D. Birch, Daren Hicks
2nd 2nd Ass't Director: Adam Martin
Add'l 2nd Ass't Director: Stephen Moore
Add'l 2nd 2nd Ass't Director: Eugene Davis
Stunt Associate: Tina Sen
Product Placement Coordinator: David B. Leener
Military Advisor: Harry Humphries
Previsualization Supervisor: Steven B. Yamamoto
Previsualization Artists: Rob Dressel, Chris Williams
Lead Robot Illustrator: Ben Proctor
Lead Set Designer: Richard Mays
Graphic Designer/Art Director: François Audouy
Storyboard Artist: Robert Consing
Picture Vehicle Coordinator: Steve Mann
Additional Film Editors: John Murray, Todd E. Miller
Associate Film Editor: Ken Blackwell
1st Assistant Editor: Calvin Wimmer
Post-Production Supervisor: Rob Yamamoto
Post-Production Coordinator: Danielle Daly
Sound Designer: Erik Aadahl
Music Contractor: Sandy DeCrescent
Add'l VFX Supervisor: Richard Kidd
ILM Associate VFX Supervisor: Russell Earl
ILM Digital Production Supervisor: Jeff White
ILM Digital Compositing Supervisor: Patrick Tubach
ILM Supervising Technical Director: Hilmar Koch
ILM VFX Producer: Tim Jacobsen
ILM Supervising Digital Artists: Jon Alexander, Richard Bluff, Terry Chostner, Michael Conte, Nigel Sumner, Doug Sutton, Todd Vaziri
ILM VFX Art Director: Alex Jaeger
ILM VFX Production Manager: Peter Nicolai
ILM Lead Animators: Peter Daulton, Paul Kavanagh, Shawn Kelly, Glen McIntosh, Rick O'Connor
ILM Associate VFX Production Manager: Damien Carr
ILM VFX Production Coordinators: Chrysta Marie Burton, Ryan Wiederkehr
ILM Senior Staff: Vicki Dobbs, Chrissie England
Kerner Optical Miniature Unit DoP: Pat Sweeney
Kerner Optical Miniature SFX Supervisor: Geoff Heron
Kerner Optical Miniature/Model Supervisor: Brian Gernand
Digital Domain VFX Supervisor: David Prescott
Digital Domain Animation Supervisor: Dan Taylor
Digital Domain VFX Producer: David PI James
Digital Domain Digital VFX Producer: Michelle Jacobs
Digital Domain CG Supervisor: Dave Hodgins
Digital Domain Compositing Supervisor: Paul Kirwin
Digital Domain VFX Concept Artist: Claas Henke
Digital Domain CG FX Lead Animator: Jason Iverson
Digital Domain 3D Data Integration Artist: Geoffrey Baumann
Digital Domain Senior Lead Compositor: Joe Farrell
Digital Domain Digital VFX Coordinator: Elizabeth Hitt
Asylum Senior VFX Supervisor: Nathan McGuinness
Asylum VFX Producer: Kathy Chasen-Hay
Asylum VFX Coordinator: Franz Spiziri
Asylum Title Designer: Simon Casells
Asylum Compositing Supervisor: Joe Ken
KNB Show Supervisors: Howard Berger, Greg Nicotero
CO3 Executive Producer/Senior Colorist: Stefan Sonnenfeld ASC
On-Line Finishing Editor: Rob Doolittle
VFX DI Producer: Des Carey
DI Producers: Erik Rogers, Missy Papageorge
DI Technologist: Mike Chiado
DI Account Executive: Jackie Lee
2nd Unit DoP: Lukas Ettlin
Assistant Director (Add'l Photography): Lynne Martin
Producer (IMAX Version): Lorne Orleans
Filming Dates: 19 April 2006 - 4 October 2006
Cameras: Arriflex 35-IIC, 235, 435 Xtreme, Bell & Howell Eyemo, Panaflex XL2, Platinum & Photo-Sonics 4ER (35mm Kodak Vision2 250D 5205/500T 5218)
Lenses: Panavision Primo Anamorphic 11:1 Zoom, Spherical 4:1 Zoom, C-, E-Series Anamorphic Primes, Angenieux HR AL + SL Zooms, Cooke AL + SL Zooms & Anamorphic Wide-Angle 2:1 Zoom
AR: 2.39:1 (Anamorphic & 4-Perf Super 35mm)
Budget: 150 Million USD
Budget AFI (2020): 187.4 Million USD
Printed on: Kodak Vision 2383
Music Score Mixed at: Remote Control Productions
Digital Intermediate Provided by: Company 3
Special Visual Effects & Digital Animation Provided By: Industrial Light & Magic + Digital Domain
Visual Effects Provided by: Asylum
Special Makeup Effects & Animatronics Provided by: KNB EFX Group
Models & Miniatures Provided by: Kerner Optical
Attribute: Filmed in Panavision - DirectorMichael BayStarsShia LaBeoufMegan FoxJosh DuhamelSam Witwicky leaves the Autobots behind for a normal life. But when his mind is filled with cryptic symbols, the Decepticons target him and he is dragged back into the Transformers' war.Executive Producer/Camera Operator/Script Consultant: Michael Bay
Co-Writers: Alex Kurtzman, Roberto Orci
Producer: Ian Bryce
Executive Producer: Steven Spielberg
Cinematographer: Ben Seresin ASC BSC
Production Designer: Nigel Phelps
Film Editors: Roger Barton ACE, Paul Rubell ACE, Joel Negron ACE, Thomas Muldoon
Costume Designer: Deborah Lynn Scott
Composers: Steve Jablonsky, Linkin Park
Add'l Composers: Hans Zimmer, Lorne Balfe
Conductor: Nick Glennie-Smith
Production VFX Supervisor/2nd Unit Director: Scott Farrar ASC
Casting: Denise Chamian CSA
Co-Producer/Unit Production Manager: Allegra Clegg
Associate Producer/Key 1st Ass't Director: KC Hodenfield
1st Assistant Director: Bruce Moriarty
Key 2nd Ass't Director: Chris Castaldi
2nd Assistant Director: Hope Garrison
Associate Producer: Matthew Cohan, Michelle McGonagle
ILM Animation Supervisor: Scott Benza
ILM VFX Producer: Wayne Billheimer
Co-Producer/Stunt Coordinator/2nd Unit Director: Kenny Bates
Add'l Stunt Coordinator: Robert Brown
Stunt Co-Coordinator: Troy Robinson
Aerial Unit Coordinator/Pilot: Alan Purwin
Aerial Unit Pilot: Kevin LaRosa
Supervising Art Director: Jon Billington
Art Directors: Sean Haworth, Julian Ashby, Ben Proctor
A-Camera/Steadicam Operator: Jacques Jouffret SOC
B-Camera Operator: Philippe Carr-Forster
Add'l B-Camera Operator: Daniel C. Gold
1st Assistant A-Camera: John T. Connor
2nd Assistant A-Camera: James Goldman
Aerial Unit DoP: David B. Nowell ASC
Aerial Unit Add'l DoP: Hans Bjerno ASC
Main Unit Pursuit Camera Operator: Brooks P. Guyer
Aerial Unit A-Camera Operator: Lawrence Karman SOC
Chief Lighting Technician (Egypt/Jordan/Paris Units)/Aerial Unit B-Camera Operator: Bruce McCleery ASC
Aerial Unit C-Camera Operator: Richard Brooks Burton
Supervising Sound Editors: Ethan Van Der Ryn, Erik Aadahl
Re-Recording Mixer: Greg P. Russell
Associate Film Editor: Calvin Wimmer
Assistant Editor: Peter Gvozdas ACE
Chief Lighting Technician: Michael Bauman
Production SFX Supervisor: John Frazier
Production SFX Coordinator: Jim Schwalm
SFX Foreperson: Danny Cangemi
Costume Supervisor: Lisa Lovaas
Production Supervisor: Daren Hicks
Key Location Manager: Ilt Jones
Location Manager: JJ Hook
Stunt Associate: Tina Sen
Product Placement Coordinator: David Leener
Military Advisor: Harry Humphries
Previsualization Supervisor: Steven Yamamoto
Previsualization Artists: Rob Dressel, Chris Williams, Kyle Robinson
Illustrators: Ryan Meinerding, Ryan Church
Lead Set Designer: C. Scott Baker
Set Designers: Jann Engel, Richard Mays
Picture Car Coordinator: David Urich
2nd Ass't Directors (East Coast/Desert Southwest Units): Steve Battaglia, Jeff Okabayashi
Art Director (East Coast/Desert Southwest Units): Lauren Polizzi
Ass't Art Directors (East Coast/Desert Southwest Units): Iain McFayden, A. Todd Holland
SFX Coordinator (East Coast/Desert Southwest Units): Bruno Van Zeebrobck
SFX Foreperson (East Coast/Desert Southwest Units): Al Di Sarro
Aerial Unit Coordinator/Pilot (Egypt/Jordan/Paris Units): Fred North
Visual Consultant (Egypt/Jordan/Paris Units): Said El Marouk
1st Ass't Director (Add'l Photography): Eugene Davis
Additional Film Editor: Glen Scantlebury ACE
Assistant Film Editor: Vince Filippone
2nd Assistant Editors: Peter Gvozdas, Matt Evans
Post-Production Coordinator: Danielle Daly
Add'l VFX Supervisor: Richard Kidd
Production VFX Consultant: Thomas Elder-Groebe
Music Consultant: Bob Badami
Add'l Music Arranger: Matthew Margeson
Ambient Music Designer: Clay Duncan
ILM Associate VFX Supervisor: Jeff White
ILM Associate Animation Supervisor: Rick O'Connor
ILM Digital Production Supervisor: Jason Smith
ILM Supervising Technical Directors: Doug Sutton, Gerald Gutschmidt
ILM Supervising Digital Artists: Richard Bluff, Amy Shepard, Terry Chostner
ILM VFX Art Directors: Alex Jaeger, Yanick Dusseault
ILM Lead Digital Artists: Nigel Sumner, David Marsh
ILM VFX Editor: Lorelei David
ILM VFX Senior Production Manager: Erin Dusseault O'Connor
ILM Animators: Michael Lum, Cedric Lo, Paul Kavanagh, Alexander Lee
ILM Plate Coordinator: Ryan Wiederkehr
ILM VFX Production Coordinators: Stacey Bissell, Joseph Bell
ILM Executive VFX Producer: Gretchen Libby
ILM Senior Staff: Chrissie England, Vicki Dobbs
Kerner Optical VFX Unit DoP: Pat Sweeney
Digital Domain VFX Supervisor: Matthew Butler
Digital Domain Animation Supervisor: Dan Taylor
Digital Domain VFX Producer: Julian Levi
Digital Domain VFX Plate Supervisor: Kelly Port
Digital Domain Digital VFX Producer: Michelle Jacobs
Digital Domain CG Supervisor: Paul George Palop
Digital Domain Compositing Supervisor: Lou Pecora
Digital Domain VFX Concept Artist: Joe Farrell
Digital Domain 3D Integration Artist: Scott Edelstein
Digital Domain Character Animator: Justin Van Der Lek
Digital Domain Digital Matte Painter: Glenn Holbrook
Digital Domain Digital Plate Restoration Artist: Janice Barlow Collier
Digital Domain VFX Coordinator: Brun Barry
Digital Domain Digital VFX Coordinators: Brian Holligan, David Masure-Bosco, Virginia Wilson
Digital Domain Production Executive: Mark S. Miller
Asylum Senior VFX Supervisor: Nathan McGuinness
Asylum VFX Executive Producers: Kathy Chasen-Hay, Emma McGuinness
Asylum VFX Producer: Elizabeth Hitt
Asylum VFX Coordinator: Christine Felman
Asylum VFX Compositor: Joe Ken
Asylum CG Producer: David Samija
Asylum Lead VFX Designer: Simon Casells
Asylum VFX Designer: Tony Meister
KNB Show Supervisors: Howard Berger, Greg Nicotero
CO3 Executive Producer/Senior Colorist: Stefan Sonnenfeld ASC
On-Line Finishing Editors/CO3 VFX Artists: Alex Romano, Sal Catanzano
DI Producer: Erik Rogers
CO3 Senior Producer: Missy Papageorge
DI Finishing Assistant: James Cody Baker
DI Technologist: Mike Chiado
Filming Dates: 3 May 2008 - 2 November 2008
Cameras: Arriflex 235, 435 ES, VistaVision, Bell & Howell Eyemo, IMAX MKIII, MSM 9802, Iwerks IW5A, Panaflex XL2 & Platinum (35mm & 65mm)
Lenses: Panavision C-, E-, G-Series Anamorphic Primes, Anamorphic Telephoto Zoom, Anamorphic Wide-Angle 2:1 Zoom, Angenieux Optimo AL + SL Zooms, Canon Zooms & Hasselblad Primes
AR: 1.43:1 (IMAX 70mm Version: Two Scenes), 1.78:1 (IMAX Blu-Ray Version: Two Scenes), 2.39:1 (Anamorphic & 4-Perf Super 35mm)(VistaVision: Some Scenes)
Budget: 200 Million USD
Budget AFI (2020): 241.5 Million USD
Printed on: Kodak Vision 2383
Music Score Mixed at: Remote Control Productions
Digital Intermediate, Visual Effects & Dailies Provided by: Company 3
Special Visual Effects & Digital Animation Provided By: Industrial Light & Magic + Digital Domain
Models, Miniatures & Special Effects Provided by: Kerner Optical
Visual Effects Provided by: Asylum
Animatronics Provided by: KNB EFX Group
Attribute: Filmed in Panavision - DirectorMichael BayStarsShia LaBeoufRosie Huntington-WhiteleyTyrese GibsonThe Autobots learn of a Cybertronian spacecraft hidden on the moon, and race against the Decepticons to reach it and to learn its secrets.Executive Producer/C-Camera Operator: Michael Bay
Producer: Ian Bryce
Executive Producer: Steven Spielberg
Cinematographer: Amir Mokri
Cinematographer (Add'l Africa Photography): Matthew Aeberhard
Cinematographer (Chicago Unit Wingsuit Photography): Rob Bruce
Production Designer: Nigel Phelps
Film Editors: Roger Barton ACE, William Goldenberg ACE, Joel Negron ACE
Costume Designer: Deborah Lynn Scott
Composer: Steve Jablonsky
Conductor: Nick Glennie-Smith
Production VFX Supervisor: Scott Farrar ASC
Casting: Denise Chamian CSA
Co-Producer/Stunt Coordinator/2nd Unit Director: Kenny Bates
Co-Producer/Unit Production Manager: Allegra Clegg
1st Assistant Director: Simon Warnock
2nd Assistant Directors: Steve Battaglia, Brian F. Relyea
Associate Producer: Matthew Cohan
Associate Producer/Stunt Performer: Michael Kase
Add'l VFX Supervisor: Mohummed Yusef
ILM Senior Animation Supervisor: Scott Benza
ILM Senior VFX Producer: Wayne Billheimer
Digital Domain Senior VFX Supervisor: Matthew Butler
Digital Domain Senior VFX Producer: Michelle Winze
Associate Film Editor: Calvin Wimmer
Add'l Film Editor: Thomas Muldoon
Co-Stunt Coordinator: Kurt Bryant
Wingsuit Flying Coordinator: JT Holmes
Aerial Unit Coordinator/Pilot: Alan Purwin
Supervising Art Director: Richard A. Johnson
Art Directors: Ben Proctor, Kevin Ishioka, Julian Ashby
A-Camera/Steadicam Operator: Jacques Jouffret SOC
B-Camera Operator: Lukasz Bielan SOC
1st Assistant A-Camera: Brad Peterman
2nd Assistant A-Camera: John Garrett
2nd Assistant B-Camera: Walrus Howard
Aerial Unit DoP: David B. Nowell ASC
Main Unit Pursuit Camera Operator: Brooks P. Guyer
3D Engineer: David A. Canning
3D Stereographer: Matthew Tilling
3D I/O Convergence Artist: Daniel Taylor
3D Ass't Engineer: Kevin Mills
3D Digital Supervisor: Derek Schweikart
3D DI Operators: Dave Watro, Thomas J. Cabela
3D Camera Loader: Ross Coscia
Supervising Sound Editors: Ethan Van Der Ryn, Erik Aadahl
Re-Recording Mixer: Greg P. Russell
Stereographer/3D Supervisor: Corey Turner
3D Producer: Michelle McGonagle
Add'l 1st Ass't Director: KC Hodenfield
Chief Lighting Technician: Jeffrey Warren
Ass't Chief Lighting Technician: Chris Warren
Production SFX Supervisor: John Frazier
Production SFX Coordinator: James Schwalm
Production SFX Foreperson: Al Di Sarro
Costume Supervisor: Lisa Lovaas
Production Supervisor: Daren Hicks
Production Coordinator: Mika Saito
Supervising Location Manager: Ilt Jones
Location Manager: JJ Hook
Detroit Unit Location Manager: David Rumble
Military Advisor: Harry Humphries
Previsualization Supervisor: Steven Yamamoto
Previsualization Artist: Chris Williams
Illustrators: Ryan Church, Aaron Sims, Joel Chang
Storyboard Artist: Robert Consing
3D Modeler: Michael Meyers
Set Designers: Todd Cherniawsky, Jann Engel, Greg Papalia
Digital Set Designers: Jeff Markwith, Andrew Reader
Graphic Designer: Susan Burig
Picture Car Coordinator: David Urich
Chicago Unit Location Manager: Al Cohn
Chicago Unit SFX Supervisor: John D. Milinac
Chicago Unit SFX Foreperson: Steven Bunyea
3D VFX Editor: Jason Quentin Gaudio
3D Ass't VFX Editors: William Paley, Justin Shaw
3D QC Technician: Kim Lorang
3D Data I/O Coordinator: Matt Brooks
3D Production Coordinators: Oopie Parraco, Wendy Cheseborough Lowe, Chrysta Marie Burton, Phelicia Sperrazzo
Ambient Music Designer: Clay Duncan
Music Contractor: Sandy DeCrescent
ILM Co-VFX Supervisor: Jeff White
ILM Associate Animation Supervisor: Rick O'Connor
ILM Digital Production Supervisor: Nigel Sumner
ILM Digital Compositing Supervisor: Jeff Sutherland
ILM Supervising Technical Directors: Doug Sutton, Kevin Barnhill
ILM Stereo Supervisor: Sean McKenzie
ILM Singapore VFX Production Supervisor: Stuart McAra
ILM Singapore VFX Supervisor: Brennan Doyle
ILM Singapore Animation Supervisor: Cedric Lo
ILM Digital Matte Supervisor: Richard Bluff
ILM Layout Supervisor: Terry Chostner
ILM Singapore Compositing Supervisor: Dave Dally
ILM CG Supervisor: Patric Roos
ILM Roto & Paint Supervisor: Amy Shepard
ILM VFX Art Directors: Yanick Dusseault, Alex Jaeger
ILM Lead Animator: Shawn Kelly
ILM Lead Digital Compositor: Jason Billington
ILM Lead VFX Sequence Supervisors: David Marsh, Todd Vaziri
ILM VFX Editor: Lorelei David
ILM VFX Lead Production Manager: Brian Barlettani
ILM VFX Location Coordinator: Lee Briggs
ILM Senior Staff: Gretchen Libby, Jessica Teach
Digital Domain Animation Supervisor: David Andrews
Digital Domain DFX Supervisors: Dave Hodgins, Darren Poe
Digital Domain CG Supervisors: Mårten Larsson, Hanzhi Tang
Digital Domain Compositing Supervisor: Lou Pecora
Digital Domain 3D Stereoscopic Supervisor: Thad Beier
Digital Domain VFX Concept Artist: Claas Henke
Digital Domain Sr Digital Prod Manager: Jaimie Lee Jota
Digital Domain Digital Prod Managers: Anita Lee, Rizza Go
Digital Domain Digital Environment Artists: Glenn Holbrook, Sam Nixon, David Sanchez
Legend3D Senior Conversion Stereographer: Barry Sandrew
Legend3D Senior VFX Supervisor: Scott Squires
Legend3D Stereo Production Executive: Toni Pace Carstensen
Legend3D VFX Supervisor: Tony Baldridge
Legend3D Add'l VFX Supervisor: Jared Sandrew
Legend3D Lead Conversion Stereographer: Cyrus Gladstone
Legend3D Stereo Production Manager: Chris Longo
Legend3D Stereo VFX Manager: Jeff Olson
Legend3D Stereo Supervisors: Vince Niebla, James Prola
Legend3D Compositing Supervisor: Shawn Barnett
Legend3D Add'l Compositing Supervisor: Adam Ghering
Legend3D Associate Stereo Supervisor: Josh Perry
Legend3D Stereo Technical Director: Jacqueline Hutchinson
Legend3D Senior Finisher: Ryan Albertson
Legend3D Compositors: Curtis Carlson, Adam Dunn
In-Three Stereoscopic Supervisor: Matt DeJohn
In-Three Senior Stereographer: Todd Napier
In-Three Stereoscopic VFX Supervisor: Mike Miller
In-Three Stereoscopic Production Manager: Gary Carrillo
Prime Focus View-D Senior Stereographer: Jeremy Nicolaides
Prime Focus View-D Stereoscopic Supervisors: Justin Jones, Ritesh Ricky Aggarwal
Method Studios Stereo Production Manager: Whitney Gearing
Method Studios Stereographer: Steven S. Shapiro
Method Studios Stereo Compositing Supervisor: Troy Moore
CO3 Executive Producer/Senior Colorist: Stefan Sonnenfeld ASC
CO3 2D DI Production Manager: Erik Rogers
CO3 3D DI Production Manager: Kamila Baghernejad
CO3 Digital Conform Artist: Matthew W. Johnson
CO3 Color Assistants: James Cody Baker, Travis Flynn
CO3 DI Technologist: Mike Chiado
CO3 3D Pipeline Technologist: Dylan Carter
CO3 Head of Production: Devin Sterling
Screening Technical Supervisor: Anthony Davis
Filming Dates: 17 May 2010 - 9 November 2010
Cameras: Arri Alexa 3D, Arriflex 235, Panaflex Lightweight, Platinum, Red One MX & Sony CineAlta F23 (35mm Kodak Vision3 50D 5203/250D 5207/500T 5219 & HD Video)
Lenses: Panavision C-, E-, G-Series Anamorphic Primes & Arri Master Primes
AR: 2.39:1 (Anamorphic & Dual-Strip 3D)(4.5K Redcode RAW: Honk Kong Aerial Shots)
Budget: 195 Million USD
Budget AFI (2021): 240.9 Million USD
Printed on: Kodak Vision 2383
Music Score Mixed at: Remote Control Productions
Special Visual Effects & Digital Animation Provided by: Industrial Light & Magic + Digital Domain
Models, Miniatures & Special Effects Provided by: Kerner Optical
Additional Digital Effects Provided by: Prana
3D Conversion Services Provided by: Legend3D
3D Dimensionalization Provided by: In-Three
View-D Stereo Creation Provided by: Prime Focus
Stereoscopic 3D Alignment & Correction Provided by: Method Studios
Digital Intermediate, Dailies & Visual Effects Provided by: Company 3
Attribute: Filmed in Panavision - DirectorMichael BayStarsMark WahlbergDwayne JohnsonAnthony MackieA trio of bodybuilders in Florida get caught up in an extortion ring and a kidnapping scheme that goes terribly wrong.Producer/C-Camera Operator: Michael Bay
Screenwriters: Christopher Markus, Stephen McFeely, Scott Rosenberg
Original Article Writer: Pete Collins
Producers: Ian Bryce, Donald De Line
Exec Producers: Matt Cohan, Scott Gardenhour
Cinematographer: Ben Seresin ASC BSC
Production Designer: Jeffrey Beecroft
Film Editors: Thomas Muldoon, Joel Negron ACE
Costume Designer: Deborah Lynn Scott
Composer: Steve Jablonsky
Casting: Denise Chamian CSA
Co-Producer/Unit Prod Manager: Alma Kuttruff
Co-Producer: Michael Kase
Key 1st Assistant Director: Chris Castaldi
Key 2nd Ass't Directors: Christian Clarke, Steven Battaglia
Film Editor (Main Title Sequence): Rachel Fowler
Associate Film Editor: Calvin Wimmer
Co-Costume Designer: Colleen Kelsall
Stunt Coordinators: Troy Robinson, Ken Bates
Stunts/Transport Captain: Joey Freitas
Stunts: Benjamin Rowe, Tanoai Reed, Hank Amos
Art Director: Sebastian Schroeder
Set Decorator: Jay Hart
"A" Cam/Steadicam Operator: Jacques Jouffret
"B" Camera Operator: Darin Moran
"A" 1st Ass't Photographer: Gregory Irwin
"B" 1st Ass't Photographer: Michael Klimchak
"B" Add'l 1st Ass't Photog: John J. Ellingwood
"A" 2nd Ass't Photographer: John R. Woodward
"B" 2nd Ass't Photographer: William McConnell
"A" Add'l 2nd Ass't Photog: Tulio Duenas
"C" Add'l 2nd Ass't Photog: Carla Sosa
Film Loader: Sean Lunski
Digital Imaging Technician: Brook Willard
Location Data Technician: Alex Martin
Underwater Unit DoP: Peter Zuccarini
Video Operator: Dave Deever
Production Accountant: Denise Morgan McGrath
Production Supervisor: Daren Hicks
Supervising Location Manager: Jonathan JJ Hook
Production Location Manager: Susy Ragnarrson
Production Coordinator: Natalie Angel
Ass't Prod Coordinator: Lisa L. Martin
1st Assistant Director: KC Hodenfield
2nd Assistant Director: Tony Griffin
2nd 2nd Ass't Director: Michael E. Saunders
Chief Lighting Technician: Joseph F. Warren
Ass't Chief Lighting Tech: Christopher T. Warren
Chief Rigging Electrician: Marc Wostak
Ass't Chief Rigging Electrician: Ken Palladino
Electrician: Brett A. Mabry
"A" Dolly Grip Operator: Alan Shultz
"B" Dolly Grip Operator: Jack Glenn
Production SFX Supervisor: John Frazier
Production SFX Coordinator: John Wosner
Production SFX Forepersons: Danny Cangemi, Bruce E. Merlin
Production SFX Techs: James Carter, Jeremy S. Brock
Costume Supervisor: Ariel Gold
KNB EFX Project Supervisors: Greg Nicotero, Howard Berger
KNB EFX Set Supervisor: Mike McCarty
KNB EFX Special Makeup FX Artist: Lee Grimes
Ass't Art Director: Richard Fojo
Art Dept. Coordinator: Jeremy McGuire
Graphic Designers: Vivian Galainena, R. Scott Purcell
On Set Scenic Artist: Carla Bailey
Ass't Set Decorator: Kevin Kropp
Supervising Lead Person: Jon Bush
Lead Person: Frank A. Raffa Jr
Set Dec Coordinator: Annette Mason
Supervising Prop Master: Philip Schneider
Ass't Prop Masters: Romain Gateau, Mark Brown
Transport Captain: Danny P. Taylor
Aerial Unit Coord & Helicopter Pilot: David Paris
Aerial Unit DoP: David B. Nowell ASC
Aerial Unit Space Cam Technician: Andrew Sych
Product Placement Advisor: David Leener
Production Previz Artist: Steven Yamamoto
Safety Consultant: Richard Momii
Police Tech Advisors: Roy Rutland, Bill Erfurth
Water Safety Consultants: Jon Krieg, Alex Edlin, John Rottger
1st Assistant Editor: Joe Galdo
2nd Assistant Editor: Meagan Costello
3rd Assistant Editor: Edward Albolote
Assistant Editor: Peter Gvozdas ACE
Re-Recording Mixers: Scott Millan, Jeff Harboush, Greg P. Russell
Supervising Sound Editors & Sound Designers: Ethan Van Der Ryn, Erik Aadahl
Dialogue/ADR Supervisor: David Bach
Supervising Foley Editor: Jonathan Klein
Music Editor: Alex Gibson
Score Mixer: Jeff Biggers
Ambient Music Designer: Clay Duncan
1st Ass't B-Cam (Add'l Photog): Stephen Taylor-Wehr
ILM Senior VFX Supervisor: Pablo Helman
ILM VFX Executive Producer: Wayne Billheimer
ILM VFX Production Manager: Laura Moore
ILM Comp Supervisor: Jon Alexander
ILM VFX Editor: Lorelei David
ILM 1st Ass't VFX Editor: Sam Willing
ILM VFX Production Accountant: Kim Bianco
ILM Technical Director: Jason Holt
ILM VFX Production Assistant: Mike Lichtenstein
ILM Color Science/Imaging R&D Sup.: Robert Molholm
Base FX CG Supervisor: Nick Hsieh
Base FX VFX Producer: Tolly Swallow
Base FX Technical Director: Martin Sawtell
Base FX Sr Compositor: Juan Ignacio Salgado
ILM Concept Artist: Thang Le
ILM EVP & General Manager: Lynwen Brennan
ILM Production Supervisor: Curt Miyashiro
ILM Exec in Charge of Finance: Khuyen Dang
Rodeo FX VFX Coordinator: Nancy Lamontagne
Rodeo FX VFX Prod Assistants: Eric Larivee, Marianne Roberge
CO3 Executive Producer & Supervising Finishing Colorist: Stefan Sonnenfeld ASC
DI Finishing Producer: Erik Rogers
CO3 Digital Conform Editor & Finishing Artist: Matthew Johnson
DI Finishing Technologist: Michael Chiado
CO3 Color Finishing Assistant: James Cody Baker
CO3 Head of Finishing Production: Devin Sterling
CO3 Finishing Account Executive: Jackie Lee
CO3 Supervising Color Technician: Joachim Zell ASC
Pro Films Title Designers: Kyle Cooper, Lisa Bolan
Panavision VP of Optical Engineering: Dan Sasaki ASC
RED Epic Camera Designer: Jarred Land ASC
Filming Dates: 2 April 2012 - 2 June 2012
Cameras: Arriflex 435, Panaflex XL2, Phantom Gold & Red Epic (35mm Kodak Vision3 50D 5203/250D 5207/500T 5219, HD Video & 4K Redcode RAW)
Lenses: Panavision C-Series Anamorphic Primes & Angenieux Optimo 12x Anamorphic Zooms
AR: 2.39:1 (Anamorphic)
Budget: 26 Million USD
Printed on: Kodak Vision 2383
Special Makeup Effects Provided by: KNB EFX Group
Sound Editorial Services Provided by: E²
Special Visual Effects & Animation Provided by: Industrial Light & Magic + Rodeo FX
Additional Visual Effects Provided by: Base FX
Digital Intermediate Finishing Provided by: Company 3
Main & End Titles Designed and Produced by: Prologue Films
Shot on: Kodak Motion Picture Film
Attribute: Filmed in Panavision (as Cameras & Lenses) - DirectorMichael BayStarsMark WahlbergNicola Peltz BeckhamJack ReynorWhen humanity allies with a bounty hunter in pursuit of Optimus Prime, the Autobots turn to a mechanic and his family for help.Executive Producer/C-Camera Operator: Michael Bay
Producer: Ian Bryce
Executive Producer: Steven Spielberg
Cinematographer: Amir Mokri
Production Designer: Jeffrey Beecroft
Film Editors: William Goldenberg ACE, Roger Barton ACE, Paul Rubell ACE
Composer: Steve Jablonsky
Add'l Composers: Hans Zimmer, Joseph Trapanese, David Fleming, Imagine Dragons
Conductor: Nick Glennie-Smith
Production VFX Supervisor: Scott Farrar ASC
Casting: Denise Chamian CSA
Co-Producer/Unit Production Manager: Allegra Clegg
Co-Producer/1st Ass't Director: KC Hodenfield
2nd Assistant Director: Jeff Okabayashi
Co-Producers: Matthew Cowan, Michael Kase
ILM Senior Animation Supervisor: Scott Benza
ILM VFX Producer: Wayne Billheimer
Associate Film Editor: Calvin Wimmer
Add'l Film Editors: Thomas Muldoon, David Brenner ACE
Production SFX Supervisor: John Frazier
Stunt Coordinator/2nd Unit Director: Mike Gunther
Aerial Unit Coordinator/Pilot: Alan Purwin
Aerial Unit Pilot: Fred North
Associate Producer: Regan Riskas
Production Supervisor: Daren Hicks
Supervising Art Director: Mark W. Mansbridge
Set Decorator: Rosemary Brandenburg
Art Directors: Sebastian Schroeder, Ben Proctor
A-Camera/Steadicam Operator: Jacques Jouffret SOC
B-Camera Operators: Lukasz Bielan SOC, John Skotchdopole
Main Unit Pursuit Camera Operator: Brooks P. Guyer
1st Assistant A-Camera: Brad Peterman
2nd Assistant A-Camera: Hayden Pazanti
2nd Assistant B-Camera: Casey Howard
Aerial Unit DoP: David B. Nowell ASC
2nd Unit Director/Director of Photography: Peter Lyons Collister ASC
Add'l 2nd Unit DoP: Matthew Aeberhard
On-Set 3D Stereographer: Matthew Blute
3D Engineers: Don Presley, Markus Lanxinger
3D Rig Technicians: Seth Gallagher, Celine Tricart
IMAX Technician: Jamie Alac
Supervising Sound Editors/Designers: Ethan van Der Ryn, Erik Aadahl
Sound Re-Recording Mixer: Greg P. Russell
Product Placement Coordinator: David Leener
Chief Lighting Technicians: Jeffrey Warren, Russell Ayer
Ass't Chief Lighting Technician: Chris Warren
2nd SFX Supervisors: Jim Schwalm, Mark Hawker
Costume Supervisor: Lisa Lovaas
Supervising Location Managers: Ilt Jones, JJ Hook
Location Managers: Al Cohn, James Crowley
Previsualization Supervisor: Steven Yamamoto
Previsualization Artists: Chris Williams, Ben Nelson
Robot Consultants: Vitaly Bulgarov, Wesley Burt
Lead Set Designer: Joseph Hiura
Add'l Set Decorator: Missy Parker
Ass't Set Decorator: Karen Frick
Picture Car Coordinator: Tom Rebber
HK Unit Line Producer: Chu Chen On
Unit Production Manager (HK Unit): Debra James
HK Unit 3D Ass't Camera: Jayco Lau
HK Unit VFX/Plate DoP: Dean Head ACS
HK Unit Art Director: Chi Ho
HK Unit Set Decorator: Calvin Tsoi
HK Unit Chief Lighting Technician: Wing Ma
HK Unit Ass't Chief Lighting Technician: Wong Man Pan
HK Unit SFX Coordinators: Fok Kam Tong, Chi Shui Tim
HK Unit Set Designer: Nyma Yeung
HK Unit Picture Car Coordinator: Aaron Ngo
HK Unit Stunt Coordinator: Bruce Law Lai Yin
China Mainland Unit Co-Producer: Longfei Liang
China Mainland Unit Line Producers: Dan Xu, Yi Li
China Mainland Unit Production Supervisors: Elona Tsou, Chris Chan, Crystal Liao
China Mainland Unit Art Director: Sherrie Dai
China Mainland Unit 3rd Ass't Dir.: Scott Wang
China Mainland Unit Wulong Co-Producer: Dany Wolf
3D Producer: Oopie Parraco
3D Editor: Craig Tanner
3D 1st Ass't Editor: Latham Robertson
3D 2nd Ass't Editor: Wayan Palmieri
3D 3rd Ass't Editor: Dawn Marquette
3D Production Supervisor: Phelicia Sperrazzo
3D Ass't Coordinator: Chris Gaede
Junior 3D Coordinator: Alicia Drury
S3D Pablo Artist: Jerry Steele
3D Database Manager: Matt Brooks
2D/3D VFX Artist: Lucas De La Torre
3D Data I/O Technician: Mack Robinson
3D Production Assistants: Josh Land, David Black
Supervising Score Orchestrator: Bruce Fowler
ILM Co-VFX Supervisor: Patrick Tubach
ILM Animation Supervisor: Rick O'Connor
ILM Singapore VFX Supervisor: Mohen Leo
ILM On-Set VFX Supervisor: Jeff White
ILM CG Supervisors: Doug Smythe, Doug Sutton
ILM Digital Compositing Supervisor: Jeff Sutherland
ILM Senior VFX Art Director: Alex Jaeger
ILM Supervising Digital Artists: Terry Chostner, Dave Dally
ILM VFX Editor: Lorelei David
ILM VFX Production Managers: Brian Barlettani, Kevin Field, Laura Moore, Emily Williams
ILM Senior Asset Supervisor: Dave Fogler
ILM Singapore VFX Associate Producer: Danielle Rubin
ILM Lead Animators: Shawn Kelly, Eric Leong, David Shirk, Edward Zhou
ILM Lead Digital Artists: Paolo Acri, Jason Billington
ILM VFX Location Coordinator: Brian Holligan
ILM VFX Matchmove Technicians: Will McCoy, Duncan Blackman
ILM VFX Associate Production Managers: Lee Briggs, Winston Ng, Andrea Sorset
ILM VFX Production Coordinators: Alice Kahn, Justin Tatsuo Chan
ILM VFX Production Assistants: Ally Miller, Alene Tan, Jordan Pickett, Alexandra Wayne, Luas Glashoff
ILM Executive Staff: John Knoll, Paul Ryan, Jessica Teach
Atomic Fiction VFX Supervisor: Kevin Baillie
Virtuos VFX Supervisor: Kristian Pedlow
Method VFX Supervisors: Ollie Rankin, Greg Steele
Method VFX Producers: Jinnie Pak, Karey Maltzahn
Method CG Supervisor: Sean Schur
Method Compositing Supervisor: Troy Moore
Method Graphic Design Supervisor: Michael Sausa
Method Lead Graphic Designer: Jane Ro
Method Graphic Design Coordinator: Kathryn Mariani
Method Lead Graphics Animator: Alex Gibbs
Prime Focus VFX Supervisor: Nigel Denton-Howes
Prime Focus VFX Production Supervisor: Mark Van Ee
Prime Focus CG Supervisor: Frederik Sundqvist
Prime Focus VFX Coordinator: Marc Mason
PFW View-D Stereoscopic Supervisor: Ben Murray
PFW Head of Stereo Production: Rohan Desai
PFW View-D Senior Production Manager: Chad Cortvriednt
PFW Associate Stereoscopic Supervisor: Ritesh Ricky Aggarwal
PFI Head of View-D: Merzin Tavaria
PFI View-D Executive Production Manager: Stephen Mascarenhas
PFI View-D Senior Stereoscopic Supervisor: Jimmy Philip
PFI View-D Stereoscopic Supervisor: Swapnil Shellar
PFI Head of Production (View-D): Sharad Tandon
PFI View-D Senior Production Manager: Franklin Mascarenhas
PFI View-D Production Manager: Gufran Khan
PFI View-D Senior 3D Technical Supervisor: Parminder Chadda
KNB Show Supervisors: Greg Nicotero, Carey Jones
Legend3D Stereo VFX Supervisor: Tony Baldridge
Legend3D Conversion Stereographer: Cyrus Jay Gladstone
Legend3D Compositing Supervisor: Anthony Dunifer
Legend3D Show Coordinator: Kristy Chrobak
Legend3D Associate Stereographers: Dan Eues, Jenny Dolan
Legend3D Stereo Coordinators: Jessica Ozbirn, Caprice Paxton
Legend3D 3D Editorial Artist: Tom Driscoll
Legend3D Stereo Technical Director: John Russell
CO3 Executive Producer/Senior Colorist: Stefan Sonnenfeld ASC
Senior DI Manager: Erik Rogers
DI Manager: Brian Murkland
Digital Conform Artist: Matthew W. Johnson
DI Technologist: Mike Chiado
DI Assistant: John Tripp
Dailies Colorist: Shane Harris
Dailies Supervisor: Arthur Tremeau
Head of DI Production: Devin Sterling
DI Account Executive: Jackie Lee
Filming Dates: 28 May 2013 - November 2013, Early 2014 (Add'l Detroit Filming)
Cameras: Arriflex 235, Panaflex XL2, Phantom 65 IMAX & Red Epic Dragon (35mm Kodak Vision3 50D 5203/250D 5207/500T 5219 & 6K Redcode RAW)
Lenses: Panavision C-, E-, G-Series Anamorphic Primes, IMAX 3D Primes & Leica Summilux-C Primes
AR: 1.90:1 (IMAX 3D Version & 3D Blu-Ray: Some Scenes), 2.00:1 (IMAX 3D Version & 3D Blu-Ray: Some Scenes), 2.39:1 (Anamorphic)
Budget: 210 Million USD
Printed on: Kodak Vision 2383
3D Conversion, Visual Effects & Animation by: Industrial Light & Magic, Method Studios, Base FX, Atomic Fiction, Virtuos, FX3X, The Barren Grounds, Tippett Studios, Prime Focus + Legend3D
Models, Miniatures & Special Effects by: 32Ten Studios
Special Makeup Effects Provided by: KNG EFX Group
Digital Intermediate Provided by: Company 3
Attribute: Filmed in Panavision® - DirectorMichael BayStarsJohn KrasinskiPablo SchreiberJames Badge DaleDuring an attack on a U.S. compound in Libya, a security team struggles to make sense out of the chaos.Producer/D-Camera Operator: Michael Bay
Executive Producers: Scott Gardenhour, Matthew Cohan
Cinematographer: Dion Beebe ASC ACS
Production Designer: Jeffrey Beecroft
Film Editors: Pietro Scalia ACE, Michael McCusker ACE, Calvin Wimmer
Costume Designer: Deborah Lynn Scott
Composer: Lorne Balfe
Executive Music Producer: Hans Zimmer
Casting: Denise Chamian CSA
Co-Producer: Michael Kase
Co-Producer/Stunt Coordinator: Kenny Bates
Unit Production Manager: Jasmine Torbati
1st Assistant Director: Simon Warnock
Key 2nd Ass't Director: Nick Shuttleworth
2nd Assistant Director: Charlie Reed
Associate Producer/Military Advisor: Harry Humphries
Supervising Sound Editors: Ethan Van Der Ryn, Erik Aadahl
Sound Re-Recording Mixer: Greg P. Russell
Special Thanks: Doug Brandt
Supervising Art Director: Sebastian Schroeder
Set Decorator: Karen Frick
A-Camera/Steadicam Operator: Roberto De Angelis
B-Camera Operator: Peter Robertson
C-Camera Operator: Damien Beebe
1st Assistant B-Camera: Alan Hall
2nd Assistant A-Camera: Dan Gamble
Film Loader: Ian Jackson
Chief Lighting Technicians: John Buckley, Martin Smith
Ass't Chief Lighting Technician: Gary Owen, Adrian Bartolo
Production SFX Supervisor: Terry Glass
Production SFX Coordinator: Zuzu Milfort
Chief SFX Technician: Terry Flowers
SFX Pyrotechnics Technicians: Jaime Murrell, R. Bruce Steinheimer
Post-Production Assistant: Ryan W. Jackson
In-House VFX Compositor: Jerry Steele
Lead Set Designer: Robert Cox
Picture Vehicles Supervisor: Ian Clarke
Workshop Supervisor: Richard Marshall
Floor Supervisor: Michael Davie
Electronic Music Programmer: Clay Duncan
Aerial Unit Helicopter Pilot: Fred North
Aerial Unit Consultant: David B. Nowell ASC
Aerial Unit DoP: Steven Desbrow
Aerial Unit Add'l DoP: Hans Bjerno ASC
Aerial Unit Camera Operator: Davide Tiraboschi
Morocco Unit Line Producer: Jimmy Abounouom
Morocco Unit Production Manager: Sana El Kilali
Morocco Unit Production Supervisor: Rebecca Deelo
Morocco Unit Art Directors: Marco Trentini, Aziz Bermaine
Morocco Unit Chief Lighting Technician: Driss Marzak
Morocco Unit SFX Coordinator: Ali Aquermim
Morocco Unit Action Vehicle Coordinator: Khalid Smour
ILM Senior VFX Supervisor: Scott Farrar ASC
ILM VFX Executive Producer: Wayne Billheimer
ILM Co-VFX Supervisor: Dan Seddon
ILM Digital Compositing Supervisor: Paolo Acri
ILM VFX Editor: Lorelei David
ILM VFX Associate Producer: Brian Barlettani
ILM Singapore VFX Producer: Georgie Uppington
ILM VFX Concept Artist: Lubo Hristov
CO3 Finishing Supervisor/Senior Colorist: Stefan Sonnenfeld ASC
DI Senior Supervisor: Erik Rogers
Digital Conform Artist: Matthew W. Johnson
DI Technologist: Mike Chiado
DI Assistant: John Tripp
Head of Finishing Production: Andy Kaplan
Finishing Account Executive: Jackie Lee
Filming Dates: 26 April 2015 - 12 July 2015
Cameras: Arriflex 235, 435 & Red Epic Dragon (35mm Kodak Vision3 50D 5203/250D 5207/500T 5219 & 6K Redcode RAW)
Lenses: Panavision Primo Anamorphic 11:1 Zoom, E-, G-Series Anamorphic Primes, Anamorphic Telephoto Zoom, Anamorphic Wide-Angle 2:1 Zoom & Vantage One Spherical Primes
AR: 2.39:1 (Anamorphic)(Super 35mm: Some Shots)
Budget: 50 Million USD
Printed on: Kodak Vision 2383
Score Recorded at: Lyndhurst Hall, Air Studios, London
Score Mixed at: Remote Control Productions
Digital Intermediate Finishing Provided by: Company 3
Visual Effects & Animation Provided By: Industrial Light & Magic
Additional Visual Effects Provided by: Base FX
Attribute: Filmed in Panavision (as Cameras and Lenses) - DirectorMichael BayStarsMark WahlbergAnthony HopkinsJosh DuhamelA deadly threat from Earth's history reappears and a hunt for a lost artifact takes place between Autobots and Decepticons, while Optimus Prime encounters his creator in space.Executive Producer: Michael Bay
Co-Writer: Ken Nolan
Story Writer: Akiva Goldsman
Producer: Lorenzo Di Bonaventura
Producers: Tom DeSanto, Don Murphy
Producer: Ian Bryce
Executive Producer: Steven Spielberg
Executive Producers: Brian Goldner, Mark Vahradian
Cinematographer: Jonathan Sela ASC
Production Designer: Jeffrey Beecroft
Film Editors: Mark Sanger ACE, John Refoua ACE, Debra Neil-Fisher ACE, Roger Barton ACE, Adam Gerstel, Calvin Wimmer
Composer: Steve Jablonsky
Prod. Visual Effects Supervisor: Scott Farrar ASC
Costume Designer: Lisa Nora Lovaas
Casting Director: Denise Chamian CSA
Unit Production Manager: Samson Mucke
Key First AD/Co-Producer: K.C. Hodenfield
First Assistant Director: Jeff Okabayashi
Second Assistant Director: Jason Roberts
Co-Producers: Matthew Cohan, Michael Kase
AP/Supervising Location Manager: Jonathan "JJ" Hook
Associate Producer/Prod Supervisor: Daren Hicks
Assoc Prod/Technical Advisor: Harry Humphries
ILM Executive Producer: Wayne Billheimer
ILM Sr. Visual Effects Supervisor: Jason Smith
ILM Sr. Animation Supervisors: Paul Kavanagh, Rick O'Connor
Additional Film Editor: Julie Monroe ACE
Stunt Coordinator / Second Unit Director: Mike Gunther
Second Unit Director: Spiro Razatos
Prod. Special Effects Supervisor: John R. Frazier
Battle Unit Coordinator / Splinter Unit Director: Rob Inch
Autobot / Decepticon Drivers: Corey Eubanks, Mike Johnson, Kyle Woods, Sil Lewis, Spencer Sand, Randy Peters, Joey Freitas, Scott Philbrick, Webster P. Whinery Jr
Pursuit Systems Driver: Michael Majesky
Go-Cart Stunt Drivers: Kenny Bates, Tom Erickson
Aerial Unit DoP: David B. Nowell ASC
Aerial Unit Coordinator/Pilot: Fred North
Drone Unit DoP: Michael FitzMaurice
Supervising Art Director: Tom Reta
Set Decorators: Karen Frick, Richard Roberts
Senior Art Director: Sebastian Schroeder
Art Director: David E. Scott
A/Steadicam Operator: Jacques Jouffret SOC
B Camera Operator: Lukasz Bielan SOC
C Cam Operators: Richard Coy Aune, Nikhil Paniz
Pursuit Camera Operator: Brooks P. Guyer
A First Assistant Photographer: Jimmy Jensen
3D Live-Action Stereographer: Matthew Blute
3D Add'l Live-Action Stereographer: Don Presley
3D Engineer/Pablo Artist: Rafiel Chait
3D IMAX Technician: Jaime Alac
3D Technician: Nigel Nally
3D Camera Utility: Grace Thomas
Supervising Sound Editors/Designers: Ethan Van Der Ryn, Erik Aadahl
Sound Re-Recording Mixer: Greg P. Russell, Gary Summers, Jeffrey J. Habdush
Product Placement Coordinator: David Leener
Chief Lighting Technician: John Buckley
Assistant Chief Lighting Technician: Chris Warren
Prod Special Effects Coordinator: Jim Schwalm
Special Effects Office Coordinator: Cynthia Braga
Prod Special Effects Purchaser: Jamie Waxman
Previsualization Supervisors: Steven Yamamoto, Mike Makara
Previsualization Coordinator: Jill Ambrosino
Previsualization Artists: Huan Phan, Rocky Curby
Robot Consultants: Furio Tedeschi, Al Kozhanov
Lead Vehicle Designer: Mark Yang
Second Unit DoP: Peter Lyons Collister ASC
Second Unit First Assist Director: Steve Battaglia
Michigan Unit Art Directors: Mark Walters, Geoff Grimsman
Michigan Unit Set Designers: Erick Donaldson, Justin N. Lang
UK Unit Production Manager: Donald Sabourin
UK Unit Supervising Art Director: Jason Knox-Johnston
UK Unit Art Directors: Tom Still, Anthony Caron Delion
UK Unit A Camera Operator: Oliver Loncraine
UK Unit A First AP: Julian Bucknall ACO
UK Unit 3D Trainee: Tom Gamble
UK Unit Chief Lighting Technician: Martin Smith
UK Unit Asst Gaffers: Lee Eldred, Gary Owen
UK Second Unit Gaffer / CLT: Greg Thomas
UK Unit Special Effects Supervisor: Terry Glass
UK Unit Special Effects Floor Supervisor: Terry Flowers
UK Unit Special Effects Lead W/Shop Supervisor: David Payne
UK Unit Special Effects Lead Sr Technician: Peter Haran
UK Unit Special Effects Sr Technician / Designer: Wes Moore
UK Unit Special Effects Prep Supervisor: Tony Auger
UK Unit SFX Office Coordinator: Zuzu Milfort
UK Unit Supervising Location Manager: Chris Moore
UK Unit Standby Art Director: Ben Munro
UK Unit Picture Car Coordinator: Ian Clarke
UK Unit Stunt Coordinator: Nicholas McKinless
UK Unit Ass't Stunt Coordinator: Stuart Clark
UK Unit Swordmaster: CC Smiff
UK Unit Stunt Rehearsal Supervisor: Florian Robin
Associate Film Editor: Joe Galdo
Apprentice Film Editor: Ryan W. Jackson
3D Production Coordinator: Chance Tanner
3D Ass't Coordinators: Elden Avila, Erica Aloia
3D Editor: Latham Robertson
3D Ass't Editor: Matt Evans, Michael Rostker
3D Compositors: Lucas De Le Torre, Michael Pugh
3D Pablo Artist: Seth Gallagher
3D Data Manager: Matt Brooks
In-House VFX Compositors: Jerry Steele, John Weckworth
MPC VFX Associate: Pat Sandston
Supervising Score Orchestrator: Bruce Fowler
ILM Senior VFX Producer: Ryan Wiederkehr
ILM VFX Supervisors: Jeff Capogreco, Julian Foddy, Dave Fogler
ILM Animation Supervisors: Scott Benza, Mathew Cowie, Chris Lentz, Jance Rubinchik
ILM CG Supervisors: Christoph Ammann, Tim Belsher, Jeremy Bloch, Timothy Brakensiek, Dominic Drane, Doug Smythe
ILM Digital Compositing Supervisors: Paolo Acri, Jason Porter, Scott Pritchard, Shervin Shoghian
ILM VFX Art Directors: Ryan Church, Thang Le
ILM Supervising Digital Artist: Kevin Barnhill
ILM VFX Editor: Lorelei David
ILM VFX Producers: Brian Barlettani, Sophie Cullen, Cabral Rock
ILM VFX Associate Producer: Christopher Bannister
ILM VFX Production Managers: Maggie Leung, Rachel Reed, Lucy Tanner, Yimi Tong
ILM Lead Animator: Shawn Kelly
ILM Lead Digital Artist: Raul Essig
ILM VFX Location Coordinator: Joe Statham
ILM VFX Location Matchmove Technicians: Will McCoy, Duncan Blackman
ILM VFX Associate Production Managers: Nicole Matteson, Brooke Meacham
ILM Production Support & Technology: Nicolas Anastassiou
ILM Executive Staff: Sue Lyster, Randal Shore, Jessica Teach
Atomic Fiction Executive VFX Producer: Marc Sadeghi
MPC VFX Supervisor Sheldon Stopsack
MPC Senior VFX Producer: Philip Greenlow
MPC VFX Producer Christoph Roth
MPC 2D Supervisor: Suzanne Jandu
MPC CG Supervisor: Leah Beevers
MPC Animation Supervisor: Peta Bayley
MPC Asset Supervisor: Lisa Gonzalez
MPC Stereo Supervisor: Holly Aldersley
MPC Senior VFX Production Manager: Ben Harrison
MPC VFX Assets Producer: Katherine Smith
MPC VFX Production Assistant: Keta Wilson
MPC VFX Production Manager: Carlos Ciudad
PFW Head of Production: Rohan Desai
PFW Global Stereo Supervisors: Ritesh Ricky Aggarwal, Jimmy Philip
PFW India Stereo Show Supervisor: Dhiraj Sukheja
CO3 EP/Senior Colorist: Stefan Sonnenfeld ASC
Finishing Prods: Erik Rogers, Christina Guzman
Company 3 Finishing Editor: Matthew Johnson
Company 3 3D Convergence Artist: Jared Pecht
Company 3 Color Assistant: John Tripp
CO3 Head of Color Production: Larry McQuaide
EC3 Dailies Colorist: Matt Wallach
Score Conductor: Nick Glennie-Smith
Filming Dates: 25 May 2016 - 4 December 2016
Capture Format: IMAX Digital 3D, S16mm Hawk Anamorphic & Panavision Anamorphic
Cameras: Alexa 65 IMAX 3D, Arriflex 416 Plus, Red Epic Dragon, Helium Bayhem, Weapon Dragon & Weapon Helium (16mm Kodak Vision3 500T 7219, 6.5K ARRIRAW & 6K/8K Redcode RAW)
Lenses: Panavision® Primo Anamorphic 11:1 Zooms, C-, E-, G-Series Anamorphic Primes, Hawk65 Anamorphic Primes, V-Lite16 1.3x Anamorphic Primes, Arri Prime 65, Vantage One Spherical Primes & Leitz Summilux-C Primes
AR: 1.90:1 (Most Scenes), 2.00:1 (Most Scenes), 2.28:1 (Letterboxed: Some Shots), 2.39:1 (Letterboxed: One Shot)
Budget: 217-260 Million USD
Visual Effects & Animation by: Industrial Light & Magic, MPC, Atomic Fiction, Scanline VFX, Base FX, Virtuos, Raynault VFX, Bot VFX + FX3X
3D Conversion Provided by: Prime Focus World
Digital Intermediate Provided by: Company 3
Captured With: Alexa IMAX Cameras
Attribute: Filmed in Panavision® - DirectorMichael BayStarsRyan ReynoldsMélanie LaurentManuel Garcia-RulfoSix individuals from all around the globe, each the very best at what they do, have been chosen not only for their skill, but for a unique desire to delete their pasts to change the future.Producer/C-Camera Operator: Michael Bay
Writers/Executive Producers: Rhett Reese, Paul Wernick
Producer: Ian Bryce
Executive Producer: Matthew Cohan
Executive Producer/Unit Production Manager: Garrett Grant
Cinematographer: Bojan Bazelli ASC
Production Designer: Jeffrey Beecroft
Film Editors: Roger Barton ACE, William Goldenberg ACE, Calvin Wimmer
Costume Designer: Jany Temime
Composer/Score Producer: Lorne Balfe
Music Supervisors: Dave Jordan, Trygge Toven
Production VFX Supervisor: Richard Hoover
Casting: Denise Chamian CSA
1st Assistant Director: Michael Saunders
Co-Producer: Michael Kase
Co-Producer/Consulting Location Manager: Jonathan JJ Hook
Co-Producer/Production Executive: Marco Valerio Pugini
Stunt Coordinators/2nd Unit Directors: Gregg Smrz, Kenny Bates
Fight Coordinator: Andy Cheng
Associate Producer: Katie Halott
Supervising Art Directors: Sebastian Schroeder, Tamara Marini
Set Decorator: Bille Azis
Art Director: Anshuman Prasad
A-Camera/Steadicam Operator: Roberto De Angelis
B-Camera Operator: Lukasz Bielan SOC
Aerial Unit DoP: David B. Nowell ASC
Aerial Unit Add'l DoP: Hans Bjerno ASC
Underwater Unit DoP: Pete Romano ASC
Supervising Sound Editors/Sound Designers: Ethan Van DER Ryn, Erik Aadahl
Sound Re-Recording Mixer: Kevin O'Connell
Product Placement Coordinator: David Leener
Gaffer: Martin Smith
Production SFX Supervisor: Terry Glass
SFX Floor Supervisor: Terry Flowers
Previsualization Supervisor: Barry Howell
Previsualization Coordinator: Lauren Zimmer
Senior Concept Illustrator: Thomas Pringle
Supervising Graphic Designer: R. Scott Purcell
Transportation/Picture Car Coordinator: Joey Freitas
Picture Car Supervisor: Ian Clarke
Splinter Unit DoP: John Gamble ACO
Splinter Unit 1st Ass't Camera: Harry Gamble
Italy Unit 1st Ass't Director: KC Hodenfield
Italy Unit Senior Art Director: Saverio Sammali
Italy Unit Gaffer: Daniele Verdenelli
Italy Unit SFX Supervisor: Daniel Acon
Italy Unit SFX Office Coordinator: Antongiulio Dell'Orco
Italy Unit SFX Consultant: Richard Helmer
Italy Unit Picture Car Coordinator: Matteo Gottardis
Budapest Unit Co-Producers: Ildiko Kemeny, David Minkowski
Budapest Unit Art Director: Geza Kerti
Budapest Unit Gaffer: Atilla Bilik
Budapest Unit SFX Supervisor: Gábor Kiszelly
Abu Dhabi Unit 1st Ass't Director: Mark Cotane
Abu Dhabi Unit Set Decorator: Rob Cameron
Abu Dhabi Unit SFX Supervisor: Mark Roberts
Abu Dhabi Unit SFX Consultant: Rory Inker
Production VFX Producer: Pat Sandston
VFX Studio Executive: Jennifer Silver
In-House VFX Artists: Jerry Steele, Nick Reynolds
ILM VFX Supervisor: Jason Snell
ILM Animation Supervisors: Scott Benza, Zaini Mohamed Jalani, Cedric Lo
ILM VFX Producers: Lee Briggs, Laurence Berkani
ILM Executive VFX Producer: Luke O'Byrne
ILM Add'l VFX Supervisors: John Knoll, Paolo Acri
ILM CG Supervisor: Barry Kane
ILM Compositing Supervisor: Walter Gilbert
ILM VFX Associate Producer: Alé Melendez
ILM VFX Production Managers: Keith Anthony-Brown, Claudia Li
ILM VFX Editor: Sam Willing
ILM Senior Creature TD: Natapon Huangsakuncharoen
ILM Digital Resource Manager: Betty Shaw
ILM Executive VFX Producer: Randal Shore
ILM External Ass't Technical Director: Rick Yang
Raynault VFX Producer: Jacinthe Côté
Raynault VFX Line Producer: Catherine Gaucher
Raynault VFX Compositing Supervisor: Vincent Poitras
Raynault VFX Pipeline TD: Simon Ouellet
Raynault VFX Art Director: Mathieu Raynault
Scanline Munich VFX Supervisor: Jan Krupp
Scanline Munich CG Supervisors: Omid Arzhang, Sylvain Theroux
Scanline Munich Matchmove Supervisor: Ando Avila
Scanline Munich 3D Generalist: André Cabaco
Scanline Munich Compositing Supervisors: Sean Heuston, Franz Schiller
Scanline Munich FX Supervisor: Ivo Klaus
Scanline Munich Animation Supervisor: Christian Kratzert
Scanline VFX Munich Production Manager: Mei Lee Lim
Scanline Munich Add'l VFX Supervisor: Martin Lipmann
Scanline Munich VFX Coordinators: Stefanie Ramsdale, Amelie Thomas
Scanline Munich VFX Art Director: Yanick Dusseault
Scanline Munich Head of Production: Antoine Marbach
Scanline VFX Munich VFX Executive Producer: Michel Mielke
Scanline VFX Munich Matte Painting Supervisor: Benjamin Ross
Scanline VFX LA VFX Executive Producer: Jasmin Hasel
Scanline VFX LA Pipeline TD: Colin McGuire
Base FX VFX Producer: Aaron Cowan
Base FX Animation Supervisor: Richard Oey
Base FX VFX Production Coordinators: Audrey Sook Yan Chan, Eugene Ting
Base FX Supervisor: Mitul Patel
Base FX Pipeline Technical Directors: Eunice Chen, Pavithira Raj Pardiban
Base FX Bidding Producer: Tolly Swallow
Stereo D VFX Coordinator: Samira Khan
Stereo D Production Coordinator: Trent Newton
Stereo D Technical Director: Shane Saravia
Deluxe Stereo D Production Coordinator: Aidan Waugh
Deluxe Production Coordinator: Kisholay Ray
Virtuos Lighting Director: Kristian Pedlow
BOT VFX Associate Producer: Rajesh Babu
Hula Hoop VFX Producer: Priyanka Balasubramanian
3rd Floor VP of Visualization: Dane Allan Smith
CO3 Executive Producer/Senior Finishing Colorist: Stefan Sonnenfeld ASC
DI Finishing Producer: Moises Cruz
DI Finishing Editor: Matthew Johnson
DI Add'l Finishing Colorist: Bryan Smaller
CO3 VP of Global Long Form Production: Nick Monton
CO3 Head of Finishing Production: Erik Rogers
Filming Dates: 30 July 2018 - 5 December 2018
Cameras: Arriflex 35-IIC, Phantom Flex4K, Red Komodo Bayhem, Monstro, Raven, Weapon Helium Bayhem & Sony CineAlta Venice (35mm Kodak Vision3 500T 5219, 4K Phantom RAW, 6K AXS-R7 & 4.5K/6K/8K Redcode RAW)
Lenses: Panavision Primo Anamorphic Primes, T-Series Anamorphic Primes & Vantage One Bayhem Spherical Primes
AR: 2.39:1 (Anamorphic)(Super 35mm: Bayhem Unit)
Budget: 150 Million USD
Partially Shot on: Kodak 35mm Film
Main Visual Effects & Animation Provided By: Industrial Light & Magic
Additional Visual Effects Provided by: Raynault VFX, Scanline Munich, Base FX, Stereo D, Virtuos & Yannix
Digital Intermediate Finishing Provided By: Company 3
Attribute: Filmed in Panavision - DirectorMichael BayStarsJake GyllenhaalYahya Abdul-Mateen IIEiza GonzálezTwo robbers steal an ambulance after their heist goes awry.Producers: Michael Bay, Ian Bryce, Will Sherak, James Vanderbilt
Screenwriter: Chris Fedak
Executive Producer: Laeta Kalogridis
Exec Producers/UPMs: Michael Kase, Mark Moran
Cinematographer: Roberto De Angelis
Production Designer: Karen Frick
Film Editors: Pietro Scalia ACE, Calvin Wimmer, Doug Brandt
Costume Designer: Lisa Lovaas
Composer (Original Score) & Score Producer: Lorne Balfe
Composer (Add'l Music) & Lead Orchestrator: Adam Price
Casting: Denise Chamian CSA, Liz Ludwitzke
Visual Consultant: Jeffrey Beecroft
1st Assistant Director: Steve Battaglia
Key 2nd Assistant Director: Alison Troy
Production VFX Supervisor: Robert Legato ASC
Supervising Stunt Coordinator/2nd Unit Director: Mike Gunther
Production Supervisor: Donald Reynolds
"A" Camera Operator & 2nd Unit DoP: Brooks P. Guyer
"A" 1st Assistant Camera: Brad Peterman
"B" 1st Assistant Camera: John Holmes
"A" 2nd Assistant Camera: Chris Sloan
"B" 2nd Assistant Camera: Mark Connelly
Add'l Camera Operator: Jay Sheveck
Aerial Unit DoP: David B. Nowell ASC
Aerial Unit Coordinator/Helo Pilot: Fred North
Aerial Unit LAPD Helo Pilots: Ben Skorstad, Cliff Fleming
Aerial Unit Camera Technician: Peter Graf
Aerial Unit Ground Coordinator: Garret Dalton
Aerial Unit Add'l DoP: Davis Clark DiLillo
Drone Unit Coordinator: Davis Dilillo
Drone Unit Pilots: Drew Roberts, Colin Burgess
FPV Drone Pilots (Drone Unit): Jordan Temkin, Alex Vanover
Drone Unit "A" Camera Operator: Brian Wulf
Drone Unit "B" Camera Operator: Kyle Bullington
E² Sound Designers: Ethan Van Der Ryn, Erik Aadahl MPSE
Gaffer: Michael Ambrose
Chief Lighting Tech: Charlie Schneider
Rigging Gaffer: Luis Moreno
Supervising Prop Master: Drew Petrotta
Production SFX Supervisor: Eric Frazier
SFX On-Set Coordinator: Craig Tex Barnett
Special Effects Set Foreman: Lucas Wimer
Special Effects Set Tech: Matt Paullin
Lead Pyrotech (SFX Department): David Barer
Production SFX Gang Boss: Eric Smith
SFX Shop Coordinator: Armando Gonzalez
Production SFX Laborer: Jamie Galindo
Special Effects Office Coordinator: Cynthia Braga
Supervising Location Manager: Rob Gibson
Assistant Location Manager: Sean Martinez
Location Dept. Coordinator: Jeanie Farnam
2nd 2nd Ass't Directors: Nadeem Ashayer, Brad Pero
LAPD Adviser: Jamie McBride
Paramedic Adviser: Dannie Wurts
Technical Adviser: Mario Cortez
KNB EFX Special Makeup FX Designer: Howard Berger
Production Coordinator: Michyl Shannon-Quilty
Supervising Art Director: Jace Ford
Set Designers: Ernest Avila, Sam Page
Graphic Designers: Scott Purcell, Nate Carlson
Set Decorators: Jeno Delli Colli, Lucila Caro
Transport & Pic Car Coordinator: Joey Freitas
Associate Producer: David B. Leener
Health Safety Supervisor: Jason Mendez
Post-Production Supervisor: Stephanie Ito
Post-Production Coordinator: Stephanie Coats
Production CG Supervisor: Rick Lupton
Add'l Film Editors: Paul Rubell ACE, Ben Snyder
1st Assistant Editor: Edward Albolote
Associate Film Editor: Kevin Hickman
Editorial PA: Hayley Stablow
Production VFX Data Wrangler: Michael Legato
Sound Designers: John Marquis, Adam Kopald
Dialogue/ADR Supervisor: Joel Erickson
Add'l ADR Supervisor: David Bach
Supervising Foley Editor: Jonathan Klein
In House VFX Supervisors: Nick Reynolds, Jerry Steele
DNEG Co-Head of Prod: Griboshin Chandran
DNEG Executive VFX Producer: Corey Turner
DNEG VFX Supervisors: Serk Zelzele, Rif Dagher
DNEG CG Supervisors: Jean-Paul Rovela, Amjad Ahmed Shaikh
DNEG Sr Comp Supervisor: Carlos Sepulveda
DNEG Comp Supervisor: Anand Madishetty
DNEG VFX Producers: Alizee Plourde, Ketan Y. Karekar
DNEG Prod Managers: Graham Tailleur, Sameep Choudhari
DNEG Dept. Prod. Coordinator: Zainab Khan
DNEG Production Assistant: Antoine Vigneault
DNEG HOD Layout Lead: Huck Hur
DNEG Layout Artist/Animator: David Villenueve
DNEG Animation Lead: Deepak Chudasama
DNEG Animation Supervisor: Stanley Selvamani
DNEG Camera Track Lead: Nikhil Patel
OPSIS Executive VFX Producer: Henrik Fett
OPSIS VFX Producer: Lena Bahrs
OPSIS Head of Production: Mike G. Jackson
OPSIS Supervising VFX Producer: Dan Levitan
OPSIS Co-VFX Supervisor: Justin Jones
OPSIS Production Manager: Tim Weber
OPSIS VFX Editor: William Appleby
Digital VFX Supervisor (Legion): James Hattin
CG Supervisor (Legion): Rommel S. Calderon
Score Conductor: Gavin Greenaway
CO3 Exec Prod/Colorist: Stefan Sonnenfeld ASC
CO3 Finishing Prods: Erik Rogers, Ricky Ramirez
CO3 Senior Finishing Editor: Matthew Johnson
CO3 Image Scientist: John Quartel
CO3 Finishing Technologist: Michael Chiado
CO3 Additional Finishing Colorist: Tyler Roth
CO3 Color Finishing Assistant: John Tripp
CO3 Finishing Executive: Jackie Lee
CO3 Head of Production: Laura Geucherian
CO3 Dailies Colorist: Shane O'Connor
CO3 Dailies Operator: Jack Tashdjian
CO3 Dailies Producer: Matt Riera
CO3 Dailies W/Flow Supervisor: Jon Mendenhall
CO3 Dailies Manager: Leeza Diott
Main Titles Designer: Matt Curtis
Editorial Consultant: Roger Barton ACE
Filming Dates: January 2021 - March 18, 2021
Cameras: Red Komodo Bayhem, Weapon Helium Bayhem & Weapon Helium (6K & 8K Redcode RAW)
Lenses: Panavision E180mm AL Prime, T-Series AL Primes & Vantage One Bayhem SL Primes
AR: 2.39:1 (Anamorphic)(S35mm: Bayhem Unit & FPV Shots)
Budget: 40 Million USD
Sound Editorial Provided by: E²
Special Makeup Effects Created by: KNG EFX Group
VFX Effects Provided by: Double Negative, OPSIS + Legion
Score Recorded & Mixed at: Abbey Road Studios
Color Finish Provided by: Company 3
Attribute: Filmed in Panavision