The Works of Director Ben Affleck
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- DirectorBen AffleckStarsMorgan FreemanEd HarrisCasey AffleckTwo Boston area detectives investigate a little girl's kidnapping, which ultimately turns into a crisis both professionally and personally.Composer/Conductor: Harry Gregson-Williams
Cinematographer: John Toll ASC
Film Editor: William Goldenberg ACE
Production Designer: Sharon Seymour
Costume Designer: Alix Friedberg
SFX Coordinator: Conrad Brink Jr
DI Colorists: Chad Buehler, Skip Kimball
VFX Supervisor: Henrik Fett
Stunt Coordinator: Cort Hessler
A-Camera Operator: P. Scott Sakamoto
B-Camera Operator/2nd Unit DP: Mike Thomas
Aeriel DP: Brian Heller
1st Assistant A-Camera: Patrick McArdle
Additional Film Editor: Michael Tronick ACE
Music Arranger/Additional Composer: David Buckley
Orchestra Contractors: Sandy DeCrescant, Peter Rotter
Music Supervisor: Nic Harcourt
Unit Production Manager: David Crockett
Filming Dates: 19 May 2006 - 6 August 2006
Cameras: Panaflex XL & Platinum (35mm Kodak Vision 500T 5279)
Lenses: Panavision Primo Spherical Primes
AR: 1.85:1 (Spherical)
Budget: 19 Million USD
Budget AFI (2021): 23.9 Million USD
Attribute: Filmed with Panavision Cameras and Lenses - DirectorBen AffleckStarsBen AffleckRebecca HallJon HammA proficient group of thieves rob a bank and hold an assistant manager hostage. Things begin to get complicated when one of the crew members falls in love with her.Screenwriters: Ben Affleck, Peter Craig, Aaron Stockard
Producer: Graham King
Exec Producers: Thomas Tull, Jon Jashni
Executive Producer / Unit Production Manager: David Crockett
Director of Photography: Robert Elswit ASC
Director of Photography, Additional Photography: Oliver Wood
Production Designer: Sharon Seymour
Film Editor / Second Unit Director: Dylan Tichenor ACE
Co-Producer: Chay Carter
Composers: Harry Gregson-Williams, David Buckley
Costume Designer: Susan Matheson
First Assistant Director: Donald Murphy
Second Assistant Director: Peter Dress
Stunt Coordinator: Gary Hymes
Additional Film Editor: Christopher Rouse ACE
Second Unit Director / Director of Photography: Alexander Witt ASC
Production Supervisor: Jeff Valeri
Art Director: Peter Borck
Set Decorator: Maggie Martin
"A" Camera & Steadicam Operator: Colin Anderson SOC
"A" Camera Operator: Joe Chess
"A" Camera First Assistant: Barry Baz Idione ASC
"A" Camera Second Assistant: Tim Sweeney
Key "B" Camera First Assistant: Patrick Geraghty
"B" Camera First Assistant: Erik L. Brown
"B" Camera Second Assistant: Christian Hollyer
"C" Camera Operator: Patrick Quinn
Panaflex Camera Loader: Josh Friz
Chief Lighting Technician: Andrew Day
Assist Lighting Technician: Ralph FS Crowley
Rigging Chief Lighting Technician: Charles Grubbs
Rigging Assistant Lighting Technician: Roger Benjamin Marbury
"B" Dolly Grip: Tom Doran
Supervising Property Master: Douglas Fox
First Assistant Property Master: Chris Fox
Second Property Assistant: Michelle Sherwood
Production Special Effects Supervisor: Allen Hall
Production Special Effects Foreman: Robert Williams
Special Effects Lead Pyro Technician: John Ruggieri
Special Effects Shop Foreman: Johnny Franco III
Special Effects On Set Foreman: Andrew Weder
Post Production Supervisor: Tina Anderson
Second Additional Film Editor: Gillian Hutshing
First Assistant Editor: Chris Patterson
Second Assistant Editor: Kate Hickey
Supervising Location Manager & Additional First Assistant Editor: Mark Fitzgerald
Re-Recording Mixers: Steve Maslow, Gregg Landaker
Production Office Coordinator: Nicki Johnson
Picture Car Coordinator: Ted D. Moser
Aerial Unit Helicopter Pilot: Mike Peavey
Set Designer: George D. Lee
Art Department Coordinator: Denis Leining
FBI Consultant: Thomas B. Devlin
Second Second Assistant Director: Meagan McLaughlin
Additional Second Assistant Director: Mollie Stallman
Company 3 DI Colorist: Stephen Nakamura
Company 3 DI Producer: Nick Monton
Company 3 DI Editor: Sal Catanzaro
Company 3 Executive Producer: Stefan Sonnenfeld ASC
Production Visual Effects Executive: Anne Putnam
Additional Visual Effects Supervisor: Mohummed Yusef
Digital Film Scanner: Kevin Del Colle
Digital Film Scanner & Shot Wrangler: Sean Philip Rowe
Hydraulx Visual Effects Supervisor: Jeremiah Sweeney
Hydraulx Visual Effects Project Supervisor: Casey Allen
Hydraulx Visual Effects Executive Producer: Guy Botham
Hydraulx Visual Effects Producer: Ryan Zuttermeister
Hydraulx Visual Effects Coordinators: Max Leonard, Miles Friedman
Hydraulx R&D Supervisor: Jason Gandhi
Hydraulx 3D Department Head: Joshua Singer
Hydraulx Matte Painters: Holli Alvarado, Robert Olsson
Hydraulx Inferno Lead/Digital Flame Compositor: Brian Nugent
Hydraulx Digital Flame Compositor: Brian Conlon
Hydraulx Flame Compositors: Cliff Welsh, Richard Hirst, David Levine, Trent Claus
Hydraulx Flame Artist: Spencer Armajo
Zero VFX On Set Visual Effects Producer: Brian Drewes
Zero VFX Plate Supervisor: Sean Devereaux
Invisible Effects Visual Effects Supervisor: Dick Edwards
Pixomondo Matchmove Artist: Zhou Yan
Production Telecine Colorist: Sam Daly
Score Coordinator: Gretchen O'Neal
Music Consultant: Margaret Yen
Music Contractor: Peter Rotter
Second Unit First Assistant Director: David Sardi
Second Unit Second Assistant Director: Andrew M. Ward
Second Unit Production Supervisor: Molly Allen
Second Unit "A" Camera Operator: Ken Fisher
Second Unit "B" Camera Operator: Ronald Hersey
Second Unit Aerial Director of Photography: Brian Heller
Second Unit Chief Lighting Technician: Mike Moyer
Cameras: Arriflex 235, 435 ES, Panaflex XL2 & Platinum (35mm Kodak Vision3 500T 5219)
Lenses: Panavision Primo SL Primes & Primo Compact (19-90mm) Zoom
AR: 2.39:1 (4-Perf Super 35mm)
Budget: 37 Million USD
Budget AFI (2021): 44.3 Million USD
Printed on: Kodak Vision 2383
Digital Intermediate Provided by: Company 3
Visual Effects by: Hydraulx, Zero VFX & Invisible Effects
Shot on: Kodak Motion Picture Film
Attribute: Filmed in Panavision - DirectorBen AffleckStarsBen AffleckBryan CranstonJohn GoodmanActing under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1979.Composer/Conductor: Alexandre Desplat
Orchestrator: Conrad Pope
Cinematographer: Rodrigo Prieto ASC AMC
Film Editor: William Goldenberg ACE
Production Designer: Sharon Seymour
Costume Designer: Jacqueline West
Assistant Director (Add. Photography): Stephanie Till Coscina
2nd Unit Director: Alfonso Gomez-Rejon
SFX Supervisor: R. Bruce Steinheimer
SFX Technician: Garth Steinheimer
Additional VFX Supervisor: Gregory L. McMurry ASC
Stunt Coordinators: JJ Perry, Gary Hymes
Turkey Unit Stunt Coordinator: Mark Henson
Assistant Chief Lighting Technician: Russell Ayer
1st Assistant A-Camera: Zoran Veselic
1st Assistant B-Camera (Add. Photography): Tony Rivetti
2nd Assistant A-Camera: Craig Bauer
UU B-Camera/Steadicam Operator: Colin Anderson SOC
2nd Unit DPs: Robby Baumgartner, John Grillo
Washington DC 2nd Unit DP: Patrick Capone
2nd Unit Aeriel DP: David B. Nowell ASC
2nd Unit B-Camera Operator: Simon Jayes
Turkey Unit C-Camera Operator: Gilberto Lecluyse
B-Camera Operator (Add. Photography): Gonzalo Amat
Senior DI Colorist: Yvan Lucas
DI Colorist: Tom Reiser
Additional Film Editor: Brett M. Reed
Score Mixer/Recordist: Dennis S. Sands
Music Contractor: Peter Rotter
Filming Dates: 2 September 2011 - 20 November 2011
Cameras: Alexa Plus, Arricam LT, ST, Arriflex 235, 35 BL4, 435, Bolex H16 REX-5 & Canon 1014 AZ (Film/Digital Hybrid)
Negative Format: 8mm [Kodak Ektachrome 100D 5285/Vision3 500T 5219]; 16mm [Kodak Vision3 250D 7207/500T 7219]; 35mm [Kodak Vision2 500T 5260/Vision3 250D 5207/500T 5219]
Lenses: Hawk V-Lite Anamorphic Primes, V-Plus Anamorphic Primes, V-Series Anamorphic Primes, Zeiss Super Speed Primes, Ultra Primes, Kern-Paillard Switar Primes & Angenieux Optimo Zooms
AR: 2.39:1 (Anamorphic)(2.8K ARRIRAW, 2-Perf Techniscope & 4-Perf Super 35mm: Some Scenes)(Super 8mm & 16mm: Some Shots)
Budget: 44.5 Million USD
Printed on: Fuji Eterna
Attribute: Camera Equipment Provided by Vantage Film - DirectorBen AffleckStarsBen AffleckElle FanningBrendan GleesonA group of Boston-bred gangsters set up shop in balmy Florida during the Prohibition era, facing off against the competition and the Ku Klux Klan.Screenplay Writer / Producer: Ben Affleck
Producers: Leonardo DiCaprio, Jennifer Davidson, Jennifer Todd
Executive Producer / Unit Production Manager: Chris Brigham
Executive Producers: Dennis Lehane, Chay Carter
Director of Photography/A Operator: Robert Richardson ASC ACK
Director of Photography, Second Unit: Charlotte Bruus Christensen ASC
Director of Photography, Visual Effects: James Dornoff
Production Designer: Jess Gonchor
Film Editor: William Goldenberg ACE
Costume Designer: Jacqueline West
Composer: Harry Gregson-Williams
Additional Film Editor: Brett M. Reed
Stunt Coordinator: RA Rondell
Second Unit Stunt Coordinators: Joey Freitas, Chris O'Hara, Tim Trella
B Camera/Steadicam Operator: Colin Anderson SOC
First Assistant B Camera: Sergius Nafa Nofield
Second Unit Steadicam Operator: David Luckenbach SOC
VFX Supervisor: Gregory L. McMurry ASC
Lola VFX Supervisors: Jeremiah Sweeney, Loeng Wong-Savun
Shade VFX Supervisor: Bryan Godwin
Miami VFX Unit Aeriel DoP: Phil Pastuhov
Senior DI Colorist: Yvan Lucas
DI Colorist: Katie Jordan
Score Mixer: Dennis S. Sands
Orchestra Contractor: Peter Rotter
Filming Dates: 28 October 2015 - 3 February 2016
Cameras: Alexa 65 & Red Weapon Dragon (6.5K ARRIRAW & 6K Redcode RAW)
Lenses: Panavision Sphero 65 Primes & Super 70 Primes
AR: 2.39:1 (Panavision Super 70)
Budget: 108 Million USD
Visual Effects Provided by: Lola & Shade VFX - DirectorBen AffleckStarsMatt DamonJason BatemanBen AffleckFollows the history of sports marketing executive Sonny Vaccaro, and how he led Nike in its pursuit of the greatest athlete in the history of basketball, Michael Jordan.Screenplay Writer, Rewrites / Producer: Ben Affleck
Screenplay Writer, Rewrites / Producer: Matt Damon
Casting: Lindsay Graham Ahanonu CSA, Mary Vernieu CSA
Music Supervisor: Andrea Von Foerster
Costume Designer: Charlese Antoinette Jones
Film Editor: William Goldenberg ACE
Production Designer: François Audouy
Director of Photography/A Operator: Robert Richardson ASC ACK
Executive Producers: Dana Goldberg, Don Granger
Executive Producer/Key Unit Production Manager: Kevin Halloran
Executive Producers: Michael Joe, Drew Vinton, John Graham
Executive Producers: Peter E. Strauss, Jordan Moldo
Producers: David Ellison, Jesse Sisgold, Jon Weinbach
Producers: Madison Ainley, Jeff Robinov
Producers: Peter Guber, Jason Michael Berman
Writer & Co-Producer: Alex Convery
Unit Production Manager/Co-Producer: Sasha Veneziano
First Assistant Director/Co-Producer: David Webb
Second Assistant Director: Trevor Tavares
Stunt Coordinators: Sean Graham, Tom McComas
Stunts: Patrick Millin, Craig Silva
Co-Producer/Executive Assistant To Ben Affleck: Gigi Fouquet
Consultant: Sonny Vaccaro
Re-Recording Mixer: Andy Nelson
Re-Recording Mixer / Sound Design / Supervising Sound Editor: Ai-Ling Lee
Second Unit Director: Rob Legato ASC
Production Accountant: Boris Hellmann
Supervising Art Director: A. Todd Holland
Set Decorator: Jan Pascale
Additional Set Decorator: David Smith
Assistant Set Decorator: Joni Indursky
Assistant Costume Designer: Imani Akbar
Costume Supervisor: Sara Fox
A Camera First Assistant: Jimmy Ward
A Camera Second Assistant: Cameron Keidel
B Camera / Steadicam Operator: Colin Anderson SOC
B Camera First Assistant: Erik Brown
B Camera Second Assistant: Larissa Supplitt
C Camera First Assistant: Mateo Bourdieu
C Camera Second Assistant: Colleen Mieziva
DIT: Natalie Carr
Alexa 35 Loader / Data Manager: Ernest Dickerson
Alexa 35 Utility Assistant: Morgan Wilday
Still Photographers: Ana Carballosa, D. Stevens
Script Supervisor: Sheila Waldron
Production Sound Mixer: Willie D. Burton CAS
Boom Operators: Douglas Shamburger, Adam Mohundro
Gaffer: Ian Kincaid
Best Boy Electric: Khan Griffith
Key Lighting Programmer: Christopher Ferguson
Lamp Ops: David Harris, Eric Fleetwood, Hope Felt, Triztan Griffith
Rigging Gaffer: John Manocchia
Rigging Best Boy: Jerry Gregoricka
Lighting Programmer: Joshua Fine
Rigging Technicians: Jonathan Hastings, Eric Hibbard, Steve Zvorsky, Norbert Quiban, James Sobiegraj, Aaron Schul, Richard Maldonado
Fixtures Foreman: Jeffrey Schrage
Fixtures Technicians: Richie Maldonado, Nick Ruffino, Julio Valladares, Lukas Nëncy, Jimmy Cox Jr
Key Grip: Chris A. Centrella
Best Boy Grip: Satoshi Yamazaki
A Camera Dolly Grip: Ryan Busscher
B Camera Dolly Grip: Tim Christie
C Camera Dolly Grip: Andrew Williams
Grips: Nichole Toven, John Michael Morales, Luke Barger, Christopher Moscoso
Key Rigging Grip: Bill Summers
Rigging Best Boy Grip: Todd Geritz
Rigging Grips: Nick Lampstchakul, Nils Hansen, Mike Morales, Jason Rez
Costume Coordinator: Veronica Guzman
Key Costumer: Lisa Marie Evans
Costumers: Jessica Joelson, Jessica Posada
Costumer To Matt Damon & Ben Affleck: Philip Maldonado
Costume PA: Aisha Alhakawati
Makeup Department Head: Luisa Abel
Hair Department Head: Carla Joi Farmer
Supervising Prop Master: JP Jones
Assistant Prop Master: Rick Chavez
Production Props Buyer: Colin Trevino-Odell
Props Assistants: Skip Crank, Ford Jones
Production Special Effects Supervisor: Mark Byers
Production Special Effects Foreman: Steve Sosner
Production Special Effects Technician: Danté Belardinelli
Video Assist: Willow Jenkins, Michael Bachman
Assistant Video Assist: Leonardo Montero II
24 Frame Playback: Steve Irwin, Chris Wagganer
Matrix Head Technician: Shawn Fossen
Production Coordinator: Jim Revis
Assistant Production Coordinators: Morgan Mills,
Madolyn McCormick
Production Secretary: Enrique Lopez
Second Second Assistant Director: Dominic Pacitti
First Assistant Accountant: Bradley Field
Payroll Accountant: Stephanie Wescott
Supervising Location Manager: Peter Novak
Key Assistant Location Managers: Hannah Singleton, Maitland Hennessy, Julie Karelitz, Will Ruvalcaba, Ian Vasco
Assistant Location Manager: Luis Sanchez
Location Scouts: Paul Schreiber, Charlotte Purin, Robert Paulsen
Casting Associate: Sydney Smircliff
Casting Assistant: Ally Gorder
Extras Casting Director: Tracy Dixon
Extras Casting Assistant: Joseph Nicks
Unit Publicist: Spooky Stevens
Art Directors: Gary McMonnies, Jason Perrine
Set Designers: Greg Papalia, Chris Cortner
Graphic Designers: Zachary Fannin, Christina Myal, Philip Young
Production Illustrator: Harald Belker
Art Department PA: Izzie Mattox
Lead Person: Antonio Andraus
Set Dec Gang Boss: Katherine Gauvin
On Set Dresser: Zander Fieschko
Set Dec Buyer: Carrell Shaw
Set Dec Coordinator: Darlene Salinas
Set Dec PA: Magdiel Cabranza
Health & Safety Supervisor: Sharellis De Nigro
Health & Safety Manager: Kensie McKee
Testing Manager: Kathy Trinh
Animal Wrangler: Sled Reynolds
Transportation Coordinator: Bill Ballard
Transportation Captain: Brian Moore
Dispatcher: Lauryn Bane
DOT Department Head: Sherri Warren
Driver To Ben Affleck: Marvin Sanders
Driver to Matt Damon: Mark J. Assad
OMPC Chef/Driver: Marco Morales
Craft Service HOD: Charlie Scott III
Craft Service Assistants: Stephen Scott, Rosario Pineda, Darren Johnson
Assistant To Ben Affleck: Tyler Harris
Assistant To Matt Damon: Colin OʻHara
Assistant To Jeff Robinov: Elizabeth Williams
Assistant To Kevin Halloran: Gage Hanlon
Cast Assistants: Olivia Devenne, Reece Robinov
Trainer To Matt Damon: Matthew Balamonte
Chef To Matt Damon: Ryan Toal
Research Consultant: Ozzy Inguanzo
Archive Researcher: Deborah Ricketts
Post Production Supervisors: Jeffrey W. Harlacker, Jason Miller
Production Music Editor: Cory Milano
Supervising Sound Editor: Susan Dawes
Dialogue Editors: Mildred Iatrou Morgan, Helen Luttrell,
Jim Brookshire
Production Sound Designer: Tobias Poppe
Key FX Editors: Dan Kenyon, Matt Cavanaugh, Justin M. Davey
Production Foley Supervisor: Matthew Harrison
First Assistant Sound Editor: Galen Goodpaster
Foley Artists: Dan O'Connell, John Cucci MPSE
Foley Mixers: Tavish Grade, Jack Cucci
Folly Assistant: Mikel Parraga Wills
ADR Voice Casting: Ranjant Brow, Ashley Lambert
Digital Workflow Manager / In-House VFX Supervisor: Hansjeet Duggal
Post Production Accountant: Heather Tyler
Post Assistant Accountant: Malathi Coatar
Production Visual Effects Producer: Katie Legato
Visual Effects Production Manager: Michael Legato
Burning Tractor VFX Supervisor: Wes Meyers
Burning Tractor Executive Producer: Diane Testa
Burning Tractor CG Supervisor: Robert Reynolds
Burning Tractor Comp Supervisor: Nate Hardy
Burning Tractor VFX Leads: Shannon Thomas, Chloe Gray, Brendan Grimes, Alex Leonard, Rafael Villafane, Ashton Meyers
In-House VFX Leads: Anton Jiracer, Prashant Grover, Vuey Adithya Mohan Rai, Chandan Singh Shekhawat, Vishnu Babu
Second Unit First Assistant Director: Jackson Rowe
Second Unit Second Assistant Director: Derek Wilson
Second Unit Production Supervisor: Synday Augusta Huynh
Second Unit Production Coordinator: Jennifer Jancosek
Second Unit Assistant Production Supervisor (Savannah): James Wacker
Second Unit Office Production Assistant (Savannah): Alda Matos
Second Unit Second Second Assistant Director (Portland): Tim Johnson
Second Unit Set Production Assistants (Savannah): Grant Colley, Alyssa Hibben, Will Griffin
Second Unit Set Production Assistants (Portland): Nicole Harber, Shay Evans, Mason Cos, Aida De La Torre, Sarah Nicholson, Patrick Dawn, Karla Badeau, Claudia Montano-Lobe, Miguel De La Rosa
Second Unit A Camera First Assistant: David Seekins
Second Unit A Camera Second Assistant: Jessyca Caracci
Second Unit Add'l Second Assistant Camera: Rio Noel Zumwalt
Second Unit DIT: Rohan Chitrakar
Second Unit Alexa 35 Loader: Christopher Brooks
Second Unit Set Costumers (Savannah): Anna Tibble, James Brooks May
Second Unit Set Costumer (Portland): Lincoln Barron-Holmes
Second Unit Gaffer (Portland): Chris Purkiss
Second Unit Best Boy Electric (Portland): Eric Bexler
Second Unit Lighting Technician (Portland): Jason Campbell
Second Unit Key Grip (Savannah): Luis Pagan
Second Unit Key Grip (Portland): Sean Devine
Second Unit Best Boy Grip (Savannah): Jackson Parker
Second Unit Best Boy Grip (Portland): Keegan Larson
Second Unit Grip (Savannah): Payne Goddard
Second Unit Grips (Portland): Jeff Andrus, Dan Geoppner
Second Unit Hair Stylist (Savannah): Lindsey Palmer
Second Unit Hair Stylist (Portland): Sara Beukers
Second Unit Asst Props Lead (Portland): Drew Pinninger
Second Unit Art Production Assistants (Savannah): Helena Faiora, Shelby Lutz
Second Unit Second Assistant Accountant (Savannah): Richard Reed
Second Unit Payroll Accountant: Amy Smolev
Second Unit Location Manager (Savannah): Cayman Eby
Second Unit Location Scout (Savannah): Dan Gorman
Second Unit Location Manager (Portland): Kevin Findtner
Second Unit Location Scout (Portland): Shaun Gavin
Second Unit Assistant Location Managers (Portland): Andrew Ticer, Tyler Tronson, Andy Buchanan
Second Unit Location Coordinator (Savannah): Nicolle Folkers
Second Unit Location PAs (Savannah): Sara Bruce, Wendy Geary, Ryan Eby
Second Unit Extras Casting (Savannah): Alexis Leggett
Second Unit Extras Casting (Portland): Adam Rosko, Sarah Oliveras
Second Unit Medic (Savannah): Anne Marie Morgan
Second Unit Medic (Portland): Justin Garmon
Second Unit Transportation Captain (Savannah): Luke Haymons
Second Unit Transportation Captain (Portland): Eric Solmonson
Second Unit Transportation Co-Captain (Portland): Dave Detroy
Second Unit Craft Service (Savannah): Katherine Hankey
Second Unit Craft Service HOD (Portland): Emily Pomar
Second Unit Craft Service Assistant (Portland): Andres Calleja
Second Unit Driving Double (Savannah): Attilio Balbo
Second Unit Stunt Driving Double (Portland): Brady Romberg
Second Unit Arm Car Driver (Savannah): Dustin Nelson
Second Unit Arm Car Driver (Portland): Donny Bailey
Second Unit Arm Car Crane Op (Savannah): James McCray
Second Unit Arm Car Crane Op (Portland): John Carone
Second Unit Arm Car Transport Driver (Portland): Jeremy Machado
Second Unit Array Operator: Alex Carr
Second Unit Array Tech: Alex Zolad
Second Unit Array First AC: Seth Gallagher
Second Unit Apex/Matrix Tech: Gilbert Alvarado
Second Unit Drone Pilot: Jordan Temkin
Second Unit Drone Cam Op/Aerial DP: Brian Wulf
Second Unit Drone Gimbal Tech: Chris Swoboda
Second Unit Time Lapse Operator: Billie Mitchell
PSH Senior Finishing & Dailies Colorist: Élodie Ichter
PSH Color Assists: Marcelo Aprile, Danny Keefe
PSH Senior Finishing Editor: Carrie Oliver
PSH Senior Finishing Producer: Hershel Cohen
PSH Post Production Coordinator: Alyssa Tomaning
PSH Data I/O Leads: Brych Foster, Omar Hernandez
PSH Finishing & Dailies Project Manager: Ladd Lanford
PS OLS Dailies Assist: Stephan Marliss
PS OLS Supervising Dailies Engineer: Chris Armstrong
PS OLS Dailies Producer: Denise Woodgerd
PS OLS Head of Dailies Operations: Chris Van Duyn
Rights & Clearances Lead: Cassandra Barbour
Music Clearances Lead: Ashley Waldron
Production Insurance Leads: John Hamby, Melissa Albrecht
Production Titles Designer: Matt Curtis
Basketball Consultant: Jesse Sheldon
Special Thanks: Jordan Geller
Panavision® SVP, Opt. Engineering: Dan Sasaki ASC
Filming Dates: 6 June 2022 - July 2022
Camera: Arri Alexa 35 (4.6K ARRIRAW)
Lenses: Panavision® Primo SL Primes, VA SL Primes & Angenieux Optimo Zooms
AR: 1.85:1 (3-Perf Super 35mm)
Produced In Association With: Vinik Productions & Puji Films
Payroll Services Provided by: Entertainment Partners
Caterer Services by: Orlando's Motion Picture Catering
Post Production Services Provided By: Fox Studio Lot
Foley Services Provided By: One Step Up
AVID Editing Systems Provided By: Pivotal Post
Post Accounting Provided By: Rice Gorton Pictures
Visual Effects Provided By: Burning Tractor
Second Unit Catering (Savannah) by: Current Catering
Second Unit Catering (Portland) by: Mundo Catering
Color & Finish Provided By: Picture Shop Hollywood
Digital Dailies Provided By: Picture Shop On Location Services
Rights & Clearances By: Barbour & Company Inc.
Music Clearances By: Music Licensing + Obo Reder & Feig
Production Insurance Provided By: Risk Strategies
Camera Cranes And Dollies By: Chapman-Leonard, JL Fisher & Cinemoves
Lighting Equipment Supplied By: MBS Equipment Co.
Attribute: Filmed in Panavision® (Credited as "Filmed with Panavision®")