The Works of Director George Lucas ACE
Lucas is also a member of the ACE (American Cinema Editors).
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- DirectorGeorge LucasStarsRobert DuvallDonald PleasenceDon Pedro ColleyIn the 25th century, a time when people have designations instead of names, a man, THX 1138, and a woman, LUH 3417, rebel against their rigidly controlled society.Film Editor: George Lucas ACE
Composer/Conductor: Lalo Schifrin
Directors of Photography: Albert Kihn, David Myers SOC
Director of Photography, AP: Caleb Deschanel ASC
VFX Supervisors (2004 Director's Cut): John Andrew Berton Jr, Henry Preston
Digital Matte Painter (2004 Director's Cut): Richard Bluff
ILM Digital Artist (2004 Director's Cut): Patrick Tubach
Stunt Coordinator: Carey Loftin
Assistant Editor: Marcia Lucas
Filming Dates: September 22, 1969 - November 1969
Cameras: Arriflex 35-III & Eclair NPR (35mm Eastman 100T 5254)
AR: 2.35:1 (Techniscope)
Budget: 777,777 USD
Budget AFI (2021): 5 Million USD
2004 Director's Cut Visual Effects by: Industrial Light & Magic - DirectorGeorge LucasStarsRichard DreyfussRon HowardPaul Le MatA group of teenagers in California's central valley spend one final night after their 1962 high school graduation cruising the strip with their buddies before they pursue their varying goals.Film Editor/Writer/Music Supervisor: George Lucas ACE
Visual Consultant: Haskell Wexler ASC
Film Editors: Verna Fields, Marcia Lucas
Sound Montage & Re-Recording Mixer: Walter Murch ACE
Casting Directors: Fred Roos, Mike Fenton
Assistant to Francis Ford Coppola: Beverly Walker
Design Consultant: Al Locatelli
Producer: Francis Ford Coppola ACE
Co-Producer: Gary Kurtz
Writers: Gloria Katz, Willard Huyck
Directors of Photography: Ron Eveslage, Jan D'Alquen
Art Director: Dennis Clark
Costume Designer: Aggie Rodgers
Production Manager: James Hogan
First Assistant Director: Ned Kopp
Second Assistant Director: Charles Myers
Production Associates: Nancy Giebink, Jim Bloom
Gaffer: William Maley
Key Grip: Ken Phelps
Production Sound Services Supervisor: Arthur Rochester
Transportation Supervisor: Henry Travers
Stunt Performer: Bob Herron
Stunt Driver: Charlie Picerni
Set Decorator: Douglas Freeman
Prop Master: Douglas Von Koss
Key Hair Stylists: Gerry Leetch, Betty Iverson
Script Supervisor: Christina Crowley
Choreographer: Toni Basil
Dialogue Coach: Gino Havens
Sound Editing Supervisor: James Nelson
Music Coordinator: Karin Green
Music Recordist & Producer: Kim Fowley
Filming Dates: 26 June 1972 - 4 August 1972
Cameras: Arriflex 35-III & Éclair NPR (35mm Eastman 100T 5254)
AR: 2.33:1 (Techniscope/2-Perf 35mm)
Budget: 777 Thousand USD
Budget AFI (2021): 4.6 Million USD
Color Provided by: Technicolor®
Titles & Optical Effects Provided by: Universal Title
Location Equipment by: Film Producers Service & Cinemobile
Filmed in: Marin & Sonoma Counties, California
Post Production Completed at: American Zoetrope Studios, San Francisco - DirectorGeorge LucasStarsMark HamillHarrison FordCarrie FisherLuke Skywalker joins forces with a Jedi Knight, a cocky pilot, a Wookiee and two droids to save the galaxy from the Empire's world-destroying battle station, while also attempting to rescue Princess Leia from the mysterious Darth Vader.Director-Writer-Exec Producer-Film Editor: George Lucas ACE
Co-Writers: Willard Hyuck, Gloria Katz, Harrison Ford
Producer: Gary Kurtz
Production Designer: Jonathan Barry
Cinematographer: Gilbert Taylor BSC
Composer/Conductor: John Williams
Special Photographic Effects Supervisor: John Dykstra ASC
Special Production & Mechanical Effects Supervisor: John Stears
Film Editors: Richard Chew ACE, Paul Hirsch ACE, Marcia Lucas
Production Supervisor: Robert Watts
Planet & Satellite Artist (Miniature & Optical FX Unit)/Production Illustrator: Ralph McQuarrie
Costume Designer: John Mollo
Art Directors: Norman Reynolds, Leslie Dilley
Makeup Supervisor: Stuart Freeborn
Production Sound Mixer: Derek Ball
Supervising Sound Editor: Sam Shaw
Sound Designer (1997 Special Edition)/Special Dialogue & Sound FX Editor: Ben Burtt
Supervising Music Editor: Kenneth Wannberg
Dolby Sound Consultant: Stephen Katz
Ass't Film Editor: Bonnie Koehler
A Camera Operator: Ronnie Taylor
B Camera Operator: Geoff Glover
Set Decorator: Roger Christian
Production Manager: Bruce Sharman
1st Assistant Director: Tony Waye
2nd Assistant Director: Gerry Gavigan
3rd Assistant Director: Terry Madden
Location Manager: Arnold Ross
Gaffer: Ron Tabera
Prop Master: Frank Burton
Stunt Coordinator: Peter Diamond
2nd Unit DoPs: Take Fujimoto ASC, Robert Dalva ACE, Carroll Ballard, Rick Clemente
2nd Unit Art Directors: Leon Erickson, Al Locatelli
2nd Unit Production Managers: David B. Lester, Peter Herald, Pepi Lenzi
2nd Unit Makeup Artists: Rick Baker, Douglas Beswick
Miniature & Optical FX Unit 1st Cameraman: Richard Edlund ASC
ILM Sr VFX Sup (1997 SE)/Miniature & Optical FX Unit 2nd Cameraman: Dennis Muren ASC
Miniature & Optical Effects Unit 1st AC: Douglas Smith
Miniature & Optical FX Unit 2nd AC: Ken Ralston
Miniature & Optical FX Unit 3rd AC: David Robman
2nd Unit DoP (Miniature & Optical FX Unit): Bruce Logan ASC
Composite Optical Photography (Miniature & Optical FX Unit): Robert Blalack
Optical Photography Coordinator (Miniature & Optical FX Unit): Paul Roth
ILM VFX Sup (1997 SE)/Optical 3rd Ass't Cam (Miniature & Optical FX Unit): Bruce Nicholson
Miniature & Optical FX Unit Prod Supervisor: George E. Mather
Miniature & Optical FX Unit Matte Artist: PS Ellenshaw
Miniature & Optical FX Unit Illustrator & Designer: Joe Johnston
Miniature & Optical FX Unit Add'l Spacecraft Designer: Colin Cantwell
Miniature & Optical FX Unit Chief Model Maker: Grant McCune
Miniature & Optical FX Unit Animation & Rotoscope Designer: Adam Beckett
Miniature & Optical FX Unit Stop-Motion Animators: Jon Berg, Phil Tippett
Miniature Explosions Supervisors (Miniature & Optical FX Unit): Joe Viskocil, Greg Auer
Miniature & Optical FX Unit Computer Animation & Graphic Display Artist: Dan O'Bannon
Miniature & Optical FX Unit Electronics Designer: Alvah J. Miller
Miniature & Optical FX Unit Camera & Mechanical Designers: Don Trumball, Richard Alexander, William Shrout
Miniature & Optical FX Unit Prod Managers: Bob Shepherd, Lon Tinney
Miniature & Optical FX Unit Assistant Editor (Opticals): Bruce Green ACE
Producer (1997 Special Edition): Rick McCallum
Film Editor (1997 SE): TM Christopher
Re-Recording Mixers (1997 SE): Gary Summers
1st Ass't Editor (1997 Special Edition): Samuel Hinckley
Archivist (1997 Special Edition): Tim Fox
Optical Supervisors (1997 SE): Phillip Feiner, Chris Bushman
Film Restoration Supervisor (1997 SE): Pete Comandini
Post-Production Executive (1997 SE): Ted Gagliano
Film Restoration Consultant (1997 SE): Leon Briggs
ILM Sr VFX Producers (1997 SE): Tom Kennedy, Ned Gorman
ILM Sr VFX Supervisors (1997 SE): John Knoll, Joe Letteri
ILM VFX Supervisors (1997 SE): Dave Carson, Alex Seiden, Stephen Williams
ILM VFX 2nd Unit Director/DoP: (1997 SE): Joe Murray
ILM VFX Art Directors (1997 SE): Ty Ruben Ellingson, Mar Moore
ILM CG Supervisor (1997 SE): John Andrew Berton Jr
ILM VFX Editor (1997 Special Edition): David Tanaka
ILM Digital Color Timing Supervisor (1997 SE): Bruce Vecchitto
ILM Sabre Group Supervisor (1997 SE): Daniel McNamara
ILM Digital Scanning Supervisor (1997 SE): Joshua Pines
ILM VFX Coordinators (1997 SE): Lisa Todd, Margaret Lynch
ILM Lead CG Matchmover (1997 SE): Terry Chostner
ILM CG Matchmover (1997 SE): Selwyn Eddy III
ILM Digital CG Model Supervisor (1997 SE): Paul Giacoppo
ILM Digital CG Compositor (1997 SE): Greg Maloney
ILM CG Sequence Supervisor (1997 SE): Chris Townsend
ILM Digital Matte Painter (1997 SE): Paul Huston
ILM Sabre Artist (1997 SE): Rita Zimmerman
ILM Sabre Compositing Artist (1997 SE): Chad Taylor
ILM Digital Plate Restorationist (1997 SE): Alan Bailey
ILM Negative Supervisor (1997 SE): Douglas Jones
ILM Animatics Artist (1997 SE): David Dozoretz
ILM CG Production Manager (1997 SE): Suzie Taylor
ILM President (1997 Special Edition): Jim Morris
DI Colorist (Remasters): Mark Nakamine
Filming Dates: 22 March 1976 - 16 July 1976, January 1977 (Additional Photography)
Cameras: Arriflex 35-III, PSR R-200, Panaflex X, Panaflex & VistaVision (35mm Eastman 100T 5247)
Lenses: Panavision C-Series Anamorphic Primes
AR: 2.20:1 (70mm Prints), 2.35:1 (Anamorphic: Theatrical Ratio), 2.39:1 (4K Release)(8-Perf VistaVision: Special Effects)
Budget: 11 Million USD
Budget AFI (2021): 48 Million USD
Printed on: Eastman 5383
Special Visual Effects Provided by: Industrial Light & Magic
Additional Optical Effects Provided by: Van Der Veer Photo Effects, Ray Mercer & Company, Modern Film Effects + Master Film Effects
Post-Production Completed at: American Zoetrope, San Francisco, California
Distributed by: Walt Disney Studios Motion Pictures
Special Edition Digital Remastering Provided by: Skywalker Sound
Attribute: Filmed in Panavision - DirectorGeorge LucasStarsEwan McGregorLiam NeesonNatalie PortmanTwo Jedi escape a hostile blockade to find allies and come across a young boy who may bring balance to the Force, but the long dormant Sith resurface to claim their original glory.Writer & Exec Producer: George Lucas ACE
Producer: Rick McCallum
Cinematographer: David Tattersall BSC
FX Cinematographers (ILM Miniature Construct. & Photog Unit): Marty Rosenberg, Pat Sweeney, Pat Turner, Ray Gilberti
Cinematographer (Documentary): Jon Shenk
Production Designer: Gavin Bocquet
Film Editor: Paul Martin Smith GBFE
Film Editor-Sup. Sound Designer & Editor: Ben Burtt
Costume Designer: Trisha Biggar
Composer/Score Conductor: John Williams
Design Director & ILM VFX Prod Designer: Doug Chiang
Production VFX Supervisors: Dennis Muren ASC, John Knoll, Scott Squires
Production Animation Director: Rob Coleman
Production Supervisor: David Brown
Live Action Creature FX Sup.: Nick Dudman
Chief Make-Up Artist: Paul Engelen
1st Assistant Director: Chris Newman
2nd Assistant Director: Bernard Bellew
3rd Assistant Director: Ben Howarth
Supervising Stunt Coordinator, Swordmaster & Fight Unit Director: Nick Gillard
Assistant Stunt Coordinator & Ewan McGregor Double: Andreas Petrides
Stunt Performer/Liam Neeson Double: Rob Inch
Supervising Art Director: Peter Russell
Concept Artist (US): Iain McCaig
Art Directors: Fred Hole, John King, Rod McLean, Phil Harvey
Art Director (Tunisia): Ben Scott
Storyboard Artist: Benton Jew
Scenic Artist: James Gemmill
Concept Artists (UK): Tony Wright, Kun Chang
Art Dept. Coordinators (US): Jill Jurkowitz, Blake Tucker
Art Department Coordinator (UK): Laura Burrows
Art Department Assistant (US): Tom Barratt
Art Department Assistant (UK): Iain McFayden
Production Previz/FX Supervisor: David Dozoretz
Production Previz/FX Artists: Ryan Tudhope, Jeff Wozniak, Kevin Baillie, Evan Pontoriero
Key Production Manager: Jo Burn
Sup. Loc Managers: Rob Jordan, Richard Sharkey
Production Manager (Tunisia): Peter Heslop
Unit Manager (Tunisia): Jeremy Johns
Assistant to Rick McCallum (UK): Isobel Thomas
Ass't to Mr. McCallum (US) & 2nd Unit 3rd AD: Janet Nielsen
Assistant to Rick McCallum (US): Sophie Milton
Crowd 3rd Assistant Director: Paul Higgins
Executive Assistant to George Lucas: Jane Bay
Prod Coordinators: Lisa Parker, Hermione Ninnim
Production Coordinator (Tunisia): Tori Parry
Production Coordinator (Italy): Winnie Wishart
Production Coordinator (Travel): Mel Claus
Assistant Production Coordinator: Leo Martin
Production Controller: Kathryn Farrar
Set Cost Accountant: Betty Williams
Accounting Manager: Wendy Gorman
Location Accountant (Tunisia): Dean Hood
Location Accountant (Italy): Val Sunderland
Assistant Accountant (Tunisia): Clare Plummer
A Camera Operator: Trevor Coop
Aerial Unit A Camera Operator: Adam Dale
Aerial Unit Helicopter Pilot: Mark Wolfe
A Camera Focus Puller: Graham Hall ACO
Steadicam Focus Puller: Ben Butler
A Camera Clapper/Loader: Jason Coop
Steadicam Clapper/Loader: Shaun Evans
Steadicam Operator: Keith Sewell
Location Matchmove Supervisor: Jack Haye
Effects Video Engineer: Clark Higgins
Underwater Unit A Cam Operator: Mike Valentine BSC
Set Decorator: Peter Walpole
Assistant Set Decorator: Amanda Bernstein
Supervising Prop Master: Ty Teiger
Construction Manager: David Bubb
Production Creature FX Coord.: Lyn Nicholson
Animatronic Model Designers: Jenny Phelps, Julie Wright
Animatronic Model Design Sup.: Chris Barton
Gaffer: Eddie Knight
Rigging Gaffer: Mark Evans
1st Assistant Editor: Marypat Plottner
2nd Assistant Editor (UK): Julian Price
3rd Assistant Editor (UK): Jamie Martin
Avid 2nd Assistant: Joseph Jett Sally
Visual Effects Editorial Coordinator: Paul Cichocki
Post Production Assistant: Kerry Bailey
2nd Assistant Film Editor: Aura Gilge
3rd Assistant Film Editor: David Suther
Color Timer: Jim Passon
Post Prod Supervisors: Michael Blanchard, Jamie Forester
ILM VFX Executive Producer: Chrissie England
ILM VFX Producers: Ned Gorman, Heather Smith, Jeff Olson, Ginger Thiesen, Judith Weaver
ILM Lead CG Supervisor: Kevin Rafferty
ILM Associate VFX Supervisor: Barry Armour
ILM VFX Art Director: David Nakabayashi
ILM Ground Battle Animation Sup: Tom Bertino
ILM Digital Modeling Supervisor: Geoff Campbell
ILM Technical Animation Supervisor: Jim Tooley
ILM Viewpaint Supervisor: Jean Bolte
ILM Additional VFX Supervisor: Scott Farrar ASC
ILM Creature Dev Supervisor: Tim McLaughlin
ILM CG Supervisors: Jon Alexander, Christophe Hery, Tim Alexander, Tom Hutchinson, Gregory Maloney, Euan MacDonald, Patrick Myers, Doug Smythe, Habib Zargarpour
ILM Lead Animators: Peter Daulton, Hal Hickel, Paul Kavanagh
ILM Seq. Supervisors & Dev Leads: Kev Barnhill, Samir Hoon, Douglas Sutton, Michael Di Como, Dorne Huebler, Christopher Townsend
ILM Digital Effects Compositor: Michael Conte
ILM DFX CG Artists: Joakim Arnesson, Eddie Pasquarello
ILM DFX TDs: Vince De Quattro, Russell Earl, Mohen Leo
ILM Digital Effects Resource Assistant: Polly Ing
ILM DFX Programmer: Leandro Estebecorena
ILM DFX Seq. Supervisors: Ed Kramer, Robert Weaver
ILM Digital Effects R&D Artist: Philippe Rebours
ILM Digital Effects Artist: Jonathan Rothbart
ILM Digital Effects Rotoscope Artist: Tami Carter
ILM Digital FX Sabre Supervisor: Pablo Helman
ILM Digital Effects Sabre Artist: Rita Zimmerman
ILM Character Animators: Tim Harrington, Marc Chu, Kevin Martel, Steve Rawlins, Shawn Kelly
ILM Dig. Model Dev & Construct Artists: Stephen Aplin, Ken Bryan, Simon Cheung, Russell Paul
ILM Digital Matte Artists: Yusei Uesugi, Jonathan Harb
ILM R/P Supervisors: Susan Kelly-Andrews, Jack Mongovan
ILM DCT Supervisors: Bruce Vecchitto, Kenneth Smith
ILM Lead Visual Effects Coordinator: Lisa Todd
ILM 3-D Matchmove Supervisors: Keith Johnson, David Washburn
ILM VFX Production Accountant: Joshua Marks
ILM Projectionist: Kenn Moynihan
ILM Research & Dev. Supervisor: Christian Rouet
ILM Motion Capture Supervisor: Jeff Light
ILM Additional Matte Paintings Lead: Bill George
ILM VXF Editors: Scott Balcerek, David Tanaka, Greg Hyman, John Bartle
ILM VFX Coordinators: Lori Arnold, Luke O'Byrne, Robin Saxen, Vicki Engel, Susan Greenhow
ILM Digital R/P Artists: Beth D'Amato, Mike Van Eps, Lance Baetkey
ILM MoCap Group: Doug Griffin, Seth Rosenthal, Michael Sanders
ILM VFX Storyboard/Conc. Artists: Brice Cox Jr, Warren Fu, Jules Mann, Noel Rubin
ILM Model Sup (Miniature Construct. & Photog Unit): Steve Gawley
A Cam Op (ILM Miniature Construct. & Photog Unit): Carl Miller
B Cam Op (ILM Miniature Construct. & Photog Unit): Vance Piper
Ass't A Cam Op (ILM Miniature Construction & Photog Unit): Bob Hill
Ass't B Cam Op (ILM Miniature Construction & Photog Unit): John Gazdik
Ass't C Cam Op (ILM Miniature Construction & Photog Unit): Michael Bienstock
Gaffers (ILM Miniature Construct. & Photog Unit): Michael Olague, Tim Morgan
A Cam Key Grip (ILM Miniature Construction & Photog Unit): Bill Barr
B Cam Key Grip (ILM Miniature Construction & Photog Unit): Bernie Demolski
ILM Stage Coord (Miniature Construct. & Photog Unit): Megan Carlson
ILM SFX Sup (SFX Pyro Crew): Geoffrey Heron
ILM SFX Best Boy (SFX Pyro Crew): Robbie Clot
ILM SFX Technic. (SFX Pyro Crew): Dave Heron
Re-Record Mixers: Gary Rydstrom, Tom Johnson, Shawn Murphy
Sup. Sound Editors: Tom Bellfort, Matthew Wood
Sound Editors: Chris Scarabosio, Teresa Eckton
Music Editor: Ken Wannberg
Assistant Music Editor: Peter Myles
Score Orchestrators: John Neufeld, Conrad Pope
Scoring Engineer: Shawn Murphy
Director of Publicity: Lynne Hale
Photography Assistant: Derek Boyes
2nd Unit Director: Roger Christian
2nd Unit Art Director: Ricky Eyres
2nd Unit DoP: Giles Nuttgens BSC
2nd Unit Gaffer: David Smith
2nd Unit 1st Assistant Dir: Nick Heckstall-Smith
2nd Unit 2nd Assistant Director: George Walker
2nd Unit A Camera Focus Puller: Steven Hall
2nd Unit A Cam Clapper/Loader: Edward Jones
2nd Unit B Camera Clapper/Loader: Ian Coffey
2nd Unit Special FX Supervisor: Peter Hutchinson
2nd Unit R2-D2 Operator: Joylon Bambridge
2nd Unit Senior SPFX Technician: Terry Glass
2nd Unit SPFX Technician: Stephen Hutchinson
2nd Unit SPFX Coordinator: Brenda Hutchinson
Prod Sup (Tunisia Shoot): Abdelaliz Ben Mlouka
Art Director (Tunisia Shoot): Taieb Jallouli
UMs (Tunisia Shoot): Meimoun Mahbouli, Philippa Day
1st Assistant Dir. (Tunisia Shoot): Moez Kamoun
Prop Master & Buyer (Tunisia Shoot): Mohamed Bargaoui
Prod Coord (Tunisia Shoot): Amel Becharnia
Loc. Manager (Tunisia Shoot): Moslah Kraiem
Gaffer (Tunisia Shoot): Lofti Siala
Prod Supervisor (Italy Shoot): Guido Cerasuolo
Location Manager (Italy Shoot): Franco Rapa
Unit Manager (Italy Shoot): Enrico Ballarin
Location Assistant (Italy Shoot): Ugo Criscuolo
Prod Coordinator (Italy Shoot): Laura Cappato
Art Director (Italy Shoot): Livia Borgononi
Production Assistant (Italy Shoot): Nicola Rosada
1st Assistant Director (Italy Shoot): David Turchi
2nd Assistant Director (Italy Shoot): Dario Cioni
3rd Assistant Director (Italy Shoot): Andrea Boni
ILM VP & General Manager: Jim Morris
Digital Finishing Colorist (2012 Re-Release): Mark Nakamine
2nd Digital Finishing Colorist (2012 Re-Release): Charles Bunnag
Filming Dates: 26 June 1997 - 30 September 1997
Cameras: Arriflex 435 ES, 535B, VistaVision & Sony HDC-750 (35mm Eastman EXR 50D 5245/Kodak Vision 320T 5277 & HDCAM)
Lenses: Hawk C-Series Anamorphic Primes & Powerscope Anamorphic Primes
AR: 2.39:1 (Anamorphic)(8-Perf VistaVision: Some Scenes)(HDCAM: Some Scenes)
Budget: 115 Million USD
Budget AFI (2021): 182.8 Million USD
Printed on: Kodak Vision Premier 2393
Special Visual Effects & Animation Provided by: Industrial Light & Magic
Post Production Sound Services Provided by: Skywalker Sound
Music Score Recorded at: Abbey Road Studios
Music Score Performed by: London Symphony Orchestra
Additional Visual Effects Provided by: Framestore
Filmed at: Leavesden Studios, Leavesden, England
Color Provided by: Deluxe
Edited on: Avid Film Composer System
Shot on: Kodak Motion Picture Film
2012 3D Stereo Conversion Provided by: Prime Focus View-D, DeMille Productions + Michael Kaelin & Associates
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Arriflex Cameras & Hawk Anamorphic Lenses Supplied by Arri Media - DirectorGeorge LucasStarsHayden ChristensenNatalie PortmanEwan McGregorTen years after initially meeting, Anakin Skywalker shares a forbidden romance with Padmé Amidala, while Obi-Wan Kenobi discovers a secret clone army crafted for the Jedi.EP, Film Editor & Co-Writer: George Lucas ACE
Screenwriter: Jonathan Hales
Producer: Rick McCallum
Cinematographer: David Tattersall BSC
FX Cinematographers (ILM): Martin Rosenberg ASC, Pat Sweeney, Carl Miller
Cinematographer (Add'l Shooting Crew): Giles Nuttgens BSC
Production Designer: Gavin Bocquet
Film & Sound Editor-Sup. Sound Designer: Ben Burtt
Costume Designer: Trisha Biggar
Composer & Score Conductor: John Williams
Production VFX Supervisors: Dennis Muren ASC, John Knoll, Ben Snow, Pablo Helman
Production Animation Director: Rob Coleman
Concept Design Supervisors: Doug Chiang, Ryan Church, Erik Tiemens
Production Supervisor: Stephen James
1st Assistant Director: James McTeigue
2nd Assistant Director: Claire Richardson
2nd 2nd Assistant Director: Paul Sullivan
High Definition Camera Supervisor: Fred Meyers
Supervising Art Director: Peter Russell
Art Department Supervisor: Fay David
2nd Art Directors: Jonathan Lee, Ian Gracie
3rd Art Directors: Phil Harvey, Michelle McGahey
4th Art Director: Fred Hole
Concept Artist: Iain McCaig
1st Assistant Art Director: Jacinta Long
2nd Assistant Art Director: Clive Memmott
Art Department Coordinator: Colette Birrell
Pre-Vis/FX Supervisors: Daniel D. Gregoire, Dave Dozoretz
Supervising Stunt Coordinator & Swordmaster: Nick Gillard
Assistant Stunt Coordinator: Richard Boue
Stunt Double (Ewan McGregor): Nash Edgerton
Production Manager (Tunisia): Peter Heslop
Unit Manager: Tic Carroll
Prod Coordinators: Paul Ranford, Isobel Thomas, Anna Hall
Ass't Prod Coordinators: Jacqueline King, Polly Leach
3rd Assistant Director: Gordon Westman
Ass't to Rick McCallum (AUS Crew): Jacqui Lopez
Assistants to Mr. McCallum (US): Ardees Rabang Jundis, Alvin Lopez
Production Controller: Kathryn Ramos
Accountant (UK): Rajeshree Patel
Art Department Accountant: Deborah Eastwood
Location Accountant (Tunisia): Robert Threadgold
Assistant Accountant (Tunisia): Traci Duxbery
Location Accountant (Italy): Val Sunderland
A Camera/Steadicam Op: Brad Shield ASC ACS
B Camera Operator: Calum McFarlane
A Camera Focus Puller: Brett Matthews
B Camera Focus Puller: Damian Wyvill
A Camera 2nd Assistant: Luke Nixon
B Camera 2nd Assistant: Jason Binnie
High Definition Camera 1st Assistant: Matt Hunt
Techno Crane Operator: Geoff Brown
Assistant Techno Crane Operator: Jason Klaffer
Production Matchmove Assistant: Felix Pomeranz
Underwater Unit A Camera Op: Peter McDougall
2nd Unit B Camera Operator: Frank Hruby
Set Decorator: Peter Walpole
Supervising Prop Master: Ty Teiger
1st Assistant Set Decorator: Bev Dunn
1st Assistant Prop Master: John-Paul (Lon) Lucini
1st Ass't Set Decorator (Tunisia): Dom Hyman
Model Making Supervisor: Peter Wyborn
Model Making Foreman: Trevor Smith
Set Dec Coordinator: Joanna Tastula
Props Scenic Artist: Michael Dayman
Model Making Coordinators: Trish Foreman, Tanya Harper
Props Runner: Sam Ford
Production Practical FX Leads: Graham Beatty, David Felgar
Model Making Runner: Nicole Van Lambaart
Lead Ass't Costume Designer: Michael Mooney
Costume Supervisor: Nicole Young
Costume Props Supervisor: Ivo Coveney
2nd Assistant Costume Designer: Jason Gibaud
Ass't Costume Props Supervisor: Martin Rezaud
3rd Ass't Designers (Costumes): Ann Maskrey, Jacqueline Durran
Costume Coordinator: Sarah Edwards
Graphics Assistant: Tracy James
Supervising Construction Manager: David Bubb
Head Rigger (Construction): Steve Sansom
Assistant Construction Manager: Rob Sutton
Supervising Rigger (Construction): Warren Jones
Gaffer: Eddie Knight
Rigging Gaffer: Iain Mathieson
Make-Up Supervisor: Lesley Vanderwalt
Make-Up Assistant: Jane Atherton
Color Artists (Make-Up & Hair Dept.): Dan Galvin
Creatures Supervisor: Jason Baird
Creature Foreman: Gab Facchinei
Lead Animatronic Foreman: Matt Sloan
Lead Animatronic Technician: Martin Crowther
Creatures Runner: Hilton Howson
Production Special FX Supervisor: David Young
Droid Unit Supervisor/R2-D2 Operator: Don Bies
Droid Unit Technicians: Justin Dix, Trevor Tighe
Droid Unit Coordinator: Zeynep Selcuk
Production Special Effects Buyer: Peter Forbes
1st Assistant Editor: Todd Busch
2nd Assistant Editor: Joseph Jett Sally
3rd Assistant Editor: Cheryl Nardi
Loc. 1st Ass't Editor: Jason Ballantine ACE ASE
Location 1st Apprentice Editor: Allison Gibbons
Post Production Supervisor: Jamie Forester
Technical Supervisor: Michael Blanchard
ILM Visual FX Executive Producer: Judith Weaver
ILM Animation Supervisors: Chris Armstrong, Hal Hickel
ILM VFX Producers: Jill Brooks, Gretchen Libby, Heather MacDonald
ILM Technical Animation Supervisor: Jim Tooley
ILM Lead Animators: Linda Bel, Scott Benza, Paul Kavanagh, Sue Campbell, Tim Harrington, Peter Daulton, Paul Griffin, Steve Rawlins, Andy Wong, Glen McIntosh
ILM Visual Effects Art Director: Alex Jaeger
ILM CG Supervisors: Kevin Barnhill, Samir Hoon, Daniel Goldman, Robert Marinic, David Meny, Curt Miyashiro, Patrick T. Myers, Henry Preston
ILM Digital Comp Supervisors: Jeff Doran, Dorne Huebler, Marshall Richard Krasser
ILM Digital Modeling Supervisors: Russell Paul, Geoff Campbell
ILM Viewpaint Supervisor: Jean Bolte
ILM Digital Color Timer: Natasha Leonnet
ILM Seq. Supervisors & Dev Leads: Grady Cofer, Jay Cooper, Craig Hammack, Doug Sutton, Pat Tubach, Michael Di Como, Polly Ing, Leandro Estebecorena, Tami Carter, Philippe Rebours, Ed Kramer, Michael Conte, Hayden Landis, Nigel Sumner
ILM Animators: Charles Allneck, Marc Chu, Maia Kayser, Shawn Kelly, Jakub Pistecky, Kev Martel, Tom St. Amand
ILM Digital Model Dev & Construct Artists: Bruce Holcomb, Michael Balog, Pamela Choy, Vince De Quattro, Kelvin Lau, Steven Sauers, Larry Tan
ILM DMS Supervisors: Yusei Uesegi, Paul Huston, Jonathan Harb
ILM DMAs: Mathieu Raynault, Brett Northcutt
ILM Rotoscope Supervisor: Jack Mongovan
ILM Motion Capture Supervisor: Jeff Light
ILM Rotoscope Leads: Katie Morris, Heidi Zabit
ILM Senior Visual Effects Editor: Scott Balcerek
ILM VFX Editors: Nic Anastassiou, Anthony Pitone
ILM 3D Matchmove Supervisor: Jason Snell
ILM 3D Matchmove Leads: Amy Christensen, Marla Newall
ILM VFX Accountants: Pam Knott, Marc Ostroff
ILM VFX Producer & Prod Manager: Jeanie King
ILM VFX Prod Managers: Julie D'Antoni, William Tlusty
ILM VFX Coordinators: Wayne Billheimer, Julie Creighton, Leigh Ann Fan, Nina Fallon, Elizabeth Brown, Dale Taylor
ILM Matchmove & MoCap Artists: Lanny Cermak, Terry Chostner
ILM VFX Concept Artists: Christian Alzmann, Phil Metschan, Warren Fu, Michael Brunsfield, Wilson Tang
ILM Model Supervisor: Brian Gernand
ILM FX Unit 1st Ass't A Cam Op: Mike Bienstock
ILM FX Unit 1st Ass't B Camera Op: Robert Hill
ILM FX Unit 1st Ass't C Cam Op: Richard McKay
ILM FX Unit 1st Ass't D Cam Op: Dennis Rogers
ILM Javva the Hutt Operator: Michael Smith
ILM Costume Supervisor: Gillian Libbert
ILM Special Effects Supervisor: Geoffrey Heron
ILM Special Effects Technician: Robert Clot
ILM Dedicatee: Steve Bill
Re-Record Mixers: Gary Rydstrom, Rick Kline, Michael Semanick
Supervising Sound Editor: Matthew Wood
Sound FX Editors: Teresa Eckton, Bruce Lacey
Additional Re-Recording Mixer: Gary A. Rizzo
Digital Audio Transfer Sup.: Jonathan Gerber
Supervising Music Editor: Ken Wannberg
Score Orchestrations Leads: Conrad Pope, Eddie Karam
Music Editor: Peter Myles
1st Assistant Music Editor: Steven R. Galloway
Music Librarian: Mark Graham
Scoring Engineer: Shawn Murphy
Chorus Director (Music Score): Terry Edwards
PM (Additional Shooting Crew): Brian Donovan
1st ADs (Add'l Shooting Crew): Richard Hewitt, Richard Whelan
Art Director (Add'l Shooting Crew): David Lee
2nd ADs (Add'l Shooting Crew): Matthew Penry-Davey, Tamana Bleasdale
1st Ass't A Cam (Add'l Shoot Crew): Carlos De Carvalho ASC
CFX Sup. (Add'l Shooting Crew): Nick Dudman
Art Dept. Ass't (Add'l Shoot Crew): Marc Scruton
Gaffer (Add'l Shooting Crew): Dave Smith
Creatures Coord (Additional Shooting Crew): Lyn Nicholson
APC (Additional Shooting Crew): Victoria Morgan
SPFX Supervisor (Add'l Shoot Crew): Tom Harris
Sr SFX Tech (Add'l Shoot Crew): Alex Gurucharri
SPFX Tech (Add'l Shoot Crew): Barry Woodman
Director of Publicity: Lynne Hale
Location Researcher: Elizabeth Tulloch
Prod Supervisor (Italy Shoot): Guido Cerasuolo
Unit Manager (Italy Shoot): Enrico Ballarin
Prod Coordinator (Italy Shoot): Laura Cappato
Location Runner (Italy Shoot): Marco D'Andola
Set Runner (Italy Shoot): David Giorgio
Art Director (Italy Shoot): Susanna Codgnato
Prod Sup (Tunisia Shoot): Abdelaziz Ben Mlouka
1st Assistant Dir. (Tunisia Shoot): Moez Kamoun
Art Director (Tunisia Shoot): Taieb Jallouli
Prod Coord. (Tunisia Shoot): Amel Becharnia
1st Ass't Art Dir. (Tunisia Shoot): Anas Talmoudi
Mamata Loc Man. (Tunisia Shoot): Mounir Hlawet
Prop Master (Tunisia Shoot): Mohamed Bargaoui
Prod Sup. (Spain Shoot): Pedro Ma De Ugarte
Prod Coordinator (Spain Shoot): Isabel Delgado
Set Coord. (Spain Shoot): Monica Hernandez
Finishing Colorist (Remaster): Mark Nakamine
Filming Dates: 26 June 2000 - 20 September 2000
Camera: Sony CineAlta HDW-F900 (HDCAM)
Lenses: Panavision Primo Spherical Primes & Fuji Zooms
AR: 1.81:1 (IMAX Version: Cropped), 2.39:1 (3-Perf Super 35mm)
Budget: 115 Million USD
Budget AFI (2021): 169.3 Million USD
Printed on: Kodak Vision 2383
Special Visual Effects & Animation Provided by: Industrial Light & Magic
Post Production Sound Services Provided by: Skywalker Sound
Music Score Recorded at: Abbey Road Studios
Music Score Performed by: London Symphony Orchestra
Pre-Visualization Edited on: Final Cut Pro
2012 3D Conversion Provided by: Prime Focus World
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed in Panavision (as Panavision Digital Imaging) - DirectorGeorge LucasStarsHayden ChristensenNatalie PortmanEwan McGregorThree years into the Clone Wars, Obi-Wan Kenobi pursues a new threat, while Anakin Skywalker is lured by Chancellor Palpatine into a sinister plot to rule the galaxy.Writer & Exec Producer: George Lucas ACE
Producer: Rick McCallum
Cinematographer: David Tattersall BSC
FX Cinematographer (ILM): Pat Sweeney, Carl Miller
Cinematographers (ILM Add'l Photography): Kim Marks ASC SOC, Martin Rosenberg ASC
Cinematographer (Add'l Shoot Crew - UK & CH Shoot): Giles Nuttgens BSC
Cinematographer (China Shoot): David Franco
Cinematographer (SIC & TH Shoots): Ron Fricke
Production Designer: Gavin Bocquet
Film Editor: Roger Barton ACE
Film & Sound Editor/Sup. Sound Designer: Ben Burtt
Costume Designer: Trisha Biggar
Composer & Score Conductor: John Williams
Production VFX Supervisors: John Knoll, Roger Guyett
Production Animation Director: Rob Coleman
Concept Design Supervisors: Ryan Church, Erik Tiemens
Supervising Swordmaster, Stunt Coordinator, Rigger & Performer: Nick Gillard
2nd Unit Director: Steven Spielberg
Production Supervisor: Stephen Jones
1st Assistant Director: Colin Fletcher
2nd Assistant Director: Deborah Antoniou
2nd 2nd Assistant Director: Paul Sullivan
Supervising Art Director: Peter Russell
Art Department Supervisor: Fay David
2nd Art Directors: Ian Gracie, Phil Harvey
Concept Artists: Iain McCaig, Warren Fu
1st Assistant Art Director: Jacinta Leong
2nd Assistant Art Director: Damien Drew
3rd Assistant Art Director: Karen Murphy
4th Assistant Art Director: Clive Memmott
Art Department Coordinator: Colette Birrell
Senior Concept Model Maker: Geoff Kemmis
Concept Model Makers: Shari Finn, Michael Kelm
Conceptual Researcher: David Craig
Production 3D Animator: Lizzie Burt
Art Department Runner: Dianne Hardman
Pre-Visualization/FX Supervisor: Daniel Gregoire
Assistant Stunt Coordinator: Richard Boue
Fencing Double (Christopher Lee): Kyle Rowling
Fencing Double (Ian MacDiarmid): Michael Byrne
Stunt Double (Ewan McGregor): Nash Edgerton
Stunt Double (Hayden Christensen): Ben Cooke
Head Stunt Rigger: George Saliba
Acrobatic Double (Ian MacDiarmid): Sebastian Dickins
Stunt/Safety Assistant: Dean Gould
Production Coordinator: Virginia Murphy
Assistant to Rick McCallum (US): Ardees Rabang
Ass't to Mr. McCallum (AUS Crew): Jacqui Lopez
3rd Assistant Director: Samantha Smith
Set PA: Hamish Roxburgh
CGI Character Reader: Duncan Young
Production Controller: Kathryn Ramos
Production Accountant (UK): Rajeshree Patel
Accounting Manager (US): Wendy Gorman
Art Department Accountant: Aidan Corcoran
High Definition Camera Supervisor: Fred Meyers
A Camera Operator: Calum McFarlane
B Camera/Steadicam Operator: Simon Harding
A Camera Focus Puller: Matt Toll
B Camera Focus Puller: Tov Belling
A Camera 1st Assistant: Carlos De Carvalho ASC
A Camera 2nd Assistant: Simon Williams
B Camera 2nd Assistant: Lee Mariano
High Definition Camera 1st Assistant: Matt Hunt
Production Matchmove Assistants: Mal Eager, Felix Pomeranz
Techno Crane Ops: Geoff Brown, Paul Micallef
Set Decorator: Richard Roberts
Supervising Prop Master: Ty Teiger
1st Assistant Set Decorator: Bev Dunn
1st Assistant Prop Master: John-Paul (Loc) Lucini
Model Shop Supervisor: Peter Wyborn
Set Dec Buyer: Christopher Tomkins
Model Shop Foreman: Trevor Smith
Props Coordinator: Sarah Linton
Set Dec Coordinator: Helena Donahue
Model Making Coordinator: Tanya Harper
Light Sabre Technician: Thomas Van Koeverden
Practical Electrician: Graham Beatty
Model Shop Runner: Peter Livesey
Assistant Costume Designer: Michael Mooney
Costume Supervisor: Nicole Young
Costume Props Supervisor: Ivo Coveney
Ass't Costume Props Supervisor: Martin Rezard
Costume Coordinator: Claire Worlidge
Head Rigger (Construction): Steve Sansom
Rigging Foreman (Construction): Nick Morrell
Gaffer: Eddie Knight
Rigging Gaffer: Iain Mathieson
Make-Up Supervisor: Nikki Gooley
Creatures Supervisor: Dave Elsey
Creature Shop Supervisor: Rebecca Hunt
Senior Prosthetic Make-Up Artist: Colin Ware
Fabrication Supervisor: Lou Elsey
Prosthetic Make-Up Technician: Damian Martin
Chief Animatronic Engineer: Sonny Tilders
Animatronic Engineer: Greg McKee
Electronic Engineer: Anton Boniface
Production Special FX Supervisor: David Young
Production Special FX Coordinator: Rodney Burke
R2-D2 Operator/Droid Unit Supervisor: Don Bies
Senior Special Effects Technician: Rick Howie
Droid Unit Technician: Justin Dix
Droid Unit Mechanic: Matt Sloan
Droid Unit Coordinator: Zeynep Selcuk
Production Special Effects Buyer: Peter Forbes
Unit Manager: Tic Carroll
Assistant Unit Manager: Andrew Hayes
Additional Film Editor: Joseph Jett Sally
1st Assistant Editor: Cheryl Nardi
Loc. 1st Ass't Editor: Jason Ballantine ACE ASE
Post Production Assistant: Brett Fallentine
Loc. 1st Apprentice Editor: John Gerald Briggs
Technical Supervisor: Michael Blanchard
Post Production Supervisor: Jamie Forester
Tape-To-Tape Colorist: Jamey Hopper
ILM Visual FX Executive Producer: Denise Ream
ILM VFX & Animation Producer: Janet Lewin
ILM Visual Effects Producer: Jill Brooks
ILM CG Supervisors: Russell Earl, John Helms, Craig Hammack, Hilmar Koch, Patrick T. Myers, David Meny
ILM Lead Animators: Tim Harrington, Scott Benza, Paul Kavanagh, Glen McIntosh
ILM Digital Comp Supervisors: Eddie Pasquarello, Patrick Tubach
ILM Technical Animation Supervisor: Jim Tooley
ILM Digital Modeling Supervisor: Pamela Choy
ILM Creature Supervisor: Aaron Ferguson
ILM Viewpaint Supervisors: Ron Woodall, Elbert Yen
ILM Simulation Supervisor: Juan Luis Sanchez
ILM Layout Supervisor: Brian Cantwell
ILM Look Development Supervisor: Kevin Reuter
ILM Practical Model Supervisor: Brian Gernand
ILM VFX Concept Designer/Art Dir.: Alex Jaeger
ILM Visual Effects Art Director: Aaron McBride
ILM Miniatures & Stage Associate Producer: Lori Arnold
ILM Inferno Supervisor: Grady Cofer
ILM Digital Matte Supervisor: Jonathan Harb
ILM DCM Supervisors: Paul Giacoppo, Sunny Wei
ILM Creature Viewpaint Supervisor: Susan Ross
ILM Seq. Supervisors & Dev Leads: Russell Paul, Michael Balog, Francois Lambert, Doug Sutton, Bruce Powell, Michael Conte
ILM Pre-Production CG Supervisor: Samir Hoon
ILM Motion Capture Supervisor: Doug Griffin
ILM 3D Matchmove Supervisor: Jason Snell
ILM Senior Visual Effects Editor: Greg Hyman
ILM Rotoscope Supervisors: Beth D'Amato, Jack Mongovan
ILM Visual Effects Editor: Anthony Pitone
ILM Conform Supervisor: Paul Hill
ILM Animation Prod Manager: Susan Greenhow
ILM Digital Color Timer: Kent Pritchett
ILM Lead Digital Matte Artists: Yanick Dusseault, Brett Northcutt
ILM Digital Matte Artist: Richard Bluff
ILM VFX Coordinators: Jessica Teach, David Gray, Nina Fallon, Leigh Ann Fan, Kathleen Lynch, Will Tlusty
ILM VFX Production Ass't: Katherine Farrar Bluff
ILM Lead Model Makers: Michael Lynch, Nicholas D'Abo
ILM FX Unit 1st Ass't A Cam: Michael Hardwick
ILM FX Unit 1st Ass't B Camera: Dennis Rogers
ILM Lead Vision Engineer: Robert Frey
ILM Model Unit SFX Supervisors: Rob Clot, Frank W. Tarantino
ILM Javva the Hut Operator: Michael Smith
Sound Editor/Re-Recording Mixer: Tom Myers
Dialogue Editor/Re-Record Mixer: Christopher Scarabosio
Music Re-Recording Mixer: Andy Nelson
Supervising Sound Editor: Matthew Wood
Sound Effects Editor: Teresa Eckton
Supervising 1st Ass't Editor (Sound): Coya Elliott
1st Assistant Sound Editor: David Acord
Supervising Music Editor: Ken Wannberg
Music Editor: Ramiro Belgardt
Music Librarians: Mark Graham, David Hage
Scoring Engineer: Shawn Murphy
Corus Director (Music Score): Terry Edwards
PM (Add'l Shooting Crew - UK): Brian Donovan
Art Director (Add'l Shoot Crew - UK): David Lee
Gaffer (Add'l Shooting Crew - UK): Dave Smith
PCs (Add'l Shooting Crew - UK): Helen Gregory, Siobhan Lyons
APC (Add'l Shooting Crew - UK): Victoria Morgan
1st AD (Add'l Shooting Crew - UK): Sue Wood
Director of Publicity: Lynne Hall
Prod Manager (China Shoot): Johnny Lee
Location Manager (China Shoot): Ben Liu
C Camera 1st AC (China Shoot): Noah Weinzweig
Prod Supervisor (Sicily Shoot): Guido Cerasuolo
Prod Coordinator (Sicily Shoot): Maria Novella Martinoli
A Camera 1st AC (Sicily Shoot): Marco Sgorbati
Loc Manager (Sicily Shoot): Maurizio Licciardello
Prod Man. (Switzerland Shoot): Sarka Sulcova
LM (Switzerland Shoot): Jean-Marie Gindraux
Prod Manager (Thailand Shoot): Piya Pestonji
A Cam 1st AC (Thailand Shoot): Theera Boonsri
Prod Man. (Tunisia Shoot): Abdelaziz Ben Mlouka
Art Director (Tunisia Shoot): Taieb Jallouli
1st Assistant Dir. (Tunisia Shoot): Moez Kamoun
Prod Coord. (Tunisia Shoot): Amel Becharnia
Finishing Colorist (Remaster): Mark Nakamine
Filming Dates: 30 June 2003 - 17 September 2003, August 2004 - 31 January 2005 (Additional Photography)
Camera: Sony CineAlta HDC-F950 (HDCAM SR)
Lenses: Fujinon Cine Super C- & E-Series Spherical Zooms
AR: 2.39:1 (Super 35mm)
Budget: 113 Million USD
Budget AFI (2021): 153.2 Million USD
Printed on: Kodak Vision 2383
Special Visual Effects & Animation Provided by: Industrial Light & Magic
Post Production Sound Services Provided by: Skywalker Sound
Music Score Recorded at: Abbey Road Studios
Music Score Performed by: London Symphony Orchestra
HD Conforming Provided by: Quantel
2012 3D Conversion Provided by: Prime Focus World
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Shot Entirely Digitally on CineAlta