The Works of Director James Wan
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- DirectorJames WanStarsCary ElwesLeigh WhannellDanny GloverTwo strangers awaken in a room with no recollection of how they got there, and soon discover they're pawns in a deadly game perpetrated by a notorious serial killer.Composer: Charlie Clouser
Cinematographer: David A. Anderson
Film Editor: Kevin Greutert
Production Designer: Julie Berghoff
Costume Designer: Jennifer L. Soulages
SFX Supervisor: Thomas Bellissimo
VFX Supervisor: Marlo Pabon
Stunt Coordinator: Keith Adams
Camera Operator: Jon Myers
2nd Unit DP: Andy Steinman
DI Colorist (2014 Digital Restoration): Mark Griffith
Filming Dates: 22 September 2003 - 11 October 2003
Cameras: Arriflex 35-III & Panaflex Platinum (35mm Kodak Vision2 500T 5218)
Lenses: Panavision Primo Spherical Primes & Ultra Speed MKII Spherical Primes
AR: 1.85:1 (Spherical)
Budget: 1.2 Million USD
Budget AFI (2021): 1.6 Million USD
Printed on: Fuji Eterna-CP 3513DI
Attribute: Filmed with Panavision Cameras and Lenses - DirectorJames WanStarsRyan KwantenAmber VallettaDonnie WahlbergAfter his wife meets a grisly end, Jamie Ashen returns to his hometown of Ravens Fair to find answers. His investigation leads him to the ghost of a ventriloquist named Mary Shaw who seems to have ties to his entire family treeComposer: Charlie Clouser
Cinematographer: John Leonetti ASC
Film Editor: Michael N. Knue
Production Designer: Julie Berghoff
Costume Designer: Denise Cronenberg
VFX Supervisor: Aaron Weintraub
VFX Executive (Universal Studios): Jennifer C. Bell
DI Colorist: Walter Volpatto
DI Editor: John Daro
Stunt Coordinator: Shelley Cook
Assistant Stunt Coordinator: John Stoneham Jr
A-Camera Operator: Robert Stecko
B-Camera Operator: Dave Sheridan
C-Camera Operator/Additional DP: Michael Carella
Underwater Unit Camera Operator: Robert C. Shannon
Aeriel DP: Mark Hyrma
Filming Dates: July 2005 - August 2005
Cameras: Panaflex Platinum (35mm Kodak Vision2 500T 5218)
Lenses: Panavision Primo Spherical Primes
AR: 2.35:1 (4-Perf Super 35mm)
Budget: 20 Million USD
Budget AFI (2021): 25.5 Million USD
Attribute: Filmed with Panavision Cameras and Lenses - DirectorJames WanStarsKevin BaconJohn GoodmanKelly PrestonNick Hume is a mild-mannered executive with a perfect life, until one gruesome night he witnesses something that changes him forever. Transformed by grief, Hume eventually comes to the disturbing conclusion that no length is too great when protecting his family.Composer: Charlie Clouser
Cinematographer: John Leonetti ASC
Film Editor: Michael N. Knue
Production Designer: Julie Berghoff
Costume Designer: Kristen M. Burke
Stunt Coordinator/2nd Unit Director: Steven Ritzi
A-Camera Operator: Michael St. Hilaire
B-Camera Operator: Thom Owens
DI Artist: Walter Volpatto
Filming Dates: 15 September 2006 - 10 November 2006
Camera: Arricam ST (35mm Kodak Vision2 500T 5218)
AR: 1.78:1 (One Scene), 2.35:1 (3-Perf Super 35mm)
Budget: 20 Million USD
Budget AFI (2021): 25.5 Million USD
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Camera Equipment Provided by Leonetti Company - DirectorJames WanStarsPatrick WilsonRose ByrneTy SimpkinsA family looks to prevent evil spirits from trapping their comatose child in a realm called The Further.Film Editors: James Wan, Kirk M. Morri
Composer: Joseph Bishara
Cinematographers: John Leonetti ASC, David M. Brewer
Production Designer: Aaron Sims
Art Director: Jennifer Spence
Costume Designer: Kristen M. Burke
Stunt Coordinator: Scott Leva
Additional DP: John Darko
DI Artist: Mark Griffith
Camera: Red One MX (4.5K Redcode RAW)
AR: 2.35:1 (Super 35mm)
Budget: 1.5 Million USD
Budget AFI (2021): 1.8 Million USD
Attribute: Shot on Red - DirectorJames WanStarsPatrick WilsonVera FarmigaRon LivingstonParanormal investigators Ed and Lorraine Warren work to help a family terrorized by a dark presence in their farmhouse.Composer: Joseph Bishara
Additional Music: Mark Isham
Cinematographer: John Leonetti ASC
Film Editor: Kirk M. Morri
Production Designer: Julie Berghoff
Costume Designer: Kristen M. Burke
SFX Supervisor: David Beavis
VFX Director: Chris Schnitzer
VFX Supervisor: Ray McIntyre Jr
Stunt Coordinator/2nd Unit Director: Norb Phillips
B-Camera Operator: Darrell Sheldon
Steadicam Operator: Mark Meyers
DI Artist: Mark Griffith
Consultant: Lorraine Warren
Filming Dates: 22 February 2012 - 26 April 2012
Camera: Arri Alexa (2.8K ARRIRAW)
Lenses: Leitz Summilux-C Primes & Fujinon Premier Zooms
AR: 2.35:1 (Super 35mm)
Budget: 20 Million USD
Printed on: Kodak Vision 2383
Attribute: Camera Systems by Otto Nemenz - DirectorJames WanStarsPatrick WilsonRose ByrneBarbara HersheyThe Lamberts believe that they have defeated the spirits that have haunted their family, but they soon discover that evil is not beaten so easily.Composer: Joseph Bishara
Cinematographer: John Leonetti ASC
Cinematographer (Title Sequence): Scott Thiele
Film Editor: Kirk M. Morri
Production Designer: Jennifer Spence
Costume Designer: Kristen M. Burke
VFX Supervisor: Ray McIntyre Jr
A-Camera Operator: Darrell Sheldon
B-Camera/Steadicam Operator: Mark La Bonge
Aeriel DP: Richard Robin Roles
DI Colorist: Mark Griffith
Filming Dates: 28 January 2013 - 5 March 2013
Camera: Arri Alexa (2.8K ARRIRAW)
Lenses: Cooke 5/I Primes
AR: 2.35:1 (Super 35mm)
Budget: 5 Million USD
Printed on: Kodak Vision 2383
Attribute: Camera Equipment Provided by Alternative Rentals - DirectorJames WanStarsVin DieselPaul WalkerDwayne JohnsonDeckard Shaw seeks revenge against Dominic Toretto and his family for his comatose brother.Producer: Vin Diesel
Composer & Orchestra Conductor: Brian Tyler
Costume Designer: Sanja Milkovic Hays
Production VFX Supervisors: Michael J. Wassel, Kelvin McIlwain
Film Editors: Leigh Folsom Boyd ACE, Kirk M. Morri, Christian Wagner, Dylan Highsmith
Production Designer: Bill Brzeski
Cinematographers: Stephen F. Windon ASC ACS, Marc Spicer ACS
Cinematographer, Add'l Photog: Tony Cutrono
Writer & Executive Producer: Chris Morgan
Producer & Unit Prod Manager: Michael Fottrell
1st Assistant Director: Albert Cho
2nd Assistant Director: Jeff Bilger
Super. Stunt Coord. & 2nd Unit Director: Spiro Razatos
Stunt Coordinators: Oak Lehman, Troy Robinson
2nd Unit Stunt Coordinator: Andy Gill
2nd Unit Director & Stunt Coordinator: Jack Gill
Fight Stunt Coordinator: Jeff Imada
Aerial Unit Picture Ship Pilot: Alan Purwin
Paul Walker Stand-Ins: Caleb Walker, Cody Walker
Production VFX Producer: Karen Murphy-Mundell
Co-Prod & Prod Supervisor: Adam McCarthy
Co-Producer: Brandon Birtell
Associate Producer: F. Valentino Morales
Consulting Producer: Hiram Garcia
Technical Advisor: John Rottger
Supervising Art Director: Desma Murphy
Art Directors: Jonathan Carlos, Alan Hook, Jay Pelissier
Set Decorator: Danielle Berman
Set Designers: Tim Earls, Sarah Forrest, Anne Porter
Storyboard Artists: John Fox, Robert Consing
A-Camera/Steadicam Operator: Geoffrey Haley SOC
B-Camera Operator: William O'Drobinak SOC
Add'l B-Camera Operator: Robert Arnold
C-Camera Operator: Mark Dobiecki
Add'l C-Camera Operator: Christopher Campbell
Add'l 2nd Ass't Camera: Andrew Dutton
Aerial Unit DoP: JT Holmes
Gaffer: Dan Cornwall
Key Grip: C. Alan Rawlins
Supervising SFX Coordinator: Daniel Sudick
Production SFX Consultant: Matt Sweeney
Production SFX Foremen: Michael Gaspar, John Cazin, David Heron, Steven Ficke, Eric Cook
Picture Car Coordinator: Dennis McCarthy
Add'l Film Editor: David Kern
Assistant Film Editors: Greg Thompson, Jesse Chapman
VFX Ass't Editor: John P. Husky
Co-Supervising Sound Editor: Joe Dzuban
Ass't Supervising Sound Editor: Paul Aulicino
Supervising Music Editor: Paul Rabjohns
Music Editors: Joe Lisanti, Matthew Llewellyn, Robb Boyd
Ass't Music Editor: Kyle Clausin
Digital Colorist: Tom Reiser
DI Producer: Loan Phan
Color Assistant: Andre Rivas
VFX Project Managers: Brian Han, Vanessa Galvez
DI Editor: Amy Pawlowski
Digital Ass't Producer: Lesley Nicolucci
Dailies Colorist: Gino Parano
Dailies Operator: Matt Wallach
Dailies Producer: Ken Lebre
LA Unit Production Supervisor: Deb Schwab
LA Race Wars 2nd Unit A-Cam Op/DoP: Chris Duskin
LA Unit A-Camera Operator: Martin Schaer
LA 2nd Unit A-Camera Operator: Mark Emery Moore
LA Unit B-Camera Operator: Henry Cline
LA Unit Add'l A-Camera Operator: Sarah Levy SOC
LA Unit Race Wars Consultant: Dana Zamalloa
LA Unit Gaffer: Michael Ambrose
LA Unit Rigging Gaffer: Duncan Sobel
Unit Production Manager (2nd Unit): Vincent Agostino
2nd Unit 1st Ass't Director: Nick Satriano
2nd Unit DoPs: Igor Meglic ZFS, Jacques Haitkin
2nd Unit Add'l DoP: Michael Giannantonio
2nd Unit Art Director: Brian Stultz
2nd Unit Prop Master: Douglas Madison
2nd Unit Set Decorator: Jon Danniells
2nd Unit Edge Camera Operator: Maurice Keith McGuire SOC
2nd Unit B-Camera Operator: Nino Pansini
2nd Unit B-Camera/Steadicam Operator: Henry Tirl
2nd Unit C-Camera Operator: Michael J. Walker SOC
2nd Unit Add'l Camera Operator: Bob Gorelick
2nd Unit A-Camera Operator: Greg Lundsgaard
2nd Unit Add'l B-Camera Operators: Denise Bailie, David Richert
2nd Unit Add'l C-Camera Operator: Andrew Crankshaw
2nd Unit Key 1st Ass't A-Camera: Greg Luntzel
2nd Unit Edge DoP: Greg Baldi
2nd Unit Edge Arm Camera Operator: Daniel Nichols
2nd Unit EFilm Data Cart Wrangler: Adam Eric Oliver
2nd Unit Aerial DoPs: Dylan Goss, Steve Koster
2nd Unit SFX Supervisor: Joel Mitchell
2nd Unit Edge Arm Operator: John Betancourt
Unit Production Manager (Abu Dhabi Unit: US): Michael J. Malone
Abu Dhabi Unit Political Consultant: Richard Klein
Abu Dhabi Unit 1st Ass't Director: Nico Marzano
Abu Dhabi Unit Art Director: Martin Sullivan
Abu Dhabi Unit Set Decorator: Claire Morrissey
Abu Dhabi Unit A-Camera Operator: Robert-James Bova
Abu Dhabi B-Camera Operator: Richard Latham
Abu Dhabi Unit 1st Ass't A-Camera: Matt Windon
Abu Dhabi Unit Gaffer: David Miles
Abu Dhabi 2nd Unit B-Camera Operator: Graham Almeida
Abu Dhabi Splinter Unit 1st AD: Jeremy Kincaid Smith
Abu Dhabi Splinter Unit 2nd AD: George Trummler
Abu Dhabi Splinter Unit B-Camera Operator: Riki Butland
Abu Dhabi Splinter Unit Key Grip: Boris Olomi
Unit/Location Manager (Abu Dhabi Splinter Unit): Theunis Du Plessis
Atlanta Unit Add'l Camera Operator: Richard Cantu
VFX Production Supervisor: Brian Shows
Production VFX Coordinators: Matthew Magnolia, Barry St. John, Dayaliyah Lopez, Devon Patterson, Helen Jen, Tom Rubendall
VFX Ass't Coordinators: Keith O'Hara, Keith Price, Amy Spanner, Chelsea Johnston
VFX On-Set Surveyor: Charles Clavadester
VFX On-Set Data Wranglers: Ron Underdahl, Matthew Eberle, Pasquale Greco, Pat Antonelli, Rick Shine, Allistair Jameson, Jean-Louis Darville
Abu Dhabi VFX Unit Lidar Technician: Chris Mills
Plate Unit 1st Ass't B-Camera: John Ellingwood
Plate Unit 1st Ass't A-Camera: Jennifer Bell-Price
Plate Unit 2nd Ass't A-Camera: Arturo Rojas, Doug Price
Production VFX Consultant: Dominique Derrenger
VFX In-House Compositors: Jeremy Burns, Mathias Frodin
Weta Senior VFX Supervisor: Joe Letteri
Weta VFX Supervisor: Martin Hill
Weta Animation Supervisor: Daniel Barrett
Weta VFX Producer: Martin Wiseman
Weta Executive VFX Producer: David Conley
Weta Head of VFX Production: Cyndi Ochs
Weta Lead CG Supervisor: Phillip Leonhardt
Weta Compositing Supervisor: Florian Schroeder
Weta DFX Producer: Jonny Doig
Weta Lead Facial Modeler: Alessandro Bonaro
Weta Animation Lead: Jonathan Paquin
Weta Lead Fur Groomer: Nicholas Wilson
Weta VFX Unit Camera Supervisor: Albrecht Steinmetz
Weta Lead Shader Writer: Olivier LeSaint
Weta Effects Supervisor: Jason Lazaroff
Weta Lead Creature TD: David Short
Weta Motion Capture Supervisor: Ben Murray
Weta Supervising VFX Editor: Matt Holmes
Weta VFX Editor: Ben Hatton
Weta CG Supervisors: Jeff Capogreco, Nick Epstein
Weta Animator: Dan Taylor
Weta Lead Compositors: David Scott, Ben Morgan, Ben Warner
Weta Creative VFX Art Director & Texture Supervisor: Gino Acevedo
Weta Digital Creature Supervisor: Simon Clutterbuck
Weta Shots R&D Supervisor: Nick McKenzie
Weta Environments Supervisors: Phil Barrenger, Stephen Unterfranz
Weta Digital Imaging Supervisor: Nick Booth
Weta Head of Compositing: Charles Tait
Weta VFX Production Managers: Anne Taunga, Samantha Haines, Brice Parker
Weta VFX Coordinator: Max McNair
WWM Miniature Unit Senior Effects Supervisor: Richard Taylor
WWM Miniature Unit Effects Supervisor: Paul Van Omen
WWM Models Supervisor: Alex Faulkner
WWM Head of Miniature Production: Grant Bensley
Weta Workshop Supervisor: Rob Gillies
WWM Production Supervisors: Holly Beals, Sadie Wilson
WWM Miniature Unit DoP: Alex Funke ASC
WWM Miniature Unit 1st AD: Robin Wilson
WWM Miniature Unit Gaffer: Byron Sparrow
WWM Miniature Unit SFX Supervisor: Steve Ingram
WWM Miniature Unit SFX Coordinator: Scott Harens
DD3.0 Senior VFX Supervisor: Swen Gillberg
Digital Domain VFX Supervisor: Jay Barton
DD3.0 Senior VFX Producer: Kelly L'Estrange
Digital Domain VFX Producer: James Fox
Digital Domain CG Supervisor: Alex Wang
DD3.0 Compositing Supervisor: Michael Maloney
DD3.0 Digital Production Manager: Amy Jones
DD3.0 DFX Supers: Darren Hendler, Nikos Kalaitzidis
Digital Domain Associate Digital Production Manager: Ben Beavan
Digital Domain Pipeline Supervisor: Dean Broadland
Digital Domain On-Set Data Integrationist: Viki Chan
Digital Domain VFX Editors: Luke Butterton, Craig Sheppard
Digital Domain Software Developer: James Salter
Digital Domain Add'l Digital VFX Producer: Kevin Vanderjagt
Digital Domain Add'l Digital Production Managers: Charles Bolwell, Daniela Giangrande
Scanline VFX Senior VFX Supervisors: Jon Cowley, Danielle Plantec
Scanline VFX Producer: Lisa Spence
Scanline VFX CG Supervisor: Tyler Esselstrom
Scanline VFX Compositing Supervisor: Okan Ataman
Scanline VFX Sequence Supervisor: Nick Crew
Scanline VFX Supervisor: Roland Langschwert
Scanline VFX Executive Producers: Joel Mendias, Jasmin Hasel
MPC Senior VFX Supervisor: Mark Curtis
MPC VFX Producer: Laura Schultz
MPC DFX Supervisor: David Seager
MPC 2D Supervisor: Sean Konrad
MPC CG Supervisor: Bryan Litson
MPC Animation Supervisor: Catherine Mullan
MPC VFX Production Manager: Sarah McLaughlan
MPC VFX Coordinator: Ali Greene
Rodeo FX VFX Executive Producers: Sebastien Moreau, Isabelle Langlois
Rodeo FX Head of VFX Development: Jordan Soles
Rodeo FX VFX Supervisor: Laurent Spillemaecker
Rodeo FX VFX Producer: Audrey Boivin
Rodeo FX CG Supervisor: Sébastien Francoeur
Rodeo FX Compositing Supervisor: Xavier Froumond
Rodeo FX VFX Unit DoP: Robert Bock
Rodeo FX VFX Coordinator: Amelie Marcoux
Rodeo FX Lead Matte Painter: Eric Hamel
Rodeo FX Lead Matte Painting TD: Olivier Goulet
Rodeo FX Lead Matchmover: Etienne St-Laurent
Pixomondo VFX Producer: Julia Neighly
Pixomondo VFX Supervisors: Boris Schmidt, Frank Fieser
Pixomondo VFX Division VFX Supervisors: Thilo Ewers, Mihaela Orzea
Pixomondo VFX Production Manager: Alicia Drury
Pixomondo VFX Coordinators: John Baer, Johannes Bresser
Pixomondo VFX Compositing TD: Tun-En Chan
Pixomondo VFX CG Artist: Marc Joos
Pixomondo VFX Paint & Roto Supervisor: Lance Ranzer
Cantina VFX Supervisor: Tony Lupoi
Cantina VFX Producer: Donna Cullen
Cantina Executive VFX Producer: Sean Cushing
Post-Visualization Supervisors: Theresa Ellis Rygiel, Raul Moreno
Stereo D Executive Producer: William Sherak
Filming Dates: 28 September 2013 - 30 November 2013 (Pre-hiatus as a result of Paul Walker's unfortunate passing), 1 April 2014 - 10 July 2014 (Post-hiatus)
Cameras: Arricam LT, Arriflex 235, 35-III, 435, Bell + Howell Eyemo, Alexa XT, XT M, Red Epic Dragon & Sony CineAlta PMW-F55 (35mm Kodak Vision3 50D 5303/250D 5207, 2.8K ARRIRAW, 4K AXSM & 6K Redcode RAW)
Lenses: Panavision Primo Spherical Primes, Primo Compact Zoom, Arri Master Primes, Zeiss Ultra Primes, Fujinon Alura Zooms & Angenieux Optimo Zooms
AR: 2.39:1 (3-Perf/4-Perf Super 35mm)
Budget: 190-200 Million USD
Printed on: Kodak Vision 2383
Visual Effects Provided By: Weta Digital, Weta Workshop Miniatures, Digital Domain, Scanline VFX, Moving Picture Company, Rodeo FX + Cantina Creative
Additional Visual Effects Provided by: Lola VFX & Factory FX
3D Conversion Provided by: Stereo D
Attribute: Filmed with Panavision & Otto Nemenz Cameras and Lenses - DirectorJames WanStarsVera FarmigaPatrick WilsonMadison WolfeEd and Lorraine Warren travel to North London to help a single mother raising four children alone in a house plagued by a supernatural spirit.Composer: Joseph Bishara
Cinematographer: Don Burgess ASC
Film Editor: Kirk M. Morri
Production Designer: Julie Berghoff
Supervising Art Director: Andrew Rothschild
Los Angeles Set Decorator: Sophie Neudorfer
London Set Decorator: Liz Griffiths
Costume Designer: Kristen M. Burke
SFX Consultant/Supervisor: Matt Kutcher
UK Unit SFX Supervisor: Chris Reynolds
VFX Designer: Greg Strause
VFX Supervisor: Ariel Velasco-Shaw
Soho VFX Supervisor: Berj Bannayan
Additional VFX Supervisor: Colin Strause
Stunt Coordinator/Utility Stunts/2nd Unit Director: Norb Phillips
Water Stunt Coordinator: John Rottger
Chief Lighting Technician: Michael Bauman
1st Assistant B-Camera: Simon Hume
A-Camera/Steadicam Operator: Matthew Moriarty
B-Camera Operator: Peter Olney
B-Camera Operator/2nd Unit DP: Michael Burgess
UK Unit Camera Operator: Ian Fox
UK Unit Camera/Steadicam Operator: Pete Cavaciuti
Key Grip: Michael J. Coo
Additional DP: Eddie Reid IV
DI Colorist: Mark Griffith
Consultants: Lorraine Warren, Janet Winter, Billy Hodgson, Margaret Nadeem
Filming Dates: September 21, 2015 - December 1, 2015
Camera: Alexa XT (2.8K ARRIRAW)
Lenses: Panavision/Leitz Summilux-C Primes
Budget: 40 Million USD
Attribute: Filmed in Panavision - DirectorJames WanStarsJason MomoaAmber HeardWillem DafoeArthur Curry, the human-born heir to the underwater kingdom of Atlantis, goes on a quest to prevent a war between the worlds of ocean and land.Story Writer: James Wan
Screenwriter: David Leslie Johnson-McGoldrick
Co-Writer: Will Beall
Producer: Peter Safran
Executive Producers: Zack Snyder, Deborah Snyder
Cinematographer: Don Burgess ASC
Cinematographer (Newfoundland Plate Shot Unit): Christopher Ball CSC
Cinematographer (Morocco & Italy Plate Units): Eric Biglietto
Cinematographer (Add'l Photography): Jaron Presant ASC
Production Designer: Bill Brzeski
Film Editor: Kirk Morri
Composer: Rupert Gregson-Williams
Composer (Trench Sequence): Joseph Bishara
Add'l Composers: Evan Jolly, Sven Faulconer
Conductor/Orchestrator: Alistair King
Production VFX Supervisor: Kelvin McIlwain
Production VFX Producer: Kimberly Nelson
Costume Designer: Kym Barrett
2nd Unit Director: John Mahaffie NZCS
Unit Production Manager: Anne Bruning
1st Assistant Director: Simon Warnock
2nd Assistant Director: Deborah Antoniou
ILM Senior VFX Supervisor: Jeff White
Scanline VFX Senior VFX Supervisor: Bryan Hirota
Stunt Coordinators: RA Rondell, Kyle Gardiner
Fight Coordinator: Jon Valera
Supervising Art Director: Richard Hobbs
Art Directors: Desma Murphy, Michelle McGahey, Bill Booth
Visual Consultant: John Fox
A-Camera/Steadicam Operator: Peter McCaffrey
B-Camera Operator: Michael Burgess
C-Camera Operator/Insert Unit DoP: Calum McFarlane
Add'l Camera Operator: Darrin Keough
Main Unit Drone Camera Operator: Robert Stagg
1st Assistant Editor: Carlos M. Castillon
Production VFX Editors: Brad Minnich, Jeremy Bradley, Paul Parsons, Rolf Fleischmann
VFX Ass't Editors: John P. Husky, Tom Erickson
2nd VFX Supervisor: Charles Gibson
Production VFX Consultant: James E. Price
Add'l VFX Supervisor: Jim Berney
Add'l VFX Producers: Alex Bicknell, Tricia Mulgrew, Crystal Dowd
Visual Effects Co-Producers: Patrick Hurd, Christine Felman
VFX Associate Producer: Sarah Stiteler
VFX Production Supervisor: Ilene Kim
Production VFX Coordinators: Sofia Portantino, Zahida Bacchus
VFX Ass't Coordinators: Albert Whitemore, Derek Fortuna, Mandee Youse
VFX Data Coordinator: Aaron C. Cornwall
VFX Digital Production Supervisor (VFX Australian Unit): Daniel Chavez
VFX Production Supervisor (VFX Australian Unit): Louise McNicholl
VFX Lead Data Wrangler (VFX Australian Unit): Shyam Yadav
VFX Coordinator (VFX Australian Unit): Jodie Weston
VFX Ass't Coordinator (VFX Australian Unit): Danielle Sturton
Stereo Supervisor: Marcus Alexander
Stereo Producer: Nicole Rowley
Stereo Production Supervisor: Katie Hoyt
Stereo Editor: Brett Schlaman
Stereo Coordinator: Hailie Yang
Production Supervisor: Nicholas Copping
Set Decorator: Bev Dunn
Chief Lighting Technician: Shaun Conway
Rigging Gaffer: Craig Clark
Production SFX Supervisor: Brian Cox
SFX Ass't Supervisors: Bruce Bright, Jim Leng, Clint Ingram, Thomas Van Koeverden, Albert Payne, Ray Purkis
Production SFX Coordinator: Leanna Brooks
DI Senior Colorist: Mark Griffith
DI Colorist: Philip Beckner
DI Producer: Pamela Scott-Farr
2nd Unit DoP: David Burr ACS
2nd Unit 1st Ass't Director: PJ Voeten
2nd Unit A-Camera Operator: Jack Wareham
2nd Unit B-Camera Operator: Greg Gilbert
2nd Unit 2nd Ass't Director: Jo Suna
2nd Unit Chief Lighting Technician: Reg Garside
2nd Unit Ass't Chief Lighting Technician: Grant Warren
2nd Unit Art Director: Mark Dawson
2nd Unit Underwater DoP: Roger Buckingham
2nd Unit SFX On-Set Supervisor: Robert Heggie
Add'l Photography Unit Production Manager (2nd Unit): Victor Ho
Newfoundland Plate Shot Unit Associate Producer: Mark O'Neill
Newfoundland Plate Shot Unit Production Manager: Lynn Andrews
Newfoundland Plate Shot Unit 1st AD: Terry Stone
Newfoundland Plate Shot Unit 1st AC: Eddy McInnis
Newfoundland Plate Shot Unit Shotover Technician: Dane Bjerno
Morocco Plate Unit Line Producer: Khadija Alami
Morocco Plate Unit Production Manager: Louis Lewarne
Morocco Plate Unit Production Coordinator: Hajar Belkasmi
Morocco Plate Unit B-Camera Operator: Lilia Sellami
Morocco Plate Unit SFX Supervisor: Vladislav Lazov
Italy Plate Unit Line Producer: Enzo Sisti
Unit Production Manager (Italy Plate Unit): Fabrizio Cerato
Sicily Production Coordinator (Italy Plate Unit): Eleonora Spadaro
ILM VFX Supervisors: Tim Alexander, Philippe Rebours, Alex Prickard
ILM Animation Supervisors: Cedric Lo, Kim Ooi
ILM VFX Producer: David Fox
ILM Add'l VFX Supervisor: Matthew Lane
ILM CG Supervisors: Rhys Claringbull, Barry Kane, Mathias Lautour
ILM VFX Art Director: Fred Palacio
ILM Compositing Supervisors: Vincent Papaix, Paolo Acri
ILM VFX Associate Producer: Maggie Leung
ILM VFX Production Supervisors: Claudia Li, Ale Melendez, Rachel Reed, Shawn Smolensky
ILM VFX Editors: Zack Mazerolle, Katrina Taylor
ILM VFX Production Accountant: Jayne Pong
ILM VFX Executive Producer: Gretchen Libby
ILM Consulting VFX Supervisors: John Knoll, Nigel Sumner
ILM Executive in Charge of Visual Effects: Luke Hetherington
ILM SVP, CCO of Visual Effects: Rob Bredow
ILM VFX Supervising Producers: Erin Dusseault O'Connor, Susan Greenhow
Scanline VFX & MPC Senior Animation Supervisor: Clement Yip
Scanline VFX Supervisor: Roland Langschwert
Scanline VFX Producer: Julie Orosz
Scanline VFX DFX Supervisor: Julius Lechner
Scanline VFX Art Director: Claas Henke
Scanline VFX Associate Producers: Katharina Kebler, Robert Schajer
Scanline VFX Animation Supervisor: Eric Petey
Scanline VFX Senior CG Supervisor: Chris Mulcaster
Scanline VFX CG Supervisor: Andrew Roberts
Scanline VFX Compositing Supervisors: Matthew Giampa, Adam Balantine
Scanline VFX Pipeline Supervisor: Alex Branton
Scanline VFX Lead Modeler: Matthew Bullock
Scanline VFX Creative Director: Nick Crew
Scanline VFX Matchmove Supervisor: Evan Fraser
Scanline VFX FX Supervisor: Ivo Klaus
Scanline VFX Compositing Supervisor: Johannes Peter
MPC VFX Supervisor: Darren Poe
MPC VFX Producer: Thomas Tannenberger
MPC DFX Producer: Kevin Walter
MPC DFX Supervisor: Damien Stumpf
MPC Compositing Supervisor: Bill Eyler
MPC CG Supervisors: Ryan Mintenko, Francesco Pinto
MPC Animation Supervisor: Chris Paradis
MPC Supervising Digital Artist: Matthias Engstrom
MPC VFX Production Managers: Tobias Winblad, Melissa Tierney
Method Studios VFX Supervisor: David Nelson, Josh Simmonds, Craig Wentworth
Method Studios VFX Producers: Ineke Majoor, Laura Schultz
Rodeo VFX Senior VFX Supervisor: Sébastien Moreau
Rodeo VFX Producer: Don Kennedy
Rodeo VFX Supervisor: Philippe Soeiro
Rodeo VFX Compositing Supervisor: Julien Héry
Rodeo VFX CG Supervisor: Raphael Letertre
Rodeo VFX Project Manager: Nancy Lamontagne
Rodeo VFX Coordinators: Emilie Gagnon, Lisa Barbier
Rodeo VFX Lead CG Artist: Nathan Arbuckle
Rodeo VFX Lead Environment Artist: Sébastien Fernandez
Rodeo VFX Texture Supervisor: Daniel Lupien
Weta Senior VFX Supervisor: Joe Letteri
Weta VFX Supervisor: Daniel Macarin
Weta Compositing Supervisor: Robin Hollander
Weta VFX Production Manager: Ryan Heelan
Weta VFX Production Assistant: Lex de Vroomen
Weta Digital Compositors: Norman Cates, Gemma Cooper, Sergio Pickelny
Digital Domain VFX Supervisor: Jay Barton
Digital Domain VFX Producers: Ryan Wilk, Eric Kimelton
Digital Domain Previsualization Supervisors: Scott Meadows, Kevin Williams
Digital Domain DFX Supervisor: Hanzhi Tang
Luma Pictures Senior VFX Supervisor: Vincent Cirelli
Luma Pictures Animation Supervisor: Raphael A. Pimentel
Luma Pictures Associate VFX Supervisor: Jared Simeth
Luma Pictures Associate VFX Producer: Catherine Hughes
Luma Pictures Digital VFX Coordinator: Sheldon Neill
3rd Floor Global Head of Business Development: Dane Allan Smith
GENRE8 Stereo Supervisors: Ritesh Ricky Aggarwal, Jimmy Phillip
GENRE8 Stereo Producers: Paul Becker, Rohan Desai, Monika Hada
GENRE8 Stereo Production Supervisors: Gaurav Jain, Annsh Patel, Reshma Jhangimal
Filming Dates: 2 May 2017 - 21 October 2017
Cameras: Alexa Mini, SXT & Red Helium 8K (3.4K ARRIRAW & 8K Redcode RAW)
Lenses: Panavision Primo Spherical Primes & Primo 70 Primes
AR: 1.78:1 (IMAX 4K & Blu-Ray Version: Most Scenes), 1.90:1 (IMAX Digital Version: Most Scenes), 2.39:1 (Super 35mm/Panavision Super 70 Hybrid)
Budget: 160-200 Million USD
Main Visual Effects & Animation Provided by: Industrial Light & Magic, Scanline VFX, Moving Picture Company, Method Studios, Rodeo VFX, Weta Digital, Digital Domain + Luma Pictures
3D Conversion Provided by: Double Negative & Genre8
Attribute: Filmed in Panavision - DirectorJames WanStarsAnnabelle WallisMaddie HassonGeorge YoungMadison is paralyzed by shocking visions of grisly murders, and her torment worsens as she discovers that these waking dreams are in fact terrifying realities.Cinematographer: Michael Burgess
Composer: Joseph Bishara
Film Editor: Kirk M. Morri
Production Designer: Desma Murphy
Supervising Art Director: David Scott
Costume Designer: Lisa Norsia
Senior SFX Supervisor: Michael Meinardus
Senior VFX Supervisor: Ivan Busquets
ILM Effects Supervisor: Mihai Cioroba
ILM Animation Supervisor: Cedric Lo
VFX Producer: Brian Shows
Stunt Coordinator: Glenn Foster
Ass't Stunt Coordinator/Fight Coordinator: Loyd Bateman
Stunt Coordinator (Add'l Photography): Mark Norby
A-Camera/Steadicam Operator: Colin Anderson SOC
B-Camera Operator: Craig Bauer
C-Camera Operator: BJ McDonnell
2nd Unit DP: Eric Leach
Additional DPs: David O'Brien, Jeff Porter
Aeriel Unit DP: John Trapman
Senior DI Colorist: Mark Griffith
Filming Dates: September 24, 2019 - December 8, 2019
Camera: Alexa SXT (Digital)
Lenses: Panavision Primo Spherical Primes, PVintage Spherical Primes, Super & Ultra Speed MKII Spherical Primes
AR: 2.39:1 (Super 35mm)
Visual Effects Provided by: Industrial Light & Magic
Attribute: Filmed in Panavision® - DirectorJames WanStarsJason MomoaPatrick WilsonYahya Abdul-Mateen IIBlack Manta seeks revenge on Aquaman for his father's death. Wielding the Black Trident's power, he becomes a formidable foe. To defend Atlantis, Aquaman forges an alliance with his imprisoned brother. They must protect the kingdom.Producer: James Wan
Co-Writer: David Leslie Johnson-McGoldrick
Story Writer & Executive Producer: Jason Momoa
Producer: Peter Safran
Exec Producers: Zack Snyder, Deborah Snyder
Cinematographer: Don Burgess ASC
Cinematographer (NY Unit): James McMillan
Cinematographer (Thailand Unit): Wade Muller
Production Designer: Bill Brzeski
Costume Designer: Richard Sale
Composer: Rupert Gregson-Williams
Production Visual Effects Producer: Alex Bicknell
2nd Unit Director: John Mahaffie NZCS
1st Assistant Director: David Wex Wechsler
Stunt Coordinators: Steve Griffin, Jon Valera
Ass't Stunt Coordinators: Jason Oettle, Cameron Hilts
Stunt Floor Supervisor: Andy Pilgrim
Fight Coordinator: Akihiro Haga
Supervising Art Director: Tom Still
Senior Art Director: Nic Pallace
Art Directors: Gary Jopling, Joe Howard
Set Decorator: David Morison
Senior Set Designer: Clara Gomez del Moral
Set Designers: Marcus Lester-George, Alfredo Lupo
Junior Set Designer/Standby Art Director: Liam Morgan
Junior Set Designers: Gareth Palethorpe, Nick Ramsay
Creature Designers: Ken Barthelmey, Howard Swindell
Creature Effects Designer: Justin Raleigh
Concept Designer: Victor James Martinez
Art Producer: Yassmine Najime
Visual Consultant: John Fox
A Camera/Steadicam Operator: Peter Wilke
B Camera Operator: Matt Windon
B Camera/Steadicam Operator: Sean Savage
C Camera Operator: Jonathan Tyler
Add'l C Camera Operator: Richard Philpott
Main Unit Drone A Camera Operator: Rob Stagg
Post-Production Manager: Joshua Levinson
Production Special Effects Supervisor: Mark Holt
Special Effects Floor Supervisor: David Holt
Production Special Effects Coordinator: Lucy Thompson
Special Effects Assistant Coordinator: Eoin O'Meara
Picture Car Supervisor: Michael Geary
Crowd 2nd Assistant Director: James Chasey
Floor 2nd Assistant Director: James J. Reid
3rd Assistant Director: Mac Montero
Base 3rd Assistant Director: Csilla Tornallyay
2nd Unit 1st Assistant Director: Andy Madden
2nd Unit 2nd Assistant Director: Sam Barry-Parker
2nd Unit DoP: Josh Bleibtreu ASC
2nd Unit C Camera Operator: Tom Wade
Hawaii Unit Production Supervisor: Renee Confair
Hawaii Unit Art Director: Michael Gowen
Unit Production Manager (NY Unit): Daniel Hank
Lead Visualization Artist: Stuart Brown
ILM Visual Effects Supervisor: Ivan Busquets
DNEG Visual Effects Supervisor: Stuart Lashley
DNEG Visual Effects Producer: Mary Hayden
DNEG Visual Effects Executive Producer: Antonella Ferrari
DNEG Senior Visual Effects Editor: Abi Cadogan
Scanline VFX CG Supervisors: Matt Bullock, Mark Norrie
Scanline VFX Rigging Supervisor: Azadeh Iranban
Cinesite Visual Effects Supervisor: Rebecca Manning
Halon Previz Supervisor: Ryan A. McCoy
Halon Previz Producer: Richard Enriquez
Halon Previz Associate Producer: Josh John Simon
Halon Virtual Art Department Supervisor: Jess Marley
Halon Visualization Executive Producer: Chris Ferriter
Filming Dates: 28 June 2021 - 12 January 2022
Cameras: Alexa LF IMAX & Mini LF IMAX (4.5K ARRIRAW)
Lenses: Arri Signature Primes & Fujinon Zooms
AR: 1.90:1 (IMAX Version: Some Scenes), 2.39:1 (3-Perf Super 35mm)
Special Visual Effects & Animation Provided by: Industrial Light & Magic, Double Negative + Scanline VFX
Attribute: Filmed in IMAX