The Works of Director Damien Chazelle
List activity
72 views
• 1 this weekCreate a new list
List your movie, TV & celebrity picks.
5 titles
- DirectorDamien ChazelleStarsJason PalmerDesiree GarciaSandha KhinAfter connecting with the shy Madeline, a jazz trumpeter embarks on a quest for a more gregarious paramour, but through a series of twists and turns punctuated by an original score, the two lovers seem destined to be together.Writer, Producer, Cinematographer & Film Editor: Damien Chazelle
Composer: Justin Hurwitz
Co-Film Editor: William Adam Parker
Color Correction: Evan Schwenterly
AR: 1.37:1 (16mm Kodak Film Stock) - DirectorDamien ChazelleStarsMiles TellerJ.K. SimmonsMelissa BenoistA promising young drummer enrolls at a cut-throat music conservatory where his dreams of greatness are mentored by an instructor who will stop at nothing to realize a student's potential.Writer: Damien Chazelle
Producer: Jason Blum
Executive Producer: Jason Reitman
Cinematographer: Sharone Mier
Production Designer: Melanie Jones
Film Editor: Tom Cross ACE
Costume Designer: Lisa Norcia
Composer, Original Big Band Competition Pieces: Tim Simonec
Composer, Original Big Band Songs/Score: Justin Hurwitz
Music Supervisor: Andy Ross
Co-Producer/Music Consultant: Nicholas Britell
Casting Director: Terri Taylor CSA
A Camera / Steadicam Operator: Chris Squires
A Camera Operator: Jason Goebel
B Camera Operator: Eric Leach
Additional Camera Operator: Chris Lombardi
VFX Supervisor: Jamison Goei
Filming Dates: September 2013 - October 2013
Cameras: Arri Alexa & Canon EOS 7D (1080p/24 ProRes 4:4:4 & Canon H.264)[SxS Pro & HD Digital]
Lenses: Cooke Speed Panchro Primes, Leica Summilux-C SL Primes & Angenieux Optimo Zooms
AR: 2.39:1 (3-Perf Super 35mm)
Budget: 3.3 Million USD - DirectorDamien ChazelleStarsRyan GoslingEmma StoneRosemarie DeWittWhile navigating their careers in Los Angeles, a pianist and an actress fall in love while attempting to reconcile their aspirations for the future.Writer: Damien Chazelle
Prods: Fred Berger, Jordan Horowitz, Marc Platt, Gary Gilbert
Executive Producer/Unit PM: Michael Beugg
Cinematographer: Linus Sandgren ASC FSF
Production Designer: David Wasco
Film Editor: Tom Cross ACE
Costume Designer: Mary Zophres
Composer, Original Music & Score: Justin Hurwitz
Composers, Lyrics: Benj Pasek, Justin Paul
Executive Music Producer: Marius De Vries
Music Supervisor: Steven Gizicki
Production Choreographer: Mandy Moore
Casting: Deborah Aquila CSA, Tricia Wood CSA
First Assistant Director: Peter Kohn
Set Decorator / Director: Sandy Reynolds-Wasco
A Camera / Steadicam Operator: Ari Robbins
B Operator / Second Unit DoP: Davin Slininger
B / Steadicam Operator: Robert E. Arnold
A First Assistant Camera: Jorge Sanchez
Costume Designer & Stylist: Alex Angelino
Chief Lighting Technician: Brad Hazen
Picture Car Captain-Bridge Seq: Dennis McCarthy
VFX Supervisors: Chris LeDoux, Tim LeDoux, John Weckworth
Crafty Apes Composite Supervisor: Mark LeDoux
EFilm DI Senior Colorist: Natasha Leonnet
EFilm Dailies Colorist: Matt Wallach
Panavision VP of Opt. Engineering: Dan Sasaki ASC
Director of Prod, IMAX Version: Jason Pomerantz
Filming Dates: 15 August 2015 - October 2015
Cameras: Aaton A-Minima & Panaflex XL2 (16mm Kodak Vision3 500T 7219, 35mm 250D 5207 & 500T 5219)
Lenses: Panavision Primo ALZ11 Zoom, C-, Custom S16 C-, E-Series AL Primes, ATZ Zoom & AWZ2 Zoom
AR: 2.55:1 (4-Perf Anamorphic S35mm)(16mm Anamorphic: One Scene)
Budget: 30 Million USD
Printed on: Kodak Vision 2383
Digital Intermediate & Dailies by: EFilm & Company 3 London
Attribute: Filmed in Panavision - DirectorDamien ChazelleStarsRyan GoslingClaire FoyJason ClarkeA look at the life of the astronaut, Neil Armstrong, and the legendary space mission that led him to become the first man to walk on the Moon on July 20, 1969.Producer: Damien Chazelle
Screenwriter/Executive Producer: Josh Singer
Producers: Marty Bowen, Wyck Godfrey, Isaac Klausner
Executive Producer: Steven Spielberg
Executive Producer/Unit PM: Adam Merims
Cinematographer/A Op: Linus Sandgren ASC FSF
Cinematographer, Miniature Unit: Tim Angulo
Cinematographer, Stunt Unit: James King
Cinematographer, Splinter Unit: Matt Rudh FSF
Cinematographer, Aerial Unit: Dylan Goss
Cinematographer, Edge Crew: Ronald Hersey
Production Designer: Nathan Crowley
Film Editor: Tom Cross ACE
Costume Designer: Mary Zophres
Composer: Justin Hurwitz
Casting: Francine Maisler CSA
Overall Visual Effects Supervisor: Paul Lambert
Stunt Coord/Second Unit Dir: James Churchman
A Camera Operator: Bill McClelland
A Camera First Assistant: Jorge Sánchez
A Camera Second Assistant: Melissa Fisher
B Camera Operator: Davon Slininger
B Camera First Assistant: Andrew Hoehn Jr
B Camera Second Assistant: Paul E. Woods
Additional A Camera Operator: Bob Gorelick
Film Loader: Will Whittenburg
Aerial Unit Additional DoP: Steve Koster
Overall Special Effects Supervisor: J.D. Schwalm
Gaffer: Stephen Crowley
Key Grip: Anthony Cady
Soft Suns Consultant: David Pringle ASC
Georgian Unit B Cam Op: Brigman Foster-Owens
Custom Content Unit A Operator: James Sainthill
Miniature Effects Supervisor: Ian Hunter
DNEG DFX Supervisor: Tristan Myles
VID Creative Prod./Tech. Cons.: Fred Waldman
EFilm Supervising Colorist: Natasha Leonnet
EFilm|CO3 Dailies Colorist: Matt Wallach
EFilm Scanning/Recording Sup: Joachim Zell ASC
Filming Dates: October 2017 - February 2018
Shooting Formats: S16mm, 2-, 3, 4-Perf Super 35mm, 8-Perf VistaVision & 15-Perf IMAX
Cameras: Aaton A-Minima, Penelope, Xterà, Arricam LT, Arriflex 416 Plus, 435 & IMAX MSM 9802 (16mm, 35mm & 65mm)
Lenses: Arri Ultra 16 Primes, Kowa Prominar SL Primes, Canon 6.6-66mm Zooms, CT Vintage Series Ultra Primes, Fujinon Premier Cabrio 19-90mm Zooms & Hasselblad/Zeiss Primes
AR: 1.43:1 (IMAX Laser Version: Moon Landing Seq.), 1.78:1 (IMAX Blu-Ray & 4K UHD Version: Moon Landing Seq) 1.90:1 (IMAX Digital & Non-GT Laser Versions: Moon Landing Sequence), 2.39:1 (Most Scenes)
Shot on: Kodak Film (50D 7203, 250D 5207, 7207, 500T 5219 & 7219)
Budget: 59-70 Million USD
Visual Effects Provided by: DNEG
Digital Intermediate & Dailies by: EFilm|CO3 - DirectorDamien ChazelleStarsBrad PittMargot RobbieJean SmartA tale of outsized ambition and outrageous excess, it traces the rise and fall of multiple characters during an era of unbridled decadence and depravity in early Hollywood.Writer: Damien Chazelle
Producer: Marc Platt
Producer: Matthew Plouffe
Producer: Olivia Hamilton
Executive Producer/Key Unit PM: Michael Beugg
Exec. Producers: Tobey Maguire, Wyck Godfrey, Helen Estabrook
EPs: Adam Siegel, Jason Cloth, Dave Caplan
Co-Producers: Padraic Murphy, Jeffrey Harlacker
Director of Photography/"A" Cam Operator: Linus Sandgren ASC FSF
Director of Photography/Operator, "B" & Splinter Units: Davon Slininger
Director of Photography, EPK Camera: Dan DeJesus
Production Designer: Florencia Martin
Film Editor: Tom Cross ACE
Costume Designer: Mary Zophres
Composer, Music Producer, Orchestrator & Conductor: Justin Hurwitz
Dance Choreographer: Samantha Jo Moore
Casting Director: Francine Maisler CSA
First Assistant Director: Bob Wagner
Second Assistant Director: Robert E. Kay
On Camera Musician, Piccolo: Jeremy Lappit
On Camera Musician, Flute: Robert Verdi
On Camera Musicians, Oboes: Ken Foerch, Sean Franz
On Camera Musician, Bassoon: Jon Stehney
On Camera Musician, Steel Drums: Jalen Harvey
On Camera Musician, Theremin: Lara Wickes
On Camera Musician, Accordion: Andy Lederman
On Camera Musician, Erhu: Karen Ottosson
Key Stunt Coordinators: Doug Coleman, Whitney Coleman
Stunts/Fight Coordinator: Timothy Eulich
Assistant Dance Choreographer: Jillian Meyers
Sound Designer / Supervising Sound Editor / Re-Recording Mixer: Ai-Ling Lee
Supervising Sound Editor: Mildred Morgan
Re-Recording Mixer: Andy Nelson
Co-Executive Producer: Suraj Maraboyina
Associate Producer / Production Supervisor: Christa Vausbinder
Supervising Art Director: Eric Sundahl
Art Directors: Anthony Parrillo, Andrew Eure, Jason Perrine
Assistant Art Director: May Mitchell
Set Designers: Paul Sonski, Luis Hoyos, Chris Cortner
Graphic Artists: Kerry Hyatt, Phillip Young
Graphic Artist (Stills): Eric Rosenberg
Model Maker: David Moreau
Production Illustrator: Joanna Bush
Storyboard Artist: Jim Magdaleno
Art Department Coordinator: Heather Elwell
Researchers, Art Dept.: Damani Mangum, Linda Beugg
Film Clip Researcher: Deb Ricketts
Art Department Assistant: Olivia Ferguson
Set Decorator: Anthony Carlino
Set Dec Lead Person: Tyler Kettenburg
Set Dec Gangboss: Mark Boucher
On Set Dresser: Reid Joseph Embrey
Drapery Foreperson: Darren Hardy
Set Dec Assistant: Patrick Smith
Vintage Horn Consultant: Tim Gurney
Leading Steadicam Operator: Brian Freesh
Additional Steadicam Operator: Ari B. Robbins
"A" Camera First Assistant Photographer: Jorge Sanchez
"A" Camera Second Assistant Photographer: Lisa Guerriero
"B" Camera First Assistant Photographer: Jason Garcia
"B" Camera Second Assistant Photographer: Rochelle Brown
"A" & "B" Camera Film Loader: Erin Endow
"A" Camera Production Assistant: Mike Mentor
"B" Camera Production Assistant: Charli Shapiro
Video Assist Supervisor/Operator: Jeff Snyder
Video Assist Assistant Operator: George Gomez
Key Second Second ADs: Carly Sturgeon, David Marnell
Script Supervisor: Alicia Accardo
Post Production Supervisor: Jason Miller
Post Production Manager: Stephanie Rancier
First Assistant / Additional Editor: Ryan Chavez
Production Visual Effects Editor: Michael Nouryeh
First Assistant Editor: Sharia Lynn Davis
Second Assistant Editor: Phillip Trujillo Jr
Third Assistant Editor: Ben Grimm-Wilson
First Editorial Production Assist: Spencer Terry
Second Editorial Prod Assistant: Michael O'Meara
Production Sound Mixer: Steven Morrow
Boom Operator: Craig Dollinger
Utility Sound Technician: Bryan Mendoza
Chief Lighting Technician: Tony Bryan
Assistant Chief Lighting Technician: Mitch Pratt
Lead Set Lighting Technician: Amy M. Jackson
Set Lighting Technicians: Matt Coleman, Greg Ladwig
Lighting Console Programmer: Cameron Zetty
Additional LCPs: Christopher Ferguson, Jenna K. Pletcher
Chief Rigging Electrician/LT: John R. Manocchia
Assist Chief Rigging Technician: Jerry Gregoricka
Rigging Set Electrics / LTs: Shane Buttle, Ryan Jamison, Aaron Schulte, Steve Zvorsky
Period Lighting Fabricator: Samuel Scibetta
Fixtures Foreperson: John Jack Davies
Fixtures Technicians: Mark Hartman, Ziggy Fedone, Scott Young
Arcs Technician: Joel Potter
Key / First Company Grip: Anthony Cady
Second Company Grip: Jason Matt
"A" Camera Dolly Grips: Michael Wahl, Sean Devine
"B" Camera Dolly Grip: Steven Buehler
Rigging Key / First Company Grip: Adam W. Erler
Scorpio / Techno Crane Op: Bogdan Iofciulescu
Spydercam Technician: Craig Cooper
Edge Arm Operator #1: Michael Nelson
Edge Arm Operator #2: Kyle Padelford
Edge Arm Operator #3: Robert Petrin
Edge Technician: James 'Spud' Danicic
Production Senior Special Effects Supervisor / Coordinator: Elia P. Popov
Special Effects On Set Forepersons: Dave Pahoa, Adam Bedi
Special Effects Rigging Foreperson: Ryan Amborn
Lead Special Effects Technicians: Andrea Crookes, Andrew Squire
Production Special Effects Pyro Foreman: Alan Roberts
Production Special Effects Purchaser: Courtney Wilcox Allard
Production Senior Special Effects Laborer: Rob Rodriguez
Supervising Location Manager: Chris Baugh
Lead Assistant Location Manager / Office Coordinator: Jeanie Farnam
Production Location Scout: Lori Balton
Supervising Prop Master: Gay Perello
Production Prop Coordinator: Emily Joe
Technical Advisor, Prop Dept.: Steve Bonds
Assistant Costume Designer: Nomi Shichor
Costume Supervisors: Laura Wolford, Hope Slepak
Special Makeup Effects Designer: Arjen Tuitten
Makeup Effects Studio Coordinator: Linda Sturgeon
Mold Department Supervisor: Brian Rae
Special Makeup Effects Production Assistant: Samantha Rodes
Hair Background Supervisor: Aubrey Marie
Key Prod Coordinator: Joanne Oboyski-Battelene
Production Secretary: Alexandra Wintermute
Casting Associates: Molly Rose, Kathy Driscoll Mohler, Amber Wakefield
Casting Assistant: Kaley Boerneke
Extras Casting Dir's: Sande Alessi CSA, Shayne Hartigan
Extras Casting Assistants: Andrea Mendoza, Grant Crocker
Production Accountant: Matt Monaco
First Assistant Accountant: Alexis Tanasoca
Accounting Clerk: Rachel Yoffe
Payroll Accountant: Hiromi Marder
Payroll Assistant: Eric Behnke
Payroll Clerk: Dexter Charles
Coordinator, Wild Chickens / Assistant to Mr. Chazelle & Ms. Hamilton: Shelby Petta
Production Assistant: Jameson Everett
Choreography Production Assistant: Claire Ross
Production Dialogue Supervisor: Susan Dawes
Production Dialogue Editor: Helen Luttrell
Production ADR Editor: Teri E. Dorman
Production Sound Designer: Tobias Poppe
FX Editors, Sound Dept.: Lee Gilmore, Malte Bieler, Matt Cavanaugh
Overall Foley Supervisor: William J. Overstreet
Production Foley Editor: Matthew Harrison
Sound FX Recordists: John Paul Fasal, Tim Walston
First Assistant Sound Editor: Galen Goodpaster
OSU Foley Artist: Dan O'Connell, John Cucci MPSE
OSU Foley Mixers: Tavish Grade, Jack Cucci, Mikel Parraga-Wills
FSL Recordist: Luke Schwarzweller
FSL Re-Recording Engineer: Tom Lalley
VP, Fox post Sound Operations: Stacey Robinson
R.A.W. ADR Voice Casting Dir's: Ashley Lambert, Arianna Trames, Ranjani Brow
Transportation Coordinator: Al Burton
Transportation Captain: Adam Pinkstaff
Transportation Co-Captain: Angel DeSanti
Dispatcher, Transportation Dept.: Melissa Collins
Picture Car Coordinator: Rick Collins
Picture Car Foreperson: Erik Johnson
Unit Publicist: Heidi Falconer
EPK Producer: Craig L. Byrd
Technician, EPK Sound: Chris White
Still Photographer: Scott Garfield SMPSP
Historical Consultant: William Deverell
Technical Advisor: James Devers
Music Researcher: Sherwin Dunner
Intimacy Coordinator: Michael Arnold
Studio Teacher: Matt Barb
Animal Wrangler (Horses): Scott Perez
Animal Wrangler (Reptiles): Jules Sylvester
Animal Coordinator: Jennifer Henderson
Animal Wrangler Gangboss: Mark Warrack
COVID Compliance Supervisor: Ryan Sirico
COVID Compliance Assistant Supervisor: Heather Martin
Visual Effects Prod. Coordinator: Killian Huntley
ILM Senior Visual Effects Supervisor: Jay Cooper
ILM Senior Visual Effects Producer: Katherine Farrar Bluff
ILM Visual Effects Executive Producer: Luke O'Byrne
ILM Senior Animation Supervisor: Kevin Martel
ILM Lead Visual Effects Producer: Keith Anthony-Brown
ILM Compositing Supervisor: Shawn Mason
ILM CG Supervisor: Ebrahim Jahromi
ILM Digital Paint & Roto Supervisor: Trevor Hazel
ILM Senior Layout Supervisor: Tim Dobbert
ILM Visual Effects Editor: Maura Hogan
ILM Additional Plate Supervisors: Hayden Landis, Andrew Roberts
ILM Visual Effects Associate Production Manager: Sheldon Neill
ILM Visual Effects Production Coordinator: Cal Moreno
ILM Visual Effects Production Assistant: Stacey Suss
ILM Digital Leads: Lance Baetkey, Kevin Reuter
ILM Lead Digital Animator: Shawn Kelly
ILM Lead Digital Visual Effects Concept Generalist: Timothy Mueller
ILM Digital Layout Senior: Adam Blank
ILM Digital Senior Modeller: Krishnamurti Costa
ILM Digital Lead Compositor: Deron Hoffmeyer
ILM Digital Senior Compositor: Heath Kraynak
ILM Digital Layout Supervisor: John M. Levin
ILM Digital Texture Supervisor: Ben Neall
ILM Digital Rotoscope & Paint Lead: Sam Stewart
ILM Digital Creature Senior: Jonathan Sabella
ILM Digital Senior Creature TD: Waikit Wan
ILM Assistant Chief Counsel Lead: Dan Amin
ILM Chief Technology Officer: Frank Chardavoine
ILM Director, PR / Communications: Greg Grusby
ILM VP, Production & Executive Visual Effects Producer: Jeanie King
ILM Bidding Producer: Amber Wong
Production Senior Visual Effects Supervisor: John Weckworth
Whiskytree Visual Effects Supervisor / Producer: Jonathan Harb
Whiskytree Digital Paint / Roto Supervisor: Michael Honrada
Whiskytree Tools Developer: Paul Hudson
Whiskytree Compositing Supervisor: Michael Kennen
Whiskytree Production Manager: Emily Manheim
Whiskytree Ops Admin, Production Coordinator: Alanna Pickerell
Whiskytree Rotoscope Supervisor: Elsa Rodriguez
Whiskytree Compositor: Keith Simpson
Whiskytree Digital CG Supervisor: Ken Voss
Whiskytree Manager of Studio Operations: Lisa Wagner
Outback Post Digital Opticals Lead: Ron Barr
Outback Post Digital Producer: Kerry Peacock
Onyx VE Visual Effects Supervisor: John Stewart
Onyx VE Visual Effects Producer: Chapel Fogler
Onyx Visual Effects Coordinator: Taylor Carson
Onyx VE CG Supervisor: Michael Shelton
Onyx VE Matchmove Lead: Michael Maker
Onyx VE Lead Digital Compositors: Nina Harlan, Scott Gastellu, Mark Robben
Onyx VE Senior Digital Compositor: Mattaniah Yip
Company 3 Supervising Colourist: Matt Wallach
Company 3 Senior Finishing Producer: Loan Phan
Company 3 Senior Finishing Editor: Chris Doerr
CO3 Image Scientists: Michael Kannard, John Quartel
Company 3 Technologist: Michael Chiado
Company 3 Digital Restoration Lead: Wilson Tang
CO3 Finishing Executive: Sheryl Goodhead
CO3 Executive Producer: Stefan Sonnenfeld
Company 3 Lead Dailies Colorist: Jack Tashdjian
Company 3 Dailies Producer: Alexis Ross
Company 3 Dailies Technician: Evan Talianko
CO3 Dailies Workflow Specialist: Jon Mendenhall
Company 3 Dailies Film Scanner: Thomas Kuo
Company 3 Manager of Dailies: Leeza Diott
Company 3 Dailies Account Executive: Marc Ross
Company 3 VP of Global Dailies: Hunter Betts
Filmograph Title Designer: Aaron Becker
Filmograph Executive Producer: Seth Kleinberg
Filmograph Title Producer: Troy James Miller
Music Mixer & On Set Supervisor / Score Recordist: Nick Baxter
Music Mixer & On Set Supervisor / Score Recordist & Pro Tools Operator: Noah Hubbell
Supervising Music Editor: Jason Ruder
Production Music Editor: Lena Glikson
Assistant Music Editor: Victoria Ruggiero
FLMS Heads of Music Preparation: Gregory Jamrok, Abraham Libbos
Music Librarian/FLMS Head of Music Preparation: Josef Zimmerman
Score Recordists: Scott Michael Smith, Chandler Harrod, Johnny Morgan
Score Assistant Engineer: Justin Moshkevich
Scoring Stage Recordist: Keith Ukrisna
Atlas Lens Co. President / Lead Designer: Forrest Schultz
Filming Dates: 1 July 2021 - 21 October 2021
Cameras: Arricam LT, ST, Arriflex 435 ES + Bell & Howell Eyemo 2709 (35mm Kodak 50D 5203, 250D 5207, 200T 5213, 500T 5219 & Eastman Double-X 5222)
Lenses: Atlas Orion Series AL Primes, Zeiss Super Speed "B-Speed" SL Primes, B&L Super Baltar Primes, Angenieux HR Anamorphic Zoom + Cooke Anamorphic/I Zoom
AR: 1.33:1 (4-Perf Super 35mm: B&W Scenes), 2.39:1 (Anamorphic)
Budget: 78-110 Million USD
Printed on: Kodak Vision 2383
Financed in Association with: LiUna
Foley Services Provided by: One Step Up
Post Production Services Provided by: Fox Studio Lot
ADR Voice Casting by: R.A.W. Voice Casting
Security Services Provided by: Reel Security
Visual Effects & Animation by: Industrial Light & Magic, Whiskytree, Outback Post + Onyx Visual Effects
Color & Finish + Dailies Provided by: Company 3
Main & End Titles Designed & Produced by: Filmograph
Music Preparation for Pre-Records by: JoAnn Kane Music Services
Music Preparation by: Fine Line Music Services
Score Recorded at: Capitol Recording Studios, Barbra Streisand Scoring Stage (Sony), United Recording, Studio Ferber & The Vault Recording Studio
Film Processing & Prints by: FotoKem Burbank