The Works of Director Ridley Scott
Not including All the Invisible Children (2005)
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- DirectorRidley ScottStarsKeith CarradineHarvey KeitelAlbert FinneyFrance, 1801. Due to a minor perceived slight, mild-mannered Lieutenant d'Hubert is forced into a duel with hot-headed irrational Lieutenant Feraud. The disagreement ultimately results in scores of duels spanning several years.Camera Operator: Ridley Scott
Cinematographer: Frank Tidy ASC
Production Designer: Peter Hampton
Clapper Loader: Hugh Johnson
Focus: Adrian Biddle BSC
3rd Assistant Director: Peter Kohn
Dubbing Editor: Terry Rawlings ACE
Composer: Howard Blake
Film Editor: Pamela Power ACE
Costume Designer: Tom Rand
Production Manager: Peter Jaques
Camera(s): Arriflex 35-IIC, Panaflex-X, Gold, Panaflex & PSR R-200 (35mm)
Lenses: Panavision Super Speed MKII Spherical Primes
AR: 1.37:1 (Negative Ratio), 1.85:1 (Spherical: Intended Ratio)
Anecdote: Filmed with Panavision Cameras and Lenses - DirectorRidley ScottStarsSigourney WeaverTom SkerrittJohn HurtThe crew of a commercial spacecraft encounters a deadly lifeform after investigating a mysterious transmission of unknown origin.Composer: Jerry Goldsmith
Conductor: Lionel Newman
Executive Producer-Story Writer: Ronald Shusett
Co-Writer & Visual Design Consultant: Dan O'Bannon
Producers & Co-Writers: Walter Hill, David Giler
Associate Producer: Ivor Powell
Supervising Film Editor: Terry Rawlings ACE
Cinematographer-A Cam Op: Derek Vanlint CSC
Production Designer: Michael Seymour
Art Directors: Les Dilley, Roger Christian
Alien Designer: HR Giger
Alien Head Effects Creator: Carlo Rambaldi
Production SFX Supervisors: Brian Johnson, Nick Allder
Concept Artist: Ron Cobb
Production Manager: Garth Thomas
Floor Effects Supervisor: Allan Bryce
Second Film Editor: Peter Weatherley
Costume Designer: John Mollo
Set Decorator: Ian Whitaker
B Camera Operator: Eddie Collins
B Camera Focus Puller: Adrian Biddle BSC
Miniature Effects Unit DoP: Dennis Ayling
Miniature FX Unit A Cam Op: David Litchfield
Stunt Coordinator: Roy Scammell
Effects Unit DoP: Chris Williams
Film Editor (Director's Cut): David Crowther
2003 Digital Restoration Artist: Sarah McGrail
Sr Finishing Colorist (2019 Remaster): Stephen Nakamura
Filming Dates: 5 July 1978 - 2 October 1978
Cameras: Panaflex & PSR R-200 (35mm Eastman 100T 5247)
Lenses: Panavision C-Series Anamorphic Primes
AR: 2.20:1 (70mm Prints), 2.39:1 (Anamorphic)
Budget: 11 Million USD
Budget AFI (2021): 42.1 Million USD
2019 Remaster Provided by: Company 3
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed in Panavision - DirectorRidley ScottStarsHarrison FordRutger HauerSean YoungA blade runner must pursue and terminate four replicants who stole a ship in space and have returned to Earth to find their creator.Cinematographer: Jordan Cronenweth ASC
Production Designer: Lawrence G. Paull
Art Director: David L. Snyder
Set Decorator: Linda DeScenna
Additional DPs: Steven Poster ASC, Haskell Wexler ASC, Brian Tufano ASC
Effects DP: David K. Stewart
Green Screen DPs (2007 Final Cut Version): Tim Angulo, David Sanger
Matte DP: Robert Bailey
Camera Operators: Robert C. Thomas, Dick Colean, Albert Bettcher
1st Assistant Camera: Michael Genne
Special Photographic Effects Supervisors: Douglas Trumball ASC, Richard Yuricich ASC, David Dryer
VFX Supervisor: Ian Hunter
VFX Supervisor (2007 Final Cut Version): John Scheele
Composer: Vangelis
Supervising Film Editor: Terry Rawlings ACE
Film Editor: Marsha Nakashima
2007 Final Cut Film Editor: Gillian Hutshing
Additional Film Editor: Peter Hollywood
DI Colorist (2007 Final Cut Version): Stephen Nakamura
2007 Digital Restoration: Jill Bogdanowicz ASC
Costume Designer: Michael Kaplan
Co-Costume Designer: Charles Knode
Camera: Panaflex Gold (35mm/65mm Eastman 100T 5247)
Lenses: Panavision C-Series Anamorphic Primes & Super High Speed Anamorphic Primes
AR: 2.20:1 (70mm Prints), 2.39:1 (Anamorphic)
Anecdote: Filmed in Panavision - DirectorRidley ScottStarsTom CruiseMia SaraTim CurryA young man must stop the Lord of Darkness from destroying daylight and marrying the woman he loves.Cinematographer: Alex Thomson BSC
Production Designer: Assheton Gorton
Stunt Coordinator: Vic Armstrong
Additional DPs: Harry Oakes, Max Mowdray
Camera Operators: Peter MacDonald, Shaun O'Dell
Underwater Camera Operator: Jordan Klein Jr
Assistant Camera: Martin Hume
2nd Assistant Camera: Stefan Stankowski
1st Assistant Director: Garth Thomas
Composers: Tangerine Dream
Director's Cut Composer: Jerry Goldsmith
Supervising Film Editor: William D. Gordean ACE
Film Editor: Terry Rawlings ACE
Additional Film Editor: Pamela Power ACE
Costume Designer: Charles Knode
Camera(s): Arriflex 35-III & 35 BL3 (35mm)
Lenses: Cooke Xtal Xpress Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Anecdote: Filmed with JDC Cameras and Lenses - DirectorRidley ScottStarsTom BerengerMimi RogersLorraine BraccoA married New York cop falls for the socialite murder witness he's been assigned to protect.Cinematographer: Steven Poster ASC
Production Designer: James Bissell
Set Decorator: Linda DeScenna
Camera Operator: John Koester
1st Assistant Director: Joseph P. Reidy
Composer: Michael Kamen
Film Editor: Claire Simpson ACE
1st Assistant Film Editor: Sarah Thomas
Costume Designer: Colleen Atwood
Production Manager: Max Stein
Camera: Panaflex Gold & Platinum (35mm Fuji A 250T 8518)
Lenses: Panavision Ultra Speed MKII Spherical Primes
AR: 1.85:1 (Spherical)
Anecdote: Filmed with Panavision Cameras and Lenses - DirectorRidley ScottStarsMichael DouglasAndy GarciaKen TakakuraTwo NYC cops arrest a Yakuza member and must escort him when he's extradited to Japan.Directors of Photography: Jan De Bont ASC, Howard Atherton BSC
Production Designer: Norris Spencer
Stunt Coordinator/2nd Unit Director: Bobby Bass
Camera Operator/2nd Unit DP: Craig Haagensen
Additional DP:
Aerial DP: David B. Nowell ASC
Camera Operator: Alexander Witt ASC
Prosthetic Makeup Artist: Richard Alonzo
Composer: Hans Zimmer
Film Editor: Tom Rolf ACE
Additional Film Editors: William D. Gordean ACE, Jacqueline Cambas
Costume Designer: Ellen Mirojnick
Camera(s): Arriflex 35-III, Beaulieu Cine 8mm & Panaflex Platinum (8mm & 35mm Eastman 400T 5295/250D 5297)
Lenses: Panavision Ultra Speed MKII Spherical Primes & Cooke
AR: 2.20:1 (70mm Prints), 2.39:1 (Super 35mm)(Spherical: 8mm Footage)
Anecdote: Filmed with Panavision Cameras And Lenses - DirectorRidley ScottStarsSusan SarandonGeena DavisHarvey KeitelTwo best friends set out on an adventure, but it soon turns around to a terrifying escape from being hunted by the police, as these two women escape for the crimes they committed.Cinematographer: Adrian Biddle BSC
Production Designer: Norris Spencer
Stunt Coordinator/Player/2nd Unit Director: Bobby Bass
Aerial DP: David B. Nowell ASC
Camera Operator: Michael Scott SOC
Main Unit/2nd Unit Camera Operator: Alexander Witt ASC
1st Assistant Camera: Dan Mindel ASC BSC SASC
Composer: Hans Zimmer
Film Editor: Thom Noble ACE
Post-Production Supervisor: Garth Thomas
Costume Designer: Elizabeth McBride
Camera(s): Arriflex 35-III, Panaflex GII & Platinum (35mm Eastman EXR 100T 5248/EXR 500T 5296)
Lenses: Panavision C- & E-Series Anamorphic Primes
AR: 2.35:1 (Anamorphic)
Anecdote: Filmed in Panavision - DirectorRidley ScottStarsGérard DepardieuArmand AssanteSigourney WeaverChristopher Columbus' discovery of the Americas and the effect this has on the indigenous people.Cinematographer: Adrian Biddle BSC
Production Designer: Norris Spencer
2nd Unit Director/Director of Photography: Hugh Johnson
Camera Operators: Martin Kenzie BSC, David Worley
2nd Unit Camera Operator: Bob Smith
2nd Unit Clapper Loader: Adam Biddle
Focus Puller: Fraser Taggart
Assistant Director: Adam Somner
2nd Unit 1st Assistant Director: Kevin De La Noy
VFX Supervisor: Kent Houston
VFX Team Member: Janek Sirrs
Composer: Vangelis
Film Editor: William M. Anderson ACE
Costume Designer: Charles Knode
Co-Costume Designer: Barbara Rutter
Production Supervisor: Patrick Clayton
Camera(s): Panaflex Gold & Platinum (35mm Eastman EXR 100T 5248/EXR 500T 5296)
Lenses: Panavision C- & E-Series Anamorphic Primes
AR: 2.20:1 (70mm Prints), 2.35:1 (Anamorphic)
Anecdote: Filmed in Panavision - DirectorRidley ScottStarsJeff BridgesCaroline GoodallJohn SavageTeenage boys discover discipline and camaraderie on an ill-fated sailing voyage.Director of Photography: Hugh Johnson
Director of Photography, Additional Photography: Dan Mindel ASC BSC SASC
Production Designers: Peter Hampton, Leslie Tomkins
2nd Unit Director: David Tringham
2nd Unit DP: Stephen Smith
Underwater DP: Pete Romano ASC
Camera Operator: Bob Smith
Gyrosphere Camera Operator: Phil Pastuhov
Clapper Loader: Adam Biddle
Focus Pullers: Simon Hume, Graham Hall
Electrician: Scott Stuart
Electrician/Lighting Technician: White Squall
Lighting Technician: Craig Richards
Underwater Assistant Camera: Wayne Baker
Aerial 1st Assistant Camera: Richard Brooks Burton
2nd Assistant Director: Adam Somner
2nd 2nd Assistant Director: Darin Rivetti
VFX Supervisor: Kent Houston
VFX Team Member: Janek Sirrs
Composer: Jeff Rona
Score Producer/Additional Composer: Hans Zimmer
Film Editor: Gerry Hambling
Additional Film Editor: Michael Ellis
2nd Assistant Film Editor: David Feldman
Costume Designer: Judianna Makovsky
Unit Production Manager: Nigel Wooll
Cameras: Arriflex 35-III & Panaflex GII (35mm Eastman EXR 100T 5248/EXR 500T 5298)
Lenses: Panavision Primo Anamorphic Primes, Primo 40-200mm Anamorphic Zooms, Primo 50-500mm Zooms, Primo ALZ11 48-550mm Zooms & E-Series Anamorphic Primes
AR: 2.35:1 (Anamorphic)
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed in Panavision - DirectorRidley ScottStarsDemi MooreViggo MortensenAnne BancroftLt. Jordan, a US Navy topographic analyst, joins the US Navy Special Warfare Group and struggles to prove her worth in a unit dominated by men. But a cynical woman Texan senator has sold her out.Producers: Ridley Scott, Demi Moore, Suzanne Todd, Roger Birnbaum
Screenwriter: David Twohy
Executive Producer/Co-Writer: Danielle Alexandra
Co-Producer/Unit Production Manager: Nigel Wooll
2nd Unit Director (DC)/Cinematographer: Hugh Johnson
Cinematographer (2nd Unit; CA & Add'l Photography): Dan Mindel ASC BSC SASC
Production Designer: Arthur Max
Film Editor: Pietro Scalia ACE
Costume Designer: Marilyn Vance
Composer/Score Orchestrator: Trevor Jones
Associate Producer/1st Ass't Director: Terry Needham
Unit Production Manager: Michele Imperato
2nd Assistant Directors: Adam Somner, Darin Rivetti
A-Camera Operator: Craig Haagensen
B-Camera Operator: Terry Bowen
Set Decorator: Cindy Carr
Supervising Technical Advisor: Harry Humphries
Supervising Art Director: Bill Hiney
Aerial Unit Coordinator: David Paris
Aerial Unit DoP: David B. Nowell ASC
Aerial Unit B-Camera Operator: Brian Heller
Supervising Prop Master: Eric Bates
Gaffer: Chuck Finch
Production Supervisor: Dan Conroy
Production SFX Coordinator: Steven Galich
1st Assistant A-Camera: Tony Rivetti
1st Assistant B-Camera: Fred McLane
2nd Assistant A-Camera: Frank Parrish
2nd Assistant B-Camera: David Brink
Video Consultant: Will Fowler
Exec in Charge of Production: Ron Lynch
Add'l Film Editor: Pamela Power ACE
Associate Film Editor: Chris Innis
Post-Prod Supervisor: Michael Solinger
Prod Coordinator (London): Clare St. John
Prod Coordinator (DC): Alison Sherman
Art Director: Richard Johnson
Ass't Art Director: Bill Taliaferro
Set Designer: Thomas Minton
Rigging Gaffer: Craig Ligget
Stunt Coordinator: Phil Nielson
Co-Stunt Coordinator: Keith Woolard
Supervising Location Manager (DC & VA): Carol Flaisher
Technical Advisor (DC): Karin Cody
Rigging Gaffer (DC): Chris Walters
Ass't Art Director (DC): Rob Simons
Location Manager (FL & SC): Mary Morgan
Ass't Loc Manager (VA): John McSweeney
Production Manager (CA): Don Heitzer
Location Managers (CA): Ken Haber, Errol Reichow
1st Ass't A-Camera (CA): William M. McConnell
1st Ass't B-Cam (CA): John Skotchdopole
Art Director (CA): Virginia Weaver
Prop Master (CA): Allan J. Gordon
Special Consultant to Ridley Scott: Neville Schulman
Technical Lab Liaison (US): John Bickford
Technical Lab Liaison (UK): John Ensby
Color Timer: Paul Ensby
Music Supervisor: Kathy Nelson
Music Recording Mixer: Simon Rhodes
Add'l Music Recordist: Peter Cobbin
Score Orchestrators: Nick Ingman, Geoff Alexander, Julian Kershaw
Music Coordinator: Victoria Seale
Orchestral Contractor: Isobel Griffiths
Finishing Supervisors (Home Video Masters): Stefan Sonnenfeld ASC, Stephen Nakamura
Filming Dates: 8 April 1996 - August 1996
Cameras: Aaton 35-III, Arriflex 35-III, 435, Panaflex GII, Lightweight & Platinum (35mm Eastman EXR 100T 5248/Kodak Vision 500T 5279)
Lenses: Panavision Primo Anamorphic Primes & E-Series Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Budget: 50 Million USD
Budget AFI (2020): 80.7 Million USD
Score Recorded at: Abbey Road Studios
Shot on: Eastman Kodak Stock
Distributed by: Walt Disney Studios Motion Pictures
Home Video Masters Provided by: Company 3
Attribute: Filmed in Panavision (as Cameras and Lenses) - DirectorRidley ScottStarsRussell CroweJoaquin PhoenixConnie NielsenA former Roman General sets out to exact vengeance against the corrupt emperor who murdered his family and sent him into slavery.C-Camera Operator: Ridley Scott
Co-Writer: John Logan
Producer/Co-Writer: David Franzoni
Producer: Douglas Wick
Executive Producers: Walter Parkes, Steven Spielberg, Laurie MacDonald
Cinematographer: John Mathieson BSC
Production Designer: Arthur Max
Film Editor: Pietro Scalia ACE
Costume Designer: Janty Yates
Production VFX Supervisor: John Nelson
Composer: Hans Zimmer
Composer/Vocal Performer: Lisa Gerrard
Score Co-Producer/Add'l Composer: Klaus Badelt
Associate Producer/1st Ass't Director: Terry Needham
Stunt Coordinator: Phil Neilson
Unit Production Manager: Branko Lustig
2nd Assistant Director: Adam Somner
2nd Unit Director/Director of Photography: Alexander Witt ASC
A-Camera Operator: Peter Taylor
B-Camera/Steadicam Operator: Klemens Becker
A-Camera Focus Puller: Simon Hume
Chief Lighting Technician: Roger Lowe
Aerial Unit DoP: Jeremy Braben BSC
Aerial Unit SpaceCam Operator: Steve Koster
Production SFX & Prosthetic Supervisor: Neil Corbould VES
SFX Floor Supervisor: Paul Corbould
SFX Technician: Ian Corbould
SFX Test Technician: Malcolm Crash Corbould
Animatronics Supervisor: Kevin Herd
Animatronics Designer: Astrig Akseralian
Prosthetic Floor Supervisor: Michelle Taylor
Prosthetic Designer: John Schoonraad
Fight Master: Nicholas Powell
Ass't Fight Master: Andreas Petridas
Vehicles Art Director: Clifford Robinson
Consultant to Ridley Scott: Neville Shulman
Post-Production Executive: Martin Cohen
Post-Production Supervisor: Lisa Dennis Kennedy
Post-Production Coordinator: Lisa Marie Serra
Production VFX Editor: Wesley Sewell
2nd Unit A-Camera Operator: Clive Jackson
2nd Unit A-Camera Focus Puller: Keith McNamara
2nd Unit B-Camera Operator: Branko Knez
Malta Unit Production Manager: Dragan Josipovic
Malta Unit Supervising Art Director: John King
Malta Unit Art Director: Peter Russell
Malta Unit Set Decorator: Sonja Klaus
Malta Unit D-Camera & E-Camera Operators: Felix Schroer, Ben Gooder
Malta Unit SFX Supervisor: Trevor Wood
Malta Unit SFX Buyer: Cliff Corbould
Maltese Consultant (Malta Unit): Albert Galea
UK Unit Supervising Art Director: David Allday
UK Unit Art Director: Keith Pain
UK Unit Set Decorator: Jille Azis
UK Unit SFX Supervisor: David Hunter
Morocco Unit Production Managers: Peter Heslop, Zak Alaoui
Morocco Unit Supervising Art Director: Benjamin Fernandez
Morocco Unit Set Decorator: Elli Griff
Morocco Unit SFX Supervisor: Terry Glass
Mill Film VFX Supervisors: Tim Burke, Rob Harvey
Mill Film VFX Producer: Nikki Penny
Mill Film Executive VFX Producer: Robin Shenfield
Mill Film VFX Production Executive: Nancy St. John
Mill Film CG Supervisor: Lauren Huguenolt
Mill Film VFX Coordinators: Emma Norton, Lorea Hoye
Mill Film Effects Editor: Scott Anderson
Mill Film VFX Compositor: Simon Stanley-Clamp
Mill Film VFX Unit Camera Operator: Steven Hall
Mill Film Studio Effects Unit Cameraman: Malcolm Woodbridge
Senior Finishing Colorist (2018 Remaster): Stephen Nakamura
Filming Dates: 18 January 1999 - 29 May 1999
Cameras: Aaton 35-III, Arriflex 35-III, Panaflex GII & Platinum (35mm Eastman EXR 50D 5245/Kodak Vision 200T 5274)
Lenses: Panavision Primo Spherical Primes
AR: 2.39:1 (Super 35mm)
Budget: 103 Million USD
Budget AFI (2021): 166.2 Million USD
Printed on: Kodak Vision Premier 2393
Special Visual Effects Provided by: Mill Film
Score Recorded at: Air Lyndhurst Studios, London
2018 Remaster Provided by: Company 3
Attribute: Filmed with Panavision Cameras and Lenses - DirectorRidley ScottStarsAnthony HopkinsJulianne MooreGary OldmanLiving in exile, Dr. Hannibal Lecter tries to reconnect with now disgraced F.B.I. Agent Clarice Starling, and finds himself a target for revenge from a powerful victim.Executive Music Producer: Ridley Scott
Costume Designer: Janty Yates
Composer: Hans Zimmer
Add'l Score Arrangements: Steve Jablonsky, Geoff Zanelli, Jim Dooley
Film Editor: Pietro Scalia ACE
Supervising Production Designer: Diego Loreggian
Production Designer: Norris Spencer
Cinematographer: John Mathieson BSC
Executive Producer: Branko Lustig
Writers: David Mamet, Steven Zaillian
Associate Producer/1st Ass't Director: Terry Needham
Italy Unit Line Producer: Lucio Trentini
Unit Production Manager: Pamela Hochschartner
2nd Assistant Director: Adam Somner
Stunt Coordinator: Phil Neilson
A-Camera/Steadicam Operator: Klemens Becker
B-Camera Operator: David M. Dunlap
B-Camera/Steadicam Operator: Jim McConkey
C-Camera Operator/2nd Unit Director: Scooter Yancey
Production VFX Supervisor: Tim Burke
Production VFX Producer: Emma Norton
Production SFX Supervisor: Kevin Harris
Set Prop Master: David Durboraw
1st Assistant A-Camera: Simon Hume
1st Assistant B-Camera: Gary Dunham
2nd Assistant B-Camera: Marta Weiss
CG Designer/24-Frame Playback Technician: Paul Conti
Music Editors: Marc Streitenfield, Vicki Hiatt
Rigging Gaffer: Richie Ford
CAP Special Makeup Creator: Greg Cannom
CAP Prosthetic FX Supervisors: Brian Sipe, Wesley Wofford
CAP Production Supervisors: Mary Kim, Wendy McNeny
CAP Mold Shop Supervisor: Arthur Pimentel
CAP Operations Manager: Harvey K. Lowry
Creature FX Designer & Supervisor: Russell Shinkle
Co-Supervising Sound Editor: Karen M. Baker
Main Title Sequence Creator: Nicolas Livesey
2nd 2nd Ass't Director: Joe Incaprera
Add'l 2nd 2nd Ass't Dir: Julian Brain
Consultant to Ridley Scott: Neville Shulman
Int'l Distribution Consultant: John Matthew
Picture Car Coordinator: Mike Barbour
SFX Set Foreman: Durk Tyndell
SFX Shop Foreman: Pete Damien
Mill Film VFX Unit Motion Control DoP: Malcolm Wooldridge
Mill Film VFX Unit Motion Control Operator: Jay Mallet
Mill Film CG Supervisor: Laurent Hugueniot
Mill Film Lead CG Artist: Andy Feery
Mill Film CG Artists: Rob Allman, Greg Fisher, Chris Shaw
Mill Film 2D Supervisor: Richard Roberts
Mill Film Roto/Prep Artist: Steven Barnes
Mill Film I/O Supervisor: Tim Caplan
Mill Film VFX Editor: Nicholas Atkinson
Digiscope Digital VFX Producer: Lauren Lyn Schulman
Supervising Orchestrator: Bruce Fowler
2nd Unit Director/Director of Photography: Alexander Witt ASC
2nd Unit 1st Ass't B-Camera: Mason Hersey
2nd Unit 2nd Ass't B-Camera: Eric Turner
Florence Unit Production Manager: Stefano Spadoni
Unit Manager (Florence Unit): David Pash
Florence Unit Set Manager: Gianfranco DeRosa
Florence Unit Location Manager: Anna Nicolosi
Florence Unit Ass't Location Manager: Fabio Turchi
Florence Unit 2nd Ass't Director: Alberto Mangiante
Florence Unit Supervising Art Director: Pier Luigi Basile
Florence Unit Art Director: Marco Trentini
Florence Unit Set Designer: Alexandro Santucci
Florence Unit Set Decorator: Cinzia Sleiter
Florence Unit Prop Master: Antonio Fraulo
Florence Unit Add'l Camera Operator: Daniele Massaccesi
Florence Unit Add'l 1st Ass't Camera: Marco Sacerdoti
Florence Unit Add'l 2nd Ass't Camera: Francesco DiGiacomo
Florence Unit Add'l 3rd Ass't Camera: Francesco Pintore
Florence Unit AVID Assistant: Valerio Bonelli
Florence Unit Gaffer: Alberico Novelli
Florence Unit SFX Supervisor: Renato Agostini
Florence Unit 2nd 2nd Ass't Dir: Filippo Fassetta
Florence Unit 3rd Ass't Director: Emma Norton
Senior Finishing Colorist (2019 Remaster): Stephen Nakamura
Filming Dates: 8 May 2000 - 25 August 2000
Cameras: Arriflex 35-III, 435, 535B & Moviecam Compact (35mm Eastman EXR 50D 5245/Kodak Vision 250D 5246/500T 5279)
Lenses: Cooke S4 Primes, Zeiss Variable Primes, Century Swing & Tilt, Angenieux HR Zooms, Hawk Zooms & Cinespeed Primes
AR: 1.85:1 (Spherical)
Budget: 87 Million USD
Budget AFI (2022): 136.9 Million USD
Special Makeup Effects Created by: Captive Audience Productions
Visual Effects & Digital Main Title Sequence Composited by: Mill Film & Digiscope
Score Recorded at: Air Lyndhurst London
2019 Remaster Provided by: Company 3
Attribute: Cameras and Lenses by JDC Cameras - DirectorRidley ScottStarsJosh HartnettEwan McGregorTom SizemoreThe story of 160 elite U.S. soldiers who dropped into Mogadishu in October 1993 to capture two top lieutenants of a renegade warlord, but found themselves in a desperate battle with a large force of heavily armed Somalis.Screenwriter: Ken Nolan
Producer: Jerry Bruckheimer
Executive Producers: Simon West, Mike Stetson, Chad Oman
Executive Producer/Unit Production Manager: Branko Lustig
Cinematographer: Slawomir Idziak AIC
Production Designer: Arthur Max
Film Editor: Pietro Scalia ACE
Composer: Hans Zimmer
Costume Designers: Sammy Sheldon, David Murphy
Music Supervisors: Kathy Nelson, Bob Badami
Associate Producer/1st Ass't Director: Terry Needham
Associate Producers: Harry Humphries, Pat Sandston
Dedicated to: Elizabeth Jean Scott
Unit Production Manager: Pamela Hochschartner
2nd Assistant Director: Darin Rivetti
2nd Unit Director: Alexander Witt ASC
2nd Unit 1st Ass't Director: Adam Somner
Additional Unit Director: Nicholas Livesey
Production SFX Supervisor/Morocco Unit Prosthetics FX Supervisor: Neil Corbould VES
A-Camera/Steadicam Operator: Daniele Massaccesi
B-Camera Operator: Martin Kenzie BSC
Aerial Unit DoP: John Marzano
Associate Film Editor: Wesley Sewell
Post-Production Supervisor: Teresa Kelly
Production VFX Supervisor: Tim Burke
Production VFX Producer: Emma Norton
1st Assistant A-Camera: Tony Rivetti
2nd Assistant A-Camera: Fionn Comerford
2nd 2nd Ass't Director: Basil Bryant Grillo
SFX Test Technician: Malcolm Crash Corbould
Aerial Unit Coordinators: Marc Wolff, David Paris
Aerial Unit Cameraman: Michael Kelem
Consultant: Mark Bowden
Music Contractor: Sandy DeCrescent
2nd Unit Camera Operator: Ronald Hersey
2nd Unit Steadicam Operator: Zoran Mikincic
2nd Unit Action Vehicle Coordinator: Waldron LaMora
Morocco Unit Production Manager: Jamal Souissi
Morocco Unit SFX Coordinator: Carol McAulay
Morocco Unit Ass't SFX Supervisor: Paul Corbould
Morocco Unit SFX Floor Supervisor: Andrew Williams
Morocco Unit SFX Workshop Supervisor: David Brighton
Morocco Unit SFX Lead Senior Technician: Ian Corbould
Morocco Unit Prosthetics Ass't Supervisor: John Schoonraad
Morocco Unit Prosthetics Workshop Supervisors: Cliff Wallace, David Hunter
Mill Film Executive VFX Producer: Robin Shenfield
Mill Film Digital VFX Supervisor: Simon Stanley-Clamp
Mill Film CG Supervisor: Laurent Hugueniot
Mill Film VFX Production Supervisor: Susi Roper
Mill Film VFX Coordinator: Laya Armian
Asylum VFX Supervisors: Nathan McGuinness, David MV Jones
Asylum Executive VFX Producers: Blondel Aidoo, Emma McGuinness
Asylum VFX Producer: Lindsay Burnett
Asylum CG Producer: Jeff Werner
Asylum Inferno Artists: Phil Brennan, Jeff Olm
Telecine Colorist: Stefan Sonnenfeld ASC
Filming Dates: 3 March 2001 - July 2001
Cameras: Arriflex 35-III, 435 ES, Moviecam Compact & SL (35mm Eastman EXR 50D 5245/100T 5248/Kodak Vision 250D 5246/320T 5277/500T 5279)
Lenses: Zeiss Ultra Primes & Angenieux HR Zooms
AR: 2.39:1 (Super 35mm)
Budget: 92 Million USD
Budget AFI (2021): 144.4 Million USD
Printed on: Kodak Vision Premier 2393
Music Production Services Provided by: Media Ventures, Santa Monica, CA
Visual Effects Provided by: Mill Film & Asylum
Telecine Finish Provided by: Company 3
Attribute: Camera Systems, Grip & Electrical Equipment Provided by Arri/Munich - DirectorRidley ScottStarsNicolas CageAlison LohmanSam RockwellA phobic con artist and his protégé are on the verge of pulling off a lucrative swindle when the former's teenage daughter arrives unexpectedly.Cinematographer: John Mathieson BSC
Production Designer: Tom Foden
A-Camera Operator: Mitch Dubin SOC
Aerial SpaceCam Operator: Ralph Mendoza
1st Assistant Director: KC Hodenfield
2nd Assistant Director: Jeff Okabayashi
VFX Supervisor: Sheena Duggal
Composer/Arranger/Programmer: Hans Zimmer
Film Editor: Dody Dorn ACE
Costume Designer: Michael Kaplan
Set Production Assistant: Chris Castaldi
Camera: Panaflex Platinum (35mm Kodak Vision 500T 5279)
Lenses: Panavision C- & E-Series Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Anecdote: Filmed In Panavision - DirectorRidley ScottStarsOrlando BloomEva GreenLiam NeesonBalian of Ibelin travels to Jerusalem during the Crusades of the 12th century, and there he finds himself as the defender of the city and its people.Executive Producer/Unit Production Manager: Branko Lustig
Executive Producer: Terry Needham
Cinematographer: John Mathieson BSC
Production Designer: Arthur Max
Film Editor: Dody Dorn ACE
Composer/Conductor/Orchestrator: Harry Gregson-Williams
Costume Designer: Janty Yates
Music Supervisor: Marc Streitenfeld
Co-Producers: Mark Albela, Denise O'Dell
2nd Co-Producers: Henning Molfenter, Thierry Potok
1st Assistant Director: Adam Somner
2nd Unit Director/Director of Photography: Hugh Johnson
Supervising Art Directors: Marco Trentini, John King
Production SFX & Prosthetics Supervisor: Neil Corbould VES
Production VFX Supervisor: Wesley Sewell
Production VFX Producer: Victoria Alonso
Make-Up Designer: Paul Engelen
Stunt Coordinator: Phil Neilson
Associate Producers: Teresa Kelly, Ty Warren
Spain Unit Line Producer: Jose Luis Escobar
Morocco Unit Line Producer: Karim Abouobayd
Set Decorator: Sonja Klaus
Supervising Prop Master: Graeme Purdy
Hair Supervisor: Aldo Signoretti
Associate Film Editor: Keith Brachmann
Weapons Master: Simon Atherton
2nd Assistant Director: Ian Stone
Production Managers: Bruce Devan, Emily Stillman
A-Camera Operator: Martin Hume
B-Camera/Steadicam Operator: Daniele Massaccesi
C-Camera Operator: Chris Plevin
Focus Puller/1st Ass't A-Camera: Simon Hume
1st Assistant B-Camera: Ben Wilson
Focus Puller/1st Ass't C-Camera/2nd Unit Add'l Camera Operator: Marco Sacerdoti
1st Assistant D-Camera: James Needham
2nd Assistant A-Camera: Robert Palmer
2nd Assistant B-Camera: Basil Smith
Camera Loader: Lewis Hume
Post-Production Coordinator: David McKimmie
VFX Associate Producer: Tracey Gibbons
VFX Ass't Coordinator: Natalie Lovatt
Spain Unit Production Supervisor: Kimberley Ann Berdy
Unit Manager (Morocco Unit): Alex Corvan
Key Production Coordinator: Derek Vermaas
Morocco Unit Production Coordinator: Sandra Odelga
LA Unit Coordinator: Shane Starr
Ass't Production Coordinator: Fiona Garland
Co-2nd Ass't Directors: Emma Horton, William Dodds
Associate Military Costume Designer: David Crossman
Workshop Coordinator: Helen Smith
Set Dress Art Director: Robert Cowper
Morocco Unit Prop Master: Paul Purdy
Gaffer: Robert "Chuck" Finch
Rigging Gaffer: Paul Evans
Electrical Coordinator: Stephen Finch
Morocco Unit Practical Gaffer: Christopher Finch
SFX Ass't Supervisors: Paul Corbould, David Brighton
SFX Floor Supervisor: Ian Corbould
SFX Workshop Supervisor: Raymond Ferguson
SFX Office Coordinator: Corina Rosca
UK Unit SFX Office Coordinator: Gail Corbould
UK Unit SFX Buyer: Norman Baillie
SFX Storeman: Cliff Corbould
SFX Technician: Gareth Wingrove
Special Miniature Effects Senior Model Maker: Anne Marie Walters
Siege Weapons Construction Coordinator: Alain Brochu
SFX Art Director: Cliff Robinson
Spain Unit SFX Team Supervisor: Pau Costa
SFX Test Technician: Malcolm Crash Corbould
SFX Trainee: Chris Corbould II
Prosthetics Ass't Supervisor: Darren Robinson
Prosthetics Workshop Supervisor: Cliff Wallace
Prosthetics Floor Supervisor: Steve Painter
Prosthetics Office Coordinator: Beverly Austin
Sword Masters: CC Smiff, Allan Poppleton
Score Orchestrator: Alistair King
Arabic Casting Consultant: Nashwar Al Ruwaini
French Casting Consultant: Antoinette Boulat
Special Advisor to Ridley Scott: Neville Shulman
Pre-Rig Construction Supervisor: Ivo Husnjak
Aerial Unit DoP: John Marzano
2nd Unit 1st Ass't Director: Darin Rivetti
Morocco 2nd Unit 1st AD: Adil Abdelwahab
2nd Unit A-Camera Operator: Clive Jackson
2nd Unit B-Camera Operator: Robert Smith
2nd Unit 1st Ass't A-Camera: Keith McNamara
2nd Unit Gaffer: William "Will" Finch
2nd Unit Rigging Gaffer: Perry Cullen
2nd Unit SFX Floor Supervisor: Andrew Williams
Spanish Unit Production Manager/Coordinator: Patricia Nieto
Spanish Unit Art Directors: Carlos Suarez Bodelon, Jose Luis Del Barco
Spanish Unit 1st Ass't Director: Pedro Lagaza
Spanish Unit Key 2nd Ass't Dir.: Carlos Gras
Spanish Unit Gaffer: Ricardo Rodriguez
Spanish Unit Senior SFX Supervisor: Raul Romanillos
Morocco Unit SFX Coordinator: Mustapha Steila
Morocco Unit Workshop Coordinator: Nicholas Komornicki
MPC VFX Supervisor: Tom Wood
MPC CG Supervisor: Gary Brozenich
MPC VFX Producer: Charlie Bradbury
MPC Head of Production: Martin Hobbs
MPC Jerusalem Unit VFX Art Director: Juan Garcia
MPC MoCap Supervisor: Isaac Partouche
MPC MoCap Choreographer: Carrie Thiel
DNEG VFX Supervisor: Peter Chiang
DNEG 2D Supervisors: Adrian Banton, Mike Ellis
DNEG VFX Producer: Jennifer Silver
DNEG VFX Coordinator: Claudia Dehmel
Framestore CFC VFX Supervisor: Jon Thum
Framestore CFC VFX Producer: Mei-Ming Casino
Framestore CFC CG Supervisor: Andrew rawling
Framestore CFC Digital VFX Supervisor: Jonathan Fawkner
Digital Film Colorist: Paul Ensby
DI Consultant: Simon Wilkinson
DI Technical Consultant: Ian Redmond
DI Preview Colorist: John B. Claude
Filming Dates: 12 January 2004 - 16 May 2004
Cameras: Arricam LT & ST (35mm Kodak Vision2 500T 5218/Eastman EXR 50D 5245/Vision 200T 5274)
Lenses: Cooke S4 Primes & Angenieux Optimo Zooms
AR: 2.35:1 (Super 35mm)
Budget: 130 Million USD
Budget AFI (2021): 185 Million USD
Printed on: Kodak Vision 2383
Distributed by: Walt Disney Studios Motion Pictures
Music Recorded & Mixed at: Abbey Road Studios, London & Air Studios, London
Visual Effects, MoCap Services & Main Titles Provided by: Moving Picture Company
Special Visual Effects Provided by: Double Negative
Digital Visual Effects Provided by: Framestore CFC
Attribute: Filmed with Arri Cameras & Lenses - DirectorRidley ScottStarsRussell CroweAbbie CornishAlbert FinneyA British investment broker inherits his uncle's chateau and vineyard in Provence, where he spent much of his childhood. He discovers a new laid-back lifestyle as he tries to renovate the estate to be sold.Producer: Ridley Scott
Screenwriter: Marc Klein
Exec Producer/Unit Production Manager: Branko Lustig
Cinematographer: Philippe Le Sourd ASC AFC
Production Designer: Sonja Klaus
Film Editor: Dody Dorn ACE
Co-Producer: Eric Upson
Costume Designer: Catherine Leterrier
Composer & Music Supervisor: Marc Streitenfeld
Stunt Coordinator: Philippe Guegan
Line Producer (French)/Unit Prod Manager: Mark Allan
1st Assistant Director: Darin Rivetti
2nd Assistant Director: Emelie Cherpitel
Supervising Art Director: Frederic Evard
Set Decorator: Barbara Perez-Solero
Art Dept. Coordinator: Amy Simons
Unit Manager: Remi Bergman
Ass't Unit Manager: Vincent Le Fourve
2nd 2nd Ass't Director: Eliot Mathews
3rd Assistant Director: Tarik Ben Ali
1st Assistant A-Camera: Marco Sacerdoti
2nd Assistant A-Camera: Basil Smith
A-Camera Loader: Frederic Hauss
B-Cam/Steadicam Operator: Jörg Widmer
1st Assistant B-Camera: Leah Striker
2nd Assistant B-Camera: Lionel Pedro
Add'l 1st Ass't Camera: Tristan Favre
Add'l Camera Operator: Roger McDonald
Supervising Prop Master: Matt Foster
Co-Film Editor: Robb Sullivan ACE
Post-Production Supervisor: Teresa Kelly
Production VFX Supervisor: Wesley Sewell
1st Ass't Editor (LA): Debra L. Tennant
1st Ass't Editor (FR): Celine Kelepikis
2nd Assistant Editor: Emily Aulagnon
3rd Assistant Editor: Yon Van Klein
Editorial Coordinator (FR): Philippe Akoka
Supervising Sound Editors: Per Hallberg MPSE, Karen Baker Landers
Sound Mixing Supervisors: Paul Massey, DM Hemphill
Gaffer: Franck Barrault
Location Supervisor: Marco Giacalone
Ass't Location Manager: Gaetan Dinon
Production Coordinator: Laurence Garnier
Production SFX Supervisor: Steven Warner
Special Advisor to Ridley Scott: Neville Shulman
Research Consultant: Geraldine Serafini
Financial Controller: Gary Gillingham
Supervising ADR Editor: Chris Jargo
Supervising Foley Editor: Chris S. Jaeger MPSE
Digital Film Colorist: Skip Kimball
Unit Prod Manager (London Unit): Emily Stillman
London Unit 2nd Ass't Director: Anthony Wilcox
London Unit A-Cam Focus Puller: Julian Bucknall
London Unit Gaffer: Harry Wiggins
London Unit Art Director: Robert Cowper
London Unit Graph Designer: Coralie Lew
London Unit Prop Master: Nick Turnbull
London Unit Loc Manager: Alex Gladstone
London Unit Ass't Loc Manager: Linzi Baltrunas
Unit Manager (London Unit): Keith Whale
London Unit Production Coordinator: Fiona Garland
London Unit Film Assistant: Joanne Dixon
Score Conductor: Nick Ingman
Score Orchestrator: Bruce Fowler
Score Recordist & Mixer: Peter Cobbin
Filming Dates: September 2005 - October 2005
Camera: Arricam LT (35mm Kodak Vision2 250D 5205/500T 5218)
Lenses: Panavision Primo Spherical Primes
AR: 2.39:1 (3-Perf/4-Perf Super 35mm)
Budget: 35 Million USD
Budget AFI (2022): 48.8 Million USD
Visual Effects Provided by: Invisible FX
Score Recorded & Mixed at: Abbey Road Studios, London
Shot on: Kodak Motion Picture Film
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed in Panavision - DirectorRidley ScottStarsDenzel WashingtonRussell CroweChiwetel EjioforAn outcast New York City cop is charged with bringing down Harlem drug lord Frank Lucas, whose real life inspired this partly biographical film.Producers: Ridley Scott, Brian Grazer
Writer/Executive Producer: Steven Zaillian
Co-Writer: Terry George
Exec Producers: Nicholas Pileggi, Jim Whitaker, Michael Costigan
Exec Producer/Unit Prod Manager: Branko Lustig
Cinematographer: Harris Savides ASC
Production Designer: Arthur Max
Film Editor: Pietro Scalia ACE
Script Consultant: Russell Crowe
Co-Producer/Unit Prod Manager: Jonathan Filley
Composer: Marc Streitenfeld
Costume Designer: Janty Yates
Supervising Stunt Coordinator: GA Aguilar
Co-Stunt Coordinator: Stephen Pope
Aerial Unit Helicopter Pilot: Will Richards
1st Assistant Director: Darin Rivetti
2nd Assistant Director: Noreen R. Cheleden
Music Supervisor: Kathy Nelson
Add'l Source Music Writer & Producer: Hank Shocklee
Supervising Sound Editor: Per Hallberg MPSE
Co-Producer: Sarah Brown
Production Supervisor: Lyn Pinezich
Art Director: Nicholas Lundy
Set Decorators: Beth A. Rubino, Leslie Rollins
Supervising Prop Master: Peter Gelfman
Picture Car Coordinator: Bob Griffon
Ass't Picture Car Coord: John McDonnell
A-Camera Operator: Craig Haagensen
1st Assistant A-Camera: Eric Swanek
2nd Assistant A-Camera: Gregory Finkel
B-Camera/Steadicam Op: Larry McConkey
C-Camera Operator: David M. Dunlap
Gaffer: Bill O'Leary
Best Boy: Joe Grimaldi
Rigging Gaffer: Richard Ford
Production SFX Coordinator: Conrad Brink Sr
Production SFX Foreman: Michael Bird
Production SFX Techs: Kevin Zack, Edward A. Drohan IV
Post-Production Supervisor: Teresa Kelly
1st Assistant Editor: Billy Rich
2nd Assistant Editor: Bob Drwila
1st Apprentice Editor: Noah Amos
2nd Apprentice Editor: Robert Mead
Co-Supervising Sound Editor: Karen Baker Landers
Supervising ADR Editor: Chris Jargo
Supervising Foley Editor: Chris S. Jaeger
Music Editor: Del Spiva
Score Mixer/Recordist: Peter Cobbin
Score Orchestrators: Bruce Fowler, Walt Fowler, Steve Fowler, Yvonne Moriarty
Orchestra Conductor: Mike Nowak
Supervising Location Manager: Michael Kriaris
Ass't Location Managers: Joe Guest, Guy Efrat
Location Coordinator: Kendra Levenberg
Production Consultant: Fab 5 Freddy
Production Coordinator: Angela Quiles
Ass't Prod Coordinator: Nicole Ferrari
2nd 2nd Ass't Director: Kali Harrison
Add'l 2nd Ass't Director: Greg Gilman
Special Advisor to Ridley Scott: Neville Shulman
Camera Scenic Artist: Emily Gaunt
2nd Unit Director/Director of Photography: Alexander Witt ASC
2nd Unit 1st Ass't Director: Christo Moore
2nd Unit 2nd Ass't Dir: Betsy Friedman Palmieri
2nd Unit Prop Master: Robin Voth
2nd Unit Ass't Prop Master: Tim Grimes
2nd Unit A-Camera Operator: Mark Schmidt
2nd Unit 1st Ass't A-Camera: Jeb Byers
2nd Unit 2nd Ass't A-Camera: Alicia Colley
2nd Unit 1st Ass't B-Camera: John McAleer
2nd Unit 2nd Ass't B-Camera: Liz Hedges
2nd Unit Loader: Brian Mackey
2nd Unit Gaffer: Rob Vuolo
2nd Unit Location Manager: Jason Farrar
2nd Unit 2nd 2nd AD: Nick Vanderpool
Thailand Unit Prod Sup: Santa Pestonji
Thailand Unit Prod Man.: Piya Pestonji
Thailand Unit Set Decorator: Sonja Klaus
Thailand Unit Prop Master: Terry Wells
Production VFX Supervisor: Wesley Sewell
GMFX VFX Supervisor: Gray Marshall ASC
GMFX Supervising VFX Producer: Margaux Mackay
GMFX VFX Producer: Ashley Clark
Invisible FX VFX Producer: Dick Edwards
Special Thanks: Muhammad Ali
Filming Dates: July 2006 - December 2006
Cameras: Arricam LT, ST & Arriflex 235 (35mm Kodak Vision2 Expression 500T 5229)
Lenses: Cooke S4 Primes & Angenieux Optimo Zooms
AR: 1.85:1 (Spherical)
Budget: 100 Million USD
Budget AFI (2022): 135.5 Million USD
Printed on: Kodak Vision 2383
Visual Effects Provided by: Gray Matter FX & Invisible FX
Shot on: Kodak Motion Picture Film
Attribute: Camera & Lens Package Supplied by Arri CSC - DirectorRidley ScottStarsLeonardo DiCaprioRussell CroweMark StrongA CIA agent on the ground in Jordan hunts down a powerful terrorist leader while being caught between the unclear intentions of his American supervisors and Jordan Intelligence.Cinematographer: Alexander Witt ASC
Production Designer: Arthur Max
Set Decorator: Sonja Klaus
Aerial DPs: David B. Nowell ASC, John Marzano
Documentary DP: John J. Moers
A-Camera Operator: Mark Schmidt
B-Camera Operator: Ronald Hersey
B-Camera/Steadicam Operator: Daniele Massaccesi
C-Camera Operator: Marco Sacerdoti
C-Camera/Steadicam Operator: Larry McConkey SOC
D-Camera Operators: Alessandro Chiara, Dave Insley
1st Assistant B-Camera: Mason Hersey
1st Assistant Director: Peter Kohn
VFX Supervisor: Sheena Duggal
Composer: Marc Streitenfield
Film Editor: Pietro Scalia ACE
DI Colorist: Stephen Nakamura
DI Executive Producer (Company 3): Stefan Sonnenfeld ASC
DI Supervisor (Company 3): Nick Monton
Costume Designer: Janty Yates
Camera(s): Arricam LT, ST, Arriflex 235, 435 & Moviecam Compact (35mm Kodak Vision2 50D 5201/250D 5205/500T 5218)
Lenses: Zeiss Ultra Primes & Angenieux Optimo Zooms
AR: 2.39:1 (3-Perf/4-Perf Super 35mm)
Digital Intermediate Provided by: Company 3
Anecdote: Camera Equipment by Arri - DirectorRidley ScottStarsRussell CroweCate BlanchettMatthew MacfadyenIn twelfth-century England, Robin Longstride and his band of marauders confront corruption in a local village and lead an uprising against the crown that will forever alter the balance of world power.Co-Writer: Brian Helgeland
Producers: Brian Grazer, Russell Crowe
Executive Producer/Unit Production Manager: Charles JD Schlissel
Executive Producer/Production Executive: Jim Whitaker
Cinematographer: John Mathieson BSC
Production Designer: Arthur Max
Film Editor: Pietro Scalia ACE
Composer: Marc Streitenfeld
Costume Designer: Janty Yates
Dedicated to: Bret Johnson
Co-Producer/Unit Production Manager: Nikolas Korda
1st Assistant Director: Max Keene
Key 2nd Ass't Director: Matt Baker
Co-Executive Producer: Michael Ellenberg
Associate Producer: Keith Rodger
Supervising Art Director: John King
Set Decorator: Sonja Klaus
2nd Unit Director/Director of Photography: Alexander Witt ASC
Makeup Designer: Paul Engelen
Production VFX Supervisor: Richard Stammers
Production VFX Producer: Allen Maris
Post-Production Supervisor: Teresa Kelly
Add'l Film Editor: Billy Rich
Stunt Coordinator/Horse Master: Steve Dent
Production SFX Supervisor: Trevor Wood
Senior Art Directors: Raymond Chan, David Allday
Art Directors: Marc Homes, Adam O'Neill, Tom Still, Mark Swain, Alex Cameron
Senior Ass't Art Director: Ben Munro
Ass't Art Directors: Jim Barr, Tom Brown, Jordan Crockett
Co-Senior Art Director: Karen Wakefield
Set Dec Coordinator: Lucy Hope-Smith
A-Camera Operator: Peter Taylor
B-Camera Operators: Martin Hume, Graham Hall ACO
C-Camera/Steadicam Operator: Paul Edwards
D-Camera Operator: Chris Plevin
1st Assistant A-Camera: Simon Hume
1st Assistant B-Camera: John Gamble ACO
1st Assistant C-Camera: Keith McNamara
1st Assistant D-Camera: Ashley Bond
2nd Assistant A-Camera: Lewis Hume
2nd Assistant C-Camera: Ross McNamara
Aerial Unit DoP: John Marzano
Flying Unit Camera Operator: Clement Gharini
Underwater Unit Camera Operator: Mike Valentine BSC
1st Assistant Editor: Robert Mead
UK Unit 1st Ass't Editor: Tom Harrison-Read
Gaffer: Alan Martin
Rigging Gaffer: Lee Martin
SFX Ass't Supervisor: Trevor Neighbour
Production SFX Coordinator: Nigel Nixon
SFX Floor Supervisors: Stefano Pepin, Simon Cockren
Senior SFX Technician: Terry Glass
Production SFX Technician: Caimin Bourne
Production SFX Modeler: Richard St. Clair
Military Costume Supervisor: David Crossman
Prosthetics Designer: David White
Prosthetics Coordinator: Sacha Carter
Wales Unit Add'l Unit Manager: Kevin Jenkins
Special Advisor to Ridley Scott: Neville Shulman
Ass't Stunt Coordinator: Rob Inch
Fight/Sword Coordinators: CC Smiff, Rudolph Vrba
Sound Effects Designer: Ann Scibelli
Score Orchestrator: Benjamin Wallfisch
Orchestra Contractor: Isobel Griffiths
DI Colorist: Stephen Nakamura
DI Producer: Nick Monton
Company 3 CEO: Stefan Sonnenfeld ASC
2nd Unit Production Manager: Siobhan Lyons
2nd Unit Production Coordinator: Nion Hazell
2nd Unit 1st Ass't Director: Robert Grayson
2nd Unit 2nd Ass't Director: Will Dodds
2nd Unit 3rd Ass't Director: Tom Browne
2nd Unit Set Production Assistants: Nicole Chapman, Jaesung Oh
2nd Unit A-Camera Operator: Gary Spratling
2nd Unit B-Camera Operator: Clive Jackson
2nd Unit C-Camera Operator: Julian Morson ACO
2nd Unit Add'l Camera Operator: Roberto Contreras
2nd Unit 1st Ass't B-Camera: Rene Adefarasin
2nd Unit Gaffer: Tony Wilcock
Camera Operator (Add'l Crew): Pete Cavaciuti ACO
Production VFX Coordinators: Bastian Hopfgarten, Amy Spanner
Ass't VFX Coordinator: Ben Marks
MPC VFX Producer: Fiona Foster
MPC DFX Supervisor: Jessica Norman
MPC CG Supervisor: Max Wood
MPC VFX Production Managers: Katherine Smith, Kristy Wilson
MPC VFX Coordinators: Toby Langley, Michelle Teefey-Lee
Hammerhead VFX Supervisor: Michael T. Kennedy
Hammerhead VFX Producer: Les Hunter
Hammerhead Compositing Supervisor: Dan Levitan
Hammerhead VFX Executive Producer: Dan Chuba
Hammerhead VFX Coordinator: Kelly Kenan
Prime Focus Senior VFX Supervisor: John Lockwood
Prime Focus VFX Supervisor: Steve Street
Prime Focus VFX Producer: Standish Millenas
Prime Focus Senior 3D Artist: Will Broadbent
Prime Focus Supervising Compositor: Keith Devlin
Invisible FX VFX Supervisor: Dick Edwards
Lola VFX Supervisor: Edson Williams
Lola VFX Associate Producer: Ryan Zuttermeister
Filming Dates: 30 March 2009 - August 2009
Cameras: Arricam LT, ST, Arriflex 235 & 435 (35mm Kodak Vision2 50D 5201/250D 5205/Vision3 500T 5219)
Lenses: Panavision Primo Spherical 3:1 (135-420mm) Hubble Zoom, Primo Compact (19-90mm) Zoom, Optica Elite Zoom & Angenieux Optimo Zooms
AR: 2.39:1 (4-Perf Super 35mm)
Budget: 200 Million USD
Budget AFI (2021): 254.9 Million USD
Printed on: Kodak Vision 2383
Digital Intermediate Provided by: Company 3
Score Recorded at: Abbey Road Studios
Visual Effects Provided by: Moving Picture Company, Hammerhead Productions, Prime Focus, Invisible FX & Lola VFX
Attribute: Filmed with Panavision Cameras and Lenses - DirectorRidley ScottStarsNoomi RapaceLogan Marshall-GreenMichael FassbenderFollowing clues to the origin of mankind, a team finds a structure on a distant moon, but they soon realize they are not alone.Producer: Ridley Scott
Costume Designer: Janty Yates
Production VFX Supervisor: Richard Stammers
Composer: Marc Streitenfeld
Composer - Add'l Music: Harry Gregson-Williams
Film Editor: Pietro Scalia ACE
Production Designer: Arthur Max
Cinematographer: Dariusz Wolski ASC
EPs: Tony Scott, Michael Costigan, Mark Huffam
Co-Executive Producer: Michael Ellenberg
Executive Producer & Writer: Damon Lindelof
2nd Producers: David Giler, Walter Hill
Writer: Jon Spaiths
Unit Production Manager: Nikolas Korda
1st Assistant Director: Max Keene
Key - 2nd Assistant Director: Matt Baker
Original Design Elements: HR Giger
Supervising Stunt Coordinator: Rob Inch
Assistant Stunt Coordinator: Stuart Clark
Stunt Department Coordinator: Ben Rackley
Production Visual Effects Producer: Allen Maris
Co-Producer: Mary Richards
Supervising Art Director: John King
Set Decorator: Sonja Klaus
A Camera Operator: Gary Spratling ACO
B Camera Operator: Graham Hall ACO
C Camera Operator: David Morgan
D Cam-Steadicam Operator: Daniele Massaccesi
Creature-Special MKFX Supervisor: Neal Scanlan
Prosthetic Supervisor: Conor O'Sullivan
Production SFX-Vehicles Supervisor: Trevor Wood
Supervising Prop Master; Terry Wood
Associate Producer: Teresa Kelly
Additional Film Editor: Robert Mead
Sr Art Directors: Marc Homes, Paul Inglis, Karen Wakefield
3rd Art Directors: Peter Dorme, Alex Cameron
4th Art Director: Anthony Caron-Delion
Art Directors - Vehicles: Justin Warburton-Brown, Adam O'Neill
Standby Art Director: Ben Munro
Concept Artists: Neville Page, Ben Proctor
Set Dec Coordinator: Lucy Hope-Smith
Screen Interface Designer: George Simons
Assistant Set Decorator: Luke Edwards
Co-2nd Assistant Director: Danny McGrath
3rd ADs: Barney Hughes, Sarah Brand, Sam Smith
Set Prod Assistants: Grace Bailey, Paul Hayes
A 1st Assistant Camera: John Ferguson
B 1st Assistant Camera: Rob Palmer
C 1st Assistant Camera: Miles Proudfoot
D 1st Assistant Camera: Spencer Wheeldon
A 2nd Assistant Camera: Paul Wheeldon
B 2nd Assistant Camera: Elliot Dupuy
C 2nd Assistant Camera: Iain MacKay
D 2nd Assistant Camera: David Churchyard
Camera Best Boy: Max Glickman
A Camera Trainee: Beau Scott
B Camera Trainee: Morgan Spencer
C Camera Trainee: Dominique Cheung
Production Stereographer: James Goldman
3D A Camera Technician: Frank Fisher
3D B Camera Technician: Steve Evans
3D C Camera Technician: Anthony Tomlins
DIT: Ryan Nguuyen
DIT Assistant: Ricky James
Camera Data Supervisor: Jeroen Hendriks
Data Wrangler - Camera Department: Mary Lobb
Production Visual FX Editor: Mitchell J. Glaser
1st Assistant Editor: Kathleen Latlip
Stereoscopic 1st Assistant Editor: Ethan Henerey
1st Assistant Visual Effects Editor: Kristen Young
2nd Assistant Visual Effects Editor: Kindra Marra
1st AEs - UK: Tom Harry Read, Laurence Johnson
2nd Assistant Editor - UK: James Barham
3rd Assistant Editor - UK: Tom Davis
Editorial PAs: Julian Scalia, Danielle El Hendi, Nicky Davis
Digital Image Coordinator: Dominic Evans
Sup Music Editors: Del Spiva MPSE, Joseph Bonn
Music Editor - UK: Kirsty Whalley
Supervising Dialogue Editor: Daniel Irwin MPSE
Gaffer: Perry Evans
Rigging Gaffer: Raymond Ossa Mills
Key Grip: Gary Hymns
A Camera Grip: Paul Hymns
B Camera Grip: Malcolm McGilchrist
C Camera Grip: Steve Morgan
D Camera Grip: James Philpott
Steadicam Grip: Kenneth Munson
CFX Coordinators: Katie Newitt, Phill Woodfine
2nd Prosthetic Supervisor: Robert Trenton
Production Digital Effects Producer: Kim Doyle
Visual Effects Set Producer: Lucy Killick
Production Visual FX Art Director: Steve Messing
Production Visual FX Accountant: Chris Rockwell
Production VFX Coordinator: Charise E. Angone
Visual FX Assistant Coordinator: Matthew Sakata
VFX Lead Data Wrangler: Bastian Hopfgarten
Production VFX Data Wrangler: Jack Hughes
Production Visual FX Assistant: Robbie Payne
Visual Effects Unit DoP: Shaun O'Dell
Stereoscopic Supervisor: Sean Santiago
Stereoscopic Prod Supervisor: Kelvin J. Padelford
Stereoscopic Coordinator: Jan Huang
Supervising Location Manager: Steve Hart
Production Manager: Hermione Ninnim
Production Coordinator: Miranda Marks
Assist SFX-Vehicles Supervisor: Trevor Neighbour
Production SFX Coordinator: Jalila Otky Rogan
Special Effects Floor Supervisor: Stefano Pepin
Vehicles Workshop Supervisor: Steve Hamilton
Special Advisor to Ridley Scott: Neville Shulman
CO3 DI Senior Colorist: Stephen Nakamura
CO3 DI Sr Finishing Producer: Nick Monton
CO3 Digital Conform Finishing Editor: Joe Ken
CO3 DI Finishing Assist: Giovanni DiGiorgio
CO3 3D Convergence Artist: Travis Flynn
CO3 DI Finishing Technologist: Michael Chiado
CO3 Head of Production: David Sterling
CO3 DI Account Executive: Jackie Lee
Exec Producer - CO3: Stefan Sonnenfeld ASC
Score Orchestrator & Conductor: Ben Foster
MPC Visual Effects Supervisor: Charley Henley
MPC Visual Effects Producer: Marianne Speight
MPC 2D Supervisor: Marian Mavrovic
MPC CG Supervisor: Matt Middleton
MPC Lighting Supervisor: Daniele Bigi
MPC Animation Supervisor: Ferran Domenech
MPC Sr VFX Prod Manager: Katherine Smith
MPC Stereographer: Damien Fangou
MPC Head of Production: Rachel Mallett
MPC Head of Visual Effects: Clwyd Edwards
MPC Executive Producer: Christian Robertson
MPC VFX Executive Producer: Julian Levi
Weta Senior Visual Effects Supervisor: Joe Letteri
Weta Lead Visual Effects Supervisor: Martin Hill
Weta Sr Animation Supervisor: Michael Cozens
Weta Visual Effects Producer: Annette Wullems
Weta On Set VFX Supervisors: Everett Burrell, Matt Sloan
Weta Executive Producer: Eileen Moran
Weta Models Supers: Florian Fernandez, Marco Revelant
Weta Supervising Visual FX Editor: Matt Holmes
Weta Creature Supervisor: Matthias Zeller
Weta Camera Supervisor: Lee Bramwell
Weta Compositing Supervisor: Charles Tait
Weta Effects Supervisor: Kevin Romand
Weta Visual Effects Executive: Robin Prybil
Weta CG Supers: Tico Cabezas, Phil Leonhardt, Mike Perry, Mark Tait
Weta Comp Leads: Ben Morgan, Chris Salzmann, Florian Schroeder
Fuel VFX Sup & Lead Designer: Paul Butterworth
Fuel VFX Associate Supervisor: Anders Thonell
Fuel VFX Compositing Supervisor: Sam Cole
Fuel VFX CG Supervisor: Johannes Saam
Fuel VFX Executive Producer: Jason Bath
Fuel VFX Producer: Felix Crawshaw
Fuel VFX Production Manager: Malcolm Angell
Fuel VFX Coordinator: Craig Saunders
Fuel VFX CG Sequence Supervisors: Simone Riginelli, Kane Elferink
Fuel VFX Compositing Sequence Supervisor: Denis Scolan
Hammerhead VFX Supervisor: Jamie Dixon
Hammerhead VFX Producer: Michelle Eisenreich
Hammerhead Senior VFX Compositor: Rob Blue
Hammerhead VFX Exec Producer: Dan Chuba
Hammerhead Comp Supervisor: Mike Kennedy
Hammerhead VFX Compositor: Caitlin Content
Invisible FX VFX Supervisor: Dick Edwards
Lola VFX Supers: Trent Claus, Edson Williams
Lola VFX Digital Artists: Rob Olsson, Max Leonard, David Hernandez
Lola VFX Producer: Thomas Nittmann
Lola VFX Compositor: Jeremiah Sweeney
Luma Pictures VFX Supervisor: Vincent Cirelli
Luma VFX Supervising Producer: Steve Swanson
Luma Sequence Supervisor: H. Haden Hammond
Luma Pictures DFX Supervisor: Justin Johnson
Luma Lead Compositor: Alexandre Cancado
Luma Director of Business Dev: Lindsay Hallett
Reliance Executive Producer: Steve Alvanos
Reliance Senior Producer: Cindy Bond
Reliance Associate Producer: Sherrilee Flores
Reliance Image Processing Super: Ryan Gomez
Aerial Unit Helicopter Camera Pilot: Marc Wolff
Aerial Unit DoP: John Marzano
Unit Production Manager (Iceland Unit): Leifur B. Dagfinnsson
Iceland Unit Production Manager: Sam Breckman
Iceland Unit Production Supervisor: Finni Johannsson
Iceland Unit Art Director: Gunnar Pallson
Iceland VFX Unit 1st Ass't Dir.: Lee Grummet
Iceland Unit SFX Supervisor: Eddi Ketils
Aerial Unit DoP (Add'l Photography): Adam Dale
Aerial VFX Unit Stereographer (Add'l Photography): Adam Sculthorp
Filming Dates: 21 March 2011 - 23 June 2011, 11 July 2011 - 23 July 2011 (Iceland Unit Photography), 26 September 2011 - 8 October 2011 (Add'l Photography)
Camera: Red Epic (5K Redcode RAW)
Lenses: PanArri Ultra Primes & Angenieux Optimo Zooms
AR: 1.66:1 (IMAX 3D 70mm Version), 1.90:1 (IMAX Digital 3D Version), 2.39:1 (Super 35mm: Dual-Strip 3D)
Budget: 120-130 Million USD
Budget AFI (2022): 145.7-157.8 Million USD
Printed on: Kodak Vision 2383 & Fuji Eterna-CP 3514DI
Digital Intermediate Finishing Provided By: Company 3
Score Recorded & Mixed at: Abbey Road Studios
Main Visual Effects & Animation Created by: Weta Digital, Moving Picture Company, Fuel VFX, Hammerhead Productions & Lola VFX
Additional Visual Effects Provided by: Invisible FX & Luma Pictures
3D Alignment & Color Matching Provided by: Reliance Mediaworks
Stereo Conversion Provided by: Genre8
Filmed in Part at: Pinewood Studios
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed with Panavision® Cameras And Lenses - DirectorRidley ScottStarsMichael FassbenderPenélope CruzCameron DiazA lawyer finds himself in over his head when he gets involved in drug trafficking.Cinematographer: Dariusz Wolski ASC
Cinematographer (Motion Content): Mark Patten BSC
Production Designer: Arthur Max
Set Decorator: Sonja Klaus
Add'l Cinematographers: Shaun O'Dell, Gabriele Filippelli
Camera Operators: Stefan Stankowski, Julian Morson ACO, Daniele Massaccesi, Graham Hall ACO
Gaffer: Perry Evans
Composer: Daniel Pemberton
Film Editor: Pietro Scalia ACE
DI Colorist: Stephen Nakamura
DI Producer: Nick Monton
DI Executive Producer (Company 3): Stefan Sonnenfeld ASC
Costume Designer: Janty Yates
Camera: Red Epic (5K Redcode RAW)
Lenses: Panavision Primo Spherical Primes, Primo Compact Zoom & Panavision/Angenieux Optimo Zooms
AR: 2.35:1 (Super 35mm)
Distributed by: Walt Disney Studios Motion Pictures
Digital Intermediate Provided by: Company 3
Anecdote: Filmed with Panavision Cameras And Lenses - DirectorRidley ScottStarsChristian BaleJoel EdgertonBen KingsleyThe defiant leader Moses rises up against Egyptian Pharaoh Ramses II, setting six hundred thousand slaves on a monumental journey of escape from Egypt and its terrifying cycle of deadly plagues.Dedicated to: Tony Scott
Co-Writer: Steven Zaillian
Producer: Peter Chernin
Cinematographer: Dariusz Wolski ASC
Production Designer: Arthur Max
Film Editor: Billy Rich
Composer: Alberto Iglesias
Add'l Composer: Harry Gregson-Williams
Production VFX Supervisor: Peter Chiang
Costume Designer: Janty Yates
Stunt Coordinator: Rob Inch
Unit Production Manager: Janine Modder
1st Assistant Director: Lee Grummett
Key 2nd Ass't Directors: Jo Tew, Jairo Murray
UK Unit Line Producer: Mary Richards
Co-Producer: Adam Somner
Co-Film Editor: Ali Degismis
Add'l Film Editor: Stephen E. Rivkin ACE, Matt Chesse ACE
Supervising Art Directors: Marc Homes, Benjamin Fernandez
Associate Film Editor: Cheryl Potter
Associate Producer: Teresa Kelly
Production Stereographer: James Goldman
Production SFX Supervisor: Neil Corbould VES
Senior Art Director: Matt Grey
Vehicles Senior Art Director: Oliver Hodge
Set Dec Supervising Art Director: Stephen Dobric
Vehicles Workshop Supervisor: Martin Gaskell
A-Camera Operator: Graham Hall ACO
B-Camera Operator: Julian Morson ACO
C-Camera Operator: Stefan Stankowski
D-Camera/Steadicam Operator: Daniele Massaccesi
E-Camera Operator/Spain Unit Camera Operator: David Dominguez
3D Systems Engineer: Gareth Daley
Gaffer Electrician: Perry Evans
Ass't Stunt Coordinator: Stuart Clarke
UK Unit SFX Supervisor: Joss Williams
Ass't SFX Supervisors: Hayley Williams, Ray Ferguson
SFX Floor Supervisor: Caimin Bourne
Underwater Unit SFX Floor Supervisor: Stuart Heath
SFX Workshop Supervisor: Dave Eves
Lead Senior SFX Technician: Alistair Williams
SFX Buyer: Maria Corbould
UK Unit SFX Coordinator: Victoria Stokes
SFX Rigger: Jon Corbett
SFX Test Technician: Malcolm Crash Corbould
Special Advisor to Ridley Scott: Neville Shulman
DI Colorist: Stephen Nakamura
Senior DI Producer & Supervisor: Nick Monton
DI Producer: James Long
DI Assists: Aurora Shannon, Travis Flynn
Company 3 CEO: Stefan Sonnenfeld ASC
Add'l Score Orchestrator & Conductor: Alistair King
Production VFX Producers: Jamie Stevenson, Tim Keene
Production VFX Consultant: Nikki Penny
MoCap Production Supervisor: Lyndsey McFarlane
DNEG VFX Supervisor: Charlie Noble
DNEG CG Supervisor: Rick Leary
DNEG VFX Producers: Moriah Etherington-Sparks, Ken Dailey
DNEG Effects Supervisor: Mark Hodgkins
DNEG VFX Associate Producer: Darcie Muangman
DNEG Compositing Supervisor: Gruff Owen
DNEG VFX Production Supervisors: Tracey Leadbetter, Samantha Tracey
DNEG VFX Line Producer: Kate Mummery
DNEG Add'l VFX Supervisor: Tim Ledbury
DNEG 2D Compositing Supervisor: Jelena Stojanovic
DNEG 3D Sequence Supervisor: Mike Stillwell
DNEG Animation Supervisor: Stafford Lawrence
DNEG 2D Sequence Supervisors: Stephen Newbold, Tom Rolfe
DNEG Compositing Supervisor: Oliver Atherton
DNEG Rendering Supervisor: Peter Seager
MPC VFX Supervisor: Jessica Norman
MPC VFX Producer: Stefan Drury
MPC CG Supervisor: Max Wood
MPC Senior 2D Supervisor: David Griffiths
MPC 2D Supervisor: Lev Kolobov
MPC VFX Consultant: Richard Stammers
MPC Add'l VFX Supervisor: Arundi Asregadoo
MPC Add'l VFX Producer: Pierre Escande
MPC Executive VFX Producer: Christian Robertson
Scanline VFX Supervisor: Stephan Trojansky
Scanline VFX Art Directors: Claas Henke, Stefano Trivelli, Darren Poe
Method Studios VFX Supervisor: Simon Carr
Method Studios CG Supervisor: Hubert Maston
Method Studios VFX Producer: Lisa Goldberg
2nd Unit Director: Luke Scott
2nd Unit Production Manager: James Smith
2nd Unit DoP: Flavio Martinez Labiano AEC
2nd Unit A-Camera Operator: Imanol Nabea
2nd Unit B-Camera Operator: Juan Carlos Sandez
2nd Unit C-Camera Operators: David Acereto, Ibon Antunano
2nd Unit D-Camera Operator: Julio Vallejo
2nd Unit 3D Rig Technician: Phil Smith
Spain Unit Producers: Denise O'Dell, Mark Albela
Unit Production Managers (Spain Unit): Toni Novella, Alberto Poveda
Spain Unit Ass't Unit Production Manager: Sergio Gil
Spain Unit Art Directors: Alejandro Fernandez, Oscar Sempere
Spain Unit Set Dec Art Director: Gabriel Liste
Spain Unit SFX Supervisor: Pau Costa
Spain Unit SFX Coordinator: Teresa Costa
Spain Unit SFX Ass't Coordinator: Lucia Zapata
Spain Unit Vehicles Workshop Supervisor: Angel Beleno
Canary Islands Unit Line Producer: Sebastian Alvarez Castro
Unit Production Manager (Canary Islands Unit): Yousaf Bokhari
Canary Islands Unit Ass't SFX Supervisor: Andrea Cuevas
Egypt Unit Executive Producer: Hesham Soliman
Egypt Unit Producer: Mohamed El Raie
Egypt Unit Production Manager: Samer Salah
Egypt Unit Ass't Producer: Mirel Soliman
Egypt Unit Art Director: Emad El Khodary
Aerial Unit DoP: John Marzano
Underwater Unit Camera Operator/Director of Photography: Tim Wooster
2nd Unit DoP (Add'l Photography): Mark Patten BSC
Aerial Unit DoP (Add'l Photography): Adam Dale
Filming Dates: 16 September 2013 - 18 January 2014
Cameras: Red Epic Dragon 3D, Epic Dragon & Epic MX 3D (5K Redcode RAW)
Lenses: Zeiss Ultra Primes, Angenieux Optimo 15-40mm Zooms, 28-76mm Zooms & 45-120mm Zooms
AR: 2.35:1 (Dual-Strip 3D)
Budget: 140 Million USD
Printed on: Kodak Vision 2383
Distributed by: Walt Disney Studios Motion Pictures
Digital Intermediate Provided by: Company 3
Score Recorded & Mixed at: Abbey Road Studios, London
Visual Effects Provided by: Double Negative, Moving Picture Company, Scanline VFX & Method Studios
3D Conversion Provided by: Stereo D
Filmed at: Pinewood Studios
Attribute: Filmed in Panavision - DirectorRidley ScottStarsMatt DamonJessica ChastainKristen WiigAn astronaut becomes stranded on Mars after his team assume him dead, and must rely on his ingenuity to find a way to signal to Earth that he is alive and can survive until a potential rescue.Producer: Ridley Scott
Screenplay Writer/Executive Producer: Drew Goddard
Producer: Simon Kinberg
Producers: Michael Schaefer, Aditya Sood, Mark Huffam
Director of Photography: Dariusz Wolski ASC
Production Designer: Arthur Max
Film Editor: Pietro Scalia ACE
Production Visual Effects Supervisor: Richard Stammers
Costume Designer: Janty Yates
Composer/Conductor: Harry Gregson-Williams
Casting Directors: Carmen Cuba CSA, Nina Gold CSA
Stunt Coordinator: Rob Inch
Assistant Stunt Coordinators: CC Smiff, Stuart Clark, Neil Smith
Production Visual Effects Producer: Barrie Hemsley
Key Unit Production Manager: Francesca Cingolani
Production Manager: Miklós Tóth
First Assistant Director: Raymond Kirk
Key Second Assistant Director: Sarah Hood
Second Assistant Director: Bogi Moricz
Supervising Art Director: Marc Homes
Overall Set Decorator: Celia Bobak
Film Co-Editor: Valerio Bonelli
Additional Film Editor: Cheryl Potter
Associate Producer: Teresa Kelly
Script Supervisors: Annie Penn, Julia Chiavetta
Supervising Sound Editor/Sound Designer: Oliver Tarney
Re-Recording Mixers: Paul Massey, Mark Taylor
Production Sound Mixer: Mac Ruth
Production Stereographer: Gareth Daley
Associate Spacesuit Costume Designer: Michael Mooney
Costume Supervisor: Sarah Robinson
Makeup & Hair Designer: Tina Earnshaw
Production Special Effects Supervisor: Neil Corbould VES
Vehicles Senior Art Director: Oliver Hodge
Art Director/Motion Graphics: Felicity Hickson
Senior Art Director: Robert Cowper
Art Directors: Jason Knox-Johnston, Phil Sims, Mark Swain
Storyboard Artist: Karen Tracey Wilson
Set Decorator: Zoltán Horváth
UK Production Buyer: Rosie Goodwin
A Camera Operator: Graham Hall
B Camera Operator: Daniele Massaccesi
C Camera Operator: Laszlo Bille
D Camera Operator: Gabor Marosi
===============
Cinematographer (Florida Unit): Daniel Stilling
Cinematographer (Motion Content)/2nd Unit DoP: Mark Patten BSC
2nd Unit Director: Luke Scott
2nd Assistant B-Camera: Zoltan Janossa
Prop Master: Noel Cowell
Gaffer: Julian White
Special Effects Co-Supervisor: Steven Warner
SFX Ass't Supervisor: Keith Alfred Dawson
SFX Floor Supervisor: Caimin Bourne
SFX Workshop Supervisor: Jason McCameron
SFX Animatronics Designer: Graham Poole
SFX Test Technician: Malcolm Crash Corbould
VFX Shoot Supervisor: Matt Sloan
VFX Associate Producer: Helen Judd
2nd 2nd Ass't Director: Nick Thomas
Special Advisor to Ridley Scott: Neville Shulman
Action Vehicle Coordinator: Claudia Kossik
Senior Colorist: Stephen Nakamura
Senior DI Producer: Todd Kleparski
DI Editor: Paul Carlin
Color Assistant: James Cody Baker
CO3 Executive Producer: Stefan Sonnenfeld ASC
MPC Senior VFX Supervisor: Anders Langlands
MPC VFX Supervisor: Tim Ledbury
MPC VFX Producer: Anouk L'Heureux
MPC 2D Supervisors: Roca Pastor, Lev Kobolov
MPC CG Supervisors: Louis Pare, Sebastian Gourdal
MPC Visual Effects Production Managers: Carlos Chacin: Siobhan Bentley
MPC Heads of Production: Lauren Knowlton-Parry, Uma Krishnamurthy, Scott Speirs
MPC Global Head of Production: Rachel Matchett
MPC Global Head of Visual Effects: Greg Butler
MPC Executive Producers: Christian Roberton, Lena Scanlan
Framestore VFX Supervisor: Chris Lawrence
Framestore Compositing Supervisor: Bronwyn Edwards
Framestore CG Supervisor: Neil Weatherley
Framestore Animation Supervisor: Dale Newton
Senate VFX Supervisor: Adam McInnes
Senate Digital VFX Supervisor: James D. Fleming
Senate CG Supervisor: Marty Waters
Senate VFX Executive Producer: Sarah Hemsley
Senate VFX Producer: Paula Pope
Senate VFX Production Manager: Sam Spacey
ILM VFX Supervisor: Mohen Leo
ILM VFX Production Manager: Cynthia Crimmins
ILM VFX Producer: Nina Fallon
ILM Compositing Supervisor: John Galloway
ILM VFX Coordinator: Timothy Trimmings
ILM Digital Artist: Oliver Askew
ILM Roto Artist: Benjamin Charles
ILM Technical Support: Frank Dumont
ILM Effects Technical Director: David Kirchner
ILM Compositing Sequence Supervisor: Scott Pritchard
ILM Digital Compositors: Claudio Bassi, Carlos Conceição, Luca Mignardi
ILM Layout Artists: Sam Hanover, Sonia Contreras, Rosie Keane
ILM Paint & Roto Artist: Gordon Marshall
ILM Pipeline Technical Director: Hantong Tang
ILM VFX Editor: Conor Byrne
ILM Senior Stereoscopic Paint & Rotoscope Artist: Kristofer Whitford
Dimension X
Scott Wilman
Heather Willman
Benjamin Conner
Brian Schumacher
2nd Unit Production Manager: James Smith
2nd Unit Camera Operator: Imre Juhasz
Jordan Unit Production Managers: James Grant, Fuad Khalil
Jordan Unit Art Director: Samy Keilani
Jordan Unit Aerial Camera Operator/Director of Photography: John Marzano
Score Orchestrator: Alistair King
Filming Dates: November 2014 - March 2015
Cameras: Red Epic Dragon & Scarlet Dragon (6K Redcode RAW)
Lenses: Zeiss Ultra Primes, Fujinon Premier 19-90mm Cabrio Zoom, Angenieux Optimo 15-40mm Zooms & Optimo DP 30-80mm Zooms
AR: 2.35:1 (Super 35mm: Dual-Strip 3D)
Budget: 108 Million USD
Printed on: Kodak Vision 2383
For More of the Ares III Story, Visit: AresLive.com
Production Services in Hungary Provided by: Mid Atlantic Films
Re-Recorded at: Twickenham Studios
Voice Casting by: Blend Audio
End Titles by: Scarlet Letters
Avid Systems and Support Provided by: Vortechs, Sixteen19
Digital Intermediate Provided by: Company 3
3D Technology and Equipment Provided by: 3Ality
Visual Effects By: Industrial Light & Magic, MPC, Framestore, The Senate + Atomic Arts
Pre-Visualization by: Argon & The Third Floor
Stereoscopic Post-Alignment by: Dimension X & Onsight
3D Conversion Provided by: Prime Focus & Stereo D
Cyberscanning Services Provided by: Clear Angle Studios Ltd.
Lidar Services Provided by: We Shoot Lasers & Motion Associates Ltd.
Visual Effects Element Unit Provided by: Magic Camera Company
Score Recorded & Mixed at: Abbey Road Studios, London
Soundtrack on: Columbia Records
Filmed and Recorded in Part at: Korda Studios
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed with Panavision® Cameras & Lenses - DirectorRidley ScottStarsMichael FassbenderKatherine WaterstonBilly CrudupThe crew of a colony ship, bound for a remote planet, discover an uncharted paradise with a threat beyond their imagination, and must attempt a harrowing escape.Producer: Ridley Scott
Casting Director: Carmen Cuba CSA
Costume Designer: Janty Yates
Composer: Jed Kurzel
Composer, Theme from "Alien": Jerry Goldsmith
Composer, Additional Music: Harry Gregson-Williams
Prod Visual Effects Supervisor: Charlie Henley
Prod Special Effects Supervisor: Neil Corbould VES
Film Editor: Pietro Scalia ACE
Production Designer: Chris Seagers
Cinematographer: Dariusz Wolski ASC
Cinematographer - AP: Shaun O'Dell
Producers: David Giler, Walter Hill
Producers: Mark Huffam, Michael Schaefer
Story Writers: Jack Paglen, Michael Green
Screenplay Writers: John Logan, Dante Harper
Dedicated to: Julie Payne
Head of Original Design Elements: H.R. Giger
Michael Fassbender Double: Tom O Sullivan
Supervising Stunt Coordinator: Kyle Gardiner
Assistant Stunts Coordinator: Jade Amantea
Fight Choreographer: Chan Griffin
Unit Production Manager: Dean Hood
First Assistant Director: Raymond Kirk
Key Second Assistant Director: Scott Lovelock
Assoc. Producers: Teresa Kelly, Hannah Ireland
Production Visual Effects Producer: Sona Pak
Supervising Art Director: Ian Gracie
Set Decorator: Victor J. Zolfo
Sound Recordist: Ben Osmo
Additional Film Editor: Cheryl Potter
Supervising Sound Edit/Designer: Oliver Tarney
Re-Recording Mixers: Paul Massey, Mark Taylor
Associate Spacesuit Costume Designer: Michael Mooney
Costume Supervisor: Sarah Robinson
Make Up/Hair Designer: Lesley Vanderwalt
Creature Design Supervisor: Conor O'Sullivan
Art Directors: Damien Drew, Michelle McGahey, Charlie Revai, Jacinta Leong
Assistant Art Directors: Jennifer Hitchcock, Andrew Chan, Nicholas Dare
Assistant Set Decorator: Katie Sharrock
Set Dec Leading Man: Chris Bruce
Art Dept./Set Dec Coordinators: Niki Peace, Peta Logan, Lauren Wild
Set Designers: Brian Nickless, Andrew Kattie, Tony Drew, Prudence Parsons, Mara Garanzini, Kate McCowage, Marko Anttonen, Axel Bartz, Belinda Cusmano, Alasdair Mott, Douglas Cook
Concept Model Maker: Geoff Kemmis
Asst. Concept Model Makers: Kate Rawlins, Julian Scalia
Graphic Designer: Michael Wholley
A Camera Operator: P. Scott Sakamoto SOC
B Cam Operators: Darrin Keough, Damian Wyvill
C Camera Operator: Calum McFarlane
D Cam/Steadicam Operator: Andrew AJ Johnson
Supervising Prop Master: Rebecca Cohen
Script Supervisor: Merran Elliot
Gaffer: Shaun Conway
Costume Supervisor - Australia: Robyn Elliott
Make Up/Hair Artists: Jen Stanfield, Kaoltina Amperidis, Lara Jade Birch, Rebecca Allen, Rachelle O'Donnell, Tess Natoli
Make Up/Hair Assistant: Amy Vaughan
Stunt Office Coordinator: Kim Mayes
Stunt Riggers: Lee Adamson, Carly Thomas, Marky Lee Campbell, Mark Tearle
Stunt Utility: Alex Kuzelicki
Cast Trainer/Military Consultant: John Templeton
Creature Movement Consultant: Darin Inkster
Location Manager: Jeremy Peek
Location Coordinator: Alice Gracie
Casting Associate: Wittney Horton CSA
Extras Casting Director: Morgan Smallbone
Production Coordinator: Nick Copping
Assistant Production Coordinators: Anna McDonnell, Merilyn Cook
Equipment Coordinator: Geoff Kelly
Travel and Accommodation Coordinator: James Cowling
Travel Agent - Showgroup: Sushi Preen
Line Producer - LA: Amy Green
Production Secretary - LA: Maggie Baron
Legal Attorney, Australia: Catherine McDonnell
Production SFX Supervisor, Australia: Dan Oliver
Special Effects Assist Supervisor: Dave Brighton
Special Effects Buyer & Manager: Maria Corbould
Prod Special Effects Coordinator: Jasmin Lyford
Special Effects Floor Supervisor: Caimin Bourne
Special Effects Workshop Supervisors: Art Spink, Ray Ferguson
Hydraulics Design Supervisor, SFX: Dave Hunter
Electronic Design Supervisor: Glen Winchester
Special Effects Prep Supervisors: Jabin Dickins, Rod Burke, Lloyd Finnemore
Special Effects Breakaways Supervisor: Tristan Fitzgerald
Special Effects Rig Designer & Senior Technician: Matt Veale
Senior Technicians - Rigging, SFX: Max Hughes, Nick Morrell
Assistant Technicians, SFX: Jessica Power, Arlo Markantonatos, Will Power-Trengove, Simon Murrell, Warwick King
Special Effects Test Technician: Malcolm Crash Corbould
Creature Effects Supervisor: Adam Johansen
Prosthetics Supervisor: Rob Trenton
Creature Effects Workshop Supervisor: Damian Martin
Fabrication Technician: Aline Joyce
Unit Nurse: Katie Harris
Safety Supervisor: Steve Morris
Unit/Transport Supervisor: Simon Lucas
Transport Coordinator: Jim Beard
Assist Transport Coordinator: Ant Fallon
On Set Transport Coordinator: Peter Coles
Special Advisor to Ridley Scott: Neville Schulman
Cast PAs: Michael Fahd, Michael Robins
Unit Manager: Nat Purdon
Unit Assists: Bekki Shearer, Bruce Reick, Grant Benny French, Darren Brain, Richard Olsen, Drew Stedman, Fiona Young, Harris Sharp
Sound Designer: Michael Fentum
Dialogue and ADR Supervisor: Rachael Tate
Sound Effects Editors: James Harrison, Dillon Bennett
Sound Editor: Dawn Gough
Assistant Sound Editor: James Taylor-Beeson
Foley Supervisor: Hugo Adams
Foley Artists: Andrew King, Jack Stew, Sue Harding
Foley Mixer: Adam Mendez
Foley Assistant: Sophia Hardman
Additional Re-Recording Mixer: Dafydd Archand
Sound Mix Technician: William Miller
Additional Visual Effects Supervisor: Richard Bain
Additional On Set Coordinator, Visual Effects/MPC Digital Effects Supervisor: David Bowman
Visual Effects Production Supervisors: Joe Carhart, Louise McNicholl
Visual Effects Coordinators: Adam Lawrence, Rebecca Vujanovic, Toby White
Visual Effects Assistant Coordinators: Harpreet Bahia, Marta Baidek
Visual Effects Department Editorial Support: Michael Cheung, Tom Hannibal
Visual Effects Compositors: Dan Rickard, Abigail Scollay, Ed Plant
Visual Effects Data Wrangler: Davi Soesilo
Visual Effects Assistant Data Wrangler: Bernadette Elsouri
Techno Dolly Technician, Visual Effects: Ron Tatham
Visual Effects Previz Artists: Lucas Newton, Bodie Clare
Visual Effects Postviz Artists: Terry Bannon, Tim Strain, Peter Spinaze, Sam Getz, Brad Roddy, Andrew McGregor
Visual Effects Assistants: Marta Bielecka, Brent Armfield, Mohammad Ali Pak
Concept Artist, Visual Effects: Alessandro Bavari
Movement Artist (Motion Capture): Javier Botet
MPC Visual Effects Supervisor: Ferran Domenech
MPC Visual Effects Producers: Pierre Escande, Tomi Nieminen
MPC Digital Effects Supervisor: Audrey Ferrara
MPC Animation Supervisors: Alexandre Ronco, Philip Morris, Gabriele Zucchelli
MPC CG Supervisors: Julien Bolbach, Ben Jones, Manolo Montero
MPC Compositing Supervisors: Jammie Friday, Patrick Tasse, David Griffiths
MPC Asset Supervisor: Dan Zelcs
MPC Visual Effects Production Supervisors: Tom Barber, Florent Villegas, Danny Huerta, Nancy Xu
MPC Digital Leads: Illia Fanasiev, Jason Fittipaldi, Francis Beauregard, Pedram Christopher, Danny Guertsen, Himanshu Khatari, Alex Martinez, Ravi Pareek, Andreas Tandy Nehls, Santosh Kumar Rapeti, Nicolas Sparks, Attila Szalma, Ruth Asensio, Dan Blacker, Haslina Dasley, Marco Fogila, Kirstin Hall, Lyubomir Kirkov, Luc-Ewen Martin Fenouillet, Fabian Nowak, Amy Paskow, Geoffrey Reynaud, Johnny Spinelli, Sebastien Terme, Mathieu Assemat, Jules Bodenstein, Francois de Villiers, Jean-Sebastien Fortin, Lionel Heath, Mickael Leger, Thiago Lima Martins, Sreejit Sreedharan, Matthew Packham, Girish Patil, Marc Rice, Sreejith Venugopalan, Jonathan Attenborough, Erico Caselle, Stanley Dellimore, Abhishek Ghorui, Romain Hubert, Benoit Legros, Sean Mills, Joan Panis, Levente Peterffy, Marco Rolandi, Thomas Stoelzle, Sagar Wakankar, Durai Babu, Solene Chan-Lam, Will Fife, Brian Gossart, Alexander John, Melody Mahoney, Kiran Naidu, Christophe Paradis, John Prieto, Jeremy Sawyer, Robert Stratton, Oliver Winwood
MPC Heads of Production: Lauren McCallum, Uma Krishnamurthy, Siobhan Bentley
MPC Global Head of Production: Rachel Matchett
MPC Heads of CG: Dann Tarmy, Elliot Newman
MPC Executive Producers: Laura Fitzpatrick, Philip Greenlow, Christian Roberton
Framestore Visual Effects Supervisors: Christian Kaestner, Stuart Penn
Framestore Visual Effects Producers: Nicolas Belval, Daniel Matley, Carrie Rishel
Framestore CG Supervisors: Jason Quintana, Robert Allman, Mathieu Bertrand
Framestore Animation Supervisor: Spencer Cook
Framestore Compositing Supervisors: Jeremie Lodomez, Petra Schwane
Framestore Visual Effects Line Producers: Lucile Abiven, Jeanne-Elise Prevost, Will Reece, Catherine Westgate
Framestore Digital Leads: Eric Aubry, Shayne Farrier, Nicola Greuter, Ludovic Iochem, Klaus Seitschek, Fabio Zangla, Martin Belleau, Lianne Forbes, Adam Goldstein, Bruno LaFlamme, Jim Stone, Alastair Stevenson, Michael Borhi, Duy Tran, Thomas Gillet, Pierre-Loic Hamon, Andre Hitsoy, Christopher Laloup, Thierry Dezarmenien, Frederikke Glick, Stanislas Paillereau, Julian Hutchens, Lars Eriksen, Jean-Baptiste Godin, Victor Pillet, Olga Velenta
Framestore Editorial: Barnes Wheeler, Lukasz Bokowiecki
Framestore Heads of Production: Lizi Bedford, Charles Howell, Sara Trezz
Framestore Executive Producer: Lucy Killick
Animal Logic VFX Visual Effects Supervisor: Paul Butterworth
An Log VFX Visual Effects Producer: Jason Bath
An Logic VFX Visual Effects Associate Producer: Kilou Picard
Animal Logic VFX CG Supervisor: Brian Kranz
Animal Logic VFX Compositing Supervisor: Alex Lay
Animal Logic VFX Visual Effects Coordinators: Sarah Brims, Millie Clarke, Adam Rattur
Animal Logic VFX Digital Leads: Vaughn Arnup, Nicholas Cross, Raphael Gadot, Bhakar James, Matthew Wynne
Luma Executive Supervisor: Payam Shohadai
Luma Executive VFX Producer: Diana Giorgiutti
Luma Senior VFX Supervisor: Vincent Cirelli
Luma VFX Supervising Producer: Steve Swanson
Luma VFX Production Super.: Michael Perdew
Luma Pictures Visual FX Producer: Brendan Seals
Luma Associate VFX Supervisor: Jared Simeth
Luma Pictures DFX Supervisor: Justin Johnson
Luma Animation Supervisor: Raphael A. Pimentel
Luma CG Supers: Andrew Zink, Alex Cancado
Luma Digital Production Manager: Cathy Hughes
Luma Head of Business Relations: Lindsay Hallett
Luma Pictures Digital Compositor: Alex Khan
Luma Pictures VFX Unit DoP: Lucas Pozzey
RSP Visual Effects Supervisors: Adam Paschke, Anthony Smith
RSP Visual Effects Producer: Aysha Ley
RSP CG Supervisor: Hubert Maston
Atomic Fiction Executive Visual Effects Producer: Marc Sadeghi
Atomic Fiction Visual Effects Supervisor: Ryan Tudhope
Argon Previz/Postviz Supervisor: Jason McDonald
Digital Intermediate Colourist: Steve Nakamura
Company 3 UK Finishing Editor: Justin Tillett
Finishing Producers: Andrew Dearnley, Hershel Cohen
Feature Finishing Coordinator: Francois Kamffer
CO3 Colour Assistants: Chris Francis, Giovanni DiGiorgio, Jonas Jangyad, Lucie Barbier
Company 3 UK System Engineer: Adam Davies
Data I/O: Dan Helme, Gavin McCarron, Fiorenza Bangariol
Company 3 Head of Production: Todd Kleparski
Senior Manager, Feature Production: Chris Prejza
Company 3 Head of Operations: Claire McGrane
Company 3 London Account Executive: Jon Gray
CO3 Executive Producer: Stefan Sonnenfeld ASC
Score Producers, Recordists & Mixers: Peter Cobbin, Kirsty Whalley
Music Programmer/Engineer: Matt Lovell
Score Orchestrators: Hugh Brunt, James Brett, Adam Langston, John Ashton Thomas
DMS Head of Music Preparation: David Hage
Orchestra Contractor: Isobel Griffiths
Assistant Orchestra Contractor: Lucy Whalley
Orchestra Leader: Thomas Bowes
Trumpet Solos Lead: Phil Cobb
French Horn Solos Lead: Richard Watkins
Cello Solo Lead: Caroline Dale
Score Conductor: Cliff Masterson
Contemporary Orchestra Conductor & Solo / Chamber Improvisation Lead, London: Robert Ames
Chamber Improvisation Leads: Dave Brown, Galya Bisengalieve, Mayaii Kadish, Gregor Riddell
Pre-Record Flute Sales Lead: Helen Greenwood
Score Editors: Cecile Tournesac, Fiona Cruickshank
Score Recordist: John Barrett
Assistant Engineers: John Prestage, Matt Jones, Alex Fergurson
Additional Midi Programming: David Menke, Jean-Gabriel Raynaud
NZ Unit Production Supervisor: James Grant
NZ Unit Aerial Director of Photog.: Peter Beeh
A Camera Operator, NZ Unit VFX: Ben Ruffell
Second Unit Director: Luke Scott
Second Unit Director of Photog: Ross Emery ACS
Second Unit A Camera Operator: Frank Flick
Second Unit B Camera Operator: Matt Toll
Second Unit C Camera Operator: John Platt
Second Unit First Assistant B Camera: Jay Torta
Filming Dates: 4 April 2016 - 16 July 2016
Cameras: Alexa Mini & XT (3.4K ARRIRAW)
Lenses: Panavision PVintage SL Primes, Primo Compact 19-90mm Zoom Angenieux Optimo DP Rouge 16-42mm Zooms & 30-80mm Zooms
AR: 1.90:1 (IMAX Version: Select Screens), 2.39:1 (Super 35mm)
Budget: 97 Million USD
Spacesuits Provided by: FBFX
Sound Re-Recorded at: Twickenham Studios
Visual Effects by: MPC, Framestore, Animal Logic VFX, Luma Pictures, Rising Sun Pictures, Atomic Fiction & Peerless Digital Imaging
Pre-Visualization Provided by: Argon
Post-Visualization Provided by: Proof-London
Visualization Services Provided by: The Third Floor & Iloura
3D Scanning Services by: Plowman Craven
Color & Finish by: Company 3 (London, UK)
Music Preparation by: Dakota Music Services
Score Recorded at: Abbey Road Studios & Air Lyndhurst Studios
Score Mixed at: Henry Light Studio, London
Filmed with: ARRI Cameras and Lenses
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed in Panavision - DirectorRidley ScottStarsMichelle WilliamsChristopher PlummerMark WahlbergThe story of the kidnapping of 16-year-old John Paul Getty III and the desperate attempt by his devoted mother to convince his billionaire grandfather Jean Paul Getty to pay the ransom.Cinematographer: Dariusz Wolski ASC
Production Designer: Arthur Max
Aerial DP: John Marzano
A-Camera Operator: Daniele Massaccesi
B-Camera Operators: Shaun Cobley, Marco Sacerdoti
C-Camera Operators: Andrea Arnone, Chris Bain
D-Camera Operator: Will Humphris
E-Camera Operator: Federico Martucci
1st Assistant Director: Adam Somner
VFX Supervisor: Gary Brozenich
Composer: Daniel Pemberton
Film Editor: Claire Simpson ACE
DI Colorist: Stephen Nakamura
Costume Designer: Janty Yates
Filming Dates: 31 May 2017 - August 2017, 20 November 2017 - 29 November 2017 (Reshoots)
Camera: Alexa XT (3.4K ARRIRAW)
Lenses: Panavision Super Speed MKII Spherical Primes
AR: 2.39:1 (Super 35mm)
Digital Intermediate Provided By: Company 3
Anecdote: Filmed with Panavision Cameras And Lenses