The Works of Director David Fincher
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- DirectorDavid FincherStarsRafael EdholmGeorge MichaelScott BenoitFor George Michael's song Freedom '90, he does not appear in the music video. Instead, five female models and five male models lip sync the lyrics to the song.Songwriter, Producer & Video Editor: George Michael
Cinematographer: Jeff Cronenweth ASC
Video Editor: James Haygood ACE
Production Runner: Richard Styles
Art Director: John Beard
A Camera Clapper Loader: Julian Bucknall
Still Photographer: Mike Southon BSC
Camera: Panaflex GII (35mm Eastman 125T 5247 & 400T 5294)
Lenses: Panavision Primo Spherical Primes
AR: 1.33:1 (4-Perf 35mm Spherical)
Attribute: Filmed in Panavision - DirectorDavid FincherStarsSigourney WeaverCharles S. DuttonCharles DanceReturning from LV-426, Ellen Ripley crash-lands on the maximum-security prison Fiorina 161, where she discovers that she has unwittingly brought along an unwelcome visitor.Director, Miniature Photog: David K. Stewart ASC
Co-Producer: Sigourney Weaver
UK Casting: Priscilla John CDG
US Casting: Billy Hopkins CSA
Costume Designers: Bob Ringwood, David Perry
Score Composer-Orchestrator: Elliot Goldenthal
Production VFX Producer & BFS VFX Supervisor: Richard Edlund ASC
Alien³ Creature Design Supervisor: HR Giger
Alien FX Designers & Creators: Alec Gillis, Tom Woodruff Jr
Production Special FX Supervisor: George Gibbs
Film Editor: Terry Rawlings ACE
Production Designers: Norman Reynolds, Michael White
Cinematographers: Jordan Cronenweth ASC, Alex Thomson BSC
Cinematographer (Alien Puppet Crew) & BFS VFX Co-Supervisor: Rick Fichter
Cinematographer-BFS Matte Camera: Al Harding
Cinematographer - BFS Plate Photog & BFS Moco Dolly Grip: Thaine Morris
Cinematographers (AP - LA Unit): Gary B. Kibbe ASC, Mark Plummer
Executive Producer: Ezra Swerdlow
Story Writer: Vincent Ward
Screenwriters-Producers: David Giler, Walter Hill
Screenwriter: Larry Ferguson
Producer: Gordon Carroll
Key Production Supervisor: Patricia Carr
Key First Assistant Director: Chris Carreras
Prod Supervisor - UK/USA: Giedra Rackauskas
A Camera Operator: David Worley
B Camera & Steadicam Operator: Kate Robinson
A First Assistant Camera: Martin Kenzie BSC
A Second Assistant Camera: Clive Mackey
B Second Assistant Camera: Chyna Thomson
Steadicam Operator: Peter Robinson
Steadicam Assistant: Nic Milner
Louma Crane Technician: Adam Samuelson
Supervising Art Director: Fred Hole
Production Art Director: James Morahan
Assistant Art Director: Jonathan McKinstry
Set Decorator: Belinda Edwards
Storyboard Artists: Martin Asbury, Bill Stallion, Mike Swift
Conceptual Architect: Lebbeus Woods
Conceptual Artists: Gregory Pruss, Jake Scott
1st Assist & Production VFX Editor: Tim Grover
1st Assistant Editor (UK): Tony Tromp
2nd AEs: Cathy Chase, Joanna Jimenez, Teresa Book
Visual Effects Coordinator (UK): Russ Woolnough
Stunt Coordinator: Marc Boyle
Assistant Special FX Supervisor: Joss Williams
Sr SFX Techs: Clive Beard, Chris Corbould, Andy Williams, Michael Dawson, Stephen Lloyd, Paul Knowles
Special FX Flying Wire Specialist: Bob Wiesinger
Assist Costume Designer: Graham Churchyard
Production Manager: Jeannie Stone
Production Coordinator: Janine Lodge
Assistant Production Coordinator: Val Demeter
Production Accountant: Carolyn Hall
Second Assistant Director: Marcia Gay
Third ADs: Jamie Christopher, Richard Styles
Production Office P.A.: Mark Cockren
Location Managers: Gilly Case, Kevin De La Noy
Video Assist Technician: Chris Warren
ADR Editor (UK): Jim Shields
ADR Mixer (UK): Peter Lacey
Music Producer: Matthias Gohl
Orchestra Conductor: Jonathan Sheffer
Synthesizer Programmer: Richard Martinez
Music Scoring Mixers: Joel Iwataki, Tim Boyle
Musicians Contractor: Sandy DeCrescent
Dolby Stereo Consultant: Douglas Greenfield
Production Prop Master: John Allenby
Production Prop Supervisor: Roy O'Connor
Consultant Buyer - Props: Dave Middleton
Gaffers: David Moroni, Dennis Brock
Color Timers: David Orr, Keith Parrish
Second Unit Director: Martin Brierley
Second Unit DoPs: Paul Beeson BSC, Nic Morris
Second Unit 1st Assistant Director: Ken Shane
2nd Unit 2nd Asst Director: Nick Heckstall-Smith
Second Unit A Camera Operator: Michael Frift
2nd Unit A Camera 1st AC: Mike Prager
Second Unit Gaffers: Steve Kitchen, Jack Collins
2nd Unit Director-Action Sequences: Dave Hogan
2nd Unit DoP - Action Sequences: Tony Spratling BSC
2nd Unit 1st ADs (Action Sequences): Steven Harding, Terry Madden
2nd Unit 2nd AD - Action Sequences: Chris Brock
2nd Unit A Camera Op - Action Sequences: Neil Binney
2nd Unit B Camera Op - Action Sequences: Wally Byatt
2nd Unit A Camera 1st AC - Action Sequences: Stefan Stankowski
2nd Unit B Cam 1st AC - Action Sequences: Keith Thomas
2nd Unit A Cam 2nd AC-Action Sequences: Adam Cooper
2nd Unit B Cam 2nd AC - Action Sequences: Nick Penn
2nd Unit Gaffers-Action Sequences: Alan Martin, Vince Goddard
BFS VFX Production Supervisor: Ellen M. Somers
BFS Optical Dept. Supervisor: Michael Sweeney
BFS Visual Effects Art Director: David Jones
BFS Supervisor & Lead Puppeteer: Laine Liska
BFS Matte Department Supervisor: Michele Moen
BFS Editorial Supervisor: Howie Stein
BFS Digital Effects Supervisor: Jim Rygiel
BFS Animation Supervisor: Mauro Maressa
BFS Special Effects Foreman: Bill Klinger
BFS Rotoscope Supervisor: Annick Therrien
BFS FX Technical Supervisor: Philip Crescenzo
BFS Chief Engineer: Mark West
BFS Visual FX Line Producer: Donna Langston
BFS Visual Effects Coordinator: Julia Rivas Frey
BFS Opt Supervisors: Ron Longo, Michael Cooper
BFS Optical Coordinator: Kim Shriver
BFS Opt. Line-Up Leads: Mark Walter, Kev Clark, Phil Janssens
BFS Optical A Camera Operator: Fred Lin
BFS Optical B Camera Op: Robert Montgomery
BFS Negative Developer: Paul Jensen
BFS Quality Control Lead: Ed Murray
BFS CGI TDs: Mary McCullough, Andrea Losch, Colin Olson
BFS Digital A Camera Operator: Stephen Stanton
BFS Matte Painter: Paul LaSaine
BFS Rigger & Puppeteer: Craig Talmy
BFS Assistant Puppeteer: William Hedge
BFS Opening Sequence Storyboard Artist: Brent Boates
BFS Additional Illustrations Lead: Steve Berg
BFS Animation A Cam Operator: Colin Campbell
BFS Visual Effects Editor: Robert Wait
BFS FX A Camera Operator: David R. Hardberger
BFS Effects B Camera Operator: Scott Beattie
BFS Moco Operator: Steve Kosakura
BFS FX A Camera Assistant: Mike Bienstock
Unit Prod Manager - LA Unit: Edward D. Markley
LA Unit 1st Assistant Director: Josh McLaglen
LA Unit A Camera Operator: Frederick J. Smith
LA Unit B Camera Operator: William D. Barber
LA Unit Chief Lighting Technic: Dwight Campbell
VIFX VFX Producers: Rhonda C. Gunner, Richard E. Hollander, Gregory L. McMurry ASC, John C. Wash
Video Image Coordinator: Janet Earl
Additional Film Editor: James Haygood ACE
Film Editor - Assembly Cut: David Crowther
Filming Dates: 14 January 1991 - 17 May 1991
Cameras: Arriflex 765 & Panaflex Platinum (35mm & 65mm Eastman EXR 500T 5296)
Lenses: Panavision Primo® AL Primes, C-, E-Series AL Primes & Zeiss 765 Primes
AR: 2.20:1 (70mm Prints), 2.39:1 (Anamorphic)(Arri 765: Special Effects)
Budget: 50-65 Million USD
Budget AFI (2022): 105.5-137.2 Million USD
Printed on: Eastman 5384
Special Visual Effects in 65mm Designed by: Boss Film Studios
Color Provided by: Rank Laboratories
Originated on: Eastman Color Film from Kodak
Made at: Pinewood Studios, London, England
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed in Panavision® - DirectorDavid FincherStarsMorgan FreemanBrad PittKevin SpaceyTwo detectives, a rookie and a veteran, hunt a serial killer who uses the seven deadly sins as his motives.Producer: Arnold Kopelson
Composer: Howard Shore
Costume Designer: Michael Kaplan
Film Editor: Richard Francis-Bruce ACE
Production Designer: Arthur Max
Cinematographer: Darius Khondji ASC AFC
Writer: Andrew Kevin Walker
Additional Film Editor: William Hoy ACE
Supervising Stunt Coordinator: Charles Picerni Jr
Additional DP: Harris Savides ASC
A Camera Operator: Conrad Hall Jr
B Camera Operator: Michael A. Chaves
Steadicam Ops: Dave Emmerichs SOC, Dale Myrand
2nd 2nd Assistant Director: Dodi Lee Rubenstein
Gaffer: Claudio Miranda ASC
Key Grip: Michael J. Coo
LM (AP) & Assistant Loc Manager: Flint Maloney
2nd 2nd Asst Director (AP): Rebecca Strickland
Office Staff Assistant (AP): Michael Cutler
Add'l Script Supervisor (AP): Jane Goldsmith
Accountant (Add'l Photog): Fred Grossman
Art Director (Add'l Photog): Vincent Reynaud
Construct Coord (AP): Daniel Ray Pemberton
Location Scout (Add'l Photog): Rick Schnier
A Camera Operator (AP): Jeff Cronenweth ASC
A Camera First Assistant (AP): Julian Watley
A Camera 2nd Assist (AP): J. Steven Matzinger
B Camera Operator (AP): Mitch Dubin SOC ACO
B Camera 1st Assistant (AP): Gregory J. Schmidt
B Camera 2nd Assistant (AP): Brent Beal
Aerial Unit Gyrosphere Op (AP): Michael Kelem
Precision Driver Coordinator (AP): Dennis Alpert
Aerial Unit Coordinator (AP): Chuck Tamburro
Aerial Unit DoP (AP): Donald M. Morgan ASC
Key Grip (Add'l Photog): J. Michael Popovich
Best Boy Grip (Add'l Photography): Tom Gibson
VFX Supervisor: Greg Kimble
Special Color Consultant: Yvan Lucas
Cameras: Arriflex 35-III, PFX Gold & Platinum (35mm Eastman EXR 50D 5245, 200T 5287 & 200T 5293)
Lenses: Panavision Primo Spherical Primes
AR: 2.39:1 (4-Perf Super 35mm) - DirectorDavid FincherStarsMichael DouglasDeborah Kara UngerSean PennAfter a wealthy San Francisco banker is given an opportunity to participate in a mysterious game, his life is turned upside down as he begins to question if it might really be a concealed conspiracy to destroy him.Writers & Co-Producers: John Brancato, Henry Dominick
Executive Producer: Jonathan Mostow
Costume Designer: Michael Kaplan
Composer: Howard Shore
Film Editor: James Haygood ACE
Production Designer: Jeffrey Beecroft
Cinematographer: Harris Savides ASC
Cinematographer, Miniature Crew: Lee Bernstein
Producers: Steve Golin, Ceán Chaffin
Co-Writer: Andrew Kevin Walker
Production Supervisor: Joel Hatch
Post Production Supervisor: Peter Mavromates
Script Supervisor: Jamie Babbit
A Camera Operator: Martin Schaer
A 1st Assistant Camera: Julian Whatley
A 2nd Assistant Camera: J. Steven Matzinger
B 2nd Assistant Camera: Christopher Blauvelt
Underwater Unit A Cam Operator: Michael Ferris
Second Unit DoP: Jeff Cronenweth ASC
Sound Mixer: Willie Burton
Boom Operator: Marvin Lewis
Cableman, Sound: Michael Meier
Supervising Art Director: James J. Murakami
Production Art Director: Steven Salkad
Assistant Art Director, SF: Chris Nushawg
Lead Set Designer: Patrick M. Sullivan
Production Set Designer: Alan Kaye
Storyboard Artist: Robert Consing
Graphic Artist: Scott Purcell
Assistant to Jeffrey Beecroft: Liza Rudolph
Aerial Unit Director: Robert Mehnert
Process Photography: Bill Hansard
Aerial Camera Operator: Dylan Goss
Key Grip: Michael J. Coo
Miniature Supervisor: Michael Joyce
VFX Supervisors: Alex Frisch, Kevin Tod Haug
Color Consultant: Yvan Lucas
Dailies Telecine Colorist: Stephen Nakamura
Cameras: Bolex, Panaflex GII & Platinum (16mm Kodak Ektachrome VNF 125T 7240 & 35mm Kodak Vision 320T 5277 + 500T 5279)
Lenses: Panavision Primo Spherical Primes
AR: 2.39:1 (4-Perf Fincher-Third S35mm & 16mm) - DirectorDavid FincherStarsBrad PittEdward NortonMeat LoafAn insomniac office worker and a devil-may-care soap maker form an underground fight club that evolves into much more.Casting: Laray Mayfield CSA
Costume Designer: Michael Kaplan
Special Make-Up Effects Supervisor: Rob Bottin
Sound Designer: Ren Klyce
Composers, Arrangers, Recordists & Mixers - Original Score: Michael Simpson, John King (The Dust Brothers)
Film Editor: James Haygood ACE
Production Designer: Alex McDowell
Cinematographer: Jeff Cronenweth ASC
Cinematographer, Translite Photog: Richard Lund
Cinematographer, Visual Effects: Les Bernstein
Executive Producer: Arnon Milchan
Screenwriter: Jim Uhls
Producers: Art Linson, Ceán Chaffin, Ross G. Bell
Unit Production Manager: Helen Pollak
First Assistant Director: Mike Topoozian
Second Assistant Director: Bob Wagner
Stunt Coordinator: Michael Runyard
Stunt Players: Jimmy Nickerson, David Leitch, Jeff Imada, Damon Caro
Stunts: Darrin Prescott
Crew Associate Producer: John S. Dorsey
Crew Art Director: Chris Gorak
Crew Set Decorator: Jay Hart
Crew A Camera Operator: Conrad Hall Jr
Crew A First Assistant Camera: John T. Connor
Crew A Second Assistant Camera: Lisa Guerriero
Crew Steadicam Operator: Chris Haarhoff SOC
Crew A Camera Loader: Gary Kanner
Post Production Supervisor: Peter Mavromates
Production Supervisor: Julie M. Andrson
Production Coordinator: Robb Earnest
Assist Production Coordinator: David McKimmie
Location Managers: Rick Schuler, Flint Maloney
2nd 2nd ADs: Allen Kupetsy, Michael A. McCue
Gaffer: Claudio Miranda ASC
Rigging Gaffer: Marty Bosworth
Key Grip: Michael J. Coo
RBP Production Manager: Christopher Heeter
Hair Consultant - Brad Pitt: Rebecca De Leo
Supervising Prop Master: Roy Bucky Moore
1st Assist Prop Masters: Bryan Duff, Bryce Moore
Assistant Art Director: Seth Reed
Graphic Designer: Eric Rosenberg
Costume Supervisor: Elinor Bardach
Production Special FX Coordinator: Cliff Wenger
Production Special Effects Foreman: Eric Roberts
Art Department Coordinator: Sue Quinn
Art Department Assistant: Dianne Chadwick
Storyboard Artist: Peter Ramsey
1st Set Designers: Luis G. Hoyos, Hugo Santiago
2nd Set Designers: Pete Kelly, Domenic Silvestri
Third Set Designer: Julia Levine
Editorial Consultant: Angus Wall ACE
1st Apprentice Editor: Robert Longstreet Wheeler
Skywalker Sound Supervisor: Richard Hymns
Re-Record Mixers: Dave Parker, Mike Semanick, Boekelheide
ADR Supervisor: Gwendolyn Yates Whittle
Score Co-Producers: Art Hodge, Charles Goodan (The Other Brothers)
Production Color Timer: David Orr
Production Visual FX Supervisor: Kevin Tod Haug
Production Visual Effects Producer: Robin D'Arcy
Visual Effects Post Producer: Carey Len Smith
Production Visual FX Assistant: Leslie McMinn
VFX Still Photographer: Michael D. Middleton
Medical Artist - Visual Effects: Katherine Jones
Translite Matte Painter: Suzanne Mitus
BSS Sr Animation Supervisor: Carlos Saldanha
BSS Senior Lighting & FX Artist: Dave Walvoord
BSS Senior DFX Producer: Christopher Scollard
BSS Digital Effects Coordinator: Irka B. Seng
BSS Senior Digital Artist: John Siczewicz
BSS Modeler: Alexander Levenson
BSS Rotoscoper: Christopher M. Burrows
BSS Digital Effects Editor: Fritz Archer
BUF CG Supers: Geoffrey Niquet, Yann Blondel, Christophe-Olivier Dupuis, Stephane Nazé, David Verbeke
CTP TOR Visual FX Supervisor: Dennis Berardi
CTP TOR Digital FX Compositor: Jeff Campbell
CTP TOR Digital Film Supervisor: Mike Ellis
CTP TOR 3D Animator: Jim Rutherford
Digital Domain Visual FX Supervisor: Kevin Mack
Digital Domain Visual FX Producer: Eileen Moran
Digital Domain CG Supervisor: Matthew Butler
DD1.0 Digital Comp Supervisor: Carey Villegas
DD1.0 Opening Seq. Team Leads: Dave Prescott, Judith Crow
DD1.0 Digital Compositors: Darren M. Poe, Dave Stern, Rachel Dunn
Digital Domain VFX Coordinator: Lauren Littleton
DD1.0 Digital Artists: Sean Andrew Faden, Dan Lemmon, Brad Parker, Zachary Tucker
DD1.0 Digital Paint Artist: Paolo J. De Guzman
DD1.0 Film Imaging Supervisor: Michael Kanfer
GMFX VFX Supervisor & Lead Compositor: Gray Marshall ASC
GMFX Visual Effects Producer: Margaux Mackay
Digital Spirit Colorist: Stephen Nakamura
Dedicated to: Raymond Bongiovanni, P. Scott Makela
Filming Dates: 1 June 1998 - 11 December 1998
Camera: Panaflex Platinum (35mm Kodak EXR 100T 5248, Vision 250D 5246 & 500T 5279)
Lenses: Panavision Primo Spherical Primes
AR: 2.39:1 (4-Perf Fincher-Third Super 35mm)
Budget: 63 Million USD
Budget AFI (2021): 99-100 Million USD
Printed on: Kodak Vision 2383
Special Make-Up Effects Designed by: Rob Bottin Productions
Post Production Sound Services Provided by: Skywalker Sound
Special Digital Visual Effects, Digital Animation + Digital Film Scanning & Recording Provided by: Blue Sky Studios, BUF Inc., Command Post Toybox Toronto, Digital Domain, EFilm & Gray Matter FX
Color Provided by: Technicolor®
Shot on: Kodak Film Stock
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed with Panavision® Cameras & Lenses - DirectorDavid FincherStarsJodie FosterKristen StewartForest WhitakerA divorced woman and her diabetic daughter take refuge in their newly-purchased house's safe room when three men break-in, searching for a missing fortune.Cinematographers: Darius Khondji ASC, Conrad Hall Jr
Production Designer: Arthur Max
Stunts: Darrin Prescott
Stunt Coordinator: Dan Bradley
2nd Unit DP: Jeff Cutter
Camera Operators: Ray De La Motte, Aaron Pazanti
VFX Supervisors: Pierre Buffin, Kevin Tod Haug
Composer: Howard Shore
Film Editors: James Haygood ACE, Angus Wall ACE
DI Colorist: Stephen Nakamura
DI Supervisor: Brian Shows
Casting: Laray Mayfield CSA
Costume Designer: Michael Kaplan
Unit Production Manager: Denis L. Stewart
Cameras: Arriflex 35-III, Panaflex Millennium & Platinum (35mm Kodak Vision 320T 5277)
Lenses: Panavision Primo Spherical Primes
AR: 2.39:1 (3- & 4-Perf Fincher-Third S35mm)
Attribute: Filmed with Panavision Cameras & Lenses - DirectorDavid FincherStarsJake GyllenhaalRobert Downey Jr.Mark RuffaloBetween 1968 and 1983, a San Francisco cartoonist becomes an amateur detective obsessed with tracking down the Zodiac Killer, an unidentified individual who terrorizes Northern California with a killing spree.Casting Director: Laray Mayfield CSA
Composer: David Shire
Music Supers: Randall Poster, George Drakoulias
Costume Designer: Casey Storm
Film Editor: Angus Wall ACE
Production Designer: Donald Graham Burt
Cinematographer: Harris Savides ASC
Cinematographer, AP: Claudio Miranda ASC AEC
Executive Producer: Louis Phillips
Producers: Mike Medavoy, Arnold W. Messer
Producer: Bradley J. Fisher
Producer / Screenwriter: James Vanderbilt
Producer: Ceán Chaffin
First Assistant Director: John G. Scotti
Additional Film Editor: Kirk Baxter ACE
A Camera Operator: Kim Marks ASC SOC
B Second AC, Add'l Photog: Hector Rodriguez
DD1.0 Element Photog.: Jesse James Chisholm
MWD Visual Effects Supervisor: Craig Barron ASC
TDI Digital Film Colorist: Stephen Nakamura
Cameras: Arriflex 435 ES & Thomson VIPER FilmStream (35mm Kodak Vision2 Expression 500T 5229 & 4:4:4 Uncompressed Digital)
Lenses: Zeiss Super Speed Primes & DigiPrimes
AR: 2.40:1 (3- & 4-Perf Super 35mm)
Budget: 65–85 Million USD
Budget AFI (2022):
Printed on: Kodak Vision 2383
Visual Effects by: Digital Domain, Mar Vista Ventures, Matte World Digital & Ollin VFX - DirectorDavid FincherStarsBrad PittCate BlanchettTilda SwintonTells the story of Benjamin Button, a man who starts aging backwards with consequences.Cinematographer: Claudio Miranda ASC
Production Designer: Donald Graham Burt
2nd Unit Director: Tarsem Singh
Additional DP: Daniel Holland
Aerial DP: Phil Pastuhov
Underwater DP: Pete Romano ASC
Camera Operator: Kim Marks ASC SOC
Grip: T. Sano Kwong
VFX Supervisor: Eric Barba
Composer: Alexandre Desplat
Film Editors: Angus Wall ACE, Kirk Baxter ACE
Senior DI Colorist: Jan Yarbrough
Casting: Laray Mayfield CSA
Costume Designer: Jacqueline West
Camera(s): Arriflex 435, Sony CineAlta F23 & Thomson VIPER FilmStream (35mm Kodak Vision2 50D 5201/Vision3 500T 5219, HD & 4:4:4 Unc. Digital)
Lenses: Zeiss Super Speed Primes & DigiPrimes
AR: 2.40:1 (3-Perf/4-Perf Super 35mm) - DirectorDavid FincherStarsJesse EisenbergAndrew GarfieldJustin TimberlakeAs Harvard student Mark Zuckerberg creates the social networking site that would become known as Facebook, he is sued by the twins who claimed he stole their idea and by the co-founder who was later squeezed out of the business.Producers: Michael De Luca, Dana Brunetti, Ceán Chaffin
Casting: Laray Mayfield CSA
Costume Designer: Jacqueline West
Sound Design Supervisor: Ren Klyce
Composers: Trent Reznor, Atticus Ross
Film Editors: Angus Wall ACE, Kirk Baxter ACE
Production Designer: Donald Graham Burt
Cinematographer: Jeff Cronenweth ASC
Cinematographer, UK/Henley Unit: Ian Foster
EP & Unit Production Manager: JoAnn Perritano
Screenwriter: Aaron Sorkin
Armie Hammer Body Double: Josh Pence
First Assistant Director: Bob Wagner
Second Assistant Director: Allen Kupetsky
Associate Producer: Jim Davidson
Art Directors: Keith Cunningham, Curt Beech
Set Decorator: Victor J. Zolfo
Supervising Prop Master: Tricia Gallaher Glenn
"A" Camera Operator: Peter Rosenfeld
First Assistant "A" Camera: Steven Meizler
Second Assistant "A" Camera: Paul Toomey
First Assistant "B" Camera: Daniel McDonough
Costume Supervisor: Cheryl Beasley Blackwell
Gaffer: Harold Skinner
Rigging Gaffer: William R. Mayberry
Production Special FX Coordinator: Steve Cremin
Production SPFX Foreman: Brandon McLaughlin
Production SPFX Technician: Christian F. Eubank
Loc Managers: Richard Schuler, Stephen Mapel
Assistant LMs: Scott Fitzgerald, Brian Kinney
Production Coordinator: Jason Tamez
Assistant Production Coordinator: Kyle McGatlin
First Set Designers: Aaron Haye, Jane Wuu
2nd Set Designers: Randy Wilkins, Theo Sharps
Production Illustrator: Joanna Bush
Art Department Coordinator: Cindy M. Ichikawa
Art Department Researcher: Lindsey Gray
Storyboard Artist: Richard Bennett
Assistant Set Decorator: Missy Parker
2nd Second Assistant Director: Maileen Williams
Boston Unit Art Director: Carl Sprague
Boston Unit Costume Super: Virginia B. Johnson
Boston Unit Rigging Gaffer: Scott D. Davis
Boston Unit Location Manager: William Doyle
Boston Unit Production OC: Damiana Kamishin
Boston Unit 2nd Unit Director: Noble Jones
Boston Unit 2nd Unit Marine Coord: J. Wilfrid White
Production Supervisor, Baltimore: Marc Hammer
Location Manager, Baltimore: Charles Armstrong
UK/Henley Unit Line Producer: Rupert Smythe
UK/Henley Unit Prod Manager: Judy Vermeulen
UK/Henley Unit Second AD: Matthew Carver
UK/Henley Unit Art Director: Robyn Paiba
UK/Henley Unit 1st Asst "A" Camera: John Foster
UK/Henley Unit "A" Second AC: Gavin MacArthur
UK/Henley Unit Costume Super.: Sharon Long
UK/Henley Unit Key Grips: Michael J. Coo, John Flemming
UK/Henley Unit Aerial DoP: Jeremy Braben BSC
UK/Henley Unit Film Pilot: Michael Jupp
UK/Henley Unit LMs: Ben Gladstone, Jonah Coombes
UK/Henley Unit Prod Coordinator: Tim Belcher
First Assistant Editor: Tyler Nelson
Second Assistant Editor: Alex Ovilares
Post Production Supervisor: Carey Len Smith
Post Production Coordinator: Adam Cole
Music Consultant: Paul Luther Jackson
Light Iron DI Colorist: Ian Vertovec
Light Iron DI Producer: Katie Fellion
Technical Consultant: Joe Wolcott
Web Technology Consultant: Paul MacReynolds
Lola|VFX Supervisor: Edson Williams
Lola|VFX CG Effects Supervisor: Colin Strause
Lola|VFX Producer: Thomas Nittmann
Lola|VFX Coordinators: Miles Friedman, Max Leonard
Camera: Red® One MX (4.5K Redcode RAW)
Lenses: Arri Master Primes & Angenieux Optimo Zooms
AR: 2.39:1 (3-Perf Super 35mm)
Budget: 40 Million USD
Budget AFI (2022): 54.3 Million USD
Printed on: Fuji Eterna-CP 3513DI
Production Services in the UK & Henley Provided by: Gorgeous Enterprises
Post Sound Services Provided by: Skywalker Sound
Visual Effects Provided by: Lola|VFX
Attribute: Shot on Red® - DirectorDavid FincherStarsDaniel CraigRooney MaraChristopher PlummerJournalist Mikael Blomkvist is aided in his search for a woman who has been missing for 40 years by young computer hacker Lisbeth Salander.Cinematographer: Jeff Cronenweth ASC
Production Designer: Donald Graham Burt
Stunt Coordinator: Ben Cooke
Additional DP: Fredric Bäckar
Aerial DP: Peter Degerfelt
Camera Operators: Martin Schaer, David Worley, Will Arnot
VFX Supervisor: Eric Barba
Composers: Trent Reznor, Atticus Ross
Film Editors: Angus Wall ACE, Kirk Baxter ACE
DI Colorist: Ian Vertovec
Casting: Laray Mayfield CSA
Costume Designer: Trish Summerville
Camera(s): Red Epic MX & One MX (4.5K/5K Redcode RAW)
Lenses: Zeiss Master Primes
AR: 2.39:1 (Super 35mm)
Anecdote: Camera Equipment Provided by Keslow Camera - DirectorDavid FincherStarsKevin SpaceyRobin WrightKate MaraCongressman Francis Underwood has been declined the chair for Secretary of State. He's now gathering his own team to plot his revenge. Zoe Barnes, a reporter for the Washington Herald, will do anything to get her big break.
- DirectorDavid FincherStarsKevin SpaceyRobin WrightKate MaraFrancis and Doug plan to frame Secretary of State nominee, Michael Kern. Meanwhile, Zoe's popularity at the Washington Herald continues to grow.
- DirectorDavid FincherStarsBen AffleckRosamund PikeNeil Patrick HarrisWith his wife's disappearance having become the focus of an intense media circus, a man sees the spotlight turned on him when it's suspected that he may not be innocent.Casting: Laray Mayfield CSA
Sound Design Super & Re-Recording Mixer: Ren Klyce
Composers: Trent Reznor, Atticus Ross
Costume Designer: Trish Summerville
Film Editor: Kirk Baxter ACE
Production Designer: Donald Graham Burt
Cinematographer: Jeff Cronenweth ASC
Cinematographer - Visual FX: Stephen Sheridan
Executive Producer: Leslie Dixon
Prods: Arnon Milchan, Reese Witherspoon, Ceán Chaffin, Joshua Donen
Writer: Gillian Flynn
Unit Production Manager: David Witz
First Assistant Director: Courtenay Miles
Second Assistant Director: Paul Schneider
Stunt Coordinator: Mickey Giacomazzi
Stunts: Jessica Harbeck
Associate Producer: James Davidson
Supervising Art Director: Sue Chan
1st Set Designers: Tim Croshaw, Thomas Taylor
2nd Set Designers: Barbara Mesney, Jane Wuu
Art Department Coordinator: Michael LaCorte
Lead Scenic Artist: Andrew Campbell
Graphic Artists: Adam Khalid, Dianne Chadwick
Supervising Set Decorator: Douglas Mowat
Assistant Set Decorator: David Smith
Set Deco Coordinator: Darlene Salinas
Set Decoration Production Assistant: June Okada
Supervising Prop Master: Kirk Corwin
Assistant Prop Master: Randy Eriksen
'A' Camera Operator: Peter Rosenfeld
First Assistant 'A' Camera: James Apted
First Assistant 'B' Camera: Matthew T. Korte
Second Assistant 'A' Camera: Paul Toomey
Camera Dept. Production Assistant: Aaron Mager
Costume Supervisor: Cheryl Beasley Blackwell
Blood Effects Supervisor: Gary J. Tunnicliffe
Chief Lighting Technic.: Erik Messerschmidt ASC
Rigging Gaffer: Scott Graves
'A' Dolly Grip: Brad Rea
'B' Dolly Grips: Michael Wahl, Taylor Vohs
Production SPFX Supervisor: Ron Bolanowski
Production Special Effects Foreman: Jared Baker
Medical Consultant: Rob Huizenga
Production Coordinator: Lori Berlanga
Assistant Production Coordinator: Michael Coscia
2nd Second Assistant Director: Mollie Stallman
Key Office Production Assistant: Michael Alvarado
Key SPA-Missouri Unit 2nd 2nd AD: Yarden Levo
Basecamp Production Assistant: Laura Hoyt
Key 2nd Assistant Accountant: Kristine Bochum
Supervising Location Manager: Rick Schuler
Location Managers: Stephen Mapel, John Cepalu
Assistant LMs: Scott Fitzgerald, Kirk Worley
Missouri Unit Art Director: Dawn Swiderski
Missouri Unit 1st Assist AD: Mark Robert Taylor
Missouri Unit 2nd Asst Art Director: Cara Brower
Missouri Unit Art Dept. Coord.: Molly Reinhardt
Missouri Unit Prod Coord.: Meredith Humbracht
Missouri Unit Assistant Prod Coord.: Kev Magee
Missouri Unit Key 2nd Assistant Accountant: Kim Ronstadt
Missouri Unit Location Manager: Ron Durham
Post Production Supervisor: Peter Mavromates
Post Production Coordinator: Randall James Bol
Re-Record Mixers: Dave Parker, Mike Semanick
Light Iron DI Sr Finishing Colorist: Ian Vertovec
DI Color Producers: Katie Fellion, Emily Eddey
Light Iron Finishing Artist: Monique Eissing
Production VFX Artists: Christopher Doulgeris, Eric Weidt, Chad Peter
Digital Domain Visual FX Supervisor: Eric Barba
DD1.0 Digital Supers: Paul J. Lambert, Steven Preeg, Wayne Kennedy, Som N. Shankar, Brian Gazdik
Ollin VFX Supervisor: Charlie Iturriaga
Ollin VFX Executive Producer: Robin D'Arcy
Ollin VFX 2D Supervisor: Natalia De La Garza
Ollin VFX CG Supervisor: Carlos Anaya
Artemple Visual Effects Designer: Wei Zheng
Artemple Visual FX Supervisor: Marco Maldonado
Artemple Lead Compositor: Vinn Nguyen
Artemple Rotoscope Artist: Edgar Diaz
Lola/VFX Composite Supervisor: Edson William
Lola/VFX Producer: Max Leonard
Lola/VFX Executive Producer: Thomas Nittmann
Lola/VFX Leads: Jeremiah Sweeney, Cliff Welsh, Rob Olsson
Lola/VFX Supervisor: Trent Claus
Savage VFX Supervisor: James Pastorious
Savage VFX Producer: Brice Liesveld
Savage VFX 2D Artists: Tim Turner, Tim Unger, Andrew Roberts, Andy Witkowski
Savage VFX 3D Artist: Daniel Naulin
Savage VFX Junior Compositor: Cory Pelligrino
Cos FX VFX Super & Prod: Cosmas Paul Bolger Jr
BB Electrician, Add'l VFX Photog: Brian Fosnaugh
Score Orchestrations Lead: Dana Niu
Orchestra Recordist & Mixer: Geoff Foster
Digital Score Recordist: Kevin Globerman
Orchestra Conductor: Brad Warnaar
Head of Music Preparation: Eric Stonebrook
Orchestra Contractor: Peter Rotter
Filming Dates: 11 September 2013 - 20 October 2013
Camera: Red Epic Dragon (6K Redcode RAW)
Lenses: Leica Summilux-C Spherical Primes
AR: 2.35:1 (3-Perf Super 35mm)
Budget: 61 Million USD
Post Production Sound Services Provided by: Skywalker Sound
Visual Effects Provided by: Digital Domain, Ollin VFX, Artemple - Hollywood, Lola/VFX, Savage VFX & Cos FX Films
Edited with: Adobe Premiere Pro CC
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Shot on DRAGON with SUMMILUX-C Cine Lenses - DirectorDavid FincherStarsJonathan GroffLee SellarsDavid H. HolmesIn 1977, frustrated FBI hostage negotiator Holden Ford finds an unlikely ally in veteran agent Bill Tench and begins studying a new class of murderer.
- DirectorDavid FincherStarsSonny ValicentiGary WardenHolt McCallanyHolden interviews the eerily articulate murderer Ed Kemper, but his research provokes negative feedback at the Bureau.
- DirectorDavid FincherStarsSonny ValicentiJonathan GroffHolt McCallanyHolden's methods during a disturbing interview with mass murderer Richard Speck create dissension among the team and kick off an internal FBI probe.
- DirectorDavid FincherStarsJonathan GroffHolt McCallanyJoe TuttleThe team cracks under the pressure from an in-house review. Holden's bold style elicits a confession but puts his career, relationships and health at risk.
- DirectorDavid FincherStarsKatherine BanksSonny ValicentiDon O. KnowltonAmid sweeping changes at the BSU, Holden deals with severe repercussions from his close encounter with Ed Kemper.
- DirectorDavid FincherStarsKatherine BanksSonny ValicentiHolt McCallanyTo glean insight into the elusive BTK killer, Bill and Holden interview Son of Sam, who makes a startling admission.
- DirectorDavid FincherStarsPatrick JordanSonny ValicentiHolt McCallanyBill gets drawn into a horrifying crime that hits close to home. Holden receives an intriguing offer while in Atlanta to interview a pair of killers.
- DirectorDavid FincherStarsGary OldmanAmanda SeyfriedLily Collins1930s Hollywood is re-evaluated through the eyes of scathing social critic and alcoholic screenwriter Herman J. Mankiewicz as he races to finish the screenplay of Citizen Kane (1941).Cinematographer: Eric Messerschmidt ASC
Production Designer: Donald Graham Burt
A-Camera Operator: Brian S. Osmond
B-Camera Operator: Will Dearborn
Composers: Trent Reznor, Atticus Ross
Film Editor: Kirk Baxter ACE
DI Colorist: Eric Weidt
Casting: Laray Mayfield CSA
Costume Designer: Trish Summerville
VFX Supervisor: Pablo Helman
ILM VFX Supervisor: John Knoll
ILM Associate VFX Supervisor: Leandro Estebecorena
ILM VISUAL EFFECTS SUPERVISOR
Pablo Helman
ILM ANIMATION SUPERVISOR
Matthew Cowie
ILM ASSOCIATE VISUAL EFFECTS SUPERVISOR
Sherry Hitch
ILM VISUAL EFFECTS PRODUCER
Erin Dusseault
ILM VISUAL EFFECTS PRODUCER
Flannery Huntly
ILM VFX ASSOCIATE PRODUCER
Andrew Poole
Camera: Red Ranger Helium Monochrome (8K Redcode RAW)[5-Perf 70mm]
Lenses: Leica Summilux-C Primes
AR: 2.20:1 (Super 35mm)
Visual Effects Provided by: Industrial Light & Magic
Attribute: Photographed in Dynamic Range - DirectorDavid FincherStarsMichael FassbenderTilda SwintonCharles ParnellAfter a fateful near-miss, an assassin battles his employers and himself, on an international manhunt he insists isn't personal.Casting Director: Laray Mayfield
Composers: Trent Reznor, Atticus Ross
Costume Designer: Cate Adams
Cinematographer: Erik Messerschmidt ASC
Producers: Ceán Chaffin, Dede Gardner, Brad Pitt
Screenwriter: Andrew Kevin Walker
Filming Dates: Early-Nov 2021 - 28 Mar. 2022
Camera: RED V-Raptor ST (8K Redcode RAW)
Lenses: Leitz Elsie Spherical Primes
AR: 2.39:1 (Spherical 3-Perf 70mm)
Digital Intermediate by: Panavision Light Iron
Camera Equipment Provided by: Keslow Camera