MonsterVerse Production Details
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- DirectorGareth EdwardsStarsAaron Taylor-JohnsonElizabeth OlsenBryan CranstonThe world is beset by the appearance of monstrous creatures, but one of them may be the only one who can save humanity.Director: Gareth Edwards
Casting: Sarah Halley Finn CSA
Costume Designer: Sharen Davis
Production VFX Supervisor: Jim Rygiel
Production VFX Producer: Allen Maris
Composer/Conductor/Orchestrator: Alexandre Desplat
Music Supervisor: Dave Jordan
Co-Producer/Film Editor: Bob Ducsay ACE
Production Designer: Owen Paterson
Cinematographer: Seamus McGarvey ASC BSC
Cinematographer (Las Vegas Unit): Kim Marks SOC
Cinematographer (Add'l Photography): Lawrence Sher ASC
Exec Producer/Unit Production Manager: Patricia Whitcher
Story Writer: David Callaham
Assoc. Producers/Unit Production Managers: Jim Rowe, LeeAnn Stonebreaker
1st Assistant Director: Alexander H. Gayner
Key 2nd Ass't Director: Misha Bukowski
Stunt Coordinators: John Stoneham Jr, Jake Mervine
2nd Unit Director: EJ Foerster
2nd Unit DoP: Roger Vernon CSC
2nd Unit Stunt Coordinator: Layton Morrison
Stunt Coordinator (HALO Jump): JT Holmes
Production VFX Consultant: Dominique Derrenger
Add'l VFX Designer: John Dykstra ASC
Add'l Film Editor: Ron Rosen
Associate Producer: Martin Cohen
Supervising Art Director: Grant Van Der Slagt
Lead Creature & Concept Designer: Matt Allsopp
A-Camera Operator: Mitch Dubin SOC ACO
1st Assistant Camera: Bill Coe
B-Camera Operator: John Clothier
C-Camera Operator: Annie McEveety
Steadicam Operator: Manolo Rojas
Camera Operator (Opening Title Sequence): JD Burditt
Camera Operator (Stunts): Matt Fore
Production SFX Coordinator: Joel Whist
Production VFX Executive: Kimberly Nelson
Senior Casting Assistant: Jason B. Stamey CSA
Picture Car Coordinator: Rick Rasmussen
Aerial Unit DoP: David B. Nowell ASC
Add'l Aerial Unit DoPs: Phil Pastuhov, Michael Kelem
Aerial Unit Camera Operators: Craig O'Brien, Mark Gerasimenko
Underwater Unit Camera Operator: Ian Seabrook
Senior VFX Production Manager: Kim Doyle
MPC Senior VFX Supervisor: Guillaume Rocheron
DNEG Senior VFX Supervisor: Ken McGaugh
Add'l VFX Producer: Scott Shapiro
VFX Art Directors: Steven Messing, John Park
VFX Unit Camera Operator/Director of Photography: Steve Brooke Smith
Add'l VFX Unit Photography: John Andrew Berton Jr
Score Mixer/Recordist: Dennis S. Sands
2nd Unit VFX Supervisor/DNEG Senior VFX Supervisor: Peter Chiang
2nd Unit A-Camera Operator: Dean Heselden
2nd Unit B-Camera Operator: Scott McDonald
2nd Unit Art Director: Chris Beach
Hawaii Unit Art Director: Scott Meehan
Unit Production Manager/1st Ass't Director (Las Vegas Unit): Luc Etienne
Las Vegas Unit 1st Ass't Camera: Patrick McArdle
MPC Add'l VFX Supervisor: Nicholas Aithadi
MPC DFX Supervisor: Matt Middleton
MPC VFX Producer: Philip Greenlow
MPC VFX Production Manager: Julia Ferguson
MPC VFX Executive Producer: Christian Robertson
MPC Head of Visual Effects: Greg Butler
DNEG VFX Supervisors: Patric Roos, Ged E. Wright
DNEG CG Effects Supervisors: Peter Kyme, Gunther Schatz
DNEG VFX Producers: Andy Taylor, Charlotte Loughnane
DNEG VFX Associate Producer: Katrina Navassartian
Scanline VFX Supervisors: Stephan Trojansky, Darren Poe
Scanline VFX Producer: Steve Won
Scanline VFX Executive Producer: Joel Mendias
Weta Senior VFX Supervisor: Joe Letteri
Weta Animation Supervisor: Aaron Gilman
Weta Compositing Supervisor: Steve McGillen
Weta Effects Technical Director: Simon Baker
Weta Senior VFX Environment Artists: Daniel Bayona, Zakaria Boumediane
Weta VFX Production Coordinator: Sophie Cherry
Concept Design & Effects Supervisor (Weta Workshop): Richard Taylor
Creature Design Supervisors (Legacy Effects): Shane Patrick Mahan, Lindsay MacGowan
Performance Capture Consultant/Godzilla MoCap Performer: Andy Serkis
Motion Capture Supervisor: Jonathan Tyler
Motion Capture Producer: Dan Dixon
Supervising Digital Colorist: Steven J. Scott ASC
DI Colorists: Michael Hatzer ASC, Edwin Van Huizen
Digital Colorists: Chris Jensen, Charles Bunnag
Ass't Digital Colorist: Juan Flores
Home Video Mastering Colorist: Darin Woolbridge
Filming Dates: 18 March 2013 - 14 July 2013
Camera: Alexa Plus 4:3 (2.8K ARRIRAW)[Gemini 4:4:4]
Lenses: Panavision Primo Anamorphic & Spherical 11:1 Zooms, C-Series Anamorphic Primes, PVintage Spherical Primes, Anamorphic Telephoto Zoom, Anamorphic 2:1 Wide-Angle Zoom & Panavision/Cooke 10:1 Spherical Zoom
AR: 2.39:1 (Anamorphic)(Super 35mm: Some Scenes)
Budget: 160 Million USD
Printed on: Fuji Eterna CP-3514DI
Visual Effects Provided by: Moving Picture Company, Scanline VFX, Weta Digital & Double Negative
Concept Design Provided by: Weta Workshop
Creature Design Provided by: Stan Winston Studio/Legacy Effects
Performance Capture Consultancy Provided by: Imaginarium Studios
3D Conversion Provided by: Stereo D
Attribute: Filmed in Panavision - DirectorJordan Vogt-RobertsStarsTom HiddlestonSamuel L. JacksonBrie LarsonAfter the Vietnam war, a team of scientists explores an uncharted island in the Pacific, venturing into the domain of the mighty Kong and must fight to escape a primal Eden.Director: Jordan Vogt-Roberts
Casting: Sarah Halley Finn CSA
Senior VFX Supervisor & 2nd Unit Director: Stephen Rosenbaum
Production VFX Supervisor: Jeff White
Production Animation Supervisor: Scott Benza
Composer/Original Score Producer: Henry Jackman
Composers (Add'l Music): Alex Belcher, Halli Cauthery, Stephen Hilton
Score Conductor: Gavin Greenaway
Costume Designer: Mary E. Vogt
Co-Producer/Production VFX Producer: Tom Peitzman
Film Editor: Richard Pearson ACE
Production Designer: Stefan Dechant
Cinematographer: Larry Fong ASC
Cinematographer (Marlow Homecoming): Mike Berlucchi
Executive Producer/Unit Production Manager: Eric McLeod
Executive Producer: Edward Cheng
Producers: Jon Jashni, Thomas Tull
Story Writer: John Gatins
Screenwriters: Dan Gilroy, Max Borenstein, Derek Connolly
1st Assistant Director: Richard Graves
2nd Assistant Director: Brian Avery Galligan
Co-Producer: Jen Conroy
ILM VFX Executive Producer: Jill Brooks
ILM Senior VFX Supervisor: Robert Weaver
Associate Producer: Debbi Bossi
Supervising Stunt Coordinator/2nd Unit Director: Spiro Razatos
Conceptual Designer: Crash McCreery
Stunt Coordinator: George Cottle
Ass't Stunt Coordinator: Brycen Counts
Rigging Stunt Coordinators: Kevin Abercrombie, David Hugghins, Frank Torres
Stunts: Irlam Choi
Supervising Art Director: Douglas Meerdink
Art Directors: Steve Christensen, John Lord Booth III
Vehicle Design Coordinator: Ron Mendall
Ass't Art Director: Mike Piccirillo
Set Decorator: Cynthia La Jeunesse
A-Cam/Steadicam Op: P. Scott Sakamoto SOC
1st Assistant A-Camera: Bill Coe
2nd Assistant A-Camera: Bobby McMahan
B-Camera Operator: Calum McFarlane
Nature Unit DoP: Ross Reige
Underwater Unit DoP: Simon Christidis
Digital Imaging Technician: Robert Howie
Supervising Prop Master: Steven B. Melton
Ass't Prop Master: Jason Moore
Production SFX Supervisor: Michael Meinardus
SFX Set Coordinator: Chris Brenczewski
SFX General Foreman: Mike Sasgen
SFX Pyro Foreman: Anthony Simonaitis
SFX Project Foreman: Don Myers
VFX Production Manager: Yasamin Ismaili
Add'l Film Editor: Bob Murawski ACE
2nd Add'l Film Editors: Josh Schaeffer ACE, Christian Wagner
1st Assistant Editors: Sean Thompson, Richard Conkling
2nd Assistant Editor: Peter Tackaberry
3rd Assistant Editor: Michael Torres
4th Assistant Editor: Jonathan Thornhill
5th Assistant Editor: Matt Willard
Production VFX Editor: Jessica Schulte Jones
Ass't VFX Editor: Michelle Cabalu Zaslav
Add'l 1st Ass't Editor: Chelsea Dinsdale
Music Editors: Jack Dolman, Clint Bennett
Ass't Music Editor: Catherine Wilson
Post-Production Coordinator: Leslie Quan
Post-Production Assistants: Jason Sinclair, Kali Kasashima
Add'l VFX Supervisor: John Dykstra ASC
Production VFX Coordinator: Jamie Lewis
VFX Ass't Coordinators: Yamato Cibulka, Nick Shupper
Production VFX Data Wranglers: Ian Doss, Chris Antonini
VFX In-House Compositor: Mike Jackson
VFX Production Assistants: Ethan McLeod, Hung Ho, Danielle Sturton, Tang Hong Qwan
Stereoscopic Supervisor: Ed W. Marsh
3D Producer: Adam Ohl
Associate Stereoscopic Supervisor: James Lu
3D Coordinator: Glorivette Somoza
3D Editor: Lara Mazzawi
Production Coordinators: Jenny Fumarolo, Aimee Clark
Ass't Prod Coordinator: Michelle Poole
2nd 2nd Ass't Directors: Stockton David Porter, Danielle Blake
Production VFX Accountant: Cynthia La Jeune
Supervising Location Manager: Ilt Jones
Key Ass't Loc Managers: Leann Emmert, Sarah Goller, Zachary Quemore, Joe Stargensky
Casting Associate: Jason B. Stamey CSA
Set Designers: Stella Vaccaro, Trinh Vu
Graphic Designer: Ellen Lampl
Illustrators: Steve Jung, Zachary Berger
Music Supervisors: Peter Afterman, Margaret Yen
Associate Music Supervisor: Alison Litton
Music Coordinator: Oriana Pedone
Score Mixer: Alan Meyerson
Orchestra Contractor: Isobel Griffiths
Ass't Orchestra Contractor: Lucy Whalley
Score Recordist: Nick Wollage
Orchestra Leader: Everton Nelson
Digital Score Recordist: Chris Barrett
Hawaii Unit B-Camera Operator: Steve Adcock
Hawaii Unit 1st Ass't B-Camera: Tony Nagy
Hawaii Unit 2nd Ass't B-Camera: Rylan Akama
Hawaii Unit Add'l 2nd Ass't B-Cam: Kaliko Ma'i'i
Hawaii Unit C-Camera Operator: Will Arnot
Hawaii Unit Chief Lighting Tech: Walter Bithell
Hawaii Unit Rigging Gaffer: Don Tomich
Hawaii Unit SFX Moco Techs: Don Gray, Arnold Peterson
Hawaii Unit SFX Coordinator: Archie Ahuna
Hawaii Unit Ass't Prod Coordinators: Serena Flores, KB Pugliese
Hawaii Unit Add'l 2nd Ass't Dir: Katy Galow
Hawaii Unit Location Manager: Randy Spangler
Hawaii Unit Key Ass't Loc Managers: Kent Jackson, Rita Rosenfeld
Hawaii Unit Ass't Location Managers: John Davis IV, Ryan Kahale Hoke
Hawaii Unit Loc Dept. Coord: Portia Fontes
Hawaii Unit Art Dept. Coord: Sasha De Mello
Hawaii Unit Picture Car Coord: Jesse Duarte
Unit Production Manager (Australian Crew): Jennifer Cornwell
Art Director (Australian Crew): Bill Booth
Ass't Art Director (Australian Crew): Eugene Intas
Set Decorator (Australian Crew): Gillian Butler
Ass't Set Decorator (Australian Crew): Tuesday Stone
Stunt Coordinator (Australian Crew): Kyle Gardiner
Stunt Office Coord (Australian Crew): Kim Mayes
C-Camera Operator (Australian Crew): Damian Wyvill
Gaffer (Australian Crew): Shaun Conway
Rigging Gaffer (Australian Crew): Mark Jefferies
SFX Supervisor (Australian Crew): Bruce Bright
SFX Lead Sr Techs (Australian Crew): Jim Leng, Ray Purkis
SFX Techs (Australian Crew): Dean Franklin, Albert Payne
Prod Coord (Australian Crew): Candice Preddy
Ass't Prod Coord (Australian Crew): Mackenzie Benstead
3rd Ass't Dir (Australian Crew): Killian Maguire
Loc Manager (Australian Crew): Lauren Cooper
Ass't Loc Man. (Australian Crew): Anthony Stephen Brown
Art Dept. Coord (Australian Crew): Tricia McInally
Design Ass't (Australian Crew): Siobhan Purkis
Set Designer (Australian Crew): W. Paula Whiteway
Set Dec Coord (Australian Crew): Kelly Hannah Weiler
Unit Man. (Australian Crew): Damien Eggins
Ass't Unit Man. (Australian Crew): Jamie Whitfield
Production Supervisor (Vietnam Crew): Russell Allen
Line Producer (Vietnam Crew): Nicholas Simon
Prod Manager (Vietnam Crew): Pam Plodripu
Art Director (Vietnam Crew): Truong Trung Dao
Gaffer (Vietnam Crew): Michael Adcock
1st Ass't Dir (Vietnam Crew): Toan Joshua Nguyen
2nd Ass't Dir (Vietnam Crew): Phu So Oscar Huy
Loc Manager (Vietnam Crew): Tran Ken Vy Dan
Loc Consultant (Vietnam Crew): Nguyen Thi Bich Thuy
SVP of Prod/2nd Unit Prod Sup: Eric Hedayat
2nd Unit Production Supervisor: Renee Confair
2nd Unit DoP: Jacques Haitkin
2nd Unit Editor: David Kern
2nd Unit Ass't Editor: Wendy Nomiyama
2nd Unit Stunt Coordinator: Andy Gill
2nd Unit Stunt Assistant: Kelly Gill
2nd Unit 1st Ass't Director: Nick Satriano
2nd Unit 2nd Ass't Directors: Greg Hale, Lyda Blank
2nd Unit 2nd 2nd Ass't Dir: Priscilla Stafford
2nd Unit B-Camera Operator: Nino Pansini
2nd Unit Edge Camera Operator: Maurice Keith McGuire SOC
2nd Unit A-Camera/Steadicam Operators: Colin Hudson SOC, Henry Tirl
NY 2nd Unit Steadicam Operator: Kyle Rudolph
2nd Unit Key 1st Ass't A-Cam/Techno: Greg Luntzel
2nd Unit Spydercam Lead Tech: Tim Drnec
2nd Unit Phantom Technician: Tom Heigl
2nd Unit Gaffer: Mike Ambrose
2nd Unit SFX Set Coordinator: Roy Cancino
2nd Unit SFX Powderman: Eric Rylander
Aerial Unit Coordinator/Pilot: David Paris
Aerial Unit DoP: David B. Nowell ASC
Aerial Unit Backstage Cam Op: Austin Harris
Aerial Unit Pilots: Cliff Fleming, Fred North, Kevin LaRosa Sr
Aerial Unit Drone Pilot: Kevin LaRosa Jr
Aerial Unit Ground Coordinator: Ben Skorstad
Aerial Unit Shotover Technician: Peter Graf
Aerial Unit Drone Technician: Jared Slater
A-Camera Operators (Add'l Photography): David Emmerichs SOC, Lawrence Karman SOC
NY Unit 2nd Ass't Dir (Add'l Photography): Stephen D. Shepard
2nd Unit B-Camera Operator (Add'l Photog): Michael Svitak
EVP of Production: Ty Warren
VP of Production: Noelle Green
VP of Production, Safety & Transportation: Jim Economos
VP of Production Operations: Ethan Stearns
Physical Production Coordinator: Julia Haneke
Safety Compliance Manager: Casey Boltz
SVP of Visual Effects & 3D: Randall Starr
Production VFX Executive: Jesse Kobayashi
2nd VFX Coordinator: Geraldine Morales
SVP of Production Finance: Brian Wensel
VP of Production Finance: Marie Elder
Post-Production Financier: David M. Rodriguez
SVP of Post-Production: Sean Cooney
Post-Production Executive: Jake Rice
Post-Prod Tech Executive: Brandon Bussinger
Post-Prod Coordinators: Cesare Gagliardone, Carol Li
EVP of Business & Legal Affairs: Mike Ross
VP of Business & Legal Affairs: Bayan Laird
ILM VFX Art Director: Aaron McBride
ILM Senior CG Supervisor: Leandro Estebecorena
ILM Senior Comp Supervisor: Nelson Sepulveda
ILM Lead VFX Supervisor: Jeff Capogreco
ILM Senior VFX Producer: Laura Moore
ILM Senior VFX Prod Manager: Flannery Huntley
ILM CG Supervisors: Dominic Drane, Celia Jepson
ILM Lead VFX Producer: Cabral Rock
ILM VFX Associate Producers: Marissa Gomes, Russell Lum
ILM Creature Model Supervisor: Lana Lan
ILM Texture Supervisor: Martin Murphy
ILM Senior Creature Supervisor: Karin Cooper
ILM FX Supervisor: Florent Andorra
ILM Senior Environment Supervisor: Susumu Yukuhiro
ILM Senior Layout Supervisor: Tim Dobbert
ILM Digital Roto & Paint Supervisor: Alan Travis
ILM Animation Supervisors: Adrian Millington, Jance Rubinchik
ILM Lighting Supervisor: Bora Dayioglu
ILM Comp Supervisors: Paolo Acri, Aaron Brown
ILM Environment Supervisors: Dan Mayer
Alexandru Popescu
ILM Creature Supervisor: Steve Sauers
ILM VFX Editor: Nic Anastassiou
ILM Associate Production Manager: Dan Cortez
ILM Lead 2D Artist: Michael James Allen
ILM Lead Layout Supervisor: Christopher Balog
ILM Lead FX Tech Director: Amit George Kuruvilla
ILM Lead Compositor: Shawn Mason
ILM Lead CG Sequence Supervisor: Patrick Myers
ILM Lead Matte Painting Supervisor: Joshua Ong
ILM Lead VFX Associate Animation Supervisor: Jakub Pistecky
ILM Lead Creature Tech Director: Wayne Wilson
ILM VFX Supervisors: Dave Dally, Adam Gailey
ILM FX Technical Director: Dan Finnegan
ILM Ass't Technical Director: David Hirschfield
ILM Digital Compositor: Rita Zimmerman
ILM Add'l VFX Supervisors: Dan Seddon, Jason Smith
ILM VFX Production Manager: Georgia Smith
ILM VFX Associate Production Manager: Justine Lam
ILM VFX Concept Artists: Luis Carrasco, Karl Lindberg, Brett Northcutt, Tyler Scarlet, Michael Sheffels
ILM VFX Production Coordinators: Jena Bodell, Anthony Cabrera, Irene Cai, Kelsey Davidson, Alexandra Greene, Anna Mabarak, Ally Miller
ILM VFX Production Assistants: Bailey Crowder, Llewellyn Littlemore, Kimberly Mucha, Jiahui Wee
ILM Production Coordinator: Winston Ng
ILM VFX Producer: Georgie Uppington
ILM Executive in Charge of Finance: Khuyen Dang
ILM Executive VFX Producer: Randal Shore
ILM VP of Operations: Jessica Teach
ILM Production Supervisor: Amber Wong
Dedicated to: Chris Bayz
Supervising Sound Editor/Sound Designer: AL Nelson
Supervising Sound Editor: Steve Slanek
Re-Recording Mixer/Sound Designer: Pete Horner
Re-Recording Mixers: Tom Johnson, Tom Myers
Sound FX Editor: Benjamin A. Burtt
Foley Supervisor: Steve Orlando
Rodeo FX VFX Executive Producer: Sebastien Moreau
Rodeo FX VP of Technology & Development: Jordan Soles
Halon Comp Supervisor: Tefft Smith II
Halon Previz Supervisor: Andrew Moffett
Halon Previz Artists: Grant Olin, Todd Patterson
Halon Previz Producer: Patrice Avery
3rd Floor Previz Supervisor: Mark Nelson
3rd Floor Previz Leads: Marcelino Newquist, Herman Lee
3rd Floor Previz Producer: Kerry Shea
3rd Floor Previz Assoc. Producer: Charlotte Nelson
3rd Floor Previz Prod Supervisor: Liz Montes
3rd Floor Previz Coordinator: Hiro Kamegaya
PFV Show Stereo Supervisors: Ritesh Aggarwal, Tim Chou
PFV Stereo Producer: Cassius Vaz
PFV Stereo Global Resource Prod: Monika Hada
PFV Stereo Production Manager: Jon Warne
PFV Stereo Editorial Supervisor: Richard Pring
PFV Stereo TDs: Isaac Guenard, Charlie Luce, Luke Gray, Robin Emerson, Thomas Castellani, Piyush Jain
PFV Stereo Production Team: Jillian Tsai, Kate Elum, Annsh Patel, Stephanie Chan, Tylor Maurer
PFI Stereo Executive Producer: Gaurav Jain
PFI Stereo Head of Prod: Franklin Mascarenhas
PFI Show Senior Stereo Supervisors: Jim Philip, Ben Murray
PFI Show Stereo Supervisors: Jason Bowers, Sameer Samant
PFI Stereo Production Manager: Nitin Bahl
PFI Stereo Pipeline TDs: Srujan Kumar Gone, Devottam Dutta
PFI Stereo Supervisors: Rahul Wagh, Rajeev Sahu, Rakhee Ghosh
Dailies Producer: Katherine Kane
NextLAB Colorist: Scott Fox
FCS Lead & Supervising Finishing Colorist: David Cole ASC
FCS Finishing Colorist: Philip Beckner
FCS Lead DI Finishing Editor: Noel Albornoz
FCS DI Finishing Editor: Alex Sanchez
FCS Vice President & Lead DI Finishing Producer: Jose Parra
FCS DI Finishing Producer: Susan Alexander
FCS Flame Artists: Karen Nichols, Rene Simen
FCS I/O Supervisor: David Rosenthal
FCS 35mm Film Lab Color Timer: Dan Muscarella
Pro Films Main Title & Monarch Film Designer: Kyle Cooper
Pro Films Title Producer: Kate Berry
Pro Films Title Co-Designer: Olga Midlenko
Pro Films Title Editors: Shawn Fedorchuk, Rachel Fowler
Pro Films Title Animators: Gary Mau, Andrew Young
Filming Dates: 19 October 2015 - 18 March 2016
Cameras: Alexa XT Plus, Phantom Flex & Red Dragon (3.4K ARRIRAW)
Lenses: Panavision Primo Anamorphic 11:1 Zoom, B-Series Hybrid Anamorphic Primes, C-, E-Series Anamorphic Primes & T-Series Anamorphic Wide-Angle Zoom
AR: 2.39:1 (Anamorphic)(2K Phantom RAW & 6K Redcode RAW: VFX Plates & High-Speed Shots)
Budget: 185-190 Million USD
Printed on: Kodak Vision 2383
Additional Creature Design Provided by: Framestore & Moving Picture Company
Score Recorded at: Air Lyndhurst Studios, London
Score Mixed at: Remote Control Productions
Visual Effects & Animation Provided by: Industrial Light & Magic
Post-Production Sound Services Provided by: Skywalker Sound
Additional Visual Effects Provided by: Hybride, Rodeo FX, FX3X, Virtuos & Scanline VFX
Additional Visual Effects & Previsualization Provided by: Halon Entertainment
Previsualization Provided by: The Third Floor
Stereo Services Provided by: Prime Focus & Stereo D
Dailies by: FotoKem NextLAB
2D & 3D Digital Intermediate Finishing Provided by: FotoKem Creative Services
Main Title & Monarch Film Designed by: Prologue Films
Attribute: Filmed In Panavision (as Cameras & Lenses) - DirectorMichael DoughertyStarsKyle ChandlerVera FarmigaMillie Bobby BrownThe crypto-zoological agency Monarch faces off against a battery of god-sized monsters, including the mighty Godzilla, who collides with Mothra, Rodan, and his ultimate nemesis, the three-headed King Ghidorah.Director/Co-Writer: Michael Dougherty
Executive Producer/Co-Writer: Zack Shields
Story Writer: Max Borenstein
Producers: Thomas Tull, Jon Jashni
Exec Producer/Unit Production Manager: Barry Waldman
Cinematographer: Lawrence Sher ASC
Cinematographer (LA Unit; Add'l Photography): Steven Holleran
Production Designer: Scott Chambliss
Film Editors: Bob Ducsay ACE, Roger Barton ACE, Richard Pearson ACE
Costume Designer: Louise Mingenbach
Composer/Conductor/Score Producer: Bear McCreary
Sound Designers: Erik Aadahl, Ethan Van Der Ryn
Production VFX Supervisor: Guillaume Rocheron
Co-Producer/Production VFX Producer: Maricel Pagulayan
Casting: Sarah Halley Finn CSA
Co-Producer/1st Ass't Director: Cliff Lanning
2nd Assistant Director: Dixon McPhillips
Supervising Stunt Coordinator/2nd Unit Director: Thomas Robinson Harper
Co-Producer/Production Executive: Ali Morris
Co-Producer: Jay Ashenfelter
Co-Producer/Visual Development Supervisor: Matt Allsopp
Stunt Coordinator: Todd Warren
Lead Stunt Rigger: Shawn Kautz
Stunt Rigging Foreman: Steve Upton
Stunt Riggers: Kevin Jackson, Jake Swallow
Godzilla Performance Capture Actor: TJ Storm
King Ghidorah Performance Capture Actors: Jason Liles, Alan Maxson, Richard Dorton
Aerial Unit Helicopter Pilot: George M. Peavey
Associate Producer/Post-Production Supervisor: Richard Mirisch
Associate Producer: Shirit Bradley
MonsterVerse Mythology Development Sup: Barnaby Legg
Production Supervisor: Susan Ehrhart
Supervising Art Director: Richard Johnson
Art Directors: Thomas Valentine, David E. Scott, John Dexter
Set Decorator: Amanda Serino
A-Camera/Steadicam Operator: Chris TJ McGuire
1st Assistant A-Camera: Greg Irwin
2nd Assistant A-Camera: Jerry Patton
B-Camera Operator: Thomas Lappin
1st Assistant B-Camera: Andrew Hoehn
2nd Assistant B-Camera: Paul E. Woods
Aerial Unit DoPs: Michael FitzMaurice, Phil Pastuhov
Digital Imaging Technician: Nicholas Kay
Video Assist Operator: David Deever
Video Playback Supervisor: Rick Whitfield
Video Graphics Supervisor: Chris Kieffer
Chief Lighting Technician: Dan Cornwall
Best Boy Electrician: Dale Fowler
Rigging Gaffer: Tom Fendley
Production SFX Supervisor: Eric Frazier
SFX Shop Coordinator: David Louis Amborn
Production SFX Purchaser: Cynthia Braga
Supervising Location Manager: Janice Polley
Location Manager: Julie Hannum
Key Ass't Location Manager: William Maursky
Ass't Location Manager: Julia Renner
Supervising Prop Master: John Bankson
Ass't Prop Masters: Kip Bartlett, Tom Garrigan
Add'l Film Editors: Michael P. Shawver ACE, Josh Schaeffer ACE, Robert Rivers Malina, Banner Gwin
1st Assistant Editors: Sam Bollinger, Joe Binford Jr
5th Assistant Editor: Jesse Chapman
Production VFX Editor: George McCarthy
1st Ass't VFX Editor: Latham Robertson
2nd Ass't VFX Editor: Lorene Talpan
Music Editors: Daniel Waldman, Clint Bennett
Pre-Prod/Previz Editor: Bob Murawski ACE
Previz Ass't Editor: Paul Hart
VFX Unit DoP: Hans Bjerno ASC
2nd Unit Add'l VFX Supervisor: Ray Giarrantana
MPC Add'l On-Set VFX Supervisor: Sepp Sonntag
Add'l VFX Supervisor: Brad Parker
VFX Production Managers: James Ledwell, Heidi Waldbaum
Production VFX Coordinators: Mitchell Callisch, Mickey Levy, Keith O'Hara
VFX Digital Asset Managers: Scott McPhate, Josh Steele
VFX Lead Data Wrangler: Chris Antonini
VFX Ass't Data Wranglers: Bryce Colquitt, Taylor Kyles
Production VFX Accountants: John D. Vaughan, Vicki Page
VFX Production Assistants: Joe Servodio, Tyra King, Christine Choi
Stereoscopic Producer: Glorivette Somoza
Stereoscopic Coordinator: Elden Avila
Stereoscopic Editor: John Ott
Production Coordinator: Jason Simmonds
Ass't Prod Coordinator: Chris Bryant
2nd 2nd Ass't Director: Kristina Massie
ADI Conceptual Creature Designers: Tom Woodruff Jr, Tim Martin, Mauricio Ruiz
SWS/Legacy FX Conceptual Creature Designers: Darnell Isom, Glenn Hanz
SWS/Legacy FX Creature Design Supervisor: Shane Patrick Mahan
SWS/Legacy FX Creature Character Designer & Supervisor: Lindsay MacGowan
ILM Visual Development Artists: Chris Baker, Thang Le, Stephen Todd, Chris Voy, Stephen Zavala
Storyboard Artist: Richard Bennett
Casting Associate: Krista Husar CSA
E² Co-Supervising Sound Editors: Jason W. Jennings
E² Sound Designers: Brandon Jones, Tim Walston
E² Foley Supervisor: Jonathan Klein
Re-Recording Mixers: Tim LeBlanc, Tom Ozanich
Add'l Mixers: John T. Reitz, Michael Keller
2nd Unit Production Supervisor: Jordan Gilbert
2nd Unit Production Coordinator: Kelly Mokris
2nd Unit Ass't Prod Coordinator: Pat Buntichai
2nd Unit 1st Ass't Director: Marvin J. Williams Jr
2nd Unit 2nd Ass't Director: Crystal Munson
2nd Unit 2nd 2nd Ass't Dir: Adam Morgan
2nd Unit DoP: Paul Hughen ASC
2nd Unit A-Camera Operator: Nikhil Paniz
2nd Unit 1st Ass't A-Cam: John Rex Woodward
2nd Unit 2nd Ass't A-Camera: Daniel Wurschl
2nd Unit B-Camera Operator: Peter Hawkins
2nd Unit B-Camera/Steadicam Op: Bob Gorelick
2nd Unit C-Camera Operator: John Garrett
2nd Unit Add'l Camera Op: Jeff Crumbley SOC
2nd Unit 1st Ass't B-Camera: Louis DeMarco
2nd Unit 2nd Ass't B-Camera: Chris Dawson
2nd Unit Digital Image Tech: Stuart Higgins
2nd Unit Video Assist Ops: Nick Thompson, Bob Tingle
2nd Unit Chief Lighting Tech: Stephen Crowley
2nd Unit BB Electrician: Michael J. Davis
2nd Unit SFX Coordinator: Eric Allard
2nd Unit SFX Foreman: Eric Dressor
2nd Unit Prop Master: Gary F. Tuers
2nd Unit VFX Data Wrangler: Andrew Prescott
Mexico Unit Co-Producer: Stacy Perskie
Unit Production Manager (Mexico Unit): Rafael Cuervo
Mexico Unit Production Manager: Gil Martinez
Mexico Unit Production Supervisor: Austin La Pierre
Mexico Unit 1st Ass't Dir: Javier Clave
Mexico Unit 2nd Ass't Dir: Telma Silva
Mexico Unit Stunt Coordinator: Gerardo Moreno
Mexico Unit Prod Coordinator: Ixchel Coutiño
Mexico Unit Ass't Prod Coord: Adriana Enriquez
Mexico Unit Steadicam Op: Juan M. Ramos SOC
Mexico Unit C-Camera Op: Gerardo Manjarrez
Mexico Unit 1st Ass't C-Cam: Edgar Hurtado
Mexico Unit 2nd Ass't C-Cam: Ruben Arellano
Mexico Unit Chief Lighting Tech: Andres Medina
Mexico Unit SFX Supervisor: Alejandro Vazquez
Mexico Unit Art Director: Rafael Mandujano
Mexico Unit Ass't Art Director: Yosafat Delgado
Mexico Unit Set Decorator: Luisa Guala
Mexico Unit Prop Master: Collin Thurston
Mexico Unit Ass't Prop Masters: Deborah Galvan, Cristina Thurston
Mexico Unit Location Manager: Juan Pablo Noval
Mexico Unit Ass't Loc Manager: Carlos Munoz
Mexico Unit Picture Car Coordinators: Leonardo Medina Ruiz, Rosa Medina Ruiz
Mexico Unit VFX Assistants: Valeria Barrueta, Daniel Millan, Alejandro Cardena
Music Supervisors: Peter Afterman, Margaret Yen
Associate Music Supervisor: Alison Litton
Music Coordinator: Jane Barry
Music Clearance & Legal Advisor: Christine Bergren
Score Recordists: Simon Rhodes, Casey Stone, Jonny Solway
Score Mixer: Greg Hayes
Score Coordinator: Kaiyun Wong
Score Japanese Consultant: Doctor Kita Jima
Score Buddhist Chants Consultant: Noriaki Ito
Score Japanese Singers Coordinator: Hiromitsu Nishikawa
Score Babylonian Consultant: Martin Worthington
EVP of Production: Herbert M. Gains
SVP of Production: Sara Flamm
Manager of Physical Production: Jackie Kroopf
Physical Production Coordinator: Nathan Hayashigawa
SVP of Production Finance: Michael J. Bilog
Production Finance Coordinator: Julianna Politsky
SVP of Post-Production: Valerie Flueger Veras
VP of Post-Production: Desmond Cannon
VP of Post-Prod Technology: Joanne Kim
Post-Production Managers: Yugo Nakamura, Caitlin Atherton
Post-Prod Digital Asset Manager: Jason Beale
Post-Production Coordinators: Kristin Fowler, Joe Myers
SVP of Visual Effects & 3D Production: Josh R. Jaggers
Production VFX Executive: Craig Andujar
2nd VFX Coordinators: Geraldine Morales, Meghan Horgan
EVP of Business & Legal Affairs: Mike Ross
SVP of Business & Legal Affairs: Bayan Laird
Manager of Business & Legal Affairs: Taylor Bryant
SVP of Production Safety: Jim Economos
MPC VFX Supervisor: Robert Winter
MPC VFX Producer: Philipp Wolf
MPC 2D Supervisors: Etienne Daigle, Jamie Wong, David Griffiths, Jon David Cowles
MPC CG Supervisors: Erik Gonzalez, Jerome Escobar, Francois Madere
MPC Senior Animation Supervisor: Spencer Cook
MPC Animation Supervisors: Sean Conly, Randy Link, Patrick Heumann
MPC Environment Supervisors: Khalid Almeerani, Pier Lefebvre
MPC Asset Supervisor: Chris Uyede
MPC Art Dept. Supervisor: Loic Zimmerman
MPC VFX Production Managers: Andreas Wieland, Katie Torunian
MPC Add'l 2D Supervisor: Andrew Chan
MPC Software Lead: Nick Pope
MPC VFX Production Compositor: Nathan Van Horn
MPC Heads of Production: Siobhan Bentley, Lauren McCallum, Kiran Prasad
MPC Heads of Creative Operations: Leah Beavers, Kiran Kumar
MPC Executive VFX Producers: Christian Robertson, Laura Fitzpatrick
DNEG VFX Supervisor: Brian Connor
DNEG VFX Producer: Sara Emack
DNEG DFX Supervisor: Rhys Salcombe
DNEG Comp Supervisors: Astrid Busser-Casas, Sebastian Von Overheidt
DNEG CG Supervisor: Narendra Garware
DNEG FX Supervisor: Albert Szostkiewicz
DNEG Lighting Supervisors: Sonny Sy, Shidhyesh Bhogle
DNEG Environment Supervisor: Jeremie Touzery
DNEG Build Supervisors: Ganesh Poojari, Iestyn Salcomb
DNEG RMP Supervisors: Rohit Agarwal, Viren Dass, Sagar Ghadge, Jackie Mills, Avadhoot Tambe, Kunal Salunkhe
DNEG VFX Data Capture Supervisor: Ryan Basaraba
DNEG VFX Editor: Liam Skogland
DNEG Concept Artists: Kouji Tajima, Seungjin Woo
DNEG Build Leads: Abhishek Amin, Abhisek Chatterjee, Bikram Sarkar
DNEG Layout Leads: Xin Steve Guo, Sumit Verma, Lawrence Zalasky
DNEG Animation Lead: Justin Henson
DNEG FX Leads: Joe Phoebus, Avani Shukla
DNEG CFX Artists: Steven Bills, Loic Le Goff, Irena Steinnagel
DNEG Lighting Leads: Sushant Acharekar, Deepak Gupta, Ashutosh Vihaan Kushe
DNEG Comp Leads: Rich Grande, Sangram Patil
DNEG Digital Color Timer: Aurora Shannon
DNEG 3D Stereo Show Sup: Ben Breckenridge
DNEG 3D Global Head of Prod: Rohan Desai
DNEG 3D Global Resource Prod: Monika Hade
DNEG 3D Stereo Producers: Cassius Vaz, Annsh Patel
DNEG 3D Head of Pipeline: Isaac Guenard
DNEG 3D Stereo Editorial Sup: Richard Pring
DNEG 3D Line Producer: Reshma Jhangimal
DNEG 3D Head of Prod (India): Gaurav Jain
DNEG 3D Senior Pipeline TD: Charlie Luce
Method Studios VFX Supervisor: Daryl Sawchuk
Method Studios VFX Producer: Steve Won
Method DFX Supervisor: Earl Paraszczynek
Method DFX Producer: Amy Elizbeth James
Method DFX Prod Manager: Ximena Melendez
Method Studios Supervisors: Trevor Adams, Frank Belina, Amir Eleswy
RodeoFX VFX Exec Producer: Sebastien Moreau
RodeoFX VFX Supervisor: Peter Nofz
RodeoFX VFX Producers: Marie-Cecile Dahan, Julie Kubbillun
RodeoFX VFX Project Manager: Louis-Charles La Pointe
RodeoFX VFX Coordinators: Alexandra Robert, Sara Bourque, Amelie Tremblay, Paige Prokop
RodeoFX VFX Production Assistants: Julie Charron, Ann Perrault, Naomi Jeanneteau, Marilou Marchand, Jessica Toucoula
RodeoFX VFX Photographers: Robert Bock, Jean-Francois Masse, Olivier Barbes Morin
RodeoFX VFX Editors: Lewis Menga, Francois Poirier, Guillaume Poulin
RodeoFX VP of Development: Jordan Soles
RodeoFX VP of Production: Isabelle Langlois
RodeoFX CG Supervisor: Matthew Rouleau
RodeoFX Environment Lead: Dominic Daigle
RodeoFX Comp Supervisors: Olivier Blanchet, Patrick David
RodeoFX Concept Artist: Olivier Martin
RodeoFX Matte Painters: Stephane Keller, Mai-Anh Tran
RodeoFX Matte Painting TDs: Guillaume Siadous, Simon Mercier, Mathieu La Pierre
RodeoFX Matchmove Supervisor: Etienne Poulin St-Laurent
RodeoFX Lead Layout Artist: Loic Beguel
RodeoFX Texture Supervisor: Daniel Lupin
RodeoFX Lead Animator: Nicholas Cabana
RodeoFX Animator: Alexei Diaz Rodriguez
RodeoFX Supervisor: Thomas Hullin
RodeoFX Lighting Supervisor: Francois Couette
RodeoFX Lead Lighting Artist: Antoine Petitgand
Ollin VFX Supervisor: Yabin Morales
Ollin VFX Producer: Armando Ricalde
Ollin VFX Executive Producer: Alejandro Diego
Ollin VFX Coordinators: Dave Jimenez, Yasuri Rodriguez
Ollin VFX Production Assistant: Irais Aguilar
Ollin VFX Matte Painting Artist: Jimmy Barragan
Raynault VFX Sr VFX Sup: Mathieu Raynault
Raynault VFX Producer: Jacinthe Cote
Raynault VFX CG Supervisor: Sylvain Theroux
Raynault VFX Comp Supervisor: Vincent Poitras
Raynault VFX Digital Matte Painter: Eric Hamel
Raynault VFX Senior Matte Painter: Yanick Dusseault
Raynault VFX Line Producer: Catherine Gaucher
Raynault VFX Coordinator: Amelie Thomas
Raynault VFX Production Assistant: Romane Wingerter
Raynault VFX System Administrators: Curtis Linstead, Simon Ouellet
Raynault VFX Exec Producer: Charlene Eberle
3rd Floor Previz Creative Supervisor: Austin Bonang
3rd Floor Visualization Supervisors: Vincent Aupetit, J. Todd Constantine, Andrew Honacker
3rd Floor Head of Storyboards: Doug Lefler
3rd Floor Storyboard Artist: Joel Venti
3rd Floor Techviz Supervisor: David Lamb
3rd Floor Technical Supervisor: Casey Schatz
3rd Floor Previz Editors: Damien Acker, John Caldwell
3rd Floor Previz Coordinator: Olivia Eichenseer
3rd Floor Postviz Coordinator: Theresa Patten-Koeckert
3rd Floor Previz Production Manager: Lori Talley
3rd Floor Previz Ass't Prod Manager: Brett Grisham
3rd Floor VP of Visualization: Dane Allan Smith
DFN Previz Supervisor: Rpin Suwannath
DFN Previz Leads: Brian Burks, Mike Makara
DFX Previz Asset Designer: John Hewitt
Supervising Finishing Colorist: Jill Bogdanowicz ASC
Finishing Producer: Laura Geucherian
Finishing Editor: Joe Ken
Finishing Technologist: Mike Chiado
Color Finishing Assistants: Danny Keefe, John Tripp
CO3 Data I/O Supervisors: Artur Abelyan, Ed Thompson
CO3 Digital Restoration Supervisor: Megan Shepherd
Finishing Accountant: Ian Sullivan
CO3 Head of Production: Nick Monton
CO3 President: Stefan Sonnenfeld ASC
Dailies Colorist: Ben Estrada
Dailies Operators: Karli Windischmann, Raymond Calderon
Dailies Workflow Technician: Hunter Furnish
Dailies Producer: Scott Salamon
Dailies Engineer: Marcus Johnson
Pro Films Main & End Titles + Studio Logo Animations Designer & Producer: Kyle Cooper
Pro Films Producer: James King
Pro Films Lead Animator: Gary Mau
Pro Films Editor: Shawn Fedorchuk
Pro Films Design & Production Supervisor: Christian Antolin
Dedicated to: Yoshimitsu Banno, Haruo Nakajima
Filming Dates: 19 June 2017 - 26 September 2017
Cameras: Alexa 65 & Mini (3.4K/6.5K ARRIRAW)
Lenses: Panavision Primo Anamorphic 11:1 & 3:1 Hubble Zooms, Primo 70 Primes, C-, E-, G-, T-Series Anamorphic Primes, T-Series ALZ10 Zoom, Anamorphic Telephoto Zoom, Macro Panatar Anamorphic Primes & Nikon Nikkor Primes
AR: 2.39:1 (Anamorphic)(Panavision Super 70: VFX Plates)
Budget: 170-200 Million USD
Conceptual Creature Design Provided by: Stan Winston Studio/Legacy Effects & Amalgamated Dynamics
Conceptual Art Provided by: Weta Workshop
Visual Development Provided by: Industrial Light & Magic
Sound Editorial Services Provided by: E²
Score Recorded at: Air Studios, London, England + Dean St. Studios, London, England & Heaven Recording Studio, Honk Kong, China
Visual Effects, Animation & Stereo Conversion Provided by: Moving Picture Company, Double Negative, Method Studios, RodeoFX, Ollin VFX & Raynault VFX
Pre-Visualization Provided by: The Third Floor & Day For Nite
Additional Visual Effects Provided by: Savage VFX
Color, Finish & Digital Dailies Provided by: Company 3
Main & End Titles + Studio Logo Animations Designed & Produced by: Prologue Films
Main Title Logo Concept Provided by: Industry Creative
Attribute: Filmed In Panavision - DirectorAdam WingardStarsAlexander SkarsgårdMillie Bobby BrownRebecca HallThe epic next chapter in the cinematic Monsterverse pits two of the greatest icons in motion picture history against each other--the fearsome Godzilla and the mighty Kong--with humanity caught in the balance.Director: Adam Wingard
Casting: Sarah Halley Finn CSA
Costume Designer: Ann Foley
Production VFX Supervisor: John DJ DesJardin
Co-Producer/Production VFX Producer: Tamara Watts Kent
Sound Designers: Erik Aadahl, Ethan Van Der Ryn
Composer/Score Producer/Programmer/Mixer & Masterer: Tom Holkenborg (Junkie XL)
Composer (Add'l Music): Antonio Di Lorio
Score Orchestrator: Sara Barone
Film Editor: Josh Schaeffer ACE
Production Designers: Owen Paterson, Thomas S. Hammock
Cinematographer: Ben Seresin ASC BSC
Aerial Cinematographer (AUS & HK): David B. Nowell ASC
Cinematographer (HK)/B-Cam Op (Hawaii): Darin Moran
Aerial Cinematographer (Hawaii): Dylan Goss
Cinematographer (2nd Unit; AUS): Brad Shield ASC ACS
Cinematographer (Add'l Photography): Roham Rahmanian
Executive Producer: Jay Ashenfelter
Exec Prod/EVP of Production: Herbert W. Gains
Producers: Thomas Tull, Jon Jashni
Producer/Unit Production Manager: Eric McLeod
Story Writers: Terry Rossio, Michael Dougherty, Zack Shields
Screenwriters: Eric Pearson, Max Borenstein
Co-Producer/Unit Production Manager: Jen Conroy
Unit Production Manager: Jennifer Cornwell
1st Assistant Director: Nick Satriano
2nd Assistant Director: Brian Avery Galligan
Co-Producer: Richard Mirisch
Co-Producer/Visual Development Supervisor: Matt Allsopp
Supervising Stunt Coordinator/2nd Unit Director: Thomas Robinson Harper
Creature Design Supervisors: Shane Patrick Mahan, Lindsay MacGowan
Stunt Coordinator: Kyle Gardner
Lead Stunt Rigger: Shawn Kautz
Stunt Rigging Foreman: Steve Upton
Stunt Office Manager: Jenn Grundstad
Raptor 360 Driver: Jason Tubbs
Insert Car Driver: John Chabbot
Aerial Unit Pilots: Fred North, David Paris
Drone Unit Camera Operator: Zack Haskell
Associate Producer: Zak Kline
MonsterVerse Mythology Development Sup: Barnaby Legg
Supervising Art Director (Australia): Rich Hobbs
Art Directors (Australia): Bill Booth, Michelle McGahey
Manufacturing Art Director (Australia): Pete Wyborn
Ass't Art Directors (Australia): Mitch Cass, Jim Millett, A. Michael Meyers
Set Decorator v: Rebecca Cohen
A-Camera Operator (Australia): Martin Schaer
1st Ass't A-Camera (Australia): Simon England
2nd Ass't A-Camera (Australia): Justin Zaffiro
B-Cam/Steadicam Op (Australia): Jim Goldman
1st Ass't B-Camera (Australia): Ricky Schamburg
B-Cam Op/1st Ass't (Australia): Frank Hruby
2nd Ass't B-Camera (Australia): Hilary Crombie
Digital Image Tech (Australia): Robert Howie
Camera Loader (Australia): Anusha Rankin
A-Camera Ass't (Australia): Katelyn Holzer
B-Camera Ass't (Australia): Hannah Smith
Aerial Unit Technician (Australia): Peter Graf
Screen Graphs Sup (Australia): Martin Crouch
Screen Graphs Man. (Australia): Nadine Scott
Screen Graphs Touch Designer Programmer (Australia): Chris Wilson
Screen Graphs Head Monitor Techs (Australia): Sam J. Hopkins, Olivier Jean
Screen Graphs Techs (Australia): Ned Pannell, Jake Thomas, Jason Sanders
Screen Graphs Designer (Australia): Anna Jane Fraser
Screen Graphs Sr Animator (Australia): Thomas Hauville
Screen Graphs Jr Animator (Australia): Joshua Hoare
Chief Lighting Tech (Australia): Shaun Conway
Rigging Gaffer (Australia): Craig Clark
Production SFX Supervisors: Mike Meinardus, Bruce Edwin Bright
Production SFX Coordinator: Chris Brenczewski
Production SFX Foremen: Don E. Myers Jr, Doug Ziegler
SFX Pre-Rig Supervisor: Ray Purkis
SFX On-Set Supervisor: James Leng
SFX Purchasing Officer: Mark Brims
SFX Workshop Supervisor: James Paul
SFX Senior Techs: Dean Franklin, Pieter Plooy
SFX Hydraulics Techs: Joe Judd Jr, Jose A. Paramo
SFX Moco Engineer (Australia): Stuart Nicol
Supervising Location Manager: Leann Emmert
Location Manager (Australia): Lauren Cooper
Supervising Prop Master: Steven B. Melton
Ass't Prop Master: Jason Moore
Add'l Film Editors: Richard Pearson ACE, Bob Ducsay ACE, Jesse Chapman, Pete Beaudreau
Editorial Consultant: John Ottman ACE
1st Assistant Editor: Bernie Gomez
2nd Assistant Editor: Kyle Walczak
Production VFX Editor: Adam Avery
VFX 1st Ass't Editor: Eddy Garcia
VFX 2nd Ass't Editor: Brett McManus
VFX 3rd Ass't Editor: Tyler Whitman
Production VFX Compositor: Shiloe Swisher
Music Editors: Daniel Waldman, Clint Bennett
Post-Production Coordinator: Kala'E Frank
Editorial Production Assistant: Mitchell Goodwin
VFX Production Manager: Rob Williams
VFX Senior Coordinator: Zack Fox
VFX Digital Asset Manager: Marshall Rainey
Production VFX Coordinators: Amy Altvetar, Katie Barker, Melissa Franco
VFX Ass't Coordinators (Australia): Danielle Sturton, Alexandra Rebeck
Production VFX Accountant: John Vaughan
VFX On-Set Production Manager: Louise McNicholl
VFX Lead Data Wrangler: Shyam Toast Yadav
Production VFX Data Wrangler: Ryan Harvey
Motion Assoc. Texture Photographer (AUS): Ben Soan
Motion Assoc. Lidar Supervisor: Craig Crane
Stereoscopic Producer: Jeremy Nicolaides
Stereoscopic Editor: Travis Dultz
Stereoscopic Coordinator: Ardenn Stolz
Production Coordinator (AUS): Candice Preddy
Ass't Prod Coordinator (AUS): Talia Buckberry
Add'l 2nd Ass't Director: Megan S. Willis
2nd 2nd Ass't Dir (AUS): Christopher Turner
Senior Set Designers: Axel Bartz, Andrew Kattie
Junior Set Designer: Siobhan Purkis
Graphic Designer: Michael Wholley
LA Casting Associate: Krista Husar CSA
ASL Interpreters (AUS): Isaiah Abenchuchan, Colleen Cidade, Sabina A. Wilford
Action Vehicles Coordinator (AUS): Dean Maguire
Unit Manager: Damien Eggins
Ass't Unit Manager: Jamie Whitfield
On-Set Unit Coordinator: Timothy O'Bank
Supervising Art Director (Hawaii): Dawn Swiderski
Art Directors (Hawaii): Andres Cubillan, Harry Otto, Greg Papalia, Stella Vaccaro
Set Decorator (Hawaii): Ronald R. Reiss
1st Ass't B-Camera (Hawaii): Jimmy Ward
2nd Ass't B-Camera (Hawaii): Nathan Stewrn
Camera Loader (Hawaii): Danny Park
A-Camera Ass't (Hawaii): Ignacio Viso Sande
B-Camera Ass't (Hawaii): Cody Yandeu
Aerial Unit Technician (Hawaii): Eric Dvorsky
Video Playback Sup (Hawaii): Matt Morrisey
Video Playback Eng. (Hawaii): Jim Visconti
Video Playback Graphs Sup (Hawaii): Chris Kieffer
Video Playback Coord (Hawaii): Karla Kieffer
Video Playback Graphs Coord (Hawaii): Marty Garner
Video Playback Ass't (Hawaii): Joe McDaniel
Gaffer/CLT (Hawaii): Jeff Murrell
Rigging Gaffer (Hawaii): Don Tomich
SFX Foreman (Hawaii): Mike J. Sagsen
SFX Designer/Licensed Powderman (Hawaii): Tony Simonaitis
SFX Moco Engineer (Hawaii): Arnold Peterson
Location Manager (Hawaii): Jess Cole
VFX Ass't Coordinator (Hawaii): Albert Whitmore
VFX Ass't Data Wrangler (Hawaii): Sela Chung
GGS Texture Photographer (Hawaii): Steve Casa
Prod Coordinators (Hawaii): Courtney La Bree, Jenny Sandell
Ass't Prod Coord (Hawaii): George J. Hrico
2nd 2nd Ass't Dir (Hawaii): Stockton Dave Porter
Lead Graph Designer (Hawaii): Ellen Lampl
ASL Interpreter (Hawaii): Ashley Change
Mold Shop Supervisor (Hawaii): Dale Wilmarth
Transport & Picture Car Coordinator (Hawaii): Geno Hart
1st Ass't Dir (2nd Unit; AUS): Jayson Merrill
2nd Ass't Dir (2nd Unit; AUS): Nerida Groth
2nd 2nd AD (2nd Unit; AUS): Daniel Cole
3rd Ass't Dir (2nd Unit; AUS): Ken Twohy
A-Cam/Steadicam Op (2nd Unit; AUS): Greg Gilbert
1st Ass't A-Cam (2nd Unit; AUS): Becca Crowe
1st Ass't A-Cam/B-Cam Op (2nd Unit; AUS): Scott Dolan
2nd Ass't A-Cam (2nd Unit; AUS): Jake Koning
1st Ass't B-Cam (2nd Unit; AUS): Will Edmunds
Camera Loader (2nd Unit; AUS): Khoa Le
Gaffer (2nd Unit; AUS): Iain Mathieson
2nd Ass't Dir (2nd Unit; Hawaii): Wainani Young Tomicn
Prod Supervisors (2nd Unit; Hawaii): John Marx, Jenny Fumarolo
1st Ass't A-Cam (2nd Unit; Hawaii): Dave Seekins
2nd Ass't A-Cam (2nd Unit; Hawaii): Roxanne Stephens
B-Camera Operator (2nd Unit; Hawaii): Brandon Mastrippolito
1st Ass't B-Cam (2nd Unit; Hawaii): Roger Wall
2nd Ass't B-Cam (2nd Unit; Hawaii): Jajaira Corria
DIT (2nd Unit; Hawaii): Matthew Love
Camera Loader (2nd Unit; Hawaii): Rich Dabbs
Gaffer (2nd Unit; Hawaii): Steven R. Mathis
SFX Set Foreman (2nd Unit; Hawaii): Mike Gaspar
Prop Master (2nd Unit; Hawaii): Matt Huish
Line Producer (HK): Chu Chen On
Production Manager (HK): Aaron Ngo
2nd Ass't Director (HK): Kate Pulley
VFX Data Wrangler/Envirocam Capture Op (HK): James Dornoff
Music Supervisors: Peter Afterman, Alison Litton
Music Coordinator: Jane Berry
Add'l Synth Programmers: Jarrod-Royles Atkins, Shwan Askari, Steven Silvers
Technical Score Engineers: Gevorg Chepchyan, Peter Kohrman, Jacopo Trifone
Re-Recording Mixers: Tom Ozanich, Dean Zupancic
Add'l Re-Recording Mixer: Omnalee Blank
E² Sound Designers: Jason W. Jennings, Brandon Jones, Malte Bieler, John Marquis
E² Supervising Foley Editor: Jonathan Klein
SVP of Production: Sara Flamm
Manager of Physical Production: Jackie Kroopf
SVP of Production Finance: Michael J. Bilog
Production Finance Coordinator: Julianna Politsky
SVP of Post-Production: Valerie Flueger Veras
VP of Post-Production: Desmond Cannon
VP of Post-Prod Technology: Joanne Kim
Post-Production Executive: Jason Beale
Post-Production Manager: Caitlin Atherton
Post-Production Coordinators: Kristin Fowler, Bob Williams
SVP of Visual Effects & Stereo Production: Josh R. Jaggers
Production VFX Executive: Craig Andujar
2nd VFX Coordinator: Meghan Horgan
EVP of Business & Legal Affairs: Mike Ross
SVP of Business & Legal Affairs: Bayan Laird
Counselor of Business & Legal Affairs: Taylor Bryant
SVP of Production Safety: Jim Economos
Safety Compliance Manager: Andrea Lynne Edwards
Head of Assets & Archives: Timothy Villarreal
Archives Coordinator: Robert Montano
Scanline VFX Senior VFX Supervisor: Bryan Hirota
Scanline VFX Add'l VFX Supervisor: Dann Tarmy
Scanline VFX Producers: Julie Orosz, Ryan Flick
Scanline VFX CG Supervisors: Chris Mulcaster, Andrew Roberts
Scanline VFX FX Supervisor: Jonathan Freisler
Scanline VFX Animation Supervisor: Eric Petey
Scanline VFX Creature Supervisor: Jim Su
Scanline VFX Comp Supervisors: Miles Lauridsen, Brennan Prevatt
Scanline VFX DFX Prod Managers: Josephine Dwyer, Alexandra Hrabarchuk
Scanline VFX Prod Supervisors: Alex Branton, Evan Fraser, Matt Bullock, Peter Godden, Nick Crew, Devan Mussato, Kishore Singh, Michele Stocco, Walter Schulz
Scanline VFX Prod Managers: Ann-Marie Bloomaert, Liana Jackson, James Braid, VJ Kanhai, Van Le Do, Cindy Khoo, Aaron Kozak, Sangeeth Mohan, Manon Le Bas, Maxx Lee, Scott Miller, Joel Mendias, Isaac Lipstadt, Gretel Ng, Adam Petrie, Vic Simiele, Ivan Mi Kovi, Howard Yan
Scanline VFX DFX Coordinators: Ankita Agarwal, Kristen Drewski, Queenie Ying Law, Wendy J. Hulbert, Juliette Le Maire, Jack McClelland, Cindy Sum, Yinuo Zhou, Thomas Dane Wagener
Weta Senior VFX Supervisor: Joe Letteri
Weta VFX Supervisor: Kevin Andrew Smith
Weta VFX Producer: Kevin L. Sherwood
Weta Animation Supervisor: David Clayton
Weta VFX Production Managers: Tom Greene, Sophie Ingram
Weta Executive VFX Producer: David Conley
Weta Head of Production: Steven McKendry
Weta CG & Comp Supervisors: Stephen Tong, Giuseppe Tagliavini
Weta FX Supervisors: Gerardo Aguilera, Hartwell Simpson Dufour
MPC VFX Supervisor: Pier Lefebvre
MPC VFX Executive Producers: Christina Graham, Philip Greenlow
MPC VFX Producer: Miranda Middlewood
MPC VFX Production Manager: Sabrina Martins
MPC CG Supervisors: Timucin Ozger, Joan Panis
MPC Animation Supervisor: Michael Langford
MPC Environment Supervisor: Attila Szalma
MPC 2D Supervisor: Sergei Glouk Lourie
MPC Asset Supervisor: Lisa Gonzalez
MPC Heads of Studio: Isabelle Roy, Kranti Sarma
MPC Heads of Production: Ben Harrison, Kiran Prasad, Veronique Messier-Lauzon
MPC Heads of Creative Operations: Kiran Kumar, Leah Beevers, Marilyne Fleury
MPC Visualization Supervisor: Kyle Robinson
MPC Head of Visualization: Duane Floch
MPC Visualization Producer: Mary Loibl
MPC Previsualization Coord: Pierre Alexander
MPC Visualization Asset Builders: Jason Peek, Rudy Wijaya
Luma Pictures Head of Production: Vince Cirelli
Luma Executive VFX Producer: Shauna Bryan
Luma Pictures VFX Producer: Michael Perdew
Luma VFX Supervisors: Brendan Seals, Kevin Souls
Luma Animation Supervisor: Raphael A. Pimentel
Luma CG Supervisors: Clement Renaudin, Andy Zink
Luma Character Supervisor: Mathieu Aerni
Luma Pictures FX Supervisor: Adam Gailey
Luma Pictures Lighting Supervisor: Alex Khan
Luma Associate Bidding Producer: Katryna Shattuck
Luma Digital Production Manager: Mara Frohlich
Luma Lead Digital VFX Coord: Timothy Bond
Luma Digital VFX Coordinators: Sharon Das, Sheldon Neil, Vani Rakesh
Luma Technical Coordinator: Matthew Pickering
Luma Pictures Lead FX Artist: Jacob Santamaria
Luma Pictures Lead Lighting Artist: Michael Yates
Luma Lead Roto/Paint Artist: Michael North
Luma Lead Tracking/Matchmove Artist: Dominic Francis
Luma Pictures VFX Animator: Tiffany Wang
Luma Character Rigging TD: Marcos D. Romero
Luma Pictures Concept Artist: Nicolas Pierquin
Luma Pictures FX Artist: Karl Rogovin
Luma Pictures FX Tech Director: Eric Hollands
3rd Floor Visualization Supervisor: Shawn Hull
3rd Floor Visualization Lead: Robert Wiese
3rd Floor Head of Story: Doug Lefler
3rd Floor Visualization Editors: Trevin Matcek, Thom Newell, Sean Roarke
3rd Floor Visualization Coord: Olivia Eichenseer
3rd Floor Visualization Prod Manager: Emily Unruh
3rd Floor Visualization Exec Producer: Dane Allan Smith
DNEG Stereo Show Sup: Ben Breckenridge
DNEG Stereo Supervisors: Tim Chou, Jim Philip
DNEG Stereo Global Head of Prod: Rohan Desai
DNEG Stereo Executive Producer: Paul Becker
DNEG Stereo Producer: Cassius Vaz
DNEG Stereo Line Producer: Reshma Jhangimal
DNEG Stereo Editorial Sup: Debajit Barman
DNEG Stereo Head of Pipeline: Isaac Guenard
DNEG Stereo Senior Tech Sup: Charlie Luce
EC3 Dailies Engineer: Stephen Regnier
EC3 Dailies Post-Prod Producer: Alexis Ross
EC3 Dailies Post-Prod Manager: Leeza Diott
EC3 Dailies Senior Colorist: Rich Flores
EC3 Dailies Post-Prod Colorist: Kath Raisch
EC3 Dailies Operator: Tom Klane
CO3 Executive Finishing Producer/Supervising Colorist: Stefan Sonnenfeld ASC
CO3 Add'l Finishing Colorist: Adam Nazarenko
CO3 Add'l 3D Finishing Colorist: Jared Pecht
CO3 Senior Finishing Producer: Laura Geucherian
CO3 Associate Finishing Producer: Philip Marvin
CO3 Senior Finishing Editor: Joe Ken
CO3 Finishing Technologist: Mike Chiado
CO3 Color Finishing Assistants: Zach Korpi, John Tripp
CO3 Data I/O Supervisor: Angella Szynkowski
CO3 Digital Restoration Supervisor: Megan Shepherd
CO3 DI Finishing Executive: Jackie Lee
CO3 Finishing Accountant: Ian Sullivan
CO3 Head of Production: Nick Monton
Special Thanks: Jordan Vogt-Roberts, Gareth Edwards
Filming Dates: 12 November 2018 - April 2019
Cameras: Alexa 65 & Mini (3.4K/6.5K ARRIRAW)
Lenses: Panavision USZ-Series MKII SL Primes, Cooke Speed Panchro Primes, Hasselblad Prime DNA & 65-S Primes
AR: 2.39:1 (Arri 765)(O-G S35mm: Some Shots)
Budget: 155-200 Million USD
Sound Editorial Provided by: E²
Visual Effects, Animation & Post-Visualization Provided by: Scanline VFX, Weta Digital, Moving Picture Company & Luma Pictures
Visualization Provided by: The Third Floor
Stereo Conversion Provided by: Double Negative
Color & Finish Provided by: Company 3
Attribute: Filmed in Panavision/Arri - StarsAnna SawaiKiersey ClemonsRen WatabeSet after the battle between Godzilla and the Titans, revealing that monsters are real, follows one family's journey to uncover its buried secrets and a legacy linking them to Monarch.Creators, Head Writers & EPs: Chris Black, Matt Fraction
Director - Eps. 1 & 2 & EP: Matt Shakman
Executive Producers: Joby Harold, Tory Tunnell
Director of Photography: Jess Hall ASC BSC
Supervising Art Director: James Steuart
Lead Storyboard Artist: Tyler Gibb
B Camera & Steadicam Operator: Scott Nuttall
Supervising Colorist: Yvan Lucas
Colorist: James Cody Baker
Online Editor: Heydar Adel
Dailies Colorist: Myle L. Thuncher
Finishing Producers: Eric Weiher, Trent Anderson, Kristine Dueno
Filming Dates: 27 June 2022 - 19 December 2022
Cameras: Alexa LF & Mini LF (4.5K ARRIRAW)
Lenses: Arri ALFA Anamorphic Primes
AR: 2.49:1 (Anamorphic)
Post Production Services by: Company 3 Los Angeles - DirectorAdam WingardStarsRebecca HallBrian Tyree HenryDan StevensTwo ancient titans, Godzilla and Kong, clash in an epic battle as humans unravel their intertwined origins and connection to Skull Island's mysteries.Director & Story Writer: Adam Wingard
Casting Directors: Sarah Halley Finn CSA, Krista Husar CSA
Composer / Score Producer: Tom Holkenborg (Junkie XL)
Composer: Antonio Di Iorio
Costume Designer: Emily Seresin
Production Visual Effects Supervisor / Second Unit Director: Alessandro Ongaro
Film Editor: Josh Schaeffer ACE
Production Designer: Tom Hammock
Director of Photography: Ben Seresin ASC BSC
Executive Producer/Unit Production Manager: Jennifer Conroy
Screenplay & Story Writers: Terry Rossio, Simon Barrett
Screenplay Writer: Jeremy Slater
Writers, Additional Literary Material: Michael Dougherty, Zach Shields, James Ashcroft, Eli Kent, Nicole Perlman
First Assistant Director: Brian Avery Galligan
Key Second Assistant Director: Michael O'Connor
Second Assistant Director: Megan S. Willis
Production Visual Effects Producer: Thomas Elder-Groebe
Stunt Coordinator: Kyle Gardiner
Assistant Stunt Coordinator: Stephen Murdoch
Line Producer: Kelsey Davidson
Additional Editor: Chris McKinley
Supervising Art Director: Richard Hobbs
Assistant Art Directors: Katelynn Wheelock, Rachel van Baarle
Set Decorator: Thomas Salpietro
Assistant Set Decorator: Jeff Sturm
First Assistant A Camera: Simon England
First Assistant B Camera: Jason Binnie
Second Assistant B Camera: Dermot McNamara
Digital Imaging Technician: Robert "Panda" Howie
Aerial Unit Director of Photography: John Marzano
Drone Camera Operator: Elliott Deem
Gaffer: Reg Garside
Production Special Effects Supervisor: Bruce Bright
Legacy Effects Supervisor: Lindsey MacGowan
Legacy Effects Co-Supervisors: Shane Patrick Mahan, J. Alan Scott
Legacy Effects Creature Designer: Jared Krichevsky
Legacy Effects Studio Manager: Damon Weathers
E² Sound Designers/Supervising Sound Editors: Ethan Van Der Ryn, Erik Aadahl
E² Supervising Foley Editor: Jonathan Klein
E² Dialogue/ADR Supervisor: Joel Erickson
Production Supervisor, Hawaii: Vincent Befi
Line Producer, Morocco: Zakaria Alaoui
Casting Directors, Morocco: Mounir Saguia, Mohamed Aghroud
First Assistant Camera, Morocco: Andrae Crawford m
Unit Production Manager, Italy: Edoardo Moracci
Assistant Production Manager, Italy: Edoardo Gaeta
Stunt Coordinator, Italy: Mirko Zamperla
Supervising Art Director, Los Angeles: Andrew Max Cahn
Art Department Coordinator, Los Angeles: Stephanie Higgins Frey
A Camera/Steadicam Operator, Los Angeles: Martin Schaer SOC
B Camera/Steadicam Operator, Los Angeles: Andrew AJ Johnson
Special Effects Supervisor, Los Angeles: Michael Meinardus
Steadicam Operator, Brazil: Bernardo Negri
Second Assistant Camera, Brazil: Lucas Raiol
Digital Imaging Technician, Brazil: Bruno Canova
Video Assist Operator, Brazil: Luis Olivares
Legendary Visual Effects Executive: Craig Andujar
Legendary SVP of Visual Effects and 3D: Damien Carr
T3F Previsualization Supervisor: Jeremy Munro
T3F Visualization Executive Producer: Dane Allan Smith
DNEG Visual Effects Supervisors: Paul J. Franklin, Lee F. Sullivan, Xavier Matia Bernasconi, Aleksandar Pejic
DNEG Visual Effects Producer: Krzysztof Szulc
DNEG Visual Effects Executive Producers: Ashwin Raju, Laura Schultz
DNEG Animation Supervisors: Spencer Cook, S. Senthil Velan
DNEG CG Supervisors: Johnny Grilo, Yogesh Sawant
DNEG Compositing Supervisor: Miguel Macaya
DNEG Visual Effects Line Producers: Jake Russell, Maya Methot, Klaudia Czekaj
DNEG DFX Supervisor: Ruth Asensio
DNEG Effects Supervisor: Eric W. Araujo
DNEG Visual Effects Production Coordinator: Connor Thouret
DNEG Visual Effects Art Director: Ravi Bansal
DNEG Lighting Supervisors: Remi Bitawi, Abhishek Sarkar
DNEG Lead Generalist: Renato Gonzalez Aguilante
DNEG Head Of Layout: Paul Arion
DNEG Layout Supervisor: Kelly Ginet
DNEG Environment Supervisor: Samuel Simanjuntak
DNEG Build Supervisor: Fellipe Beckman
DNEG Rigging Supervisor: François Chancrin
DNEG Visual Effects Lighting Department Manager: Jenny Lee
Scanline VFX Visual Effects Supervisor: Nick Crew
Scanline VFX Animation Supervisor: Eric Petey
Scanline VFX Compositing Supervisor: Alan Stucchi
Scanline VFX Visual Effects Production Manager: Pierre Alexander
Wētā FX Senior Visual Effects Supervisor: Kevin Andrew Smith
Wētā FX Visual Effects Producer: Kevin L. Sherwood
Wētā FX Animation Supervisor: Ludovic Chailloleau
Wētā FX Compositing Supervisor: Hirofumi Takeda
Wētā FX Visual Effects Bidding Producer: Martin Wiseman
Wētā FX Visual Effects Sequence Supervisors: Nick Epstein, Stephen Tong
Wētā FX Motion Edit Supervisor: Dave Preciado
Wētā FX Motion Editor: Fahad Haddad
Wētā FX Motion Capture Stunt Coordinator: Isaac Hamon
Luma Pictures Visual Effects Supervisor: Olivier Dumont
Luma Pictures Visual Effects Art Director: Giorgio Iovino
Baked Studios Visual Effects Producers: Matthew Dean Russell, Kwesi Collisson
FotoKem NextLAB® Dailies Operations Manager: Jackie Mata
FotoKem NextLAB® Dailies Operator: Zac Loy
FCS Lead & Supervising Colorist: David Cole ASC
Music Supervisors: Peter Afterman, Alison Litton
Music Scoring Mixers: Alan Meyerson, Scott Michael Smith
Head of Music Legal: Christine Bergren
Filming Dates: 29 July 2022 - 25 November 2022
Cameras: Alexa Mini LF & IMAX MSM 9802 (4.5K ARRIRAW & 65mm Kodak)
Lenses: Panavision Primo ALZ11 Zoom, SLZ11 Zoom, Ultra Vista 1.65x AL Primes & Canon RF Primes
AR: 1.43:1 (IMAX Laser Version: Some Scenes), 1.90:1 (IMAX Digital Version: Some Scenes), 2.39:1 (Anamorphic)
Sound Editorial Production by: E²
Visualization Provided by: The Third Floor
Visual Effects by: DNEG, Scanline VFX, Wētā FX & Luma Pictures
Digital Intermediate by: FotoKem Creative Services
Dailies Provided by: FotoKem NextLAB®
Attribute: Filmed in Panavision