MCU Directors & Their Works #02: Jon Favreau
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- DirectorJon FavreauStarsVince VaughnJon FavreauJoe GoossenTwo aspiring boxers, life-long friends, get involved in a money-laundering scheme through a low-level organized crime group.Cinematographer: Christopher Doyle HKSC
Production Designer: Anne Stuhler
Camera Operators: Larry Banks, Michael Chavez
Steadicam Operators: Will Arnot, Joe Gallagher, Sandy Hays, Mark La Bonge, Larry McConkey
2nd 2nd Assistant Director: Basil Bryant Grillo
Composers: Lyle Workman, John O'Brien
Film Editor: Curtiss Clayton
Additional Film Editor: Dan Lebenthal ACE
Costume Designer: Laura Jean Shannon
Negative Format: 35mm Kodak Film Stock
AR: 1.85:1 (Spherical)
Budget: 5 Million USD
Budget AFI (2021): 7.3 Million USD
Anecdote: Camera Equipment Provided By CSC New York - DirectorJon FavreauStarsWill FerrellJames CaanBob NewhartRaised as an oversized elf, Buddy travels from the North Pole to New York City to meet his biological father, Walter Hobbs, who doesn't know he exists and is in desperate need of some Christmas spirit.Co-Producer/"Dr. Leonardo" Actor: Jon Favreau
Screenwriter, Rewrites / Co-Producer: Will Ferrell
Casting Director: Susie Ferris
Production Visual Effects Supervisor: Joe Bauer
Composer: John Debney
Costume Designer: Laura Jean Shannon
Film Editor: Dan Lebenthal ACE
Production Designer: Rusty Smith
Cinematographer: Greg Gardiner
Cinematographer, Stop-Motion Animation & Main Title Sequence - CBP: Chris Warren
Cinematographer, Visual Effects Miniatures - CPS: Dennis McHugh
Co-Producer / Unit PM: David Householter
Executive Producer: Cale Boyter
Producer: Shauna Robertson
Writer: David Berenbaum
Screenwriters, Rewrites: Scot Armstrong, Chris Henchy, Adam McKay
Unit Production Manager: Penny Gibbs
First Assistant Director: Jim Brebner
UM, Second Unit / Second AD: Andrew Robinson
Voice of "Leon the Snowman": Leon Redbone
Voice of "Polar Bear Cub": Ray Harryhausen
Stunt Coordinator: Scott Athea
Executive in Charge of Production: Erik Holmberg
Production Executive: Katherine E. Beyda
Executive in Charge of Finance: Paul Prokop
Executive in Charge of Post Prod.: Jody Levin
Post Production Supervisor: Jay Vinitsky
Supervising Art Director: Kelvin Humenny
Assistant Art Director: Barbara Wilson
Set Designers: Geoff Wallace, Jay Mitchell, Allan Galajda
Art Department Coordinator: Victoria Balharry
Art Department Assistant: Nadine Sekora
Storyboard Artist (Visual Effects): Adrian Viersen
Supervising Set Decorator: Johanne Hubert
Assistant Set Decorator: Jennifer Silvertand
Set Decorator / Buyer: Anu Kiviloo
Set Decorator / Coordinator: Julie Fontaine
"A" Camera Operator: William Waring
"A" Camera First Assistant: Patrick Stepien
"A" Camera Second Assistant: George Majoros
"B" Camera/Steadicam Operator: Carey Toner
"B" Camera First Assistant: Doug C. Lavendar
"B" Camera Second Assistant: Justin Bergler
"B" Camera Trainee: Jenny Madsen
"B" Camera Add'l Operator: Paul Mitchnick CSC
Still Photographer: Alan Markfield
Canadian Casting Director: Stuart Aikins CDC
Canadian Casting Associate: Sean Cossey
Key Production Coordinator: Lynne M. Spencer
Co-Production Coordinator: Nathan Tichenor
Second Assistant Prod. Coord.: Michelle Mueller
Production Office Assistant: Blake Banbury
Second Second Assistant Director: James Bitonti
Third Assistant Director: Misha Bukowski
Trainee Assistant Director: Tarnya Cook
Script Supervisor: Jessica Clothier
Chief Lighting Technician: Andrew Davidson
Rigging Gaffer; Keith S. Woods
Supervising Prop Master: Bryan Korenberg
Assistant Prop Master: Andreas Nieman
Second Props Assistant: Naida Harper
First AE, Los Angeles Editorial: Matt Evans
Second Asst FE, Los Angeles Editorial: Stefanie Wiseman
Visual Effects Editor, Los Angeles Editorial: Paul M. Wagner
Third AE, Los Angeles Editorial: Sandra Y. Torres
P.P.A., Los Angeles Editorial: Matthew C. Walcutt
Avid First AE, Vancouver Editorial: Carolle Alain
Film First Asst Edit, Vancouver Editorial: Claudia Morgado
Visual Effects Editor, Vancouver Editorial: David Legault
Second AE, Vancouver Editorial: Shelly Theaker
P.P.A.'s, Vancouver Editorial: Ryan Malone, Thom Kyle
Dailies Projectionist, Vancouver Editorial: Brian Paterson
Supervising Location Manager: Ann Goobie
Assistant Location Manager: Paul P. Giordano
Key Locations Production Assist.: Rico Mielnicki
Supervising Prod. Coordinator: Emily Glatter
Canadian Casting Assistant: Kevin Arens
U.S. Casting Assistant: Elena Cizmaric
Casting Consultant: Howard Feuer
Key Special Effects Coordinator: Tony Lazarowich
Main On-Set SPFX Assistant: Chris Flemington
Gimbal Technician, Special Effects: Don Gray
Exec. in Charge of Visual Effects: Lauren Ritchie
Key Visual Effects Producer: Joseph B. Conmy IV
Visual Effects Assists: Leann Harvey, Katie Quinn
Motion Control Consultant: Eric Pascarelli
Motion Control Technicians: Adam Francis, Chris Paxton
R&H Visual Effects Supervisor: Bill Westenhofer
R&H Visual Effects Producer: Dan Foster
R&H Animation Supervisor: Erik De Boer
R&H Digital Effects Supervisor: Mark Rodahl
R&H Lighting Supervisor: Art Jeppe
R&H 2D Compositing Supervisor: Craig Seitz
R&H Digital Producer: Stephanie Taylor
R&H Digital Production Coordinator: Gene Kozicki
R&H 2D Coordinator: Patrick Hurd
R&H 3D Lighting Lead: Tony Capizzi
R&H Production Coordinator: Steve Schweickart
R&H Effects Animation Lead: Antoine Durr
R&H Matchmove Supervisor: Mark Welser
R&H Animation Setup: Gavin McMillan, William Telford
R&H Modeling Supervisor: Bradley Sick
R&H Editor: Alessa Carlino
R&H Animation Setup Lead: Joe Mancewicz
Digital Dimension Facility VFX Supervisor: Benoit (Ben) Girard
Digital Dimension Facility Producer: Jerome Morin
Digital Dimension CG Supervisor: Jason Crosby
Digital Dimension Senior TD: James Coulter
Digital Dimension Lead Animator: Justin Mitchell
Digital Dimension Head Compositor: Leandro H. Visconti
CBP Stop-Motion Anim./Main Title Seq. Producer: Edward Chiodo
CBP Stop-Motion Animation/Main Title Sequence Supervisor: Steve Chiodo
CBP Stop-Motion Animation/Main Title Sequence Character Design Lead: Charlie Chiodo
CBP Stop-Motion Animation LP / Supervisor: Paul Kemp
"A" Camera Assistant, Stop-Motion Animation & Main Title Sequence - CBP: Kenneth Thornton
CBP Stop-Motion Animation Effects Editor: Chris Roth
Amalgamated Pixels Head of Prod.: Derry Frost
Amalgamated Pixels EP: Michael J. Morreale
Amalgamated Pixels Compositor: Chad Royer
PLF Pre-Visualization Supervisor: Colin Green
PLF Pre-Visualization Lead: Kyle Robinson
PLF Pre-Visualization Coordinator: Sean Cushing
CPS Miniature Supervisor: Michael Joyce
CPS Miniature Producer: Bob Hurrie
"A" Camera Assistant, Visual Effects Miniatures - CPS: Ned M. Martin
CPS Production Assistant: Troy W. Carrington
Unit Publicist: Lee Anne Muldoon
EPK Producer: Laura Nix
Aerial Unit Helicopter Pilot: Steve Flynn
Second Unit Director: Mickey Gilbert
Second Unit Director / Director of Photography: Chris Woods
Second Unit First Assistant Director: Mark Currie
Second Unit Second Assist Director: Silver Butler
Second Unit DoPs: Donald McCuaig ASC CSC, Lee Erskine
Second Unit SpaceCam Operator: Hans Bjerno
Second Unit Gaffer: Bill Dawson
Second Unit Script Supervisor: Nancy Eagles
Unit PM, New York Crew: Jonathan Filley
First AD, New York Crew: Michael De Casper
Prod. Coordinator, New York Crew: David Price
Assistant PC, New York Crew: Cliff Fuller
Art Director, New York Crew: Charles McCarry
Art Dept. Coord., New York Crew: Tina Khayat
Second AD, New York Crew: Kristin Bernstein
Second Second ADs, New York Crew: Noreen R. Cheleden
DGA Trainee, New York Crew: Kelli Gladney
"A" Camera Operator, NY Crew: Michael Green
"A" First AC, New York Crew: David E. Baron
"A" Second AC, New York Crew: Matt Balzarini
"B" Operator, New York Crew: Steve Consentino
"B" First AC, New York Crew: Timothy Metivier
"B" Second AC, New York Crew: Jamieson K. Fitzpatrick
Camera Loader, New York Crew: Amy Silverman
Still Photographer, NY Crew: Michael Ginsberg
Construction Gaffer, NY Crew: Roberto Jiminez
Gaffer, New York Crew: John W. De Blau
Rigging Gaffer, NY Crew: Charles E. Meere III
LM, New York Crew: Santiago Quinones
Prop Master, New York Crew: James Mazzola
Camera Scenic Lead, New York Crew: M. Tony Trotta
Script Supervisor, NY Crew: Sheila Waldron
Set Decorator, New York Crew: Deborah Schutt
Set Decoration Assistant (Shopper), NY Crew: Alexandra Mazur
SFX Supervisor, New York Crew: Conrad Brink Sr
Aerial Unit Rigging Supervisor ("Spydercam"), NY Crew: Earl Wiggins
Aerial Unit Rigging Coordinator ("Spydercam"), NY Crew: Todd Semmes
Computer Operator ("Spydercam"), NY Crew: Tim Drnec
Winch Tech ("Spydercam"), NY Crew: Matt Davis
Riggers ("Spydercam"), NY Crew: Ben Smith, Cody Taylor
Stunt Coordinator, NY Crew: George Aguilar
Second Unit DoP, NY Crew: Craig Haagensen
Music Contractor: Sandy DeCrescent
Score Recordist & Mixer: Shawn Murphy
Vocal Consultant, Music Score: Michael Dansicker
Color Timers: Jim Passon, Michael Hatzer ASC
Dailies Color Timer: Ed Dobbs
Preview Technical Supervisor: Lee Tucker
Filming Dates: 9 December 2002 - 7 March 2003
Cameras: Arriflex 35 III, 435 ES, Panaflex XL, Millennium & Platinum (35mm Kodak Vision 500T 5279)
Lenses: Panavision® Primo Spherical Primes
AR: 1.85:1 (Spherical 4-Perf 35mm)
Budget: 33 Million USD
Budget AFI (2021): 46.9 Million USD
Printed on: Fuji Eterna-CP 3513DI
Visual Effects by: Rhythm & Hues Studios, Digital Dimension, Amalgamated Pixels, General Lift, Fuzzy Logic Productions, Black Pool Studios + Gentle Giant
Stop-Motion Animation & Main Title Sequence Created by: Chiodo Brothers Productions
Pre-Visualization by: Pixel Liberation Front
Miniatures by: Cinema Production Services
Scanning & Recording by: Pacific Title
End Titles & Opticals by: Custom Film Effects
Color Provided by: Rainmaker
Attribute: Filmed in Panavision® - DirectorJon FavreauStarsJosh HutchersonJonah BoboDax ShepardTwo young brothers are drawn into an intergalactic adventure when their house is hurled through the depths of space by the magical board game they are playing.Costume Designer: Laura Jean Shannon
Production Visual Effects Supervisor: Joe Bauer
Production VFX Producer: Joseph B. Conmy IV
Practical Creature FX Consultant: Stan Winston
Composer: John Debney
Film Editor: Dan Lebenthal ACE
Production Designer: J. Michael Riva
Cinematographer: Guillermo Navarro ASC
Co-Producer: Peter Billingsley
Executive Producer & UPM: Louis D'Esposito
Screenwriters: David Koepp, John Kamps
Sup. Puppeteer/SWS Makeup & Animatronic Supervisor: Shane Patrick Mahan
Supervising Puppeteer: Matt Heimlich
Stunt Coordinator: Thomas Robinson Harper
1st Assistant Director: Bruce Franklin
2nd Assistant Director: Conte Matal
SPI Senior VFX Supervisor: Peter G. Travers
SPI Senior VFX Producer: Daniel J. Lombardo
Supervising Art Director: David Klassen
Set Decorator: Lauri Gaffin
Prop Master: Russell Bobbitt
Camera Operator: Paul C. Babin
A Camera/Steadicam Operator: Harry Garvin
B Camera Operator: Leo J. Napolitano
Add'l Camera Operator: Charles Schner
Production Special FX Supervisor: Jon G. Belyou
Illustrator: Phil Saunders
2nd Unit Art Director: Eric Sundahl
2nd Unit DoPs: Ueli Steiger ASC, Enrique Chediak ASC
2nd Unit Camera Operator: Roberto Blasini
VFX Unit VistaVision A Cam Op: Mark Gutterud
Digital Finishing Colorist: Natasha Leonnet
Production VFX Coordinators: Thomas Elder-Groebe, Greg Baxter
Production VFX Assistant: Matthew Dean Russell
SPI VFX Digital Prod Manager: Julie Zachary
SPI VFX Executive Producer: Jenny Fulle
SPI CG Supervisors: Bob Pietzman, Dave Seager, Robert Winter
SPI Visual FX Associate PM: Garrick McLaughlin
SPI VFX Coordinator: Elizabeth Schafer
SPI VFX Technical Director: Thelvin Cabezas
SWS Makeup & Animatronic Sup: J. Alan Scott
SWS Effects Coordinator: Lindsay MacGowan
Add'l Visual Effects Supervisor: Benoit Girard
Add'l Visual Effects Producer: Chris Del Conte
Add'l VFX Executive Producer: Jerome Morin
Add'l Visual Effects Coordinator: Taryn P. Kelly
CPS Miniatures Supervisor: Michael Joyce
CPS Senior Model Maker: Jen Underdahl
CPS Miniature Unit DoPs: Dave Drzewiecki, Leslie Bernstein
Zoic Studios Visual FX Supervisor: Randy Goux
Pre-Visualization Producer: Sean Cushing
Camera: Moviecam Compact (35mm Kodak Vision 250D 5246/Vision2 500T 5218)
Lenses: Zeiss Ultra Primes & Arri Variable Primes
AR: 1.85:1 (4-Perf 35mm SL)(8-Perf VV: VFX)
Budget: 65 Million USD
Budget AFI (2021): 87 Million USD
Printed on: Kodak Vision 2383
Special Visual Effects & Animation Provided by: Sony Pictures Imageworks & Zoic Studios
Miniature Visual Effects Provided by: Cinema Production Services
Special Robot & Zorgon Effects Provided by: Stan Winston Studio - DirectorJon FavreauStarsRobert Downey Jr.Gwyneth PaltrowTerrence HowardAfter being held captive in an Afghan cave, billionaire engineer Tony Stark creates a unique weaponized suit of armor to fight evil.Producers: Jon Favreau, Peter Billingsley
Co-Writers: JJ Abrams, John August
Executive Producer & UPM: Louis D'Esposito
Cinematographer-A Cam Operator: Matthew Libatique ASC
Cinematographer (Add'l Photography): Gabriel Beristain ASC AMC BSC
Cinematographer (NDS Miniature FX): Anthony Cutrono
Production Designer: J. Michael Riva
Film Editor: Dan Lebenthal ACE
Production Visual Effects Supervisor: John Nelson
Costume Designers: Rebecca Gregg Benjten, Laura Jean Shannon
Associate Producer: Jeremy Latcham
Composer: Ramin Djawadi
Composer (Add'l Music) & Exec Music Producer: Hans Zimmer
Composers (Add'l Music) & Score Arrangements Supervisors: Lorne Balfe, Clay Duncan, Atli Örvarsson
Music Supervisor: Dave Jordan
Casting: Sarah Halley Finn CSA, Randi Hiller CSA
Key Unit Production Manager: Sara E. White
Associate Producer & Key 1st AD: Eric N. Heffron
2nd Assistant Director: Michael J. Moore
Executive in Charge of Production: Ross Fanger
Co-Producer & Production VFX Producer: Victoria Alonso
ILM Senior Visual Effects Supervisor: Ben Snow
ILM Senior Animation Supervisor: Hal Hickel
Visualization/HUD Effects Supervisor: Kent Seki
Physical Suit Effects Supervisor: Shane P. Mahan
2nd Unit Director: Phil Neilson
2nd Unit DoP: Jonathan Taylor ASC
Supervising Stunt Coordinator: Thomas Robinson Harper
2nd Unit Stunt Coordinator: Keith Woulard
Lead Stunt Rigger: Aaron R. Walters
Utility Stunts: Robert Alonzo, JJ Dashnaw, Fred Hice, JJ Perry, Mic Rodgers, Tim Trella
Aerial Unit Helicopter Pilot: Kevin LaRosa
Aerial Unit Safety Coordinator: James Wallace
Aerial Unit Ground Safety Coord: Kevin LaRosa II
Aerial Unit DoP: David B. Nowell ASC
Aerial Unit 1st Ass't A Camera/Tech: Scott Smith
Aerial Unit Stunt Coordinator: Tim Rigby
Aerial Unit A Camera Op: Craig William O'Brien
Aerial Unit Add'l DoP: Mehran Salamati
Prod Supervisors: Gary Wordham, David J. Grant
Executive in Charge of Finance: Matt Finick
Exec in Charge of Post-Production: Charlie Davis
Post-Production Supervisor: Luminita Docan
Exec in Charge of Legal Affairs: Elizabeth Lynch
Production Attorney: Ryan Potter
Security Consultant: Rob Grosser
Supervising Art Director: David Klassen
Art Directors: Richard F. Mays, Suzan Wexler
Additional Art Director: Liz Carney
1st Assistant Art Director: Michael E. Goldman
Set Decorator: Lauri Gaffin
1st Assistant Set Decorator: Florence Fellman
Steadicam/"B" Camera Op: Colin Anderson SOC
1st Assistant "A" Camera: Peter Berglund
2nd Assistant "A" Camera: Matt Stenerson
B-Camera 1st Assistant: Taylor Matheson
B-Camera 2nd Assistant: Joey O'Donnell
Camera Loader: Gary Bevans
Add'l "B" Camera Operator: Gary Hatfield
Add'l "A" Camera Operator: Keith Solomon
Add'l "A" Cam Assists: Mark Santoni, Rocky Babcock
Add'l "B" Cam Assists: Liam Sinnott, Mark Strasburg
Add'l Steadicam Assists: Robert Baird, Rich Moriarty
Additional Film Editors: Michael Tronick ACE
2nd Add'l Film Editors: Derek Brechin, Gregory Parsons
Production Visual FX Editors: Wilt Henderson, Jeff Beattie
1st Ass't Editors: Dawn Michelle King, Sandra Y. Granovsky
2nd Assistant Editor: Stacey Frederick
1st Apprentice Editor: Michael Polier
2nd Apprentice Editor: Carlos Castillon
Post Prod Assistants: John Bartnicki, Patrick McMahon
Additional Visual Effects Supervisor: Wesley Sewell
Visual Effects Production Manager: Susan Pickett
Visual Effects Senior Coordinator: Bernardo Jauregui
Production VFX Coordinators: Katrissa Peterson, Adam Lagattuta
VFX Plate Coordinators: Chris Antonini, Shyam V. Yadav
VFX Staff Assistants: Thomas Glinkowski, Dennis Murillo
Production Data Manager (Visual Effects): Thomas Mathai
Production Visual Effects Model Maker: Corey Burton
BARCO LED Consultant: Brian Ransom
Supervising Prop Master: Russell Bobbitt
Assistant Prop Master: D. James Stubblefield
2nd Prop Assistant: Travis Bobbitt
Production Coordinator: Gretel Twombly
Key 1st Assistant Accountant: Ross Jensen
Production VFX Accountant: John D. Vaughan
Additional 1st Assistant Director: Mike Viglietta
Additional 2nd Assistant Director: Greg Hale
2nd 2nd Assistant Director: Giselle Gurza-Junco
Add'l 2nd 2nd Assistant Director: Marvin Williams Jr
Video Assist Operator: Jay M. Huntoon
Computer & Video Playback Sup: C. Alex Sears
Interactive Graphics Supervisor: Rick Lupton
Gaffer: Mike Bauman
Rigging Gaffer: Charles H. McIntyre
Specialty Lighting Consultant: Fred Waldman
Supervising Loc Managers: Liz Matthews, Molly Allen
Add'l Loc Manager (Main Unit & Add'l Photog): Scott Allen Logan
Costume Supervisor: Pam Wise
Production Special Effects Coordinator: Daniel Sudick
Production SFX Foremen: Todd K. Jensen, Robert L. Olmstead, Ginter Repecka
Special Effects Shop Foreman: Thomas Pahk
Production Special Effects Purchaser: Sara R. Morris
Production SFX Techs: Eric P. Cook, Joel Mitchell
Senior Lead Set Designer: William J. Law III
Set Designers: Ernie Avila, Noelle King
Specialist Digital Set Designer: Kevin Cross
Junior Set Designer: Anne Porter
Suit Consultant: Adi Granov
Illustrators: Phil Saunders, Ryan Meinerding
Storyboard Artists: Stephen Platt, Dave Lowery, Eric Ramsey, Phil Keller
2D Animatics Supervisor: James Rothwell
Graphic Designer: Dianne Chadwick
Art Department Coordinator: Nancy A. King
SWS Iron Man Suit Co-Designer: Stan Winston
SWS Suit Model Dept. Key Coord: Dave Merritt
SWS 2nd Unit Co-Coordinator: Christopher Swift
SWS Co-Administrator: John Rosengrant
SWS Coordinator: J. Alan Scott
SWS Key Mech Designer: Spencer Whynaucht
Key Production Assistant: Christopher T. Sadler
Assistant to Jon Favreau: Karen MJ Gilchrist
Assistant to Louis D'Esposito: Brad Winderbaum
Ass't to Matt Finick & Charlie Davis: Trinh Tran
Research Assistant: Will Pilgrim
Assistant to Matty Libatique: Hannah Levin
Picture Car Coordinator: John Armstrong
Product Placement Advisor: Kathy Findling
DOD Liaison (US): Philip M. Strub
Air Force Project Officers: Christian Hodge, Mary Danner
Military Advisor: Harry Humphries
Safety Consultant: Paul Holehouse
2nd Unit 1st Assistant Director: Steve Battaglia
2nd Unit 2nd AD/VFX Unit 1st AD: Chris Castaldi
2nd Unit Gaffer: Dan Riffel
2nd Unit Prop Master: Randy Eriksen
2nd Unit Assistant Prop Master: Peter Clarke
2nd Unit Special FX Foreman: Mike Edmondson
2nd Unit A Camera Operator: Joseph V. Cicio
2nd Unit 1st Assistant A Camera: Kevin Potter
2nd Unit 2nd Ass't A Camera: Scott Whitehead
2nd Unit B-Camera Operator: Kent Harvey SOC
2nd Unit B-Camera 1st Assistant: Lou Demarco
2nd Unit B-Camera 2nd Assistant: Tony Muller
2nd Unit C-Camera 1st Assistant: Paul Santoni
2nd Unit C-Camera 2nd Ass't: Cameron Duncan
2nd Unit Add'l 2nd Ass't "A" Camera: Dave Taylor
2nd Unit Camera Loader: Conrad Castor
2nd Unit 2nd 2nd Ass't Dir: Chamonix Bosch
2nd Unit Production Coordinator: Sean Garcia
2nd Unit Ass't Prod Coordinator: Shauna Moss
Steadicam Op (CNBC Jim Cramer Crew): Keith Greenwood
Steadicam Utility Ass't (CNBC Jim Cramer Crew): Mar Omega
Add'l 2nd AD (Add'l Photography): Eugene Davis
2nd 2nd AD (Add'l Photog): Stephen P. Del Prete
ILM Senior Visual Effects Producer: Wayne Billheimer
ILM Digital Production Supervisor: Doug Smythe
ILM Compositing Supervisor: Jeff Sutherland
ILM CG Supervisor: Philippe Rebours
ILM Digital Model Supervisor: Bruce Holcomb
ILM Visual Effects Art Director: Aaron McBride
ILM Associate Animation Supervisor: Marc Chu
ILM Creature Supervisor: James Tooley
ILM Visual Effects Editor: Lorelei David
ILM Senior Production Manager: Katie Lynch
ILM Layout Lead: Colin Benoit
ILM Digital Roto & Paint Lead: Amy Shepard
ILM Digital Matte Painting Lead: Chris Stoski
ILM CG Seq. Supervisors: Nigel Sumner, Gerald Gutschmidt, Tim Brakensiek, Ian Christie, John Walker, Dorne Huebler, Tom Martinek, Patrick Myers
ILM VFX Animators: Scott Benza, Paul Kavanagh, Charles Allneck, Maia Kaiser, Jakub Pistecky, Greg Towner, Peter Kelly, Delio Tramontozzi
ILM Digital R&P Supervisor: Katharine Baird
ILM Matchmove Supervisor: Selwyn Eddy III
ILM Digital Resource Assistant: Chris Balog
ILM Sequence Supervisor: Kevin Barnhill
ILM Lead Digital Modeler: Russell Paul
ILM Digital Matte Supervisor: Richard Bluff
ILM Digital Matte Painter: Éric Hamel
ILM DMAs: Johan Thorngren, Dan Wheaton
ILM Digital Compositors: Justin Kosnikowski, Tami Carter, Will McCoy
ILM Color Timing Supervisor: Bruce Vecchitto
ILM Lookdev Lead: François Lambert
ILM View Paint Supervisor: Steve Walton
ILM Layout & Matchmove Lead: Terry Chostner
ILM Matte Painter: Joe Ceballos
ILM Prod Managers: Lori Arnold, Laura Moore
ILM Prod Coordinators: Chrysta Marie Burton, Daniel Cavey
ILM Add'l Prod Coordinators: Hui Ling Chang, Pei Shan Cheng
ILM Visual Effects Coordinator: Christine Munday
ILM Visual Effects Production Assistant: Rob Watts
ILM Visual Effects Executive Producer: Gretchen Libby
ILM EVP & General Manager: Lynwen Brennan
ILM Digital Prod Manager: Vicki Dobbs Beck
ILM Heads of Production: Curt Miyashiro, Chrissie England
ILM Exec in Charge of Finance: Khuyen Dang
ILM Representative: Miles Perkins
ILM Singapore VFX Production Manager: Michele Stewart
ILM Head of Compositing: Patrick Tubach
PLF Visual Effects Producer: Sean Cushing
PLF Visual Effects Coordinators: Beverly Abbott, Jody Rice
PLF Technical Artist: Brad Friedman
PLF Visual Effects Compositor: Diana Hinek
PLF Graphic Designer: Philip Shtoll
Orphanage Visual Effects Supervisor: Jonathan Rothbart
Orphanage Visual Effects Executive Producer: Marc Sadeghi
Orphanage CG Supervisor: Jonathan Harman
Orphanage Visual Effects Producer: Fiona Chitlon
Orphanage Comp Supervisors: Stephen DeLuca, Steve Cho
Orphanage VFX Prod Managers: Marny Nahrwold, Gordon Whitmann
Orphanage Effects Supervisor: Michael Janov
Orphanage Visual FX Prod Coordinator: Bethany Young
Orphanage Animation Supervisor: Dave Andrews
Orphanage Visual Effects Prod Assistant: Karen Huang
Orphanage Matte Painting Sup.: Shane Roberts
Orphanage Production Engineer: Evan Ryan
Orphanage CG Model/Lookdev Sup: Nathan Reidt
Orphanage Visual Effects Editor: Ian McCamey
Orphanage HUD Design Supervisor: Dav Rauch
Orphanage Sr Post Prod Supervisor: Diane Caliva
Orphanage Post Production Sup: Joanna Goldfarb
Orphanage Rotoscope Sup.: Sunghwan Hong
Orphanage Edit. HD Manager: Mike Hutchinson
Orphanage Matchmove Supervisor: Brian Tolle
Orphanage Shader Dev Lead: Will Anielewicz
Orphanage Creature Supervisor: Corey Rosen
Orphanage Editorial Dept. Sup: Jerry Castro
Orphanage Head of Production: Luke O'Byrne
NDS Miniature Effects Supervisor: Matthew Gratzner
NDS Miniature Effects Producer: David Sanger
NDS Miniature FX Digital Set Designer: Scott Schneider
Prologue Films Visual Effects Producer: Seth Kleinberg
Prologue Films Visual Effects Supervisor: Anthony Mabin
Prologue Films Visual Effects Editor: Nathaniel Park
Prologue Films Visual Effects Art Director: Dongho Lee
Prologue Films Lead Designer: Mason Nicoll
CafeFX Additional VFX CG Supervisor: Luke McDonald
Lola VFX Supervisor: Edson Williams
Lola VFX Producer: Thomas Nittmann
Lola VFX Editor & Assoc VFX Producer: Ryan Zuttermeister
Lola VFX Flame Artist: Sean Wallitsch
ScanlineVFX Digital Comp Artist: Finlay Hogg
Scanline VFX Digital Compositor: Kai Woytke
CIS Visual Effects Compositor: Kyle Gray
Digitrove Visual Effects Producer: Kwang Jib Kim
Spy VFX Supervisor: Darren Orr
Sup. Sound Editor, Designer & Re-Record Mixer: Christopher Boyes
Re-Recording Mixer: Lora Hirschberg
ADR Supervisor: Michael Silvers
ADR Editor: Gwendolyn Yates Whittle
Ass't Supervising Sound Editor: Andre Fenley
Sound Design Supervisor: Shannon Mills
3cP Consultant (On-Set Color Correction): Alex Chernoff
Supervising Digital Colorist: Steven J. Scott ASC
Finishing Editor: Amy Pawlowski
Finishing Producer: Loan Phan
Colorist Finishing Assistant: Mitch Paulson ASC
Color Timer: Chris Regan
Musician (Add'l Electric Guitar): Tom Morello
Ambient Music Designer: Rob Simon
Score Orchestrators: Stephen Coleman, Matthew Dunkley
Score Conductor: Gavin Greenaway
Score Mixer: Alan Meyerson
Score Recordist: Geoff Foster
Orchestra Contractor: Isobel Griffiths
Temp Music Editor: Tanya Hill
Music Editors: Shannon Erbe, David Klotz
Music Coordinators: JoJo Villanueva, Rebekah Touma
Filming Dates: 12 March 2007 - 25 June 2007
Cameras: Arriflex 235, Panaflex XL & Millennium (35mm Kodak Vision2 200T 5217/500T 5218)
Lenses: Panavision Primo Spherical Primes, Angenieux Optimo Zooms & Cooke CXX Zoom
AR: 1.90:1 (IMAX Re-Release: Some Scenes), 2.39:1 (Super 35mm)
Phase: 1
MCU Division: Beginnings Trilogy
Budget: 140 Million USD
Budget AFI (2020): 168.48 Million USD
Printed on: Kodak Vision 2383
Physical Iron Man Suits & Makeup Effects Created by: Stan Winston Studio
Visual Effects, Animation & Visualization Services Provided by: Industrial Light & Magic, Pixel Liberation Front , The Embassy, The Orphanage + Lola VFX
Miniature Effects & Photography Provided by: New Deal Studios
Main Titles, VFX & Apogee Award Sequence Designed by: Prologue Films
Additional Visual Effects Provided by: CafeFX & Giant Studios
Post-Production Sound Services Provided by: Skywalker Sound
Score Mixed at: Remote Control Productions
Score Recorded at: Air Studios London
Film Processing Provided by: FotoKem
Acknowledgement: Filmed exclusively in the United States of America
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed in Panavision - DirectorJon FavreauStarsRobert Downey Jr.Mickey RourkeGwyneth PaltrowWith the world now aware of his identity as Iron Man, Tony Stark must contend with both his declining health and a vengeful mad man with ties to his father's legacy.Producer: Jon Favreau
Director (Post-Credits Scene): Kenneth Branagh
Casting: Sarah Halley Finn CSA, Randi Hiller CSA
Composer, Score Producer, Conductor & Electric Guitarist: John Debney
Composer - Add'l Music & Electric Guitarist: Tom Morello
Music Supervisor: Dave Jordan
Co-Producer: Jeremy Latcham
Co-Producer, Visual Effects: Victoria Alonso
Associate Producer: Karen MJ Gilchrist
Associate Producer & First AD: Eric N. Heffron
Production Visual FX Supervisor & Plate/2nd Unit Director: Janek Sirrs
Costume Designer: Mary Zophres
Film Editors: Daniel Lebenthal ACE, Rick Pearson ACE
Production Design Supervisor: J. Michael Riva
Cinematographer: Matthew Libatique ASC
Cinematographer, AP: Gabriel Beristain ASC AMC BSC
Cinematographer, NY Unit: Rick Rutkowski ASC
VFX Cinematographer, Kerner Opt.: Pat Sweeney
Cinematographer, Post-Credits Scene: Haris Zambarloukos BSC GSC
Executive Producer & UPM: Denis L. Stewart
Executive Producer & Co-UPM: Louis D'Esposito
Executive Producer: Susan Downey
Screenwriter: Justin Theroux
Key Unit Production Manager: Basil Bryant Grillo
First AD - AP & Key Second AD: Chris Castaldi
Production Visual Effects Producer: Susan Pickett
Second Unit Director & Director of Photography: Jonathan Taylor ASC
ILM Senior Visual Effects Supervisor: Ben Snow
ILM Senior Animation Supervisor: Marc Chu
ILM Senior Visual FX Producer: Wayne Billheimer
Physical Suit FX Supervisor: Shane Pat Mahan
Sup Stunt Coordinator: Thomas Robinson Harper
Second Unit Stunt Coordinator: Keith Woulard
Fight Coordinator: Jonathan Eusebio
Fight Design Supervisor: Jeff Imada
Stunt Double, Ms. Johansson: Heidi Moneymaker
Monaco Unit Stunt Coordinator: Michel Julienne
Stunt Double, Ms. Paltrow (Monaco): Sybil Blouin
Production Fight Consultant: Eric Oram
Utility Stunts: Chad Stahelski, Tanoai Reed
Aerial Unit Director of Photog: David Nowell ASC
Aerial Unit Coordinator: Kevin LaRosa
Asst Coord - Aerial Unit & Pilot: Kevin LaRosa II
Aerial Unit Helicopter Pilot (NY): Al Cerullo
Aerial Unit Helicopter Pilot (Monaco): Marc Wolff
Aerial Unit Helicopter Op (Monaco): Adam Dale
Production Supervisor: Noelle Green
Supervising Art Director: David Klassen
Art Directors: Susan Wexler, Michael E. Goldman
Sr. Lead Set Designer: William J. Law III
Fourth Set Designers: Sharon Davis, Noelle King
Film Character Designer: Ryan Meinerding
Iron Man Suit Consultant: Adi Granov
Storyboard Artist: Dave Lowery
"A" Camera/Steadicam Op: Colin Anderson SOC
"B" Camera Operator: Peter Berglund
"A" Camera 1st Assistant: Mark Santoni
"B" Camera 1st Assistant: Matt Stenerson
"A" Camera 2nd Assistant: Ryan Rayner
"B" Camera 2nd Assistant: Joey O'Donnell
Steadicam/Revolutionary Rig Op: Christopher TJ McGuire
Film Loader: Gary Bevans
Production Assist, Camera Dept.: Prentice Smith
1st AC, Additional Photography: Alan Cohen
Ultimate Arm Operator: Michael Nelson
Post Production Supervisor: Peter Mavromates
1st Asst Editors: Sean Thompson, Dawn M. King
2nd AEs: Carlos M. Castillon, Sandra Granovsky
First Apprentice Editor: Britni Ziegler
Post Production Coordinator: Frances P. Valliere
Additional Post Coordinator: Danielle Daly
Editorial Production Assistant: John Bartnicki
Additional VFX Supervisor: Mohummed Yusef
Add'l Associate VFX Supervisor: James Madigan
Visual FX Production Manager: Bernardo Jauregui
Production VFX Coordinators: Kat Peterson, Katie Fowler
Visual Effects Plate Coordinator: Chris Antonini
Production Visual FX Editors: Jeff Beattie, Derrick Mitchell
VFX Asst Coordinators: Kevin McAllister, Kerry Joseph
VFX PAs: Jeff Winkle, Matthew Eberle
Visual Effects First Assistant Editor: Nolan Reese
Expo Action Concepts: Genndy Tartakovsky, Bryan Andrews
Supervising Prop Master: Russell Bobbitt
Assistant Prop Master: Jim Stubblefield
Production Assistant, Prop Dept.: Helga Wool-Smith
2nd 2nd Assistant Director: Marvin Williams
Production Coordinator: Brigette Lester
Assistant Production Coordinator: Annie Schultz
Production Visual FX Accountant: John Vaughan
Computer/Video Playback Sup: Matt Morrissey
Gaffer: Michael Bauman
Specialty Lighting Technician: Albert De Mayo
Moving Light Technician: John Amorelli
Chief Rigging Electrician: Jeffrey P. Soderberg
Technocrane Operator: David Hammer
Technocrane Technician: Henry Flores
Libra Head Technician: John Bonnin
Supervising Location Manager: Scott Allen Logan
Costume Supervisor: James W. Tyson
Costume Co-Supervisor: Dawn Y. Line
Supervising Set Decorator: Lauri Gaffin
Assistant Set Decorator: Florence Fellman
Set Decoration Coordinator: Shaun Young
Production SFX Coordinator & Supervisor: Daniel Sudick
Special FX Supervising Foreman: Thomas Pahk
Special Effects Shop Foreman: David Heron
1st Unit Set Foreman, SPFX: Gintar Repecka
2nd Unit Set Foreman, SPFX: Mike Edmonson
Production SFX Foremen: Eric Cook, Robert L. Olmstead
Special Effects Rigging Foreman: Joel Mitchell
3-D Modeler, Special Effects: Kevin Cross
Modeler Foreman, Special FX: James Denten
Special Effects Office Coordinator: Kyle McGatlin
SWLE Digi Suit Sculpting Dept. Lead: Ian Joyner
SWLE Model Shop Supervisor: Dave Merritt
Legacy Co-Supervisors: Lindsay MacGowan, J. Alan Scott, John Rosengrant
"A" Camera Operator, B-T-S: Sean Ricigliano
Key Set Production Assistant: Christopher Sadler
Assistant to Kevin Feige: Jonathan Schwartz
Assistant to Louis D'Esposito: Trinh Tran
Picture Car Coordinator: John Armstrong
Product Placement Coordinator: Julie Keller
Senate Hearing Advisor: R. Todd Bouldin
Second Unit Prod Coordinator: Nancy Honeycutt
Second Unit 1st Assist Director: Michael J. Moore
Second Unit 2nd Assistant Director: David Riebel
Second Unit 2nd 2nd Assist Director: Greg Hale
2nd Unit Add'l 2nd 2nd ADs: Carlos Torre, Cecilia Sweatman
Second Unit "A" Camera Operator: Joseph Cicio
Second Unit "B" Camera Operator: Kent Harvey
Second Unit "A" Camera 1st AC: Kevin C. Potter
Second Unit "B" Camera 1st AC: Louis DeMarco
Second Unit Add'l Camera 1st AC: Rob Stenger
Second Unit "A" Cam 2nd AC: Scott Whitbread
Second Unit "B" Camera 2nd AC: Tony Muller
Second Unit Film Loader: Conrad Castor
Second Unit Key Grip: Richard Mall
Second Unit Gaffer: Dan Riffel
Second Unit Prop Master: Terry Haskell
Monaco Unit Production Executive: John Bernard
Monaco Unit Production Manager: Gilles Castera
Monaco Unit Production Supervisor: Nour Dardari
Monaco Unit Palace Liaison: Mark C. Thomas
Monaco Unit Prod Coord: Patricia Reid-Douglas
Monaco Unit Art Director: Eric Dubreil
Monaco Unit 1st Assistant Director: Gilles Kenny
Monaco Unit 2nd Assist Director: Vanessa Djian
Monaco Unit 3rd AD: Delphine Bertrand
Monaco Unit "A" Camera Operator: Tim Wooster
Monaco Unit "B" Cam Operator: Roger McDonald
Monaco Unit "C" Camera Op: Graham Hall ACO
Monaco Unit "A" 1st Assist. Camera: Alex Howe
Monaco Unit "B" 1st Assist Camera: Simon Heck
Monaco Unit "C" 1st AC: Hugues Espinasse
Monaco Unit "D" 1st Assist Camera: Eric Bornes
Monaco Unit "E" 1st Assist Cam: Sophie LeMaire
Monaco Unit "A" 2nd Asst Camera: Dean Morrish
Monaco Unit "B" 2nd Asst Camera: Sky Sharrock
Monaco Unit "C" 2nd Assistant Camera: Alan Hall
Monaco Unit "D" 2nd Assist Cam: Gregori Gajero
Monaco Unit "E" 2nd Assist Cam: Francois Vigon
Monaco Unit "F" 2nd Assist Cam: Sofia Olstorpe
Monaco Unit Film Loader: Luke Cairns
Monaco Unit Pic Car Coordinator: Charles Heidet
Monaco Unit Prop Master: Manu Poupard
Monaco Unit Location Manager: Xavier Wakefield
Monaco Unit Cost. Supers: Christina Wada, Jenn Harvey
Unit Product. Manager, NY Unit: Thomas Whelan
NY Unit Product. Coordinator: Elizabeth J. Nevin
NY Unit 1st Assistant Director: Jennifer Truelove
NY Unit Senior Production Assist: Alesa Andrew
NY Unit "A" 1st Assist Camera: Kathleen Corgan
NY Unit "B" 1st Assistant Camera: Sung Rae Cho
NY Unit Gaffer: Mark Schwentner
NY Unit "A" 2nd Assist Camera: Jason Brignola
NY Unit "B" 2nd Assist Camera: Elizabeth Hegdes
NY Unit Location Manager: James D. Lee
NY Unit Propmaster: Dave Allen
Interactive Marketing Exec.: Brad Winderbaum
Physical Production Executive: David J. Grant
ILM Digital Production Supervisor: Doug Smythe
ILM Sr Compositing Supervisor: Jon Alexander
ILM Sr CG Supers: John Walker, Dave Hisanaga
ILM Visual Effects Art Director: Aaron McBride
ILM Digital Model Supervisor: Bruce Holcomb
ILM Viewpaint Supervisor: Ron Woodall
ILM Assoc. Animation Supervisor: Rick O'Connor
ILM Creature Supervisor: Timothy Brakensiek
ILM Digital Matte Supervisor: Giles Hancock
ILM Layout Supervisor: Selwyn Eddy III
ILM Roto & Paint Supervisor: Amy Shepard
ILM Visual Effects Editor: Lorelei David
ILM VFX Prod Manager: Erin Dusseault O'Connor
ILM CG Seq. Supers: Nigel Sumner, Todd Vaziri, Marshall Richard Krasser, David Marsh
ILM Animator: Steve Rawlins
ILM Digital Matte Artist: Richard Bluff
ILM PCs: Lauren Carara, John Colt, Daniel Cavey, Marissa Gomes
ILM Digital PM Leads: Mohen Leo, Stuart McAra
ILM Additional Art Support Lead: Alex Jaeger
ILM VFX Executive Producer: Gretchen Libby
ILM Senior Executive: Jessica Teach
DNEG Visual Effects Supervisor: Ged Wright
DNEG Compositing Supervisor: Victor Wade
DNEG CG Supers: Jordan Kirk, Katherine Roberts
DNEG Animation Supervisor: Paul A. Davies
DNEG Visual Effects Producer: Kristopher Wright
DNEG Matte Painting Super.: Diccon Alexander
DNEG VFX Editorial Lead: Nick Dacey
DNEG Matchmove Supervisor: Pery McCafferty
Prologue Films Executive Producer: Kyle Cooper
Prologue Films VFX Super/Producer: Ian Dawson
Prolog Films VFX Assoc Prod: Elizabeth Newman
Prolog Films VFX Coordinator: John Campuzano
Prolog Films Visual Effects Editor: Brant Duncan
PLF Creative Supervisor: Stephen Lawes
PLF Visual Effects Producer: Jody Rice
PLF Executive Producer: Sean Cushing
Fuel VFX Supervisor: Andrew Hellen
Fuel VFX Producer: Jason Bath
Fuel VFX Production Manager: Kilou Picard
Fuel VFX CG Production Manager: Amy Gunson
Perception Executive Creative: Danny Gonzalez
Perception Supervising Producer: Cary Flaum
Perception Senior Producer: Christopher Decker
EEP Visual Effects Producer: John J. Lack
EEP Visual Effects Coordinator: Ruheene Masand
Lola|VFX Supervisor: Edson Williams
Lola|VFX Producer: Thomas Nittmann
Lola|VFX Associate VFX Prod: Ryan Zuttermeister
Lola|VFX Digital Artists: Trent Claus, Casey Allen
Hydraulx Feebles Creators: Colin Strause, Greg Strause, Liam McDonnell
Goat VFX Supervisor: Jake Morrison
Goat VFX Senior Compositor: Amanda Morrison
Supervising Digital Colorist: Steven J. Scott ASC
Digital Intermediate Colorist: Mitch Paulson ASC
EFilm® DI Assistant Producer: Philippe Majdalani
EFilm Digital Intermediate Editor: Amy Pawlowski
EFilm® Color Timing Assistant: Sean Mattini
EFilm® Digital Opticals Supervisor: Pat Clancey
EFilm® Color Timer: Chris Regan
Music Coordinator: Rebekah Touma
DJ Consultant: Kevin Scott
Music Score Coordinator: Lola Debney
Electronic Score Producer: Keith Power
Score Recordist & Mixer: Shawn Murphy
Electric Celloist: Tina Guo
Songwriter, "Make Way for Tomorrow Today": Richard M. Sherman
Dedicated to: Adam "AM" Goldstein
Filming Dates: 6 April 2009 - 18 July 2009, January 2010 - February 2010 (Add'l Photog)
Cameras: Arriflex 435 Advanced, Panaflex XL2 & VistaVision (35mm Kodak Vision 500T 5279, Vision2 50D 5201, 200T 5217 & Vision3 500T 5219)
Lenses: Panavision® Primo SL Primes, G-Series AL Primes, ATZ 70-200mm & Angenieux Optimo Zooms
AR: 2.39:1 (4-Perf S35mm)(Anamorphic: Post-Credits)(8-Perf VistaVision: Visual Effects)
Phase: 1
MCU Division: Beginnings Trilogy
Budget: 200 Million USD
Budget AFI (2020): 240.69 Million USD
Printed on: Kodak Vision 2383 & Vision Premier 2393
Iron Man & Whiplash Suit Construction + Animatronics by: Stan Winston Legacy Effects
MONACO UNIT Production Services Provided by: Jake Productions, Inc.
Distributed by: Walt Disney Studios Motion Pictures
Special Visual Effects & Animation Provided by: Industrial Light & Magic, Double Negative, Goat VFX, Lola|VFX + Hydraulx
Stage Shoot Provided by: Kerner Optical
Post Production Sound Services Provided by: Skywalker Sound
Digital Intermediate Finishing & Opticals Provided by: EFilm®
Score Recorded at: Abbey Road Studios London
Attribute: Filmed in Panavision® (as Cameras & Lenses) - DirectorJon FavreauStarsDaniel CraigHarrison FordOlivia WildeA spaceship arrives in 1873 Arizona to take over the Earth, starting with the Wild West region. All that stands in their way: a posse of cowboys and natives.Executive Producer: Jon Favreau
Casting: Sarah Halley Finn CSA
Composer/Conductor: Harry Gregson-Williams
Co-Producer: Karen Gilchrist
Senior VFX Supervisor/2nd Unit Director: Roger Guyett
Special Makeup & Animatronics Supervisor/Legacy Effects Project Supervisor: Shane Patrick Mahan
Costume Designer: Mary Zophres
Film Editors: Dan Lebenthal ACE, Jim May ACE
Production Designer: Scott Chambliss
Cinematographer: Matthew Libatique ASC
Lead Executive Producer: Steven Spielberg
Executive Producer/Unit Production Manager: Denis L. Stewart
Producers: Brian Grazer, Ron Howard
Producers/Co-Writers: Alex Kurtzman, Roberto Orci
Producer/Comic Book Writer: Scott Mitchell Rosenberg
Story Writer: Steve Oedekerk
Story Writers/Co-Writers: Mark Fergus, Hawk Ostby
Co-Writer: Damon Lindelof
Unit Production Manager: Basil Bryant Grillo
Co-Producer/1st Ass't Director: KC Hodenfield
2nd Assistant Director: Chris Castaldi
Stunt Coordinator: Thomas Robinson Harper
2nd Unit Stunt Coordinator: Freddie Hice
Stunt Double for Daniel Craig: Ben Cooke
Stunts: JJ Dashnaw, Keith Woulard
2nd Unit Director: Terry Leonard
Senior VFX Producer: Kimberly Nelson
ILM Co-VFX Supervisor: Eddie Pasquarello
ILM Animation Supervisor: Marc Chu
ILM VFX Producers: Peter Nicolai, Stephanie Hornish
Production Supervisor: Noelle Green
Supervising Art Director: Chris Burian-Mohr
Art Director: Lauren Polizzi
A-Camera/Steadicam Operator: Peter Rosenfeld SOC
B-Camera Operators: Joseph V. Cicio, Chris Moseley
C-Camera Operator: Magela Crosignani
Chief Lighting Technician: Mike Bauman
Prop Master: Russell Bobbitt
Senior SFX Supervisor: Daniel Sudick
Supervising SFX Foreman: Thomas Pahk
Lead SFX Foreperson: Joel Mitchell
Historical Consultant: Paul Hutton
Apache Consultant: Scott Rushforth
Senior Concept Illustrator: Ryan Meinerding
Associate VFX Producer: Thomas Elder-Groebe
Senior VFX Coordinator: Isha Sunflower Downs
Lead VFX Assistant: Andre Slaughter
2nd Unit DP: Paul Hughen ASC
2nd Unit A-Camera Operator: Michael J. Walker
2nd Unit B-Camera Operator: Kent Harvey SOC
2nd Unit C-Camera Operator: Bob Scott
2nd Unit D-Camera Operator: Dale Myrand
2nd Unit E-Camera Operator: Chris Lombardi
Aerial Unit Helicopter Pilots: Kevin LaRosa Sr, Kevin LaRosa Jr
Aerial Unit DP: David B. Nowell ASC
ILM Digital Production Supervisor: Michael DiComo
ILM VFX Associate Producer: Erin Dusseault O'Connor
ILM CG Supervisors: Daniel Pearson, Robert Weaver
ILM VFX Art Director: Christian Alzmann
ILM Digital Model Supervisors: Bruce Holcomb, Paul Giacoppo
ILM VFX Executive Producer: Jill Brooks
ILM Executive Staff: Janet Lewin
Shade FX VFX Supervisor: Bryan Godwin
Shade FX VFX Producer: David Van Dyke
Project Supervisor (Legacy Effects): Lindsay MacGowan
Garage VFX Supervisor: Gavin Miljkovich
Supervising Digital Colorist: Steven J. Scott ASC
2nd Colorists: Charles Bunnag, Andrew Francis
Ass't Color Timer: Juan Flores
DI Producers: Mike Dillon, Loan Phan
Dailies Colorist: Ben Estrada
Filming Dates: 10 June 2010 - 30 September 2010
Cameras: Panaflex XL, Millennium & Platinum (35mm Kodak Vision2 50D 5201/Vision3 200T 5213/500T 5219/Ektachrome 100D 5285)
Lenses: Panavision Primo Anamorphic 11:1 Zoom, C-, E- & G-Series Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Budget: 163 Million USD
Budget AFI (2021): 189.5 Million USD
Printed on: Kodak Vision 2383
Post-Production Sound Services Provided by: Skywalker Sound
Main Visual Effects & Animation Provided by: Industrial Light & Magic
Additional Visual Effects Provided by: Shade FX & The Garage VFX
Models, Miniatures & Practical Special Effects Provided by: Kerner Optical
Miniaturee Effects Provided by: New Deal Studios
Alien Character & Effects Designed & Created by: Stan Winston Studio/Legacy Effects
Attribute: Filmed in Panavision (as Cameras and Lenses) - DirectorJon FavreauStarsJon FavreauRobert Downey Jr.Scarlett JohanssonA head chef quits his restaurant job and buys a food truck in an effort to reclaim his creative promise, while piecing back together his estranged family.Writer: Jon Favreau
Cinematographer: Kramer Morgenthau ASC
Production Designer: Denise Pizzini
Film Editor: Robert Leighton ACE
Costume Designer: Laura Jean Shannon
Casting: Sarah Halley Finn CSA
Executive Producer: Karen Gilchrist
Executive Producer & UPM: Molly Allen
Production Consultant & Co-Producer: Roy Choi
1st Assistant Director: Gregory G. Hale
2nd Assistant Director: David Kelley
Associate Producer: John Bartnicki
Production Supervisor: Peggy Robinson
Art Director: Alicia Maccarone
Set Decorator: Bryan John Venegas
A Camera Operator: Don Devine
B Camera Operator: Darin Moran
Steadicam Operator: Henry Tirl
Chief Lighting Technician: Brett Laumann
Assistant Chief Lighting Technician: Mark Adrian
Rigging Gaffer: Eugene M. Bernal
Food Stylist: Melissa McSorley
Production SFX Supervisor & Coordinator: Mark Byers
Production Visual Effects Editor: Corinne Villa
Senior Casting Assistant: Jason B. Stamey CSA
Miami Splinter Unit 1st AD: Stephen P. Del Prete
Miami Unit C Camera Operator: Andrew Fisher
Miami Unit Additional Assistant CLT: Jack Rose II
NO Unit Production Supervisor: Will Greenfield
New Orleans Splinter Unit 1st AD: Mark E. Brown
NC Unit C Camera Operator: Jeffery J. Tufano
Austin Unit Prod. Supervisor: John K. Patterson
Austin Splinter Unit 1st AD: Scott Meyers
Austin Unit C Camera Operator: Steve Denny
Austin Unit Chief Lighting Tech.: Barry Strickland
Gaffer (Add'l Photography): Lee Spencer
Supervising Digital Colorist: Steven J. Scott ASC
Digital Finishing Colorist: Charles Bunnag
Assistant Digital Colorist: Juan Flores
DI Finishing Producer: Mike Dillon
Senior DI Editor: Bob Schneider
Marketing Digital Colorist: Ntana Bantu Key
Marketing Finishing Artist: Rob Doolittle
Home Video Colorist: Steve Rebsch
Shade VFX Supervisor: Bryan Godwin
Shade VFX Executive Producer: David Van Dyke
Shade VFX Compositing Supervisor: Harimander Singh Khalsa
Shade VFX Lead CG Artist: Gabriel Vargas
Shade VFX Animation Supervisor: Jason Donnelly
Shade VFX Lead FX Animator: Andres Berkstein
Shade VFX Digital Production Manager: Molly Pabian
Shade VFX Head of Technology: John Riddle
Shade VFX Editoral Coordinator: Ryan Anderson
Shade VFX Compositors: Charles Baden, Kyle Gray, Wade Ivy
Shade VFX 2D Effects Artist: Neiko Nagy
Shade VFX DFX Producer: Shane Strickman
Composer (Add'l Music): Lyle Workman
Camera: Alexa Plus 4:3 (2K SxS ProRes 4:4:4)
Lenses: Panavision C-, E-Series Anamorphic Primes & Anamorphic Zooms
AR: 2.35:1 (Anamorphic)
Budget: 11 Million USD
Post-Production Sound Services Provided by: Skywalker Sound
35mm Laboratory Services Provided by: Fotokem Burbank
Visual Effects Provided by: Shade VFX
Attribute: Filmed in Panavision (As Cameras and Lenses) - DirectorJon FavreauStarsNeel SethiBill MurrayBen KingsleyAfter a threat from the tiger Shere Khan forces him to flee the jungle, a man-cub named Mowgli embarks on a journey of self discovery with the help of panther Bagheera and free-spirited bear Baloo.Producer: Jon Favreau
Screenwriter: Justin Marks
Producer: Brigham Taylor
Executive Producers: Peter Tobyansen, Molly Allen, Karen Gilchrist
Cinematographer: Bill Pope ASC
Production Designer: Christopher Glass
Film Editor: Mark Levolsi ACE
Costume Designer: Laura Jean Shannon
Composer: John Debney
Production Visual Effects Supervisor, Second Unit Director & Director of Photog: Robert Legato ASC
Prod. Visual Effects Supervisor: Adam Valdez
Production Visual Effects Producer / Co-Producer: Joyce Cox
Production Animation Supervisor: Andrew Jones
Casting Director: Sarah Halley Finn CSA
Unit Production Manager: David M. Bernstein
UPM/First Assistant Director: David Venghaus Jr
Second Assistant Director: Gregory Pawlik Jr
Co-Producer: John Bartnicki
MPC Sr Visual Effects Supervisor: Charlie Henley
MPC Senior Executive Producer: Philip Greenlow
MPC Senior Animation Supervisors: Peta Bayley, Gabriele Zucchelli
WETA Senior Visual Effects Supervisors: Daniel Lemmon, Keith Miller, Joe Letteri
WETA Senior Animation Supervisor: Paul Story
Supervising Sound Editor/Re-Recording Sound Mixer: Christopher Boyes
Supervising Sound Editor: Frank Eulner
Re-Recording Sound Mixer: Lora Hirschberg
Supervising Finishing Artist: Steven J. Scott ASC
Second Film Editor: Adam Gerstel
Stunt Coordinator/Second Unit Director: Thomas Robinson Harper
Stunt Coordinator: Casey O'Neill
Head of Stunt Water Safety: Michael T. Brady
Dive Masters: Jim Pearson, Kris A. Jeffrey
Safety Divers: James Mitchell Clyde, Brett Smith
Production Supervisor: Lisa Vijitchanton
Supervising Art Director: Andrew L. Jones
Production Art Director: John Lord Booth III
MOCAP Art Director: Mike Stassi
Assistant Art Directors: Heide Waldbaum, Anne Costa, Meghan McClure
Supervising Virtual Art Director: Yuri Bartoli
Art Department Coordinator: Lindsay Good
Art Dept. Researchers: Amina Die’Ye, Damani Mangum
Art Dept. PAs: Evan Seccombe, Matt McLaughlin
Concept Artists: Jonathan Bach, Michael Kutsche
Creative/Conceptual Consultants: Iain McCaig, Claire Wendling, Christian Alzmann
Illustrator: Anthony Leonardi III
Jr. Illustrators: Nellie Prestine-Lowery, Oli Dear
Head of Storyboards: Dave Lowery
Storyboard Coordinator: Emily Bruza
Storyboard Artists: Marc Baird, Ryan Falkner, James A. Mitchell, Phil Norwood, John Fox
Overall Animatic Supervisor: Jeremy Thompson
Production Animatic Artist: James Rothwell
Animatic Assistants: Eric William Armstrong, Aaron Holmlund
Asst. Animatic Sequencer: William Weigand
First Assist. Editor: William Joseph Kruzykowski
Lead Visual Effects Editor: Andrew Ryan Turner
Visual Effects Editors: David Heinz, Julian Andraus, Jom Schermerhorn
Editorial Assistant: Ian McClarren
Post Production Supervisor: Jonas Thaler
Post Production Coordinator: Amanda Weir
Post Production Assistant: Brian Russell
Visual Effects Associate Producer: Barry St. John
Visual Effects Production Manager: Matt Rubin
Virtual Production Manager: Bruce Franklin
Lead Visual Effects Coordinator: P.J. Tobyansen
Production Visual Effects Coordinator: Pasquale Antonelli
Asset Manager & Prod Visual Effects Coordinator: Svetlana Tesnes
Add'l Visual Effects Coordinator: Michael Legato
Assist Visual Effects Coordinator: Brian Runnels
Visual Effects Data Coordinator: Tim Brodsky
Prod. Visual Effects Accountant: Emily McGatlin
Visual Effects Bidding Producer: Jac Barnbrook
Assistants to Mr. Favreau: Meghan Malloy, Wayne Horton
Assistants to Mr. Taylor: Corrine Greco, Trevor Eldridge
Cast Coordinator to Mr. Murray: Kris Moran
Digital Asset Managers: Sarah Delucchi, Dianne Ott
Production Controller: Doug Moreno
First Assistant Accountant: Troy McGatlin
Second Assistant Accountants: Brett Eidelman, Robert Soto
Payroll Accountant: Lori Ikeda
Payroll Clerk: Bryan Persichetti
Casting Associate: Tamara Hunter
Casting Assistant: Claire Koonce
NY Casting Director: Janet M. Bulter
Extras Casting Director: Richard King
Extras Casting Assistant: Jeremy Lambert
Production Set Decorator: Amanda Moss Serino
Set Dec Leadman: Thierry Labbe
Leadman/On-Set Dresser: Merdyce McClaren
Set Dressers: David Venezky, David L. Bush, Glenn Strauss
Set Decoration Buyer: Anne Tobin
Drapery Foreman: Deborah Jones
Key Costume Supervisor: Sarah Lee-Taylor
MOCAP Costume Supervisors: Antonio Almaraz, Marilu Hernandez
Key Costumers: Lisa Marie Harris, Jason Moore
Key Set Costumer: Paul Corricelli
MOCAP Set Costumer: Ashley Ellsworth
Costume Illustrator: Christian Cordella
Makeup Dept. Head: George Black
Special Effects Makeup Lead: Margie Kaklamanos
Hair Dept. Head: Marie Larkin
Key Hairstylist: Bryn E. Leetch
A/Steadicam Operator: Roberto De Angelis
A First Assistant Camera: E.J. Misisco Jr
B First Assistant Camera: Michael Klimchak
C First Assistant Camera: Liam Sinnott
A Second Assistant Camera: William McConnell
B Second Assistant Camera: Tyler Emmett
C Second Assistant Camera: Paul Tilden
3D Engineer/DIT: Robin Charters
3D Technicians: Jeff Rios, Manning Tillman
Convergence Engineer, 3D: Joshua Mellinger
Flight Head Technicians: Michael M. Pagan, Drew Dumas
G3 Remote Head Technician: James H. Razo
A Camera Reference Operator: A.J. Raitano
B Camera Reference Operator: Brian Garbellini
C Cam Reference Operator: Michole Bergstrom
D Camera Reference Operator: Tyler Allison
E Camera Reference Operator: Paul Tobyansen
Reference Camera Utility First AC: Lynda Wu
Reference Camera Utility Second AC: Colleen Marshall
Reference Camera Technician: Brett Egan
On Set Survey - Setup Unit: Ron Underdahl
Script Supervisor: Kathy McHugh
Script Supervisor - Virtual Unit: Becky Boyle
Digital Notes Supervisor: Greta Anderson
Sound Mixer: Ronald Judkins
Pro Tools Playback Operator: Michael Krikorian
Playback Operator (MOCAP): Jeff Zimmerman
Boom Operator: Scotty Jacobs
Utility Sound: Veronica Kahn, Rene DeFrancesch
Overall Location Manager: Kei Rowan-Young
Assistant Location Manager: Diana Lara
Environmental Steward: Matt Rusk
Gaffer: Robert Finley III
Best Boy Electric: Dale Balani
Dimmer Board Operators: Joshua Thatcher, Duane Katz
Gaffer - Setup Unit: Salim Bensrhir
Photo Booth Gaffer: Christian Killingsworth
Rigging Gaffer: Frank Dorowsky
Best Boy Rigging Electric: Brian Dennis
Rigging Electricians: Thomas F. DeRose, Michael Dorowsky, Dean Halvorsen, Oscar Rodriguez
Key Grip: Tony Mazzucchi
Best Boy Grip: Max Gerson
Dolly Grips: Daniel Pershing, Timothy S. Christie, Billy Pierson, Kurt Stevens
Crane Technicians: David Hammer, Peter Drinco,
Brian McPherson, David Haeussler
Key Rigging Grip: Chris Leidholdt
Best Boy Rigging Grip: Chris Conahan
Rigging Grip Gang Boss: Domenic Pacino
Rigging Grips: James Alden, Robert Foulds, Jim Leidholdt, Jason Blaise Cunningham
Sewing Grip: Damon T. Doherty
Key Grip - Setup Unit: Dave Cole
MOCAP Key Grip: Dennis Hoerter
MOCAP Best Boy Grip: James Monroe Tharp Jr
Production Video Supervisor: Ian Kelly
Video Assist Supervisor: Jesse Olivares
Video Operators: Richmond G. Cogswell, Brad Ralston
Simulcam Supervisor: Glenn Derry
Simulcam Technicians: Gary P. Martinez, Chuck Ghislandi
Virtual Video Operator: Dan Moore
Simulcam CG Rigging Lead: Kalan Ray
Simulcam Engineer: Alejandro Arango
Supervising Property Master: James L. Kroning
Assistant Property Master: Lorri Jakubuv
Senior Illustrator - Props: Andrea Dopaso
Propmakers: Lynn Garrido, Jane Kilkenny
Property Production Assistant: Daniel Riva
Overall Special Effects Supervisor: JD Schwalm
Prod. Special Effects Coordinator: Gintar Repecka
Special Effects Office Coordinator: Colleen Daniel
Production Special Effects Foreman: Joseph Judd
Special Effects Lead Technician: Sean Amborn
Special Effects Technicians: Gregory Bryant, Jeremiah Cooke, Mark Gulleserian, Tom Amborn, Thomas R. Homsher, Nathaniel Acord, Kim Derry,
Mike Derry, Roland Fullajtar
Ritter Fan Operator: Adam Davenport
Assist Production Coordinator: Sally Jean Potters
Production Secretary: Brian Runnels
2nd 2nd Assistant Directors: Lillian Awa, Jason Z. Kemp, Stephanie Tull
Additional 2nd AD: Kim Richards
Set PAs: Laura Brooks, Robert Nyerges, Andrew Sitter, Laura Hoyt, Melissa Cottingham, John Meyers
Office PAs: Kurt Humphreys, Kalif Fuller, Nick Newman, Mark C. Livolsi, Stephen Ellis, Olivia Taylor
IT Support: Dustin Tiep
Specialist Set Designer: Aric Cheng
Set Designers: David Chow, Richard F. Mays, Julien Pougnier
Model Makers: Tony Bohorquez, Leo Rijn
Graphic Designer: Sara Escamilla
Construction Coordinator: Tom Early
Greens Coordinator: Richard J. Bell
Greens Foreman: Richard W. Jones
Greens Gang Boss: Todd Barnowski
Stand-by Greens: Jeffrey Thomas
Greens Labor: John Savola
General Foreman: Marcel Michael Worch
Foremen: James Barron, Bryan Turk
Propmaker: Jim Early
Propmaker Gang Boss: Fred O'Connor
Standby Propmaker: Alfred J. Ransdell
Labor Foreman: James Piccione
Labor Gang Bosses: Omar Gutierrez, Isaac Guerrero, Ruben A. Lahn Jr, Ty Beck
Paint Supervisor: Stacy Clinger
Lead Scenic: Josh Votaw, Michael D. Valdes
Paint Gang Bosses: Chris Wessman, Leslie Lawson, Sean Sult
Lead Sculptor: Jamie Miller
Modeler Gang Bosses: Craig Abele, Duncan Crawford
Mold Shop Supervisor: David Cohen
Molder: Charlie Araiza
Plaster Supervisor: Robert Wilbanks
Construction Accountant: Jim Scaife
Studio Teacher: Lois Yaroshefsky
Motion Capture & Acting Coach: Sara Arrington
Stunt Department Office Mgr.: Jenn Grundstad
Unit Publicist: Gregg Brilliant
Still Photographer: Glen Wilson
EPK M3 Productions Producer: Brad Baruh
M3 Field Producers: Alexia Necoechea, Sean Ricigliano
Transportation Captain: Nathan Hardcastle
Transportation Co-Captain: Keith Fisher
JHCS Creative Supervisor: Pete Brooke
JHCS Production Manager: Jeremy Nocon
JHCS Production Coordinator: Amy Smith
SWS/LE Project Supervisor: Shane Patrick Mahan
Legacy Preliminary Animal Design: Chris Swift, Glenn Hanz, Jared Marantz, Won Il-Song, Kourtney Coats, Constantine Serkis
Legacy Mechanical/Digital Interface Device Team: Richard Landon, Gregory Smith, Rodrick Khachatorian
Legacy Digital Interface Device Team-Concept Overdrive Control Systems Designer: Steve Rosenbluth
Legacy Digital Interface Device Team-Concept Overdrive Control Systems Operator: Johnnie Spence
Legacy Digital Interface Device Team-Concept Overdrive Control Systems Programmers: Steven Sandoval, Bob Nolty, Archie Te
Legacy Digital Interface Device Team-Concept Overdrive Control Systems Technician: Vincent Ramirez
MPC VFX Producers: Anton Agerbo, Christina Graham
MPC DFX Supervisors: Clwyd Edwards, Antoine Moulinesau, Jon Neill, Elliot Newman
MPC Character Supervisor: Ben Jones
MPC Environment Supervisor: Audrey Ferrara
MPC Compositing Supervisors: David Griffiths, Stephen Kennedy, Richard Little, David Shire
MPC Animation Producer: Duncan Ramsay
MPC Production Managers: Olivia Lyne, Joel MacDonald, Lucy Tanner, Cecilia Marin, George Pembrey
MPC Matchmove & Roto Animation Supervisors, Additional Supervision: Puja Parikh, Kabir Verma
MPC Layout Supervisor, Additional Supervision: Stanley A. Dellimore
MPC Environment Supervisor, Add'l Supervision: Marco Rolandi
MPC FX Supervisor, Add'l Supervision: Oliver Winwood
MPC Rotoscope & Paint Prep Supervisors, Add'l Supervision: Richard Baillie, Payal Dani
Head of MPC Film, Studio Team: Chris Robertson
MPC Global Head of Production, Studio Team: Rachel Matchlett
MPC Heads of Production, Studio Team: Lauren McCallum, Uma Krishnamurthy
MPC Global Head of VFX Operations, Studio Team: Damien Fagnou
MPC Head of VFX, Studio Team: Jigesh Gajjar
MPC R&D Supervisor, Software Research & Development: Rob Pieke
MPC R&D Manager, Software Research & Development: Safiya Greensword
MPC Global Head of Technology: Nick Cannon
MPC Heads of Technology: Georg Wieland, Shajy Thomas
MPC LA Unit VFX Producer: Dawn Guinta
MPC LA Unit DFX Supervisor: Michael Kennedy
MPC LA Unit Lighting Visualization Supervisor: Michael Hipp
MPC LA Unit Systems Support: Ron Rebensdorf
WETA Visual Effects Producer: Ben Pickering
WETA Executive Producer: David Conley
WETA Head Of Production: Cyndi Ochs
WETA CG Supervisors: Thelvin Tico Cabezas, Daniele Tosti
WETA Compositing Supervisor: Chris Salzmann
WETA Creatures Supervisor: Matthew Muntean
WETA Models Supervisor: Florian Fernandez
WETA Texture Lead: Masaya Suzuki
WETA Shader Lead: Emiliano Padovani
WETA Layout Leads: Shweta Bhatnagar, Michael Paget
WETA Digital Stereographer: Angus Ward
WETA Animation Supervisors & Leads: Nino Kristoffer C. Ancieto, Jamie Beard, Alexander Burt, Matthew Riordan, Christian Rivers, Dennis Yoo
WETA FX Supervisors & Leads: Gerardo Aguilera, David Caeiro Cebrian, Johnathan M. Nixon, Alex Nowotny
WETA Editing & Imaging: Tom McHattie, James Meikle, Stephen Roucher
WETA Research and Development: Holly Dale, Martin Grozinger, Steven Longay, Paolo Emilio Selva
WETA Production Engineering: Tim Murphy, Reed Wade
WETA Rendering: Shijun Haw, Robin Hub
WETA IT: Malcolm Aitchison, Svend Andersen, Andrew Lambert, Matthew John Penman, Campbell Taylor-Fairweather
DD1.0 Virtual Production Supervisor & Producer: Gary Roberts
DD1.0 VAD/LAB Supervisor: April Warren
DD1.0 MOCAP Production Supervisor: Gaby Rios
DD1.0 MOCAP Pipeline Supervisor: Ryan Beagen
DD1.0 Virtual Camera Layout Op: John Brennan
DD1.0 V.C. Layout TD: Girish Balakrishnan
DD1.0 Virtual A/Simulcam Op: Mahyar Sadri
DD1.0 Virtual B/Simulcam Op: Anthony Jacob
DD1.0 Virtual C/Simulcam Operator: IAN ADAMS
Digital Domain Digital Notes Lead: Brett Skaggs
Digital Domain VAD Coordinator: Sam Tung
DD1.0 Virtual Production CG Supervisor: Mark Rodahl
DD1.0 LAB Master Scene Lead: Jose Astacio
DD1.0 LAB Master Scene Coordinator: Elizabeth Willaman
DD1.0 LAB Animation Lead: Andrew Greenlee
DD LAB Animation Coordinator: Clayton Shank
Digital Domain LAB Shots Lead: Joe Henderson
DD1.0 LAB Shots Coordinator: Alisha Lim
DD1.0 LAB Shots Artists: Long Hai-Pham, Kirsten Jelliffe
DD1.0 Virtual Production TDs: Adrian Dimond, Rick Fronek
DD1.0 Systems/IT: Roger Van Helden, Oded Rosenblum
DD Senior Production Accountant: Andrea Biklian
Photon Project Lead/Creative Supervisor: Habib Zargarpour
Photon Architects: Girish Balakrishnan, Gary Roberts
Photon Principal Software Engineer: Wes Potter
Photon Software Engineers: Ludovic Chabant, Andrew Clements, John Hable, Dom Humphrey, Maurice Ko, David Lam
Genre8 DMS Stereo Supervisor: Tim Chou
Genre8 DMS Executive Producer: Paul Becker
Genre8 DMS Producer: Chad Cortvriednt
Genre8 DMS Depth Supervisor: Ashish Kukian
Genre8 DMS Asset Supervisor: Bhavani Shankar
MPC Previsualization Supervisor: Duane Floch
MPC Previz Executive Producer: Julian Levi
MPC Previz Production Manager: Kim Menastar
T3F Previz Supervisor: Brian Pace
T3F Previz Artists: Roger Liu, Roger Mathews,
Joseph Civitate, Eduardo Franz, Jordan Emerick
T3F Previz Creative Supervisor: Chris Edwards
T3F Previz Producer: Kerry Shea
T3F Production Manager: Charlotte Nelson
Magnopus Visual Effects Executive Producer: Ben Grossman
Magnopus Visual Effects Producer: Magdalena Wolf
Magnopus Matchmove Artist: Carl Stern
Magnopus Compositors: Davy Nethercutt, Bee Jin Tan
Magnopus Matte Painter: Alex Nice
Magnopus Visual Effects Editor: Brian Miller
Tangerine Visual Effects Supervisor: Joe Farrell
Tangerine Apps Layout Supervisor: Derek Blume
Tangerine Digital Production Mgr.: Patrick Halm
Tangerine Matchmove Supervisor: Steve Hansen
Tangerine Lighting Artists: Christina Lee, Patrick Vidal
Tangerine Apps Animator: Andrew Greenlee
Tangerine Compositors: Kevin Pierce, Ian Harris, Austin Brown, Suzette Barnett
Tangerine Apps Matchmove Artist: Nha Lee
Tangerine Apps Systems Engineer: Tao Ma
Tangerine Head of Management: Dogan Koslu
Tangerine Apps Hand Drawn Logo Animation Supervisor: Bill Perkins
Tangerine Logo Hand FX Animator & Design: Phillip Vigil
Tangerine Logo Ink and Paint Artist: Serena Reid
Tangerine Logo Backgrounds Lead: Max Perkins
Skywalker Sound Effects Editors: Ken Fischer, David Chrastka
Skywalker Sound Dialogue Editor: Marshall Winn
Skywalker Foley Editors: Jim Likowski, Dee Selby
Assistant Supervising Sound Editor: Andre Fenley
Skywalker Assistant Dialogue Editor: Lisa Chino
Skywalker Apprentice Sound Editor: Lucas Miller
Sound Foley Artists: Jana Vance, Denny Thorpe
Skywalker Sound Foley Mixer: Chris Manning
Assistant Re-Recording Mixer: Kevin Bolen
Skywalker Sound Head of Engineering: Steve Morris
Hula Post Chief Technology Officer: Joshua Rizzo
Hula Post Senior Engineer: Dennis Bethke
Hula Post Senior Technician: James Tejeda
Hula Post Background Voices Coord: Barb Harris
TCS Associate Finishing Colorist: Mike Sowa ASC
TCS Assist Digital Finishing Colorist: Juan Flores
TCS Digital Conform Editor: Bob Schneider
TCS Color Scientist: Josh Pines
TCS Digital Intermediate Producer: Mike Dillon
Sound Mix Tech: Tom Y. Burns
Supervising Music Editor: Charles Martin Inouye
Music Editors: Tanya Noel Hill, Jim Harrison
Score Recordist and Mixer: Simon Rhodes
Score Orchestrators: Kevin Kasha
Orchestra Contractor: Dan Savant
Choir Contractor: Bobbi Page
Heads of Music Preparation: Mark Graham, Greg Jamrock, Andrew Hauschild
Score Recordist: Kevin Globerman
Score Coordinator: Lola Debney
Score Production Supervisors: Natalie Stowell, Stephanie Pereida
Score Technical Assistant: Jaime Hartwick
Songs Recordists: Vince Caro, Riccardo Damian,
Mike Dorsey, Jens Jungkurth, Mark Ronson, Misha Kachkachishvili
Additional Song Arrangers: Mark Mullins, Scott Lee Miller, William August Hunt
USC Light Stage Sr Supervisor: Paul Debevec
USC Light Stage Supervisor: Xueming Yu
USC Light Stage Producer: Kathleen Haase
USC Light Stage Software Developer: Graham Fyffe
USC Light Stage Associate Supervisor: Jay Busch
GGS 3D Scanning Supervisor: Yoshi De Herrera
GGS Producer: Brian Adler
GGS Scan Technicians: Rodrigo Carrasco, Larry Taylor, Stephen Casa, Neal Bradshaw
BFR LIDAR Technician: Nick Curry
Special Thanks: Mark Andrews, Brian Larson, Katherine Sarafian, Paul Reynolds, Tamara Reynolds, Elizabeth Chassie, Jaimie Councilor, Michael Rooney, Saffery Champness
Los Angeles Zoo Consultant: John Lewis
Dedicated to: Garry Shandling, Shawn Robinson
Camera: Alexa XT M (3.4K ARRIRAW)
Lenses: Panavision Primo Spherical Primes
AR: 1.85:1 (Dual-Strip 3D)
Budget: 175-177 Million USD
On-Set Reference Puppets Created by: Jim Henson's Creature Shop
Live Action Prop Effects/Digital Interface Created at: Stan Winston Studio/Legacy Effects
Visualization, Visual Effects & Animation by: MPC Previz, MPC, Weta Digital, Tangerine Apps & The Third Floor
Virtual Production, Real Time Visualization and Development Provided by: Digital Domain & Photon
3D Services by: Gener8 Digital Media Services
Medusa Performance Capture, Concept Design & Visual Development by: Industrial Light & Magic, Magnopus + Disney Research
Post Production Sound Services by: Skywalker Sound
Editing Systems and Service by: Hula Post
Digital Intermediate by: Technicolor Creative Services
Sound Re-Recorded at: The William Holden Theater & Sony Post Production Services Culver City, CA
Music Preparation by: JoAnn Kane Music Services
Score Recorded at: Sony Scoring Stage, Culver City, CA
Score Mixed at: Technicolor at Paramount, Hollywood, CA
Songs Recorded at: Chalice Recording Studio (Los Angeles, CA), Diamond Mine Recording Co (Long Island City, NY), Esplanade Studios & Music Shed Studios (New Orleans, LA), Electric Lady (New York, NY) + Zelig Studios (London, UK)
Main on End Type Design & End Crawl Sequence Designed by: YU+CO
Facial Reflectance Capture by: The University of Southern California Institute for Creative Technologies
3D Scanning by: 3D Systems/Gentle Giant Studios
LIDAR Services Provided by: Big Flick Rentals
Digital Asset Management Provided by: 5th Kind
3D Camera Systems, Grip & Lighting Provided by: Cineverse (A Division of VER)
Lenses Provided by: Panavision
Camera Cranes Provided by: Pro-Cam Rentals
Camera Cranes, Dollies and Stabilized Camera Systems Provided by: Chapman/Leonard Studio Equipment
Remote Heads by: Camera Car Systems
Filmed at: Los Angeles Center Studios
Soundtrack Available on: Walt Disney Records
Filmed in: Downtown Los Angeles
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed in Panavision - DirectorJon FavreauStarsDonald GloverBeyoncéSeth RogenAfter the murder of his father, a young lion prince flees his kingdom only to learn the true meaning of responsibility and bravery.Producer: Karen Gilchrist
Executive Producers: Tom Peitzman, Julie Taymor
Cinematographer: Caleb Deschanel ASC
Production Designer: James Chinlund
Film Editors: Mark Livolsi ACE, Adam Gertsel
Co-Producer: John Bartnicki
Composer & Exec Music Producer: Hans Zimmer
Composers (Original Songs): Elton John, Tim Rice
Songs Producer: Pharrell Williams
Production VFX Supervisor/2nd Unit Director: Robert Legato ASC
Production VFX Supervisor: Adam Valdez
Production Animation Supervisor: Andrew R. Jones
Casting: Sarah Halley Finn CSA
Unit Production Manager: Jeffrey Silver
Assoc. Producer & 1st AD: David J. Venghaus Jr
2nd Assistant Director: Kim Richards
Associate Producer: Debbi Bossi
Production VFX Producers: Barry St. John, Matt Rubin
MPC Senior VFX Supervisor: Elliot Newman
MPC DFX Supervisor: Audrey Ferrara
MPC Animation Supervisors: Gabriele Zucchelli, Stephen Enticott
MPC Virtual Production Supervisor: Girish Balakrishnan
MPC VFX Producer: Christoph Roth
MPC Sr VFX Exec Producers: Philip Greenlow, Christian Robertson
Head of Story: Dave Lowery
Supervising Finishing Artist: Steven J. Scott ASC
Supervising Art Director: Vlad Bina
Art Consultants: Joseph Ramiro, Derek Pendleton
Animatics Supervisor: James Rothwell
Add'l Film Editor: Jessica Schulte
Production VFX Coordinator: Pasquale Antonelli
VFX Associate Producer: Yasamin Ismaili
A Camera/Steadicam Operator: Henry Tirl
B Camera/Steadicam Operator: Chris Haarhoff
2nd Assistant Camera: Eric Amundsen
MPC Senior VFX Digital Producer: Will Newis
MPC VFX Executive Producer: Christina Graham
MPC VFX Digital Producer: Danny Huerta
Virtual Production Producer (MPC Virtual Prod Unit): Maude Lewis
Head of Virtual Production (MPC Virtual Prod Unit): Adam Davis
MPC Virtual Prod Unit Animation Supervisor: Julio Del Rio Hernandez
Consultant: Chris Montan
African Music Consultant: Lebo M
3D Finishing Artist: Charles Bunnag
Finishing Artist: Mandy Sorenson
Finishing Artist/Colorist: Adam Nazarenko
Finishing Producer: Laura Geucherian
CO3 President, Exec Finishing Producer & Add'l Senior Finishing Colorist: Stefan Sonnenfeld ASC
Finishing Editor: Joe Ken
Senior Technical Lead: Juan Flores
Filming Dates: 1 February 2017 - 31 December 2018
Cameras: Alexa 65 & 65 IMAX (6.5K ARRIRAW)
Lenses: Panavision Sphero 65 Primes, 2400mm Telephoto Prime & Canon 150-600mm Zoom
AR: 1.43:1 (Select IMAX Laser Venues: Some Scenes), 1.78:1 (4K UHD, Blu-Ray, DVD and Digital Versions), 1.85:1 (PS 70 IMAX), 1.90:1 (IMAX Digital and Laser Venues)
Budget: 250-260 Million USD
Color & Finish Provided by: Company 3
Visual Effects & Animation Provided by: Moving Picture Company
Post-Production Sound Services Provided by: Skywalker Sound
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed in Panavision/IMAX - DirectorJon FavreauStarsPedro PascalJohn LeguizamoAmy SedarisThe Mandalorian is drawn to the Outer Rim in search of others of his kind.Writer/Executive Producer: Jon Favreau
Executive Producer: Dave Filoni
Executive Producer & UPM: Colin Wilson
Cinematographer: Barry Baz Idoine ASC
Production Designer: Andrew L. Jones
Production Design Supervisor: Doug Chiang
Episode Editor: Adam Gerstel
Composer: Ludwig Göransson
Composer (Add'l Music): Joseph Shirley
Casting: Sarah Halley Finn CSA
1st Assistant Director: Kim Richards
2nd Assistant Director: Heather Wagner Wang
Production Visual Effects Supervisor: Joe Bauer
Production Visual Effects Producer: Abigail Keller
Production Animation Supervisor: Hal Hickel
Costume Designer: Shawna Trpcic
Co-Executive Producer: Karen MJ Gilchrist
Producer: John Bartnicki
Co-Producer + ILM SVP & GM: Janet Lewin
Co-Producer: Jason McGatlin
Makeup Designer: Brian Sipe
Co-Makeup Designer: Alexei Dmitriew
Hair Designer: Maria Sandoval
Legacy FX Senior Supervisor: John Rosengrant
Head of Storyboards: Dave Lowery
2nd Unit Director: Sam Hargrave
Stunt Coordinator: Ryan Watson
Assistant Stunt Coordinator: Joe Perez
Graffiti Designer: David Choe
Supervising Finishing Artist: Steven J. Scott ASC
Co-Producer/Prod Supervisor: Gavin J. Behrman
Assoc. Producer & Virtual Prod Sup: Clint Spillers
Associate Producer: Kristen Schreck
Supervising Art Director: David Lazan
Graphic Designer: Michael Epstein
Storyboard Artist: Phill Norwood
Model Maker: Jason Mahakian
Art Coordinator: Michelle Thieme
Digital Asset Manager: Sara Polito
Concept Supervisors: Ryan Church, Christian Alzmann, Erik Tiemens
Concept Model Supervisor: Rene Garcia
Concept Manager: Genevieve Elkin
Concept Researcher: Phil Szostak
Concept Coordinator: Madeline Sandrolini
ILM Virtual prod Visualization Sup.: Landis Fields
ILM Environments VFX Supervisor: Enrico Damm
ILM Senior Comp Supervisor: Cameron Nielson
ILM Senior Visual Effects Supervisor: John Knoll
ILM Senior Animation Supervisor: Paul Kavanagh
ILM Senior Visual Effects Producer: Stacy Bissell
ILM StageCraft Producers: Sabina Fredenburg, Chris Bannister
ILM StageCraft Volume Supervisor: Greg Kegel
ILM Virtual Prod CG Supervisors: Doug Sutton, Edward Cunneen
ILM Environments Supervisors: Johanes Kurnia, Kevin George
ILM Environments PM: Rachel Galbraith
Virtual Art Dept. Manager: Haley Hughes
Virtual Art Dept. Supervisor: Vlad Bina
Senior Lighter (Virtual Environ. Design): Safari Sosebee
T3F Sr Visualization Supervisor: Chris Williams
T3F Previz Lead: Patrick T. Gehlen
T3F Supervising TD: Johnson Thomasson
T3F Techviz Supervisor: Steven Tom
T3F Techviz Lead: Kevin Tan
T3F Assoc. Production Manager: Clayton Albrecht
T3F Virtual Prod Stage Technician: Daniel McCue
T3F Visualization Producer: Charlotte Nelson
T3F Vice President: Dane Allan Smith
T3F Visualization Coordinator: Lauren Levesque
T3F R&D Manager: Evelyn Cover
T3F Visualization Engineer: Gary Marsh
T3F Visualization Engine TD: Jesus Chui Munoz
T3F Pipeline TD: Ryan Zukoff
T3F Art Developer: Julia Lou
Supervising Set Decorator: Amanda Serino
Set Dec Coordinator: Gina Hermosillo
Supervising Prop Master: Josh Roth
2nd Unit Prop Master: Lawson Brown
Prop Shop Coordinator: Damon Allison
Assistant Costume Designer: Sara Fox
Costume Supervisor: Julie Robar
Legacy FX Prosthetic Designer: Scott Patton
Legacy Effects Supervisor: J. Alan Scott
Add'l Cinematographer: David Klein ASC
A Camera Operator: Simon Jayes
A Camera 1st Assistant: James Apted
B Camera Operator: Chris Murphy
B Camera 1st Assistant: Niranjian Martin
DIT: Eduardo Eguia
A Camera 2nd Assistant: Amanda Levy
Add'l Camera Utility: Mike McGee
B Camera 2nd Assistant: Jeremy Cannon
Camera Loader: Jesse Barba
Add'l Camera Loader: Luis Hernandez
C Camera Op (2nd Unit Camera): Andy Graham
C Cam 1st Ass't (2nd Unit Camera): Dom Mainl
D Camera Op (2nd Unit Camera): John Joyce
D Cam 1st Ass't (2nd Unit Camera): Jon Zarkos
C Cam 2nd AC (2nd Unit Camera): John Carreon
D Cam 2nd AC (2nd Unit Cam): Diana Ulzheimer
Video Assist Operator: Brad Ralston
2nd Unit Video Assist Operator: Gaylen Nebeker
2nd Unit 1st Assistant Director: Matthew Milan
2nd 2nd Assistant Director: Heather Keheyas
Add'l 2nd Assistant Director: David Buchwald
Chief Lighting Technician: Jeff Webster
Ass't Chief Lighting Technician: Layne McIsaac
Rigging Chief Lighting Technician: Bob DeChellis
Rigging Ass't Chief Lighting Technician: Jeff Cole
Key Grip: Walter Bud Scott
Production Controller: Shari LaFranchi Blakney
Assistant Production Supervisor: Darin Eppich
Financial Controller: Edward Allen
Production SFX Supervisor: Roy K. Cancino
On Set Coord/Pyro Foreman (SFX): Alan Roberts
Engineers/Design Techs (SFX): Brandon Stell, Chris Cogswell
Shop Foreman (Special Effects): Chris Altmeyer
Production SFX Accountant: Victoria Haag
Supervising Location Manager: Jennifer Dunne
Key Assistant Location Manager: Nathan Stein
Assoc. Episode Editors: Dylan Firshein, J. Erik Jessen
Production VFX Editors: Steve Jacks, Luftar Von Rama
Sr Post Prod Supervisor: Jude Lane-Babcock
Post Production Supervisor: James Blevins
1st Assistant Editor: Rachel Goldsmith
2nd Assistant Editor: Michael Lucas
3rd Assistant Editor: David Matusek
Post Production Coordinator: Anna Livingston
Visual Effects 1st Assistant Editor: Zach Fine
Visual Effects 2nd Assistant Editor: Yu Jung Hou
Post Production Assistant: Kathryn Elise Drexler
FotoKem Dailies Colorist: Jon Rocke
NextLAB Operator (Dailies): Christopher Horvath
FotoKem Dailies Producer: Jackie Mata
FotoKem Head of Dept. (Dailies): David B. Hall
NextLAB Engineer (Dailies): Kyle Peters
FotoKem Sr Producer (VFX Pulls): Pam Scott-Farr
CO3 Sr Finishing Artists: Charles Bunnag, Adam Nazarenko
CO3 Finishing Assistant: Michael Ochoa
CO3 Technical Project Manager: Juan Flores
CO3 Senior Finishing Producer: Laura Holeman
CO3 Finishing Executive: Jackie Lee
CO3 Associate Finishing Producer: Philip Marvin
CO3 Sr Finish Editors: Chad Schermerhorn, Joe Ken
CO3 Image Scientist: John Quartel
CO3 Technologist: Michael Chiado
CO3 Digital Delivery Technician: David Renteria
CO3 Deliverables Assoc. Producer: Jessica Dunn
CO3 Head of Production: Nick Monton
CO3 President & EP: Stefan Sonnenfeld ASC
Music Editor: Stephanie McNally
Score Supervisor: Monica Sonand
Score Orchestrator: Pete Anthony
Score Synth Programmer: Max Sandler
Score Conductor: Anthony Parnther
Supervising Sound Editor: Matthew Wood
Supervising Sound Editor/Designer: David Acord
Re-Record Mixers: Bonnie Wild, Stephen Uruta
Sound FX Editors: Benjamin A. Burtt, JR Grubbs
Dialogue/ADR Editors: Jim Spencer, Rick Quinn
Foley Supervisor: Richard Gould
Ass't Supervising Sound Editor: Trey Turner
Ass't Re-Recording Mixer: Judy Kirschner
Consulting Visual FX Supervisor: Richard Bluff
VFX Assoc. Producers: Jarkis Smittant, Hui Ling Chang
Visual Effects Production Manager: Katie Plumer
Additional Visual FX Supervisor: Joel Delle-Vergin
2nd Unit VFX Supervisor: Jason Van Haverbeke
Production VFX Coordinator: Jett Lucas, Gregory Weiler
Photogram. Acquisition Tech (VFX Crew): Matt McLaughlin
Production VFX Data Wrangler: Matthew Skuta
VFX Assistant Data Wrangler: Kate Chamuris
2nd Visual Effects Editor: Jenni O'Byrne
VFX Production Accountant: Andrew Brown
ILM VFX Supervisors: Jose Burgos, Julian Foddy, Dave Dally, Jeff Capogreco
ILM Comp Supervisors: Peter Demarest, Michael Conte
ILM Prod Supervisors: Russ Lum, Ale Melendez, Duncan Ramsey, Stefan Drury
ILM Vice President (Marketing): Luke O'Byrne
ILM CG Effects Supervisor: Joakim Arnesson
ILM Digital R/P Supervisor: Lance Baetkey
ILM Digital Comp Supervisor: Christopher Balog
ILM Lead FX Technical Director: Ken Beauchamp
ILM Visual Effects Producer: Laurence Berkani
ILM Visual Effects Compositor: Tami Carter
ILM Digital Compositor: Peter Chesloff
ILM Add'l VFX Supervisors: Jay Cooper, Malcolm Humphreys
ILM CG Supervisor: Karin Cooper
ILM Layout Supervisor: Tim Dobbert
ILM FX Supervisors: Georg Kaltenbrunner, Raul Essig
ILM Visual FX Production Manager: Lauren Fong
ILM Director (PR/C): Greg Grusby
ILM VFX On-Set Photographer: Giles Hancock
ILM Animation Supervisor: Cedric Lo
ILM Assoc. Animation Supervisor: Jakub Pistecky
ILM SVP & Chief Creative Officer: Rob Bredow
ILM Executive VFX Producer: Gretchen Libby
ILM VP of Operations: Jessica Teach
ILM Head of Production: Sue Lyster
ILM Exec in Charge of Prod: Luke Hetherington
ILM Creative Directors & Add'l VFX Supervisors: Nigel Sumner, Jeff White
ILM Creative Director & Sr VFX Supervisor: Ben Morris
ILM Razorcrest Model Makers (Miniatures Team): John Goodson, Dan Patrascu
Hybride Visual FX Supervisor: Joseph Kasparian
ILP Visual Effects Supervisor: Bobo Skipper
Base FX Visual Effects Supervisor: Mark Varisco
Stereo D VFX Supervisor: Russ Resendez McCoy
EVP & General Manager of Prod: Lynwen Brennan
SVP of Live Action Dev & Prod: Michelle Rejwan
Filming Dates: 7 October 2019 - 8 March 2020 (Entire Second Season)
Cameras: Alexa LF IMAX & Mini LF IMAX (4.5K ARRIRAW)
Lenses: Panavision Ultra Vista 1.65x Anamorphic Primes & H-Series Spherical Primes
AR: 1.78:1 (Krayt Dragon Fight), 2.39:1 (Anamorphic)
Visual Effects & Virtual Production Provided by: Industrial Light & Magic, Hybride, Important Looking Pirates, Base FX + Stereo D
Visualization Provided by: The Third Floor
Animatronic Live Action Effects, Prosthetics & Specialty Costumes Designed by: Stan Winston Studio/Legacy Effects
Dailies & VFX Pulls Provided by: FotoKem NextLAB
Digital Intermediate Finishing Provided by: Company 3
Main & End Titles Designed by: YU+co
Post-Production Sound Services Provided by: Skywalker Sound
Additional Visual Effects Provided by: Yannix & Virtuos
Attribute: Filmed in Panavision/IMAX (as Panavision Lenses)