Editors
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- Sound Department
- Editor
- Editorial Department
Walter Murch has been editing sound in Hollywood since starting on Francis Ford Coppola's film The Rain People (1969). He edited sound on American Graffiti (1973) and The Godfather Part II (1974), won his first Academy Award nomination for The Conversation (1974), won his first Oscar for Apocalypse Now (1979), and won an unprecedented double Oscar for Best Sound and Best Film Editing for his work on The English Patient (1996). Most recently he helped reconstruct Touch of Evil (1958) to Orson Welles' original notes, and edited The Talented Mr. Ripley (1999). Mr. Murch was, along with George Lucas and Francis Ford Coppola, a founding member of northern California cinema. Mr. Murch has directed --Return to Oz (1985) -- and longs to do so again, but as an editor and sound man he is one of the few universally acknowledged masters in his field. For his work on the film "Apocalypse Now (1979)", Walter coined the term "sound designer", and along with colleagues such as Ben Burtt, helped to elevate the art and impact of film sound to a new level.- Editor
- Editorial Department
- Producer
Dylan Tichenor is an American film editor and member of American Cinema Editors. He is best known for his works in Boogie Nights (1997), Brokeback Mountain (2005), There Will Be Blood (2007), Zero Dark Thirty (2012) and Phantom Thread (2017).
He is the recipient of several accolades, including a Critics' Choice Movie Award, a Hollywood Film Award and a Satellite Award, and has been nominated for a Primetime Emmy Award, two Academy Awards, two BAFTA Awards and four Eddie Awards.
As a child, he grew up watching movies with his father. He graduated from Philadelphia's Greene Street Friends School in 1982 and Central High School in 1986.
Tichenor worked as editor Geraldine Peroni's assistant on several films in the 1990s, including Robert Altman's film The Player (1992). His first credit as an editor was for Altman's Jazz '34 (1996). Following Peroni's death in 2004, Tichenor stepped in to finish his mentor's editing of Brokeback Mountain (directed by Ang Lee).
Tichenor has had a notable collaboration with director Paul Thomas Anderson. Tichenor's first major editing credit was for Anderson's Boogie Nights (1997), for which he was nominated for a Satellite Award. He was nominated for an Oscar for his work on Anderson's 2007 film There Will Be Blood.
Tichenor has been elected to membership in the American Cinema Editors.- Editor
- Producer
- Editorial Department
Thelma Schoonmaker was born on 3 January 1940 in Algiers, Algeria. She is an editor and producer, known for The Departed (2006), Killers of the Flower Moon (2023) and The Irishman (2019). She was previously married to Michael Powell.- Editor
- Editorial Department
- Cinematographer
Michael Kahn was born on 8 December 1935 in New York City, New York, USA. He is an editor and cinematographer, known for West Side Story (2021), Jurassic Park (1993) and Minority Report (2002).- Editor
- Sound Department
- Editorial Department
Monika Willi was born on 29 May 1968 in Innsbruck, Tyrol, Austria. She is an editor, known for Tár (2022), The White Ribbon (2009) and Untitled (2017).- Editor
- Editorial Department
- Producer
Though he's cut celluloid for some of the best in the business, chances are many film lovers wouldn't even recognize the name Pietro Scalia in a lineup of Hollywood's best film editors. Born in Sicily in 1960, Scalia resided in Switzerland before heading to Los Angeles to continue his education. After receiving his M.F.A. in Film and Theater Arts from U.C.L.A. in 1985, Scalia began his career as an assistant editor to Oliver Stone on such features as Wall Street (1987) and Talk Radio (1988). Later coming into his own with such films as JFK (1991) (for which he received a Best Editing Oscar) and Sam Raimi's The Quick and the Dead (1995), Scalia continued to work on such high-profile films as Stealing Beauty (1996) and G.I. Jane (1997). Scalia also received Best Editor Oscar nominations for Good Will Hunting (1997) and Gladiator (2000), though he would have to wait until the following year for his next win at the Oscars, as he received the Best Editing Award for director Ridley Scott's Black Hawk Down (2001).- Editor
- Sound Department
- Editorial Department
Lee Smith was born in 1960 in Sydney, New South Wales, Australia. He is an editor, known for Inception (2010), Dunkirk (2017) and The Dark Knight (2008). He is married to Kimberly.- Editor
- Sound Department
- Composer
In 2022, British film editor Joe Walker won the Academy Award for Best Film Editing for his work on Dune. Walker is also a two-time Academy Award nominee and a three-time BAFTA nominee for his work on the films 12 Years a Slave, Arrival and Blade Runner 2049. Walker was nominated for the Evening Standard Theatre Award in 2009, and the British Independent Film Award in 2010. In 2012, he won the European Film Award for Best Editor for the feature film Shame starring Michael Fassbender. Additionally, Walker was nominated for The Satellite Award in 2011, 2013, 2015 and was the winner in 2016 for the American crime thriller-movie Sicario directed by Denis Villeneuve.
Walker has received a string of four nominations over five years from the American Cinema Editor's Award for the Best Edited Dramatic Feature Film. In 2016, Walker won this award for Arrival.
In 2018, Walker cut the film Widows for director Steve McQueen. Walker is currently editing Denis Villeneuve's Dune: Part Two.- Editorial Department
- Editor
- Editor
- Editorial Department
- Editor
- Editorial Department
- Visual Effects
Andrew Weisblum is known for The French Dispatch (2021), Black Swan (2010) and tick, tick... BOOM! (2021).- Editor
- Editorial Department
- Producer
Joe Bini was born in 1963 in San Mateo, California, USA. He is an editor and producer, known for You Were Never Really Here (2017), We Need to Talk About Kevin (2011) and Roman Polanski: Wanted and Desired (2008).- Editor
- Director
- Writer
Jacob Secher Schulsinger is an editor and director, known for his work as an editor on The Kingdom S03, Triangle of Sadness, Cow, Big Little Lies S02, The Square, The House That Jack Build, The Untamed, Sparrows, Take Me To The River, Force Majeure, Nymphomaniac: Vol. I & Vol. II, Play and Volcano.
Jacob's directorial debut, the short documentary "Fini", won a Danish Academy Award, and several other international awards.
His second film the feature "Matar Extraños", which he co-directed with Nicolás Pereda, premiered at the 2013 Berlin Film Festival.- Editor
- Producer
- Additional Crew
Dede Allen started her career as a messenger at Columbia Pictures. She graduated to being a sound cutter and assistant editor. Her first job as a film editor was for director Robert Wise, and since then, she has achieved a reputation as one of the most stylish and creative editors in the American film industry.- Editor
- Editorial Department
- Producer
Arthur Robert "Artie" Schmidt began in films as assistant editor to Dede Allen and Jim Clark. His father, Arthur P. Schmidt, had also been a distinguished veteran in the field of film editing, acclaimed for his collaborations with Billy Wilder on masterpieces like Sunset Boulevard (1950) and Some Like It Hot (1959). He was somehow disparaging about his son following in his footsteps. Schmidt Jr. instead attended Santa Clara University, graduated with a Bachelor in English and later went on to teach English in Spain. However, following his father's sudden death from a heart attack in 1965, he was recruited by Paramount as an apprentice, and, in 1970, began his professional career as assistant editor. Five years later, he was tasked to cut the running sequences in John Schlesinger's stylish thriller Marathon Man (1976) in the capacity of associate editor under the auspices of his mentor Jim Clark. From there, he progressed to fully-fledged editor in 1977.
Schmidt varied his editing methodology according to each individual project. His motto was "I always try to let the film and story tell me where to go next." Arguably his best work was for the director Robert Zemeckis. This included both films for which he won Best Editing Oscars, Who Framed Roger Rabbit (1988) and Forrest Gump (1994), as well as the Back to the Future (1985) trilogy and the black comedy Death Becomes Her (1992). Who Framed Roger Rabbit may well have constituted his toughest career challenge as it required a flawless blending of hand-drawn animation with live action scenes. Schmidt said about his successful collaboration with Zemeckis in a 2014 interview "He's wonderful directing actors and great in the editing room. We always seemed to be in sync."
Schmidt's other contributions of note have included Ruthless People (1986), The Last of the Mohicans (1992) and Pirates of the Caribbean: The Curse of the Black Pearl (2003). In 2009, he was awarded the American Cinema Editors Career Achievement Award, fittingly presented to him by Robert Zemeckis.- Editor
- Editorial Department
- Music Department
Gerald B. Greenberg was born on 29 July 1936 in New York City, New York, USA. He was an editor, known for The French Connection (1971), Apocalypse Now (1979) and Kramer vs. Kramer (1979). He died on 22 December 2017 in Santa Monica, California, USA.- Editor
- Editorial Department
Jon Gregory was born on 21 May 1944 in Lahore, Pakistan. He was an editor, known for Three Billboards Outside Ebbing, Missouri (2017), In Bruges (2008) and Four Weddings and a Funeral (1994). He was married to Sue Baker and Beryl Ridley. He died on 9 September 2021.- Editor
- Editorial Department
- Music Department
Affonso Gonçalves was born on 8 June 1967 in Sao Paulo, Brazil. He is an editor, known for Carol (2015), Paterson (2016) and May December (2023).- Editor
- Editorial Department
- Visual Effects