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The son of an affluent architect, Eisenstein attended the Institute of Civil Engineering in Petrograd as a young man. With the fall of the tsar in 1917, he worked as an engineer for the Red Army. In the following years, Eisenstein joined up with the Moscow Proletkult Theater as a set designer and then director. The Proletkult's director, Vsevolod Meyerhold, became a big influence on Eisenstein, introducing him to the concept of biomechanics, or conditioned spontaneity. Eisenstein furthered Meyerhold's theory with his own "montage of attractions"--a sequence of pictures whose total emotion effect is greater than the sum of its parts. He later theorized that this style of editing worked in a similar fashion to Marx's dialectic. Though Eisenstein wanted to make films for the common man, his intense use of symbolism and metaphor in what he called "intellectual montage" sometimes lost his audience. Though he made only seven films in his career, he and his theoretical writings demonstrated how film could move beyond its nineteenth-century predecessor--Victorian theatre-- to create abstract concepts with concrete images.- Editor
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George Tomasini has been something of an unsung hero in the editing business. He was for several years under contract to Paramount, before joining Alfred Hitchcock to collaborate on nine projects, beginning with Rear Window (1954). This partnership was to span a ten-year period, ending in Tomasini's premature death from a massive heart attack at the age of 55. Hitch's subsequent films never again enjoyed the same level of artistic success. While Tomasini may not have had the same creative freedom in selecting his own shots as other editors, he nonetheless became highly intuitive about the director's wishes. Tomasini was a master of time and space in editing to heighten suspense and determine mood. Much of Hitch's best films were strongly driven by editing, in particular Vertigo (1958), North by Northwest (1959), Psycho (1960) and The Birds (1963) (another classic, the sub-Hitchcockian thriller Cape Fear (1962) also falls into this category, though directed by J. Lee Thompson).
Tall and handsome, Tomasini was married to glamorous Hollywood star Mary Brian.- Editor
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Michael Kahn was born on 8 December 1935 in New York City, New York, USA. He is an editor and cinematographer, known for West Side Story (2021), Jurassic Park (1993) and Minority Report (2002).- Editor
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William H. Ziegler was born on 4 September 1909 in Philadelphia, Pennsylvania, USA. He was an editor, known for My Fair Lady (1964), The Omega Man (1971) and Rope (1948). He died on 2 July 1977 in Encino, Los Angeles, California, USA.- Editor
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Hal C. Kern was born on 14 July 1894 in Anaconda, Montana, USA. He was an editor, known for Gone with the Wind (1939), Rebecca (1940) and Spellbound (1945). He died on 24 February 1985 in Los Angeles, California, USA.- Director
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Robert Earl Wise was born on September 10, 1914 in Winchester, Indiana, the youngest of three sons of Olive R. (Longenecker) and Earl Waldo Wise, a meat packer. His parents were both of Pennsylvania Dutch (German) descent. At age nineteen, the avid moviegoer came into the film business through an odd job at RKO Radio Pictures. A head sound effects editor at the studio recognized Wise's talent, and made Wise his protégé. Around 1941, Orson Welles was in need of an editor for Citizen Kane (1941), and Wise did a splendid job. Welles really liked his work and ideas. Wise started as a director with some B-movies, and his career went on quickly, and he made many classic movies. His last theatrical film, Rooftops (1989), proved that he was a filmmaker still in full command of his craft in his 80s. The carefully composed images, tight editing, and unflagging pace make one wish that Wise had not stayed away from the camera for very long. Robert Wise died of heart failure on September, 14, 2005, just four days after his 91st birthday.Citizen Kane- when Editor- Director
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Grigori Aleksandrov was a Soviet-Russian filmmaker best known as director of Volga - Volga (1938), The Circus (1936), and October (Ten Days that Shook the World) (1927), as well as co-star in Battleship Potemkin (1925) by director Sergei Eisenstein.
He was born Grigori Vasilyevich Mormonenko on January 23, 1903 in Ekaterinburg, Russia. His father, Vasili Mormonenko, was a worker. Young Aleksandrov was obsessed with acting and movies. At the age of 9 he was hired as a delivery boy at the Ekaterinburg Opera; there he eventually worked as an assistant dresser, electrician, decorator, and assistant director. He studied violin and piano at the Ekaterinburg School of Music, graduating in 1917. During the Russian Civil War of 1917-1920, he was road manager with the Theatre of Eastern Front of the Red Army. After the Civil War he graduated from the Directors Courses for Proletariat Theatre in Ekaterinburg, and was appointed Inspector of Arts at the Ekaterinburg Regional Administration. His job was to supervise theaters and to select films in compliance with the new ideology.
Aleksandrov met Eisenstein in 1921. They worked together on several stage productions in 1921-24. In 1923 Aleksandrov appeared as Glumov in a stage production of A. Ostrovsky's play at the Moscow Proletkult Theatre, directed by Eisenstein. They worked together on the scenario of their first films: 'Stachka' (1924) and 'Bronenosets Potemkin' (1925). They wrote and directed 'Oktyabr' (1927), a historical film made to look like a documentary about the Russian revolution. In 1929-1933 both Aleksandrov and Eisenstein were sent to study and work in Hollywood. Back in the Soviet Union Aleksandrov made a short documentary film titled 'International' (1932).
In 1933 Aleksandrov had a meeting with Joseph Stalin and Maxim Gorky at the Gorky's State Dacha near Moscow. Stalin offered the oportunity to Aleksandrov to make a musical comedy for the Soviet people. 'Veselye Rebyata' (aka.. Jolly fellows) was completed in 1934, starring Leonid Utyosov and Lyubov Orlova. 'Veselye Rebyata' became the #1 box office hit in Russia and was awarded at the Venice Film Festival. Leonid Utyosov and Lyubov Orlova became instant celebrities, and songs by composer Isaak Dunaevskiy became popular hits in the Soviet Union.
Aleksandrov directed and edited the documentary of Stalin's speech about the Soviet constitution, titled 'Doklad tov. Stalina o proekte Konstitutsii SSSR na VIII Chresvychaynom S'ezde Sovetov' (1937). After that Aleksandrov returned to making comedies. Aleksandrov's wife, Lyubov Orlova, starred in almost all of his feature films, such as 'Tsirk' (1936), 'Volga-Volga' (1938), 'Svetly Put' (1940), 'Vesna' (1947) among his other films. His 1930s comedies remained rather popular among several generations of viewers in the Soviet Union, as well as internationally. In 1942 Joseph Stalin sent a copy of Volga - Volga (1938) to American president Franklin D. Roosevelt.
However, Aleksandrov's success came at a painful price, as he suffered from many attacks by some less fortunate and envious filmmakers, as well as from blackmailing by invisible and anonymous enemy. In 1938 Aleksandrov's colleagues, cinematographer Vladimir Nilsen, and producer Boris Shumyatskiy, were executed by the firing squad for anti-government activities. At the same time both Aleksandrov and Orlova were falsely accused of spying for the Nazi Germany, but were cleared of all charges.
During the 1950s he taught directing at State Institute of Cinematography (VGIK). His last films had little success, and some, like 'Skvorets i lira' (1973) were not even released in theaters. Aleksandrov also made a few documentaries, including one about Lenin, and one about his wife, star actress Lyubov Orlova.
Grigori Aleksandrov received the Stalin's Prize twice (1941, 1950), the Order of Lenin twice (1939, 1950), the Order of Red Star (1938), and the Order of the Red Banner twice (1963, 1967). He was designated People's Actor of the USSR. Grigori Aleksandrov died of kidney infection on December 16, 1983, at the Kremlin Hospital in Moscow, and was laid to rest next to his wife, Lyubov Orlova in Novodevichy Cemetery, Moscow, Russia.- Editor
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Sam O'Steen was born on 6 November 1923 in St. Francis, Arkansas, USA. He was an editor and director, known for The Graduate (1967), Chinatown (1974) and Who's Afraid of Virginia Woolf? (1966). He was married to Bobbie O'Steen. He died on 11 October 2000 in Atlantic City, New Jersey, USA.- Editor
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Lee Smith was born in 1960 in Sydney, New South Wales, Australia. He is an editor, known for Inception (2010), Dunkirk (2017) and 1917 (2019). He is married to Kimberly.- Editor
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Skip Macdonald is known for El Camino: A Breaking Bad Movie (2019), Breaking Bad (2008) and Better Call Saul (2015).- Editor
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Margaret Booth was born on 14 January 1898 in Los Angeles, California, USA. She was an editor and producer, known for Mutiny on the Bounty (1935), Murder by Death (1976) and Annie (1982). She died on 28 October 2002 in Los Angeles, California, USA.- Editor
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Ralph Winters and his wife Teddy have five grandchildren. He is a two-time Academy Award-winning editor, an incredibly intelligent, kind, unique and loving man who began using a computer when in his 90s and lived to see the publication of his memoirs, "Some Cutting Remarks: Seventy Years a Film Editor", which he wrote on his own PC. He was highly admired and sought-after by up-and-coming editors for his advice and experience, and always gave of himself to these young people. An interviewer once asked him whether he would someday enjoy directing movies. His answer: "You betcha". Ralph E. Winters was incredibly loved and is desperately missed.- Editor
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Stuart Baird was born on 14 January 1947 in Uxbridge, Middlesex, England, UK. He is an editor and director, known for Skyfall (2012), Casino Royale (2006) and Superman (1978).- Editor
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Paul Hirsch, A.C.E. has edited over 40 films, among them the first "Star Wars" written and directed by George Lucas, for which he received an Academy Award in 1978, and "The Empire Strikes Back"; 11 films for Brian De Palma, including "Carrie", "Blowout" and "Mission: Impossible"; four for Herbert Ross, including "Footloose", "The Secret of My Success" and "Steel Magnolias"; three for John Hughes, including "Ferris Bueller's Day Off" and "Planes, Trains & Automobiles"; and "Falling Down" for Joel Schumacher. In 2005, he received his second Academy Award nomination for "Ray", a biopic based on the life of Ray Charles, directed by Taylor Hackford. The various genres in his resume include drama, action, horror, musical comedy, fantasy, suspense, mystery and comedy. In 2008, he reunited with Hackford on "Love Ranch." More recently, he edited "Source Code", directed by Duncan Jones, "Mission: Impossible - Ghost Protocol", directed by Brad Bird, "Warcraft", his second picture with Duncan Jones, and has served as additional editor on numerous films. Hirsch was born in NYC. His father, Joseph Hirsch, was a well-known painter whose works are in the permanent collections of major museums in the US, including the Metropolitan Museum, the Museum of Modern Art and the Whitney Museum. His mother and stepfather, Ruth & Leonard Bocour, were important collectors of 20th Century American painting. He spent part of his childhood growing up in Paris and is fluent in French, as well as somewhat conversant in Italian and British. He studied music at the High School of Music & Art in NYC. He majored in Art History at Columbia University. He is married, with two grown offspring both in the film business, and lives in Pacific Palisades. He is the author of a memoir titled "A Long Time Ago in a Cutting Room Far, Far Away."- Editor
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Stephen Mirrione was born on 17 February 1969 in Santa Clara County, California, USA. He is an editor and producer, known for Birdman or (The Unexpected Virtue of Ignorance) (2014), Traffic (2000) and Babel (2006).- Editor
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William Goldenberg was born on 2 November 1959 in the USA. He is an editor and director, known for Zero Dark Thirty (2012), Argo (2012) and Miami Vice (2006).- Actor
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Joseph Frank Keaton was born on October 4, 1895 in Piqua, Kansas, to Joe Keaton and Myra Keaton. Joe and Myra were Vaudevillian comedians with a popular, ever-changing variety act, giving Keaton an eclectic and interesting upbringing. In the earliest days on stage, they traveled with a medicine show that included family friend, illusionist Harry Houdini. Keaton himself verified the origin of his nickname "Buster", given to him by Houdini, when at the age of three, fell down a flight of stairs and was picked up and dusted off by Houdini, who said to Keaton's father Joe, also nearby, that the fall was 'a buster'. Savvy showman Joe Keaton liked the nickname, which has stuck for more than 100 years.
At the age of four, Keaton had already begun acting with his parents on the stage. Their act soon gained the reputation as one of the roughest in the country, for their wild, physical antics on stage. It was normal for Joe to throw Buster around the stage, participate in elaborate, dangerous stunts to the reverie of audiences. After several years on the Vaudeville circuit, "The Three Keatons", toured until Keaton had to break up the act due to his father's increasing alcohol dependence, making him a show business veteran by the age of 21.
While in New York looking for work, a chance run-in with the wildly successful film star and director Roscoe 'Fatty' Arbuckle, resulted in Arbuckle inviting him to be in his upcoming short The Butcher Boy (1917), an appearance that launched Keaton's film career, and spawned a friendship that lasted until Arbuckle's sudden death in 1933. By 1920, after making several successful shorts together, Arbuckle moved on to features, and Keaton inherited his studio, allowing him the opportunity to begin producing his own films. By September 1921, tragedy touched Arbuckle's life by way of a scandal, where he was tried three times for the murder of Virginia Rapp. Although he was not guilty of the charges, and never convicted, he was unable to regain his status, and the viewing public would no longer tolerate his presence in film. Keaton stood by his friend and mentor through out the incident, supporting him financially, finding him directorial work, even risking his own budding reputation offering to testify on Arbuckle's behalf.
In 1921, Keaton also married his first wife, Natalie Talmadge under unusual circumstance that have never been fully clarified. Popular conjecture states that he was encouraged by Joseph M. Schenck to marry into the powerful Talmadge dynasty, that he himself was already a part of. The union bore Keaton two sons. Keaton's independent shorts soon became too limiting for the growing star, and after a string of popular films like One Week (1920), The Boat (1921) and Cops (1922), Keaton made the transition into feature films. His first feature, Three Ages (1923), was produced similarly to his short films, and was the dawning of a new era in comedic cinema, where it became apparent to Keaton that he had to put more focus on the story lines and characterization.
At the height of his popularity, he was making two features a year, and followed Ages with Our Hospitality (1923), The Navigator (1924) and The General (1926), the latter two he regarded as his best films. The most renowned of Keaton's comedies is Sherlock Jr. (1924), which used cutting edge special effects that received mixed reviews as critics and audiences alike had never seen anything like it, and did not know what to make of it. Modern day film scholars liken the story and effects to Christopher Nolan Inception (2010), for its high level concept and ground-breaking execution. Keaton's Civil War epic The General (1926) kept up his momentum when he gave audiences the biggest and most expensive sequence ever seen in film at the time. At its climax, a bridge collapses while a train is passing over it, sending the train into a river. This wowed audiences, but did little for its long-term financial success. Audiences did not respond well to the film, disliking the higher level of drama over comedy, and the main character being a Confederate soldier.
After a few more silent features, including College (1927) and Steamboat Bill, Jr. (1928), Keaton was informed that his contract had been sold to MGM, by brother-in-law and producer Joseph M. Schenck. Keaton regarded the incident as the worst professional mistake he ever made, as it sent his career, legacy, and personal life into a vicious downward spiral for many years. His first film with MGM was The Cameraman (1928), which is regarded as one of his best silent comedies, but the release signified the loss of control Keaton would incur, never again regaining his film -making independence. He made one more silent film at MGM entitled Spite Marriage (1929) before the sound era arrived.
His first appearance in a film with sound was with the ensemble piece The Hollywood Revue of 1929 (1929), though despite the popularity of it and his previous MGM silents, MGM never allowed Keaton his own production unit, and increasingly reduced his creative control over his films. By 1932, his marriage to Natalie Talmadge had dissolved when she sued him for divorce, and in an effort to placate her, put up little resistance. This resulted in the loss of the home he had built for his family nicknamed "The Italian Villa", the bulk of his assets, and contact with his children. Natalie changed their last names from Keaton to Talmadge, and they were disallowed from speaking about their father or seeing him. About 10 years later, when they became of age, they rekindled the relationship with Keaton. His hardships in his professional and private life that had been slowly taking their toll, begun to culminate by the early 1930s resulting in his own dependence on alcohol, and sometimes violent and erratic behavior. Depressed, penniless, and out of control, he was fired by MGM by 1933, and became a full-fledged alcoholic.
After spending time in hospitals to attempt and treat his alcoholism, he met second wife Mae Scrivens, a nurse, and married her hastily in Mexico, only to end in divorce by 1935. After his firing, he made several low-budget shorts for Educational Pictures, and spent the next several years of his life fading out of public favor, and finding work where he could. His career was slightly reinvigorated when he produced the short Grand Slam Opera (1936), which many of his fans admire for giving such a good performance during the most difficult and unmanageable years of his life.
In 1940, he met and married his third wife Eleanor Norris, who was deeply devoted to him, and remained his constant companion and partner until Keaton's death. After several more years of hardship working as an uncredited, underpaid gag man for comedians such as the Marx Brothers, he was consulted on how to do a realistic and comedic fall for In the Good Old Summertime (1949) in which an expensive violin is destroyed. Finding no one who could do this better than him, he was given a minor role in the film. His presence reignited interest in his silent films, which lead to interviews, television appearances, film roles, and world tours that kept him busy for the rest of his life.
After several more film, television, and stage appearances through the 1960s, he wrote the autobiography "My Wonderful World of Slapstick", having completed nearly 150 films in the span of his ground-breaking career. His last film appearance was A Funny Thing Happened on the Way to the Forum (1966) which premiered seven months after Keaton's death from the rapid onset of lung cancer. Since his death, Keaton's legacy is being discovered by new generations of viewers every day, many of his films are available on YouTube, DVD and Blu-ray, where he, like all gold-gilded and beloved entertainers can live forever.- Director
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Daniel Rezende was nominated for an Academy Award for Best Film Editing for his work on City of God (2002) and won a BAFTA Award for Best Editing for the same film. He also edited RoboCop (2014), The Tree of Life (2011), Blindness (2008) and many other feature films before moving on to direct his debut film Bingo: The King of the Mornings (2017).- Editor
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Bud Molin was born on 26 May 1925 in Los Angeles, California, USA. He was an editor, known for The Man with Two Brains (1983), The Jerk (1979) and I Spy (1965). He was married to Nita Molin. He died on 21 May 2007 in Rancho Mirage, California, USA.Dead Men Don't Wear Plaid- Additional Crew
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Tom Rolf was born on 31 December 1931 in Stockholm, Stockholms län, Sweden. He was an editor, known for WarGames (1983), The Right Stuff (1983) and Taxi Driver (1976). He died on 14 July 2014 in Saint-Calais, Sarthe, France.- Editor
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Jay Cassidy is known for American Hustle (2013), A Star Is Born (2018) and Silver Linings Playbook (2012).- Editor
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Ernest Walter was born on 29 November 1919 in Cardiff, Wales, UK. He was an editor, known for Superman (1978), The Haunting (1963) and The Private Life of Sherlock Holmes (1970). He died on 14 December 1999 in Harrow, Middlesex, England, UK.- Editor
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Gerald B. Greenberg was born on 29 July 1936 in New York City, New York, USA. He was an editor, known for The French Connection (1971), Apocalypse Now (1979) and Kramer vs. Kramer (1979). He died on 22 December 2017 in Santa Monica, California, USA.- Editor
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After leaving school, Richard joined the ABC in Sydney with hopes of emulating his father, Jack Bruce, who worked as a cinematographer in Hollywood for Cecil B. De Mille and the Famous Lansky Players. However, the only opening at the time was in editing. He fell in love with the craft and spent 15 years with the ABC working on various current affairs and other programs before getting into drama. He left the ABC to work on the feature "Goodbye Paradise" before going on to "Careful He Might Hear You" and Kennedy Miller's "The Dismissal" and "Mad Max: Beyond Thunderdome". It was through George Miller's studio film "The Witches of Eastwick that Richard was introduced to Hollywood. He again worked for Miller on his 1992 film "Lorenzo's Oil". Richard got the job on "Shawshank Redemption" over 30 of Hollywood's best editors because the producer had a similar background (at the BBC) and took a liking to him. In June/July 1996 Richard visited Australia for the first time in four years and during that time spoke at a seminar at the Australian Film Television and Radio School entitled Frame By Frame, where he took the audience cut by cut through every aspect of the production of "Seven". He was also interviewed for the ABC- TV program "Review". Richard was also nominated for the Eddies (American Cinema Editor's Awards) for his work on "Shawshank" and "Seven" and in 1997 Richard was invited to become a member of the American Cinema Editors. In 1998 he received his third Oscar nomination for his work on "Air Force One", a fact which attracted considerable attention by the Australian TV and press. However, although it was hoped he would be third time lucky, the Oscar went to the blockbuster of the year Titanic. In 2001 he was again nominated by the Americian Cinema Editor's for his work on "Harry Potter and the Sorcerer's Stone .