Malcolm Crowe, a child psychologist, starts treating a young boy, Cole, who encounters dead people and convinces him to help them. In turn, Cole helps Malcolm reconcile with his estranged wife.
Anyone notice yet how I don't pick slasher movies? Slashers are big on blood and formula and thin on plot and plausibility. The Sixth Sense was creepy, it was mysterious, and it made me watch it twice because I took it for granted the first time. To add a twist in your film, is to actively involve the audience's attention. Am I right, Christopher Nolan?