Class Of 1938
Excellent Actresses Born In 1938
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Natalie Wood was an American actress of Russian and Ukrainian descent. She started her career as a child actress and eventually transitioned into teenage roles, young adult roles, and middle-aged roles. She drowned off Catalina Island on November 29, 1981 at age 43.
Wood was born July 20, 1938 in San Francisco to Russian immigrant parents: housewife Maria Gurdin (née Zoodiloff), known by multiple aliases including Mary, Marie and Musia, and second husband Nick Gurdin (née Zacharenko), a janitor and prop builder. Nicholas was born in Primorsky Krai, son of a chocolate-factory worker. Maria was born in Barnaul, southern Siberia to a wealthy industrialist. Natalie's maternal grandfather owned soap and candle factories.
Wood's parents had to migrate due to the Russian Civil War. Her paternal grandfather joined the anti-Bolshevik civilian forces early in the war and was killed in a street fight between Red and White Russian soldiers. This convinced the Zacharenkos to migrate to Shanghai, China, where they had relatives. Wood's paternal grandmother remarried in 1927 and moved the family to Vancouver, British Columbia. In 1933 they resettled along the U.S. West Coast. Nicholas met Wood's mother, four years his senior, while she was still married to Alexander Tatuloff, an Armenian mechanic she divorced in 1936.
Mary Tatuloff, Wood's mother, had unfulfilled ambitions of becoming a ballet dancer. She grew up in the Chinese city of Harbin and had married Alexander there in 1925. The Tatuloffs had one daughter, Ovsanna, before coming to America in 1930. After marrying Nicholas Zacharenko in 1938, five months before Wood's birth, Mary (now calling herself Marie) transferred her dream of stardom onto her second child. Marie frequently took a young Wood with her to the cinema, where she could study the films of Hollywood child stars.
Wood's parents changed the family name to Gurdin upon obtaining U.S. citizenship, and her pseudonymous mother finally settled on a permanent first name: Maria. In 1942 they bought a house in Santa Rosa, where young Natalie was noticed by members of a crew during a film shoot. She got to audition for roles as an actress, and the family moved to Los Angeles to help seek out roles for her. RKO Radio Pictures' executives William Goetz and David Lewis chose the stage name Wood for her, in reference to director Sam Wood. Natalie's younger sister Svetlana Gurdin would eventually follow an acting career as well, under the stage name Lana Wood.
Wood made her film debut in Happy Land (1943). She was only five years old, and her scene as the "Little Girl Who Drops Ice Cream Cone" lasted 15 seconds. Wood somehow attracted the interest of film director Irving Pichel who remained in contact with her family. She had few job offers over the following two years, but Pichel helped her get a screen test for a more substantial role in the romance film Tomorrow Is Forever (1946). Wood passed through an audition and won the role of Margaret Ludwig, a post-World War II German orphan. At the time, Wood was unable to "cry on cue" for a key scene, so her mother tore a butterfly to pieces in front of her, giving her a reason to cry for the scene.
Wood started appearing regularly in films following this role and soon received a contract with 20th Century Fox. Her first major role was that of Susan Walker in the Christmas film Miracle on 34th Street (1947), which was a commercial and critical hit. Wood got her first taste of fame, and afterwards Macy's invited her to appear in the store's annual Thanksgiving Day parade. Following her early success, Wood receive many more film offers. She typically appeared in family films, cast as the daughter of such stars as Fred MacMurray, Margaret Sullivan, James Stewart, Joan Blondell, and Bette Davis. Wood found herself in high demand and appeared in over twenty films as a child actress.
The California laws of the era required that until reaching adulthood, child actors had to spend at least three hours per day in the classroom. Wood received her primary education on the studio lots, receiving three hours of school lessons whenever she was working on a film. She was reportedly a "straight A student." Director Joseph L. Mankiewicz was quite impressed by Wood's intellect. After school hours ended, Wood would hurry to the set to film her scenes.
While Wood acquired the services of agents, her early career was micromanaged by her mother. An older Wood gained her first major television role in the short-lived sitcom The Pride of the Family (1953). At the age of 16, she found more success with the role of Judy in Rebel Without a Cause (1955). She played the role of a teenage girl who wears makeup and dresses up in racy clothes to attract the attention of a father who typically ignores her. The film's success helped Wood make the transition from child actress to an ingenue. She was nominated for an Academy Award for Best Supporting Actress.
Her next significant film was The Searchers (1956), a western in which she played the role of abduction victim Debbie Edwards, niece of John Wayne's character. The film was a commercial and critical hit, and has since become regarded as a masterpiece. Also in 1956, Wood graduated from Van Nuys High School. She signed a contract with Warner Brothers, where she was kept busy with several new films. To her disappointment, she was typically cast as the girlfriend of the protagonist and received roles of little depth. For a while, WB had her paired with teen heartthrob Tab Hunter. The studio was hoping that the pairing would serve as a box-office draw, but this did not work out. One of Wood's only serious roles from this period was the title character in Marjorie Morningstar (1958), as a young Jewish girl whose efforts to create her own identity and career path clash with the expectations of her family. The film was a critical success, and fit well with other films exploring the restlessness of youth in the '50s.
Wood's first major box office flop was the biographical film All the Fine Young Cannibals (1960), examining the rags to riches story of jazz musician Chet Baker without actually using his name. The film's box office earnings barely covered the production costs, and MGM recorded a loss of $1,108,000. For the first time. Wood's appeal to the audience was in doubt. With her career in decline following this failure, Wood was seen as "washed up" by many in the film community. But director Elia Kazan gave her the chance to audition for the role of the sexually-repressed Wilma Dean Loomis in his upcoming film Splendor in the Grass (1961). Kazan cast Wood as the female lead, because he found in her (in his words): a "true-blue quality with a wanton side that is held down by social pressure." Kazan is credited for producing Wood's most powerful moment as an actress. The film was a critical success, with Wood nominated for an Academy Award for Best Actress.
Wood's next important film was West Side Story (1961), where she played Maria, a restless Puerto Rican girl. Wood was once again called to represent the restlessness of youth, this time in a story involving youth gangs and juvenile delinquents. The film was a great commercial success with about $44 million gross, the highest-grossing film of 1961. It was also critically acclaimed, and is still regarded as one of the best films of Wood's career. Her next film was Gypsy (1962), playing the role of burlesque entertainer and stripper Gypsy Rose Lee. Film historians credit the film as an even better role for Wood than that of Maria, with witty dialogue, a greater emotional range, and complex characterization. The film was the eighth highest-grossing release of 1962, and was well-received critically.
Wood's next significant role was that of Macy's salesclerk Angie Rossini in Love with the Proper Stranger (1963). In the film, Angie has a one-night-stand with musician Rocky Papasano, played by Steve McQueen, finds herself pregnant and desperately seeks an abortion. The film under-performed at the box office but was critically well-received. Wood received her third (and last) nomination for an Academy Award. At age 25, Wood was tied with Teresa Wright as the youngest person to score three Oscar nominations. Wood held that designation until 2013, when Jennifer Lawrence achieved her third nomination at age 23.
Wood continued her successful film career until 1966, but her health status was not as successful. She was suffering emotionally and had sought professional therapy. She paid Warner Bros. $175,000 to cancel her contract and was able to retire for a while. She also fired her entire support team: agents, managers, publicist, accountant, and attorneys. She took a three-year hiatus from acting.
Wood made her comeback in the comedy Bob & Carol & Ted & Alice (1969) with the themes of sexual liberation and wife swapping. It was a box office hit. Wood decided to gamble her $750,000 fee on a percentage of the gross, earning a million dollars in profits. She chose not to capitalize on the film's success, however, and did not take another acting job for five years.
In 1970, Wood was married to the screenwriter Richard Gregson and was expecting her first child, Natasha Gregson Wagner. She went into semi-retirement to be a stay-at-home mom, appearing in only four more theatrical films before her death. These films were the mystery comedy Peeper (1975), the science fiction film Meteor (1979), the comedy The Last Married Couple in America (1980), and the posthumously-released science fiction film Brainstorm (1983).
In the late '70s, Wood found success in television roles, appearing in several made-for-TV movies and the mini-series From Here to Eternity (1979). Her project received high ratings, and she had plans to make her theatrical debut in a 1982 production of Anastasia.
On November 28, 1981, Wood joined her last husband Robert Wagner, their married friend Christopher Walken, and captain Dennis Davern on a weekend boat trip to Catalina Island. Conspicuously absent from the group was Christopher's wife, casting director Georgianne Walken. The four of them were on board the Wagners' yacht "Splendour." Earwitness Marilyn Wayne heard cries for help around 11:05 P.M. and a "man's voice slurred, and in aggravated tone, say something to the effect of, 'Oh, hold on, we're coming to get you,' and not long after, the cries for help subsided." On the morning of November 29, Wood's corpse was recovered 1 mile (1.6 kilometers) away from the boat, near small Valiant-brand inflatable dinghy beached nearby. The toxicology report revealed her blood alcohol level was at .14, over the legal limit of .10. Wood was buried on December 2 at Westwood Village Memorial Park Cemetery in Los Angeles. Nine days later, the LACSD officially closed the case.Unforgettable from beginning to end, Russian heritage, catching her rainbows and capturing hearts, should have won 3 Academy Awards- Dolores Hart was born on 20 October 1938 in Chicago, Illinois, USA. She is an actress, known for Where the Boys Are (1960), Francis of Assisi (1961) and Come Fly with Me (1963).Left Hollywood to become a cloistered Benedictine nun, but she continued to be a voting member of the Academy of Motion Pictures
- Susan Strasberg was born in New York City on May 22, 1938. From the time of her birth, she was destined to be an actress, as her father was Lee Strasberg, acting coach at the famed Actors Studio in New York. In 1953, Susan made her acting debut in the episode Catch a Falling Star (1953) of the Goodyear Playhouse (1951) when she was just 15 years old. However, her true stage debut was on Broadway in the title role of "Diary of Anne Frank" in 1955. From that time on, Susan would devote part time to the stage and part time to the screen. Her first movie role was a fourth-billed part in Picnic (1955). That spot wasn't bad, considering she was still relatively new to the screen and her co-stars were William Holden, Kim Novak, Rosalind Russell, Cliff Robertson and Arthur O'Connell.
After making The Cobweb (1955) later that same year, she went back to perform on the stage. It just wasn't on-screen that she co-starred with big names; in 1957 she shared the stage with Helen Hayes and Richard Burton in "Time Remembered". In 1958, Susan returned to the big screen again in Stage Struck (1958). Although her billing wasn't anywhere near what it was with "Picnic", the picture got good reviews. For the remainder of her acting career, Susan alternated among the stage, screen and television. Wherever there was an acting role, she was there to appear in it. She spent some time in Europe, particularly Italy, making films for the rabid fans there. During the course of her tenure, she appeared in three documentaries about her old friend Marilyn Monroe. The first two were Marilyn Monroe: Beyond the Legend (1986) and Remembering Marilyn (1988). The third was Marilyn Monroe: Life After Death (1994). On January 21, 1999, Susan lost her struggle with breast cancer in New York City. She was a youthful 60 years old.Pixie with passion and talent - Actress
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Actress with a notable career in films and television. Born and raised in Hollywood, she moved to New York at eighteen to study acting with Charles Conrad and ballet with Nina Fonaroff. She continued her training in Los Angeles at the Estelle Harman Workshop, securing a contract with Twentieth Century Fox. Baker's first film assignment was a true prestige picture: legendary director George Stevens cast her as Margot Frank, older sister of Anne, in The Diary of Anne Frank (1959). Baker remained at Fox as a contract player performing in films such as Journey to the Center of the Earth (1959), The Best of Everything (1959) and Nine Hours to Rama (1963). After her contract ended, she worked on a pair of distinguished projects at Universal Studios: Mirage (1965) with Gregory Peck and Marnie (1964) for director Alfred Hitchcock.
Baker was also a reliable performer in episodic television. She produced sensitive, affecting work in Rod Serling's touching They're Tearing Down Tim Riley's Bar/The Last Laurel (1971) and, in a colorful turn as an unstable dipsomaniac, in Last Salute to the Commodore (1976).
While continuing to perform, Baker moved into producing small, independent films such as Portrait of Grandpa Doc (1977) with director Randal Kleiser and Never Never Land (1980) with Petula Clark, and larger projects such as the Emmy-nominated television miniseries adaptation of Barbara Taylor Bradford's A Woman of Substance (1984) with Deborah Kerr.
More recently, she distinguished herself essaying the role of clan matriarch Rose Kennedy in the CBS miniseries Jackie Bouvier Kennedy Onassis (2000) and performed memorably with Anthony Hopkins in The Silence of the Lambs (1991) as the distraught Senator Ruth Martin and, with Jim Carrey and Matthew Broderick, in The Cable Guy (1996).
In 2005, she acted with Frank Langella in the HBO series Unscripted (2005) directed by George Clooney. She also teaches acting courses in the School of Motion Pictures, Television, and Acting at the Academy of Art University, San Francisco.Striking, from The Fugitive to The Net, later "passed the torch" at San Francisco's Academy of Art University- Actress
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British actress Dame Diana Rigg was born on July 20, 1938 in Doncaster, Yorkshire, England. She has had an extensive career in film and theatre, including playing the title role in "Medea", both in London and New York, for which she won the 1994 Tony Award for Best Actress in a Play.
Rigg made her professional stage debut in 1957 in the Caucasian Chalk Circle, and joined the Royal Shakespeare Company in 1959. She made her Broadway debut in the 1971 production of "Abelard & Heloise". Her film roles include Helena in A Midsummer Night's Dream (1968); Lady Holiday in The Great Muppet Caper (1981); and Arlene Marshall in Evil Under the Sun (1982). She won the BAFTA TV Award for Best Actress for the BBC miniseries Mother Love (1989), and an Emmy Award for her role as Mrs. Danvers in the adaptation of Rebecca (1997). In 2013, she appeared with her daughter Rachael Stirling on the BBC series Doctor Who (2005) in an episode titled "The Crimson Horror" and plays Olenna Tyrell on the HBO series Game of Thrones (2011).
From 1965 to 1968, Rigg appeared on the British television series The Avengers (1961) playing the secret agent Mrs. Emma Peel. She became a Bond girl in On Her Majesty's Secret Service (1969), playing Tracy Bond, James Bond's only wife, opposite George Lazenby. She was appointed Commander of the Order of the British Empire (CBE) at the 1988 Queen's New Years Honours for her services to drama. She was appointed Dame Commander of the Order of the British Empire (DBE) at the 1994 Queen's Birthday Honours for her services to drama.
Dame Diana Rigg died of lung cancer on September 10, 2020, she was 82 years old.Emma Peel, Dame Diana, sued the British tabloids, and turned the tables on obnoxious and ignorant critics with her book "No Turn Unstoned"- Actress
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Like many other female Italian film stars, Claudia Cardinale's entry into the business was by way of a beauty pageant. She was 17 years old and studying at the Centro Sperimentale in Rome when she entered a beauty contest, which resulted in her getting a succession of small film roles. Her earthy interpretations of Sicilian women got her noticed by Italian producers, and the combination of her beauty, dark, flashing eyes, explosive sexuality and genuine acting talent virtually guaranteed her stardom. After Careless (1962) she rose to the front ranks of Italian cinema, and became an international star in Federico Fellini's classic 8½ (1963) with Marcello Mastroianni. American audiences may best remember her from her starring role in Sergio Leone's Once Upon a Time in the West (1968).Italian bombshell, UNESCO good will ambassador- Actress
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Romy Schneider was born on 23 September 1938 in Vienna, Austria into a family of actors. Making her film debut at the age of 15, her breakthrough came two years later in the very popular trilogy Sissi (1955). Her mother, supervising her daughter's career, immediately approved Romy's participation in Christine (1958), the remake of Max Ophüls's Playing at Love (1933), where Magda Schneider once starred herself. During the shooting, she fell in love with her co-star Alain Delon and eventually moved with him to Paris. At that time, she started her international career collaborating with famous directors such as Luchino Visconti and Orson Welles. After Delon had broken up with her in 1964, she married Harry Meyen shortly after. Although she gave birth to a boy, David-Christopher, their relationship was difficult, so they divorced in 1975. Being unsatisfied with her personal life, she turned to alcohol and drugs, but her cinematic career -especially in France- remained intact. She was the first actress, receiving the new created César Award as "Best Actress" for her role in That Most Important Thing: Love (1975). Three years later, she was awarded again for A Simple Story (1978). After a short marriage to her former secretary Daniel Biasini, being the father of her daughter Sarah Biasini, she suffered the hardest blow of her life when her son was impaled on a fence in 1981. She never managed to recover from this loss and died on 29 May 1982 in Paris. Although it was suggested she committed suicide caused by an overdose of sleeping pills, she was declared to have died from cardiac arrest.Cesar Award Winner, nicknamed "Miss Worried,"- Actress
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Jean Dorothy Seberg was born in Marshalltown, Iowa, to substitute teacher Dorothy Arline (Benson) and pharmacist Edward Waldemar Seberg. Her father was of Swedish descent and her mother was of English and German ancestry.
One month before her 18th birthday, Jean landed the title role in Otto Preminger's Saint Joan (1957) after a much-publicized contest involving some 18,000 hopefuls. The failure of that film and the only moderate success of her next, Bonjour Tristesse (1958), combined to stall Seberg's career, until her role in Jean-Luc Godard's landmark feature, Breathless (1960), brought her renewed international attention. Seberg gave a memorable performance as a schizophrenic in the title role of Robert Rossen's Lilith (1964) opposite Warren Beatty and went on to appear in over 30 films in Hollywood and Europe.
In the late 1960s, Seberg became involved in anti-war politics and was the target of an undercover campaign by the FBI to discredit her because of her association with several members of the Black Panther party. She was found dead under mysterious circumstances in Paris in 1979.Stunning star of Lilith; controversial life, tragic death- Actress
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Liv Ullmann's father was a Norwegian engineer who used to work abroad, so as a child she lived in Tokyo, Canada, New York and Oslo. In the mid-1950s she made her stage debut and in 1957 made her film debut. She really became successful, however, when she began to work for Swedish director Ingmar Bergman in such films as Persona (1966), The Passion of Anna (1969) and Face to Face (1976). She also had a successful film career away from Bergman (The Abdication (1974), Dangerous Moves (1984).The Norwegian Angel, immortalized in countless Ingmar Bergman films- Actress
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Brunette Millie Perkins began her career as a New York photographer's model and one-time receptionist at an advertising agency. Her waif-like images in fashion magazines seemed to project both innocence and shyness and made such an impression on the director George Stevens, that he invited her to audition for the lead role in The Diary of Anne Frank (1959). Despite her total lack of acting experience, Perkins won out over 10,000 other hopefuls and went on to star in, what would become, her most famous role. An overnight sensation, she received numerous plaudits for her performance but never subsequently succeeded to parlay this into a more enduring stardom.
She was born as Mildred Frances Perkins in Newark, New Jersey. Her mother, Catherine Louise, was of Irish and French-Canadian extraction. Her father, Adolph Perkins, was a captain in the merchant marine, born in the Austro-Hungarian Empire. Millie was schooled in Fair Lawn, New Jersey. After relocating to New York, she studied drama under Jeff Corey. Following her role as diarist and holocaust victim Anne Frank, she was signed by 20th Century Fox. However, her tenure at the studio turned out to be brief, prematurely ending in her suspension for refusing to play the lead in the bucolic drama Tess of the Storm Country (1960), which she viewed as a retrograde step in her career. Diane Baker went on to star in the role, while Millie's sole credit for Fox was a supporting part in the lacklustre Elvis Presley vehicle Wild in the Country (1961).
Free-lancing, she next appeared in Joshua Logan's box-office flop Ensign Pulver (1964) and as the female lead in two modestly budgeted, off-beat westerns, The Shooting (1966) and Ride in the Whirlwind (1966) (both starring Jack Nicholson, who also co-produced). None of these would have been particularly career enhancing and may have contributed to Millie's six-year long hiatus from screen acting. She made a comeback as a character actress from the mid-70s, latterly in maternal roles (notably in At Close Range (1986), Wall Street (1987) and The Lost City (2005)). On TV, she played Presley's mother Gladys in Elvis (1990), a biopic of the star's early life. She also had recurring roles in the soap Knots Landing (1979), and, as a grandmother, in the drama series Any Day Now (1998). She has taught drama classes at Southern Oregon University at some point in the early 80s, as well as addressing high school drama groups in and around Jacksonville, her adopted home town since 1976.
Millie Perkins retired from screen acting in 2006. She divorced her first husband, the actor Dean Stockwell, after two years of marriage in 1962. She was separated from her second husband, writer-director Robert Thom, with whom she had two daughters."Anne Frank;" Best Lady at Jack Nicholson's wedding- Actress
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Discovered by a talent scout at Northwestern University in 1958, Paula Prentiss was signed by Metro Goldwyn Mayer and teamed with Jim Hutton in a string of comedies. She rapidly became one of the best American comediennes of the 1960s. Her funny voice inflections, free acting style and brunette good looks established her as a leading lady in comedies of the screwball type, although she was very good in dramatic roles, too. Not much attracted to the Hollywood scene, she retired from films on several occasions, due also to illness and motherhood, but she was always admired and welcome whenever she made a comeback. She and her husband, the actor and director Richard Benjamin, are the parents of Ross Benjamin and Prentiss Benjamin.Pi Beta Phi; Golden Wedding Anniversary with Richard Benjamin- Actress
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Lovely, indefatigable Connie Stevens added sparkle to a number of films and TV shows in the late 50s and 60s Hollywood. Brooklyn born Concetta Rosalie Ann Ingolia is of Italian/Sicilian and Irish descent, the daughter of Eleanor McGinley and Teddy Stevens (born Peter Ingolia). She was subsequently raised by her grandparents when her mother and father (a band singer and jazz musician, respectively) filed for divorce. Connie attended Catholic boarding schools in her formative years. Inheriting her parents' love and talent for music, she formed a vocal quartet called "The Foremost" which was comprised of Connie and three men. Those men later became part of The Lettermen.
In Hollywood from 1953, Connie formed yet another vocal group "The Three Debs" while trying to break into films doing extra work. Moving up to the co-star ranks in a few mediocre teen dramas such as Young and Dangerous (1957), Eighteen and Anxious (1957), The Party Crashers (1958), and Dragstrip Riot (1958), it was comedian Jerry Lewis who set things in motion by casting her in his comedy Rock-a-Bye Baby (1958). As such, Warner Bros. signed her up for their hot detective series Hawaiian Eye (1959) and she was off. As pert and pretty "Cricket Blake", a slightly flaky and tomboyish singer/photographer, Connie became an instant teen idol -- trendy and undeniably appealing. A couple of record offers (and hits) came her way as a result including "Sixteen Reasons" and the novelty song "Kookie, Kookie, Lend Me Your Comb" (in tribute to Edd Byrnes' hip, teen idol character on the popular detective series 77 Sunset Strip (1958)).
Adored for her sexy effervescence, Connie tried to broaden her "sex kitten" image in the 60's with serious attempts at adult film drama, including the title role in Susan Slade (1961), as well as co-leads in Parrish (1961), Palm Springs Weekend (1963), and Two on a Guillotine (1965), but they were modestly received. For the most part, she remained a comfy TV presence in musical variety shows ("The Red Skelton Show," "Kraft Music Hall"), westerns ("Cheyenne," "Maverick") and game shows ("Hollywood Squares"). She also appeared opposite George Burns in a second series, the sitcom Wendy and Me (1964), and co-starred in a couple of lightweight films, Never Too Late (1965) and Way... Way Out (1966), again with Jerry Lewis.
In the 1970s, she refocused on her voice and started lining up singing commercials (Ace Hardware) while subsisting in nightclubs and hotels. Connie eventually built herself up as a Las Vegas headlining act. She also starred on Broadway with "The Star-Spangled Girl" and won a Theatre World Award for her performance in 1967. Comedian Bob Hope's made her one of his regular entertainers on his USO tours. Sporadic films came her way every now and then. A TV-movie The Sex Symbol (1974) had her playing a tragic Marilyn Monroe type goddess. There was also innocuous fun in such sporadic films as Grease 2 (1982) and Back to the Beach (1987) with Frankie Avalon and Annette Funicello. TV episodic work on "Murder, She Wrote," "The Love Boat," "Baywatch," "Ellen," the revamped "Burke's Law," "It's Garry Shandling Show," "Baywatch" and "8 Simple Rules," plus a regular role on the short-lived series Starting from Scratch (1988) also kept her afloat.
Once wed to actor James Stacy, Connie later married and divorced singer Eddie Fisher. From her union with Fisher came two daughters, Joely Fisher and Tricia Leigh Fisher, both of whom became actors. Single with two daughters, and completely out of sync with Hollywood, Connie started experiencing severe financial woes. In the 1990s, the never-say-die personality began a new lucrative career in the infomercial game with skin-care and make-up products, and turned her financial woes around. Now a self-made tycoon with her own successful beauty line to boot, Connie is living proof that anything can happen in that wild and wacky world called show biz.
She resurged briefly in films with featured roles in Love Is All There Is (1996), James Dean: Race with Destiny (1997), Returning Mickey Stern (2002), Double Duty (2009), Just Before I Go (2014) and Search Engines (2016) which starred daughter Joely. She also was seen on TV with episodic work on "s, The recipient of a star on the Hollywood Walk of Fame, Connie was elected secretary-treasurer of the Screen Actors Guild in 2005. Since suffering a stroke in 2016, she has remained out of the limelight for the most part. In 2019, she made a brief return to films with By the Rivers of Babylon, again with Joely.Cricket Blake on Hawaiian Eye; "Kookie, Kookie, Lend Me Your Comb"- Actress
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Singer, composer, actress, entertainer and publisher Connie Francis was educated at Arts High School and was a music student of her father. At age 11 she appeared on Arthur Godfrey's Talent Scouts (1948) as a singer and accordionist. She has toured the US, Australia, New Zealand, South Africa and Europe, owned publishing companies, and has made many records. For a time she had her own television show, and has performed in nightclubs and in concert. Joining ASCAP in 1959, her popular-song compositions include "Senza Mama" and "Italian Lullaby"."Who's Sorry Now" singer; Command Performance for HRH Queen Elizabeth II