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- María Lionza, the Goddess of Venezuela, gave me the strength to tell her story and to understand a wound that is not only mine, it is also the story of Venezuela and of every Venezuelan who feels divided, in the midst of a war that never belonged to them. After comings and goings, I concluded that telling her story was the excuse to understand my own wound, the rupture that inhabiting the non-place of a migrant life implies.
- An elderly man anchored to his homeland, has to struggle searching for water to survive. But today that is a losing battle. The old man is forced to leave his country, assuming all that this means, and become a climatic refugee. This is a short film, set against the backdrop of climate change and its consequent rise in temperatures, drought, loss of crops and climate migration. The story has two main readings as it is told in two aspects, one is the most obvious conflict of water scarcity and the second one, underlying and constant: the memories of the old man, of the happy life he used to have, that will be represented by past time evocations and flashbacks.