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- Late nineteenth century, a white explorer is lost in the jungle. He sets off, trying to locate himself. In the thick rain forest, he encounters a young woman... Early twenty-first century, a foreign news correspondent just met a prostitute in a nightclub. They spend the night together but he mysterious girl disappears the day after. The news correspondent tries to find out what happened to her and eventually finish a travelogue.
- A mother trying to cope the loss of her son gradually distances herself from her husband; a criminal introduces his son to a life of living by his wits; and a young woman is taking care of the ailing father she never truly loved.
- Balthazar is a young African filmmaker on the brink of directing his first project, The Cycle of the Cockroach, a fictional story about a young woman who survived unspeakable atrocities only to find herself committed to the same mental institution as a man driven insane by the crimes he perpetrated during the war. Potential funders for the film insist the themes are too bleak and pessimistic-they encourage Balthazar to make a "message" film that raises awareness about gender-based violence or HIV/AIDS instead. But he refuses to give up. Instead of telling his production team the news, Balthazar continues preparations for the film without financing or equipment. After rehearsing a scene with each of the characters, reality blurs and scenes from the script materialize, provoking the question: Can a film like this exist only in the director's dreams? Armed with a daring and creative visual language, writer/director Kivu Ruhorahoza boldly grasps at the illusory trick of representation in the wake of trauma and its ensuing madness. Paralleling the protagonist in his film, Ruhorahoza's debut marks the very first feature-length narrative film directed by a Rwandan filmmaker living in his homeland.
- Rwandan director Kivu Ruhorahoza (Grey Matter, Things of the Aimless Wanderer) decides to film his new movie, A Tree Has Fallen, in London. It is to be a stylish drama about Simon, a mysterious Nigerian man (Oris Erhuero), who returns to London to make amends with Anna, his mixed-race lover (Lisa Moorish) and Bruce, Anna's white ex-husband (Matt Ray Brown). Progressively, this love triangle mirrors the increasing social and racial tensions in Great Britain and Europe. In parallel to his narrative fiction, Kivu documents these tensions by filming a series of rallies in the streets of London. But inevitably, the 'hostile environment' immigration policy of the ruling Conservative Party comes back to haunt the reunited lovers and to disrupt Kivu's filmmaking effort. Sensing that his London stay is coming to a forced end, Kivu attends and films a number of protests, including one of the far right, to try and understand the rising xenophobia of the Brits and of his character Bruce.
- Alain and Dafroza Gauthier have spent over a decade fighting the French legal system to bring to justice the masterminds of the Rwandan Genocide.