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- DISTANT is a film that is made up of 13 sections, each comprised of a single long take. Each section tells a story about distance between different time and space, focusing on the subtle moments when people are suddenly confronted with modernity and gradually become lost in the transition between this and their present lives. Without any dialogue, simply working with image, sound and actions of the characters, these 13 dramatic, realistic and mysterious scenes are painted. It tries to describe today's human condition in an abstract way - its alienation, abandonment and eternal loneliness.
- Millions of Chinese people engage in live-streaming. Those whose poverty, physical limitations or sex prevent them from taking part in the real world find human contact here; fragments of lives that are interwoven with virtual showrooms.
- A city's past, present, and future are unveiled through 13 long takes.
- A blissful night is unexpectedly interrupted by the sound from downstairs. Different reactions are triggered as well as the relentless indifference.
- September 24th, 2016, North Avenue Beach, Chicago. It was a sunny day. According to the weather report, the temperature was 75°F, with the barometer reading of 30 inches height and the wind speed of 13 miles per hour. The time was 2:27 pm, I was standing by the Michigan Lake. In my hand there was a waterproof camera that weighs 2.6 ounces. I pressed the record button on the camera and threw it into the lake. The camera sank into the lake immediately and embarked on a mysterious journey. During the journey, it was elevated, pressed, panned, rotated, and spun by the water. The camera explored the space like a disembodied consciousness, and the moving image it captured was turned into an abstract painting improvised by the nature. Eleven minutes later, the wave delivered the camera back onto the beach with one single long take. This eleven minutes long take later became Liquid Image.
- Thirteen dinners of a Chinese migrant worker's family over the course of fourteen months. The film portrays a series of random occurrences. Joys, frustrations and the struggle for survival. The meals unfold in real-time through thirteen static, long takes. Each take captures with vivid detail the reality of the relationships between the different family members. As the seasons unfold, so does time and the echoes for better working conditions penetrate the frame. Issues such as the one-child policy and the possibilities for better wages weigh heavily on the minds of the three-generation family. Thus, the room where the family gathers night after night becomes an observational microcosm of the transformations that the Chinese working class faces on a daily basis. By examining the lives of migrant workers, who left their rural home-towns to look for a better life in cities, the film creates a powerful and moving meditation on China's economic boom and massive urbanization. Another Year is an extremely acute depiction of the complexities of the Chinese economy and society.
- An audio-visual portrait of a neighborhood in the city of Chicago.
- There are the images of before, the images of after and the letters. The images of after come first, they stem from the same surveillance camera in Wuhan, empty streets that only throng with people again on April 4th, 2020.
- In a society obsessed with economic development,a young man from a rural area is hired to take care of an old man living on a farm. The old man stands firmly on keeping his home, while the young man works hard to make a life for him and his girlfriend. However, the two are met with the harshness of a society that's leaving them behind. In the end, they become victims to a fate they did not choose.
- Starting from a photography workshop for "immigrant children", the filmmaker focuses on Qin, in a harsh and unsettling portrait.