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1-13 of 13
- Two young women terrorized by a group of small town psychos seek revenge on their tormentors.
- C.I.A. operatives wage an epic battle on each other when they discover they are dating the same woman.
- School's out. Summer vacation is on. However, Greg may not have the best summer vacation ever. What could go wrong?
- Frank Castle, known as the Punisher, ruthlessly demolishes organized crime, but it starts an even bigger war.
- The graduating class at Osborne High is being targeted by a masked assailant, intent on exposing the darkest secret of each victim, and only a group of misfit outsiders can stop the killings.
- Intruders shoot Chloe's friend and break into Chloe's home on an isolated island on a rainy night. Can the high tech security company help Chloe and her stepson?
- From the deep comedy well of 'dumb guys who think they're smart' we bring you Tom and Grant. Small time crooks, poster children for the disenfranchised, they've been swept to the periphery of the American Dream and left to pick up it's crumbs. They push back against the system, refusing to be lumped in with the masses in the heartland, adopting the mantra 'Quit your day job'. They seek a better way. Problem is, they're idiots. All they've got is a car, a dream, and a very dumb idea: let someone else rob the bank, and then rob the robbers. Theirs is a quest to plunge headlong into the Pantheon of Poor Choices. 'The only thing we have to fear is fear itself'. Some Presidents offer quotes for the ages; others, not so much. These lowered standards have become the lyrics of a troubled era. It's the soundtrack of the misguided, and the music of choice of Tom and Grant. Just as Bruce Springsteen's lyrics for 'Born in the USA' were never anthemic, Tom and Grant's, 'When You Are a Star', was never intended to inspire... Tom Cavanagh and Grant Gustin, arch rivals on the television show 'The Flash', team up to play the titular small time crooks. Their brotherhood is the fuel that drives this caper, offering dissections of the movie stakeout archetype, musings on freedom, and a truly unfortunate misinterpretation of the term 'jazz hands'. Written and directed by Cavanagh, he marries the current politic of hearing only what we want to hear with the easy camaraderie of the buddy pic.
- At 12 years old, Carrie Watson places a piece of wedding cake under her pillow when her mother tells her about the superstition that doing so will ensure you dream of your future true love -- and that night, Carrie dreams of a handsome man meeting her at the altar. Fast forward a couple decades, and Carrie, now a successful chemist (and amateur baker), is prepping the wedding cakes for her little sister, Lydia's wedding. Carrie is shocked to discover that the groom's best man, Jason, is the very same man from her wedding cake dream.
- A psychological experiment between two friends spirals out of control. How bad could it be?
- A young couple embezzle money from their parents and elope in a rented plane. When the plane crashes a deadly game of greed and deception ensues.
- Two lonely souls meet through a chance window encounter. Then begins a conversation through hand written notes, and a potential blossoming romance. But will their fears of imperfections spoil their chance at finding true love.
- When her best friend ghosts her, classically trained pianist, JAY is left on the hook for rent and at a complete loss as to why her friend is ditching her. Scrolling back through her texts with Grace she puts aside her piano rehearsal to listen to Grace's 'Club Remedy' playlist. Drawn in by the music (and in the hopes of finding Grace) she decides to go check out club Remedy for herself. Inspired by what she hears at Remedy she takes a job there as barback and eventually gains an invite down to the Apothecary: an exclusive speakeasy and elite development ground for new talent. There she trains with the infamous DJ/music producer and Club Remedy owner, Chase and tries her best to discover what happened to Grace. Her questions go largely unanswered but Jay, in love with the music, sticks around and falls more deeply into the scene. Ultimately she struggles to balance her new life with the expectations of her old life and her practice schedule for her big symphony audition. Despite her obsession with this new space and her admiration for Chase and friends, Jay finds both her sound and style heavily influenced in a direction she isn't quite sure about, and is forced to navigate the competitive upset it sparks amongst her new peers. Eventually carving out her own unique voice, Jay braves turning away from Chase's creative guidance. She instead, brings her classically influenced EDM sound to an ultimate DJ battle showdown with him and in that moment, finds herself not only recognized for her uniqueness but embraced for it. And just as everything seems to be coming together... She spots Grace in the crowd.