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1-13 of 13
- Peter is celebrating his 50th birthday. An opportunity to share their love and appreciation, his family unites to mark the occasion...and to loot his piggy bank. Inspired by a true story and starring the protagonist himself, watch what happens when a mythical penny bewitches an entire family.
- In Istanbul, Deniz learns that his father has skipped town without leaving a forwarding address. On the roads of Turkey, he seeks to find the father he never knew.
- In search for her missing friend, MADELEINE (Renee-Madeleine Le Guerrier) turns to STALKER (Vlasta Vrana), who helps her discover a strange Zone buried in her memory. World War III is about to break out, while inside the Zone, the filmmaker Chris Marker has taken refuge in a fictional character. Welcome into the MARKER MYSTERY !
- How do we treat elderly Quebecers, and how should we treat them? L'industrie de la vieillesse tackles this delicate but crucial topic that has become all the more urgent during the pandemic, as CHSLDs crack under the weight of the coronavirus crisis. Based on numerous interviews and carefully avoiding hypocritical positions, the web series calls out a broken funding system, questions the practice of moving elderly people rather than delivering services to them, and suggests some possible solutions as a neglected demographic continues to grow.
- Robert « Bob » Filiatrault is city councillor for the City of Verdun. At 70, he's conducting the ultimate electoral campaign of his career, joining forces with the team of Pierre Bourque, mayor of Montreal. Bob has only three days to convince indecisive voters, reassure his backers and beat his opponents.
- How to talk about History, the big one and the small one, ours and that of each of us? Watching television, browsing the Internet, rummaging through the stock of world archives? Or more simply, going back to our own images that built us?
- Back to the New World follows the initiation of a group of French tourists into Amerindian life. They come to Quebec to live "like real Indians" for an exotic weekend. They are guided by Armand, alias Scalpe d'argent ("Silver Scalp"), a retired civil servant and the sole inhabitant of Innusit village. He introduces his guests to the pleasures and pastimes of the First Nations. With a knowing wink and a hint at the "white man's burden". Back to America considers the general amnesia afflicting whites in relation to the Aboriginal question.
- In the not-so-distant future stands a castle where life can be eternally extended, provided that the residents take their pills. At age 88, Madeleine sees herself as the princess of the castle where she'll live "till her dying breath" - until the day that she is forced to leave. Disturbing tale of an endearing woman at the dawn of losing her bearings in a system where every elderly person have to find a place to live.
- How do we treat elderly Quebecers, and how should we treat them? L'industrie de la vieillesse tackles this delicate but crucial topic that has become all the more urgent during the pandemic, as CHSLDs crack under the weight of the coronavirus crisis. Based on numerous interviews and carefully avoiding hypocritical positions, the web series calls out a broken funding system, questions the practice of moving elderly people rather than delivering services to them, and suggests some possible solutions as a neglected demographic continues to grow.
- One of the most intimate and obstinate filmmakers in Belgium, Boris Lehman acts, directs, produces, and distributes his films, single-handedly incarnating the essence of a creator who manages to survive on the fringes of his industry. From Brussels to Paris, friends, filmmakers and critics offer their understanding of a man for whom life is a reason to film, and film, a reason to live.
- An in-depth two part exploration of the evolution of the private film industry, through the eyes of more than 50 industry professionals. Part one : Artists and professionals from both social and commercial cinema tell the story of the struggle to build a private but Statefunded film industry. Part two : Managers, politicians and professionals talk about the origins of the majors funding institutions and discuss the perverse effects of building a cultural industry on the basis of performance metrics, revenues and private profits.