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- A man finds himself haunted by a mysterious black tower that appears to follow him wherever he goes.
- The destruction of a home for the building of a road is captured and contrasted with quotations from the residents.
- This experimental short subject is centered on the point of view of a woman in contemplating the nature of time, of memory, and of her personal relationships.
- With music by The Cardboards, The Shakes, Hans Brinker and The Dykes. By combining semi-fictionalized and documentary material, this film is as definitive a record of the Pittsburgh punk scene during its nascent underground as anyone could hope for. Beroes' band footage is radical departure from the gimmickry of stereotyped rock band documentary in its use of pans and slow dollys, capturing small glimpses of the musicians at work that a 'PR' film would have avoided at all costs. The cinematography demands a reconsideration of the rock band documentary's hoary technical vocabulary. From the time this film was made changes have already taken place in Pittsburgh punk-dom as the bands have moved from an insular salon society to more 'legitimate' venues. Some say things are better than ever, others mourn the passing of Pittsburgh punk's innocence. Beroes in Debt Begins at 20 has produced not only entertainment, but also a small and very precious time capsule.
- An experimental short and the audiences reaction is recorded and shown, then recorded while being show, and so on through multiple viewings.
- The film begins with a pair of female hands stroking the back of a man wearing a white jumper. A second shot reveals the woman's bare bottom being caressed by the man's hands. The man is Omar Blondin Diop, briefly in London to participate in Jean-Luc Godard's Sympathy for the Devil alongside Frankie Dymon and members of the British Black Panthers. During this period, Diop also associated with LFMC figures such as Simon Hartog and David Larcher and wrote a text on Andy Warhol for the Co-op's journal Cinim.
- A satirical exploration of the origins of humor that moves between the absurd and the deadly serious.
- Herzog-influenced imagining of ecological possibilities for four locations, anticipating Earth's impending post-societal collapse.
- A short film which combines magazine pictures and text in the form of word association game.
- Moderation, set in Egypt, Greece and Italy, revolves around a female horror director (Maya Lubinsky) and a screenwriter (Anna De Filippi), whose latest collaboration is haunted by encounters with its 'raw material' and the escalation of conflicting desires. Faced with the disintegration of their project, the director becomes more and more drawn into conversations with the actors she has cast (Aida El Kashef, Michele Valley and Giovanni Lombardo Radice), which reflect on the way horror traverses the affective and material realities of their lives on and off screen.
- An authoritative biography of the charismatic filmmaker, poet and anthropologist features excerpts from her pioneering Meshes of the Afternoon and her unfinished documentary on Haiti, interviews with Stan Brakhage and Jonas Mekas, and recordings of her lectures.
- This movie is an experimental documentary following the flow of the Thames out of London to the sea. It has a narration from John Hurt that takes the form of reading old manuscripts, books and news articles, and also a posthumous narration from poet TS Eliot reading from his own work, The Dry Salvages from the Four Quartets. Engravings, paintings, and archival film are juxtaposed against the contemporary footage, including Pieter Breughel the Elder's "The Triumph of Death" (c.1562) from the Prado Museum.
- A short film about haircuts and clothes.
- A man uses different words to describe an amphibian as the film evolves.
- This film applies the six principles for composition as in "Opinions on Painting by the Monk of the Green Pumpkin," written by the 18th-century Chinese painter Shih-T'ao as referenced in Raúl Ruíz's essay "For a Shamanic Cinema."