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1-8 of 8
- A rancher, his clairvoyant wife, and their family face turbulent years in South America in this adaptation of Isabel Allende's best-seller.
- Two stories about the greatest seducer of all time, Giacomo Casanova.
- Alvaro, a divorced journalist with a complicated love life, watches someone he doesn't know killing himself after a fight with a woman who he gave a lift. Intrigued by that mysterious sensual woman, he decides not to tell the police about the lift he gave her and investigates her by himself. He gets involved with her, but she remains too mysterious about her personal life. He ends up tangled in a web of murder, mystery and sex because of that woman, who he barely gets to know.
- The film was to be a documentary, but evolved during production to a fictional film. It nevertheless adheres strictly to the poems and letters exchanged by two of the most outstanding names of the Modernist Movement, Fernando Pessoa (in Lisbon) and Mário de Sá-Carneiro (in Paris). Their endless conversation was dramatically and suddenly terminated.
- When Sir John Falstaff decides that he wants to have a little fun he writes two letters to a pair of Window wives: Mistress Ford and Mistress Page. When they put their heads together and compare missives, they plan a practical joke or two to teach the knight a lesson. But Mistress Ford's husband is a very jealous man and is pumping Falstaff for information of the affair. Meanwhile the Pages' daughter Anne is besieged by suitors.
- Stage director Emilio Sagi's production of the legendary Barber of Seville is enriched by a bright distribution. Maria Bayo returns to one of her signature role as Rosina, opposite Juan Diego Florez, the Rossini expert tenor. The title role is embodied by the Italian baritone Pietro Spagnoli, while Ruggero Raimondi and Bruno Pratico reconcile the audience with Don Basilio and Don Bartolo.
- In 2005, Olga Roriz celebrated 50 years of age, 30 years of career and 10 years of her company. To celebrate these three dates, the Olga Roriz Company produced the "Felicitações Madame" (Congratulations Madame) project. The principle of this idea was to occupy three places away from the stages, real places, and, in each one of them, to create a piece that, by the characteristics of the spaces was foreseen "Ephemeral".