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- In a post-September 11th world overflowing with fear and hate, two Latino teens discover that sometimes the only thing that can keep them from drowning is love.
- During a photo hunt in a Mexican border town, a photographer's life takes an unexpected turn when one of his snapshots causes a boy's death. The Negative is a psychological thriller based on the worldwide folklore that photographs strip away pieces of the soul.
- This gritty silent tale takes you into the last moments of a man's life, makes you a witness to his lynching and transports you through time as the graphic photograph commemorating the event resurfaces in a surprising contemporary setting.
- "The Natural is supposed to be a blue-eyed boy who teethed on a 36-ounce Louisville Slugger. He should run like the wind and throw boysenberries through brick. He should come from California." Steve Wulf, Sports Illustrated, 1981. So how was it that a pudgy 19-year-old Mexican left-handed pitcher from a remote village in the Sonoran desert, unable to speak a word of English, could sell out stadiums across America and become a rock star overnight? In Fernando Nation, Mexican-born and Los Angeles-raised director Cruz Angeles traces the history of a community that was torn apart when Dodger Stadium was built in Chavez Ravine and then revitalized by one of the most captivating pitching phenoms baseball has ever seen. Nicknamed "El Toro" by his fans, Fernando Valenzuela ignited a fire that spread from LA to New York -- and beyond. He vaulted himself onto the prime-time stage and proved with his signature look to the heavens and killer screwball that the American dream was not reserved for those born on U.S. soil. In this layered look at the myth and the man, Cruz Angeles recalls the euphoria around Fernando's arrival and probes a phenomenon that transcended baseball for many Mexican-Americans. Fernando Valenzuela himself opens up to share his perspective on this very special time. Even 20 years later, "Fernandomania" lives.