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1-17 of 17
- A book broker discovers his latest find may summon Satan.
- A political activist is convinced that her guest is a man who once tortured her for the government.
- In Paris, Maxime visits his wealthy industrialist father Alexandre and his beautiful young Canadian wife, Renée. Alexandre fathered him years ago in a prior marriage and he has come to stay with them after studying in England. Renée tells Maxime that she married Alexandre when she was pregnant following an unhappy love affair; the child was stillborn and the passion between the two has faded. They begin an affair and fall in love with each other. Renée, who came from a wealthy family, asks Alexandre for a divorce. He agrees, on the condition that she leaves the fortune she brought to their marriage invested in his business. Renée accepts this and goes to Switzerland for a divorce. But while she is away, Alexandre confronts his son with two alternatives: he can either run off with now penniless Renée or become engaged to Anne, the daughter of a wealthy banker whose support Alexandre needs for his business. Maxime agrees on the second course of action. Renée returns from Switzerland to find Alexandre holding a ball celebrating Maxime's engagement to Anne. Renée throws herself into the pool to kill herself - but then changes her mind and dripping wet enters the party. Alexandre escorts her to the gymnasium, where she sits and stares into an empty future.
- A film director has an inspirational crisis while working on the production, Passion, and struggles with the nature of work and art.
- Widower Thomas Jefferson (3rd US president 1801-09) lives in Paris 1785-90 with his daughter. He has a pretty slave girl accompany his other daughter to France. He has an alleged affair with her resulting in children.
- On an isolated island ruled by a dictator, a petty thief rises through the ranks, becoming fly-catcher, dog-keeper, and boot polisher. Temptations arise, putting the islanders' fate in jeopardy and threatening to change the island forever.
- Story of a lonely young girl who is befriended by an innocent but emotionally disabled veteran of the French Indochina War.
- The film is based on the musical recording of the famous opera by Modest Mussorgsky about the tragic events surrounding the ruling of the Russian tsar Boris in the early 17th century. The recording was actually made two years before the filming with the participation of the Washington Symphony Orchestra (conducted by Mstislav Rostropovich) and several opera stars (the part of Marina is sung by Galina Vishnevskaya). Zulawski made the film just as we would be watching the theatrical performance. Then we are going through the sets and, finally, we notice the film crew. The director deliberately filled the picture with a plenty of anachronisms making the implications on the Soviet history and the other dictatorships of the 20th century.
- Richard Wagner's last opera has remained controversial since its first performance for its unique, and, for some, unsavory blending of religious and erotic themes and imagery. Based on one of the medieval epic romances of King Arthur and the search for the holy grail (the chalice touched by the lips of Christ at the last supper), it recounts over three long acts how a "wild child" unwittingly invades the sacred precincts of the grail, fulfilling a prophecy that only such a one can save the grail's protectors from a curse fallen upon them. Interpreters of the work have found everything from mystical revelation to proto-fascist propaganda in it. Hans-Jurgen Syberberg's production doesn't avoid either aspect, but tries synthesize them by seeking their roots in the divided soul of Wagner himself. The action unfolds on a craggy landscape which turns out to be a gigantic enlargement of the composer's death mask, among deliberately tatty theatrical devices: puppets, scale models, magic-lantern projections. The eponymous hero is sung by the specified tenor voice (Reiner Goldberg) but mimed on screen by a male and a female performer alternately, reflecting what the director takes to be the creator's own sexual conflicts. Syberberg's pacing, dictated by the majestic pace of Wagner's score, is slow, but enlivened by constant subtle shifts in point of view, and memorable performances by actress Edith Clever as the villainess/heroine Kundry (sung by Yvonne Minton), orchestra conductor Armin Jordan as the remorseful knight Amfortas (sung by Wolfgang Schoene), and Robert Lloyd (the faithful retainer Gurnemanz).
- In 1820s Spain the soldier Don José falls in love with the fiery and charismatic factory worker Carmen. Conflicts and grievances multiply, however, as it becomes apparent their views on love and commitment are fundamentally incompatible.
- The life story of the titular Beaumarchais, playwright and adventurer, who gets himself into numerous different scrapes and romantic encounters in 18th Century France.
- Ripley the vampire, revived and flourishing after being entombed beneath the streets of London for two centuries, must murder three women at the command of his master, Satan, to ensure his continued existence. A modern updating of a 19th century operetta.
- Paris, 1910. On Christmas Eve, a young woman knocks on her neighbor's door to borrow some lamp oil. A touching romance is ignited even as the young woman becomes very sick.
- La Voix Humaine is a concerto for soprano and orchestra, centering on the break-up of a relationship by telephone.
- An adaption of Claudio Monteverdis opera.
- Ruggero Raimondi, wrapped in black leather, rushes on his backfiring motorcycle in the rue de Rivoli, throwing the aria of Champagne by Don Giovanni.