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- A fast moving odyssey into the subterranean world of the rarely explored province of Filipino genre filmmaking.
- A documentary film about the life of pianist and jazz great Thelonious Sphere Monk. Features live performances by Monk and his band, and interviews with friends and family about the offbeat genius.
- Although Butoh is often viewed as Japan's equivalent of modern dance, in actuality it has little to do with the rational principles of modernism. Butoh is a theater of improvisation which places the personal experiences of the dancer on center-stage. The dancer is used as a medium to his or her inner life, but not for the portrayal of day to day existence. A Dionysian dance of nudity, eroticism, and sexuality, Butoh's scale of expression ranges from meditative tenderness to excessive grotesqueness. By reestablishing the ancient Japanese connection of dance, music, and masks, and by recalling the Buddhist death dances of rural Japan, Butoh incorporates much traditional theater. At the same time, it is a movement of resistance against the abandonment of traditional culture to a highly organized consumer-oriented society. An alliance of tradition and rebellion, Butoh is one of the most fascinating underground dance movements. "Butoh: Body on the Edge of Crisis" is a visually striking film portrait shot on location in Japan with the participation of the major Butoh choreographers and their companies.
- No understanding of the modern movement in architecture is possible without knowledge of its master builder, Mies van der Rohe. Together with documentation of his life, this film shows all his major buildings, as well as rare film footage of Mies explaining his philosophy. Phyllis Lambert relates her choice of Mies as the architect for the Seagram building. Mies's achievements and continuing influence are debated by architects Robert A.M. Stern, Robert Venturi, and Philip Johnson, by former students and by architectural historians. Mies is seen in rare documentary footage.
- Architect Peter Zumthor lives and works in the remote village of Haldenstein in the Swiss Canton of Graubünden where he can keep the politics of architecture at a comfortable distance as he enjoys status and praise for his unique modernist buildings. In "The Practice of Architecture", critic Kenneth Frampton visits Zumthor at his studio where the two are surrounded by models, designs and plans for current and future projects throughout Europe and the United States. Frampton questions the renowned architecture on the motives and methods behind some of his most famous works, including his Zinc-Mine-Museum in Norway and the highly acclaimed Therme Vals, a stunning hotel and spa built over the thermal springs in Graubünden. While walking us through his career, Zumthor discusses his penchant for minimalism, the importance of landscape, light and material, and the architectural theory behind his stunningly precise style.
- Documentary profile of singer-actress Eartha Kitt.
- Watching Robert Rauschenberg interact with his own work, from its early stages to a finished product, is to understand how much of himself he places into his art. Noting that in his first attempts at painting, he used his own hands as opposed to a brush, Rauschenberg expresses to us his need create and be present within his work. Rauschenberg explains how he strays from specific images or items that may isolate his audience and focuses on commonly seen content. Much like his relationship with the materials he finds himself working with, Rauschenberg wants those viewing his pieces to create a spur of the moment connection. He feels as though anything preconceived, whether it be materials or interpretations, throws off the authenticity of art. Rauschenberg states that he "would substitute anything for preconception or deliberateness" and goes on to say "if that moment can't be as fresh and as strange as what's going on all around you then it's false". (Robert Rauschenberg) Strange, indeed, is what a viewer may feel when looking at one of Rauschenberg's notable Combines, in which his art defies all former notions of composition and plays boldly with texture, sculpture and genre. Rauschenberg's desire to interact with his art is palpable and it is that passion that drives us, as viewers, to seek a similar connection when face to face with his creations. Robert Rauschenberg: Retrospective includes important examples of the artist's diverse and extraordinary accomplishments, tracing his development from his student years and his earliest experiments to a retrospective of his work at the Museum of Modern Art in New York. From explorative early pieces like Erased de Kooning Drawing (1953) to his famed collage works such as Buffalo II (1964) and Autobiography (1968) Rauschenberg's work stands out with a daring boldness.
- By the end of the 1980's a new architectural sensibility challenged the prevailing post-Modern attitude and brought forth new and daring designs. Driven by the philosophy and theory of Jacques Derrida, the architects of Deconstructivism are rooted in a movement that urges us to examine the space we move through. Deconstructivist Architects documents explosive and seemingly chaotic structures from Vienna to L.A., and interviews those who pursue its aesthetic issues. Filmed on location with the architects and at the Museum of Modern Art's exhibition Deconstructivist Architecture, which was curated by Philip Johnson.
- A look at the life, work, and impact of Andy Warhol (1928-1987), pop icon and artist, from his childhood in Pittsburgh to his death after a botched surgery. Warhol coined the word "superstar," became one, and changed the way the culture looks at and understands celebrity. After studying at Carnegie Tech, he goes to New York to be a commercial artist. By 1960, Warhol, Lichtenstein, and Rosenquist are inventing pop art. Warhol starts "The Factory," his workshop where he paints and makes movies. His is a cafe society of late nights and parties. His family, friends, an agent, a curator, gallery owners, actors, the co-founder of "Interview," and others tell stories and assess his art.
- Narrated by critic Donald Kuspit, A New Spirit in Painting: 6 Painters of the 1980's explores the creative paths being forged by a collection of modern artists. Through observations of their pieces and intimate discussions ignited by the meaning behind the work, we gain a rare insight into the minds behind the rousing new wave of painting. Often times dark and daring in their aesthetic, the artists have recovered myth, history, symbols and eroticism to use as subject matter, recharging the gestures of previous generations with new intensity and inspiration.
- As an architect, educator, and philosopher, Louis Kahn played a prominent role in the history of 20th century architecture. An examination of six of his most significant buildings: The Salk Institute; the Kimbell Art Museum; the Center for British Art; the library at Philips Exeter Academy; the Indian Institute of Management; and the Parliament Buildings of Bangladesh.
- Directed by writer and critic, Hans Helms, "African American Musicians and Composers" investigates the social, political and economical factors within the world of modern music where racial discrimination is still very much present. In an exploration of culture, tradition and democracy, musicians and singers such as Margaret Harris, George Turner and Martina Arroyo discuss their own experiences with racism in their industry and the ways in which they've persevered throughout their careers. Capturing both interviews and live performances, this film provides a glimpse into a variety of genres including opera, musical theatre, jazz and rock. African American Musicians and Composers serves as a compelling think piece on racial bias within the musical world while showcasing the vast array of talent among the featured performers.
- Flooded with astute analysis and discussion surrounding his motifs, movements, and methods, "Picasso: The Legacy of a Genius" walks us through the artist's timeline and the complex stages of his life's work. Guided by the prolific artists who followed Picasso such as, David Hockney, Roy Lichtenstein and George Segal, we journey through the artist's spectacularly diverse collection of work from his melancholy Blue Period to the introduction of Cubism. When confronting Picasso's natural tendency to explore and excel at vastly different painting styles, Anthony Caro stated, "I don't know anybody that could change their whole artistic persona so variously and so quickly as Picasso." (Anthony Caro). Always deeply inspired by the poverty and hardships he faced in the early years of both his childhood and career, Picasso did not shy away from the ugliness of his experiences. Following the rapid success of Demoiselles d'Avignon Picasso threw himself into Cubism, creating many of the images that would inspire artists involved with the Abstract Expressionist movement in the years to come. His abstract figures and and settings illustrate the complexities of humanity, presenting inner emotion through his subject's contorted and curious forms.
- Led by Meyer Schapiro and George Segal, "The Artist's Studio" gifts us with an intimate conversation between the art historian and the artist as they discuss Segal's plaster sculptures in relation to the European tradition and to contemporaries, from Giotto to Abstract Expressionism. Focusing on process, material, color and theory Schapiro and Segal examine the artist's work and the complex thought behind his acclaimed human casts.
- "The Once and Future Pariser Platz: A Square in Berlin Comes Back" documents a vital moment in the re-building of a city center, where the Berlin wall once stood. Within a few years Pariser Platz was rebuilt, accompanied by an extensive public debate about the quality of the new architecture and the merits of the city planning for the area. An imposing assembly of internationally acclaimed architects found new solutions for the ten buildings that once defined the site, among them the American embassy. Featured architects such as Günter Behnisch, Kevin Roche and Gerhard Kallman discuss the necessary aesthetic of the new U.S Embassy building and the desire to pay homage to its original neo-classical design while introducing modern elements. The re-emerging square symbolizes the reunification of the city as the years of the wall formally ended in Pariser Platz in 1989 with the opening of the Brandenburg Gate.
- Featuring notable Minimalist artists such as Bride Marden, Claes Oldenburg and Donald Judd, What is Minimalism: The American Perspective 1958-1968 explores the movement during an explorative exhibit at the Museum of Contemporary Arts in Los Angeles. Exhibition curator, Ann Goldstein, walks us through multiple rooms of the exhibit and offers her insight on Minimalism and its role in our society, stating that "It marked a fundamental, and critical and pivotal and irrevocable change in the course of art history," (Ann Goldstein). This film observes and analyzes the compelling creative choices behind some of the featured artists most applauded works of art.
- This installment of The New Modernists looks at nine American-based innovators and their work for housing projects, commercial architecture, private houses and renovations from California to Italy to Japan and beyond. New York architect Billie Tsien, who participates in the film along with her husband and creative partner Tod Williams, states "Making architecture is about the process of making something and the thing, when you are finished, is never perfect, it is always slightly changing, it gets the scratches of the people who move in, fingerprints, it is like life itself, it is not static." (Billie Tsien) The featured architects discuss their methods and efforts towards building on the principles of Modernism while evolving a new language- one drawn from politics, film, literature, theory and the state of the world.
- Documentary examining the life and career of producer/director Roger Corman. Clips from his films and interviews with actors and crew members who have worked with him are featured.
- Guided by seasoned New Yorkers, political figures, and cultural connoisseurs, "Empire City" examines Manhattan and its surrounding boroughs in order to paint a portrait of the ever-evolving metropolis. Appearing to be both adaptable and stubbornly stagnant, New York is a city of juxtapositions. As our narrator notes, "The city is too big, too diverse, and too complex for anyone to comprehend. New York is many cities interlaced with one another, each in constant independent motion." In "Empire City" we see proof of this dynamic through both footage and discussion of extreme wealth, economic success and increasingly expensive real estate versus the hardships faced by the city's minorities such as people of color, immigrants, and the lower class. Leaders and residents such as David Rockefeller, Edward Koch, Norman Mailer, Jane Jacobs, and Herman Badillo offer their insight into the best and worst of New York while tenderly noting the pride and loyalty it's inhabitants hold onto.
- Larry Rivers addresses his art with a sense of primal urgency. He allows himself to find inspiration in whatever he is drawn to, driven by his non conforming notions surrounding focus and subject. Like the other pop artists of his time, Rivers found it vital to hone into one space or object and study it until it gained new meaning. Whether it be a body part or a piece of furniture, Rivers explores details so vividly that the subject itself becomes a separate entity, free entirely from the way it is viewed in day to day life. Rivers emphasizes his desire to "destroy the sort of reality of subject matter" (Larry Rivers), using his piece Double Portrait of Berdie to illustrate this concept. By showing the "subject" twice, Rivers is able to make his viewers question the true subject of the painting, and if there is one at all. Rivers seems to enjoy destroying narrative and playing with the mind's reaction to art. Through his art films such as "Tits", Rivers explores the boundaries between artist and audience as well as society's reaction to his intimate and unfamiliar exposure of the human body. Rivers applied his same method of isolating a subject to the naked body, stating that he is interested in "separating one detail from an environment and going at it relentlessly" (Larry Rivers). It is with this intensity that Rivers produces his work, whether his medium be canvas, sculpture or screen.
- This extraordinary haunting building, a zig-zag form reflecting an invisible matrix of addresses of Jewish Berliners who once lived in the area, is Daniel Libeskind's first commission. It took ten years to build, and it has become an integral part of the cityscape, attracting vast numbers of visitors and signaling a new era of Jewish-German history. Libeskind is questioned by Alan Riding, New York Times journalist, as he takes him through the building, which was initially intended as a simple annex to the adjacent baroque Berlin Museum. His concept for the new wing, though, was intentionally so incompatible with the main building that there was no way to connect them above ground. To arrive in the Jewish Museum, visitors must enter through the 18th-century building and then descend to underground passageways and "voids," which in themselves give a strong sense of the tragic fate of the German-Jewish population during the Hitler years, even without any exhibitions in place. During this walking tour, Libeskind lays bare to Riding the entire architectural and philosophical concept of the building, an absolutely unique construct of innovation, intellectual prowess, and direct allusions to the lives and work of Berlin's pre-Nazi population of Jewish literati and artists, such as Walter Benjamin and Arnold Schonberg.
- While guiding us through her retrospective exhibition "Zaha Hadid Has Arrived", the renowned architect recalls her career from its beginning, discussing her education, inspiration and technique. The exhibition, located at The MAK in Vienna, features a new sculpture from Hadid entitled "Ice Storm" that serves as the centerpiece of the show and captures her sleek signature. From her famed Bergisel Ski Jump to Rome's Museum of Contemporary Art, Hadid's architectural resume shines in its diversity and exploration. A Day with Zaha Hadid reviews Hadid's work of the last decade and celebrates her perpetually modern and daring designs.
- In 1968, we had the opportunity to spend time with Thelonious Monk and his musicians, following him in New York, Atlanta, and in various European cities. In New York his quartet plays at the Village Vanguard and at recording sessions for Columbia Records; in Atlanta they appear at a Jazz Festival organized by George Wein. The members of the quartet were Charlie Rouse, Larry Gales, and Ben Riley. The group was joined on the European tour by Ray Copeland, Clark Terry, Phil Woods, and Johnny Griffin, traveling as part of George Wein's Newport Jazz Festival road company.
- A poet among architects and an innovator among educators, John Hejduk converses with poet David Shapiro at The Cooper Union about the mystery and spirit of architecture. His own sketches and structures are shown.
- James Stirling takes us from Germany, to London, to Boston, guiding us through three of his widely famed museums. Though the buildings designed and created by the established architect contain some of the world's most notable works of art, Stirling reminds us that architecture serves as its very own long standing piece. Influenced greatly by both the European avant-garde and classic Victorian structures, Stirling is bold and daring in his designs. Both his colleagues and critics reject the classification of Stirling as a Postmodernist, believing the term "rogue architect" to fit him better. In reference to his design process Stirling states, "I do not believe that no matter how complex a building is, it should be consistent in its expression, consistent in its scale, consistent in its materials. I think the building can be inconsistent in its materials, varied in its scale, and different in its expression." (James Stirling) With no desire to abide by the rules of a specific and timely movement, Stirling creates with a free and explorative hand.
- In 1969, Christo and Jeanne-Claude wrapped 2.5 kilometers of coast and cliffs up to 26 metres along the coast of Little Bay, in Southeast Sydney, Australia.
- Filmed at the Philadelphia Museum and Locks Gallery, The Imaginary Solutions of Thomas Chimes presents a conversation with the artist as he reminisces about his career, influences and artistic intuitions. Director of the museum, Anne d'Harnoncourt, joins Chimes to revisit the galleries of Thomas Eakins, Duchamp and Van Gogh, all of whom were deeply influential throughout his artistic journey. Just as many other American artists, Chimes spent time in Paris and discovered writers such as Antonin Artaud, James Joyce and most notably Alfred Jarry, whose writings on pataphysics dominated Chimes' work for two decades. Chimes's portraits of Jarry and his intellectual peers are the core of his idiosyncratic work as an artist. Michael Taylor, curator of Chimes' retrospective exhibition at the Philadelphia Museum, questions him on his progress from his beginnings to his present work.
- A documentation of Japanese avant-garde art and artists made during the remarkable economic boom, symbolized by the EXPO 70 in Osaka. To find the right artists, Isamu Noguchi suggested we seek the advice of Shuzo Takiguchi, an art historian and critic who was also a close friend of Marcel Duchamp. Takiguchi in turn recommended three younger critics who introduced us to exceptional young artists.
- Pop culture and modern media flooded the art world throughout the 1960's, giving artists new means and methods for a cultural revolution. Leading the scene of experimental and avant garde art were innovators such as Robert Rauschenberg, George Segal, Claes Oldenburg and Andy Warhol. American Art in the 1960's follows said artists and many others as they venture through the movements of pop art, abstract expressionism, collage, sculpture and Expressionistic Cubism. Their audience followed along loyally as the artists' dove into new imagery that held a mirror up to society and examined the roots of culture. Narrator and writer, Barbara Rose makes the insightful observation: "As art was integrated into American life, it became more difficult to shock the public. Serious, profound, frivolous, absurd and ultimately tragic, the contradictions and paradoxes of the Sixties were reflected in American art of that revolutionary decade." (Barbara Rose) With no fear of experimenting with new mediums, the artists discuss the inspiration behind their work and the desire they feel to create.
- Driven by their mutual admiration of classical architecture, Robert Venturi and Denise Scott-Brown have worked together to create a space of unique post-Modernist construction. Filmed during the design and realization of the Sainsbury extension to the National Gallery in London, the husband and wife team discuss their past work and the shared principles that led to their precise, historically inspired approach to modern architecture.
- "Sally Gross: A Life in Dance" is an intimate reflection on the choreographer's eclectic career and her explorations into movement, philosophy and visual expression. After becoming involved with the avant-garde Judson Theater Dancer in the early 1960's, Gross has spent the last four decades quietly creating original pieces. She often hosted the unique performances in her own small studio space, the practice of which gained her a solid reputation in the New York dance world. In this portrait Gross describes her dance approach as she prepares to begin a weekly movement class for friends and acquaintances, many of whom have been taking part in the Wednesday evening tradition for the past forty years.
- "Hans Bethe: Prophet of Energy" is a portrait of the eminent Nobel Prize winning physicist who greatly advanced our knowledge of the atom. Bethe discusses the milestones of his career: his student work in Germany, his flight from the Nazis, his work on the Los Alamos Atomic Bomb project under Robert Oppenheimer, and his research on the energy production in stars. In working to help solve the energy crisis of the 1970's, Bethe established himself as one of the country's leading spokesmen for a safe way to use nuclear energy. Speaking in support of a sensible use, he represents a side of this controversial issue that deserves more attention. The film provides crucial insight into this complex issue by one of the world's authorities.
- As Isamu Noguchi walks us through his grand sculptures and gardens, the artist offers a unique insight into the way we, as individuals and as a collective society exist in time. Guided by his fascination with one's own reaction to time, Noguchi works to create pieces that emulate the non-linear narrative of life. Convinced that trapping oneself in a single time can be isolating in both existence and art, Noguchi stated, "If you are caught in time, immediate present time, then your choice is very limited, you can only do certain things correctly belonging to that time. But if you want to escape from that time constraint, than the whole world- I mean not just the most industrialized world - but the whole world is someplace where you belong." (Isamu Noguchi) Noguchi relates this interpretation of time to both his art and his experiences with the nature that tied into his work. While explaining how Michelangelo was told to collect his marble from Monte Altissimo di Nago, Noguchi dwells on the importance of recognizing the relationship between nature, art and technology. Much like his resistance to conform in the constructs of time, Noguchi is also persistent in his artistic freedom, rejecting the notion of a set genre or movement. He relies on intuition and passion to dictate his presence, and therefore his work's presence, in time and space. Reluctant to lock himself or his work into any preconceived notion, Noguchi stated the following, "I consider conceptual things as a base--that's where you start from. But the discovery is in the accidents and also the things that happen which make you change your mind. I'm never absolutely fixed about anything." (Isamu Noguchi) The fluidity of Noguchi's work led to a collection of stunning and diverse pieces that are, as he intended, timeless.
- Philip Guston is a powerful staple of the abstract expressionist movement, though he would prefer it be referred to as the New York School. Along with composers, choreographers and his fellow visual artists, Guston found his place in the avant garde. Often times finding modern art almost too accessible, Guston strives to create pieces that encourage audiences to engage, but not without deep consideration. His paintings rely heavily on motif and repetition, emphasizing the importance of his often political subjects. Perhaps his own worst critic, Guston had a habit of destroying the work he did not find himself connecting with. Guston had no interest in simply presenting an image that he was not fully absorbed in. His passion for his work comes through in heavy brush strokes which turn and travel expressively across the canvas. In reference to his own process and the diversity within his work Guston tell us "Nothing is ever solved in painting. It's a continuous chain that sometimes doesn't go in one line, but goes in a serpentine line or in crooked paths, detours, which have to be investigated." (Philip Guston) In both his paintings and career Guston did not fear exploration but welcomed it, eagerly following the winding path of his ever evolving art.
- Japanese architect, Tadao Ando, roots himself in cultural visions of space, landscape, and juxtaposition. Inspired deeply by his home and heritage, Ando proposes an international architecture that he believes can only be conceived by someone Japanese. Believing in the importance of carpentry and craftsmanship, Ando pays tribute to his culture and the way in which architecture is approached through the body. Showcasing his individuality through urban complexes, residences and chapels, Ando presents the work of his formative years, before embarking on projects in Europe and the United States.
- Documentary portrait of the Philippine filmmaker Lino Brocka.
- This documentation chronicles Peter Eisenman's creation of a major public sculpture in the center of Berlin. Eisenman succeeded brilliantly in the face of controversy and critique, most of which vanished with the dedication of the memorial in May 2005. Prominent German politicians, literati, academicians as well as general visitors comment on their feelings and impressions of the memorial.
- While visiting four architectural practices in 1982, we discuss the postmodernist movement through its meaning and motives. Beyond Utopia: Changing Attitudes in American Architecture features Robert Venturi, Denise Scott Brown, Frank Gehry, Michael Graves and Peter Eisenman, all of whom are protégés of Philip Johnson. Guided by their mentor, these innovators rejected the European modernism of Mies and Corbusier in search of alternative directions. The architects show and discuss their buildings of the time both in their personal offices and on location.
- Filmed during a rehearsal and performance of Beethoven's Quartet in B Flat Major, Opus 130, "The Juilliard String Quartet: Keeping Beethoven Contemporary" is an exciting portrait that explores the creation and history of the famed Quartet, offering a glimpse inside the world of its four current members. Founded in 1946 by Juilliard School president William Schuman and violinist Robert Mann, with the intent of pursuing the brilliant musicianship of the classical genre, the Quartet continued well beyond its original membership, bringing the music along into a new era. Opening up their dialogue to us, the members of the Quartet, Joseph Lin, Joel Krosnick, Ronald Copes and Samuel Rhodes, speak in detail about the string quartet as a musical genre, its vibrant history, and the significant contributions of Beethoven.
- In 1971, in association with West German Television, we produced a documentation on New York's musical avant-garde that was broadcast only in Germany at the time of its release. In 2010, nearly 40 years after the film's original production, it felt desirable to recycle the performances and interviews with the featured composers in order to create a revealing look back to those years for an English-speaking audience. Featuring notable contributors to the musical avant-garde such as John Cage, Philip Glass and Ben Patterson, this portrait explores experimental sound and the rise of electronic composition. "New Music: Sounds and Voices from the Avant-Garde, New York 1971" offers valuable insights into the nature and issues of advanced composition at the beginning of the 1970s.
- The band of American artists known as the New York School toyed with tradition and rebelled against the Renaissance. In the early throes of Abstract Expressionism artists such as Jack Tworkov and Robert Motherwell were intent on working from the unconscious, eager to stray from the structured composition of the European work they had studied throughout school. Feeling as though free association yielded their best results, the painters, poets and performers of the New York School took a surrealist approach that was concerned less with aesthetic and more with expression. Those associated with the School were unified by their desire to create from within. While walking through the studios of Adolph Gottlieb, Philip Guston, and Lee Krasner, writer and narrator Barbara Rose notes, "Many were immigrants to America, but slowly they turned their eyes from Europe, looking into themselves and into their own subjective conflicts and experiences. As a result, they created a monumental, dramatic art that remains a singular expression of the crucial modern quest for individuality and personal freedom." Never knowing exactly how their pieces would turn out, the artists of the New York School embraced their own complex humanity and worked from a place of bold, sporadic realness.
- Linked by their desire for the unknown and an increasingly explorative use of materials, the artists featured in 14 Americans: Directions of the 1970s strive to push boundaries and observe the space we occupy. Some of their activities enlist engineering and construction techniques, others compose texts or scripts that are central to their art. Some cast the viewer in the role of a spectator, while the others demand active participation. Through performances, sculptures, earthworks, furniture, and shaped canvases, artists such as Mary Miss and Scott Burton expand the meaning of art and strive to reshape our approach to creation.
- Filmed at the Guggenheim Museum, "Robert Morris: Retrospective" is a detailed and compelling walk through of the artist's exhibition. Joined by renowned art critic and curator Rosalind Krauss, Morris leads the viewer through his work and offers his own feelings and theories behind the avant-garde creations. Through painting, movement, space and sound Morris has built an impressive body of abstract art, most of which calls immediate attention to the society and culture it mirrors. The retrospective exhibition gives brilliant insight into the artist's mindset and the motivation behind his work of the last 4 decades.
- In 1943 Herbert and Lotte Strauss made the courageous decision to escape from Germany and almost certain extermination in a Nazi concentration camp. This is a personal account of their dramatic flight, building a new life in the United States, and coming to terms with the Holocaust. "We Were German Jews" grapples with the torment of living with the legacy of the Holocaust. The film chronicles Herbert and Lotte Strauss' return visit to Germany. They were not trying to assuage any sense of guilt over having survived; they wanted to confront the past by going back to where they had lived before the onslaught that claimed most of their relatives. This understated, very personal story adds significantly to the body of evidence that explores human behavior in the face of genocide and insists that we remember the past and learn from it.
- Built in 1972 by Kisho Kurokawa, the Nakagin Capsule Tower is a rare, long standing example of Metabolist architecture. Known as the first Japanese architectural movement, Metabolism manifested in 1960 through critic Noboru Kawazoe and five architects, Kurokawa being the youngest among them. Together they envisioned a new direction for future Japanese architecture and urbanism, designing plans with large, flexible and expandable structures, the style of which is beautifully demonstrated by the Nakagin Capsule Tower. The building is composed of two concrete core towers which 140 capsules are plugged into, all of which were prefabricated and designed to be removable and replaceable. This portrait, filmed in 2010, gathers context surrounding the tower from its residents as well as Kurokawa's colleagues, friends and family as they debate the current issues with the structure and argue the merits of both preservation and demolition. Tracing the history of postwar Japanese architecture and reviewing the characteristics of the Nakagin Capsule Tower, this documentary examines the meaning of Metabolism and Kurokawa's meticulous methods within the movement.
- The Sensual Nature of Sound portrays four New York based composers and performers in terms of their musical lives and artistic passion. Though Laurie Anderson, Tania Leon, Meredith Monk and Pauline Oliveros are all pioneers in American music, each composer pursues a distinct direction of her own. Their rehearsals and performances show a common pursuit of lyrical storytelling through which a new set of contemporary narratives has been forged. Through body, sound, movement and composition, these women have forged their own path through the wild world of modern music.
- Renowned architect, Arata Isozaki creates with a rare and specific hand, blending his Japanese culture and education with classic Western aesthetics. Inspired deeply by the architecture he saw in Europe, Isozaki's buildings appear both grand and delicate, entirely aware of the space they occupy. Of his particular style Isozaki tells us, "Even though my buildings look very Western and not Japanese, conceptually and fundamentally, I feel that I have been very influenced by Japanese traditions, both in architecture and in traditional concepts of time and space." (Arata Isozaki) Arata Isozaki: Early Work in Japan takes a detailed look at the architect's pieces, exploring applauded projects such as the EXPO '70 Osaka Festival Plaza, Gunma Prefectural Museum of Modern Art and Kitakyushu Municipal Library. The extraordinary series of architectural breakthroughs made during this time contributed significantly to the evolution of contemporary architecture worldwide, and eventually gained him his first foreign commission: The Museum of Contemporary Art in Los Angeles.
- Serving as a detailed portrait of the acclaimed Japanese architect, this film engages with Kisho Kurokawa, who employs Buddhist ideas in a symbiosis of traditional forms and western modernism to achieve an intercultural architecture. In a merging of philosophy, culture, space and narrative, Kurokawa has created a body of work that he defines as symbiotic, which he specifies as "the simultaneous expression of conflicting things in a symbiotic manner" (Kisho Kurokawa). Kisho Kurokawa: From Metabolism to Symbiosis follows him to many of his major accomplishments in Tokyo, Hiroshima, Nara, Osaka, Berlin, Paris, Chicago and New York.
- A visit to the studio of Ernst Wilhelm Nay, a remarkable, if somewhat solitary German artist, who established his status at age 30, just before the advent of the Nazi takeover. Nay belonged to the persecuted generation of German artists who, just as their work began to blossom, were forced out by Hitler's art dictatorship. Labeling the art "decadent", the Hitler regime called for the removal of Nay's paintings from museum collections and the artist was banned from showcasing his new work. After the end of World War II, Nay returned to painting and worked tirelessly to make up for lost time, producing new pieces year after year and quickly becoming one of Germany's leading painters. Ernst Wilhelm Nay died in 1968 at the age of 65 yet his studio, still intact, offers a retrospective of his work starting from the 1920s. His wife, Elisabeth Nay walks us through the studio, offering insights into her husband's process and creative intent.
- Filmed at the third international conference of prominent architects and engineers at Columbia University, Graduate School of Architecture in 2010, "Post Ductility: Metals in Architecture and Structural Engineering" presents a series of detailed lectures during which the past, present and future of metal is discussed. Speakers such as José Rafael Moneo, Mabel Wilson and Steven Holl bring forth examples of the material's merit and methodical use over the past two centuries. The engineerical history addressed during the conference highlights the developmental and aesthetical reliance designers have consistently felt towards metal as a material. Citing its form, structure and construction, the lecturers analyze the material's anatomy, tracking its adaptation and growth within the architectural world.