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- Carlos and Solange, childhood sweethearts, marry after a chaste courtship. On their wedding night, Solange refuses to make love to him. First he pleads, then in anger he rapes her. She says she adores him, but, even after months of marriage, can't endure his touch. To prove to herself she's not frigid, she begins a daily routine of seducing strangers on public busses; she also takes Carlos's best friend to a motel. Carlos figures out that she's unfaithful and, armed, confronts Solange. Meanwhile, she seeks psychiatric help because she feels no remorse. Will there be violence and death, a psychological breakthrough, or more bus rides?
- A wild and aimless being, in an aimless metropolis, and his adventures concerning his sexual, maternal and tropical instincts.
- An aspiring model leaves her wealthy middle-aged lover for a handsome young writer. But as her career takes off, their relationship gets worse.
- Documentary about Brazilian soccer player Tostão.
- Film in three segments: Transplante de Mãe (Mother Transplant), Clepsusana and O Filho da Televisão (The Television's Son). All three are about mass media, specially TV. Transplante de Mãe is a spoof representation of a very famous and outlandishly corny Brazilian song, Coração Materno, which tells about a man who kills his own mother and takes her heart out to give it to his lover as a gift. In Transplante de Mãe, not only does he perform the infamous act, but he finds inside his mother some products advertised on TV. In Clepsusana, the obsession about consumption turns into a pathology. The main character doesn't buy, but steals the material objects she longs after. O Filho da Televisão depicts mass culture, seen from backstage. A publicist is about to launch a new advertising model, who in no time becomes his wife's lover. Soon, a child is born, embodying the metaphor of the title: The Television's Son.