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Eternals (2021)
Yet Another Fail, MCEU needs another reboot?
"Eternals," directed by Chloe Zhao and featuring an ensemble cast that includes Angelina Jolie, Gemma Chan, Richard Madden, Kumail Nanjiani, Lia McHugh, and Don Lee, is a much-anticipated addition to the Marvel Cinematic Universe (MCU). Unfortunately, it falls short of expectations and continues the trend of post-Endgame MCU films that struggle to capture the same magic.
The primary issue with "Eternals" is its storyline and character development. The narrative is dense and sprawling, attempting to cover thousands of years of history, but it often feels disjointed and unfocused. The pacing is uneven, and the plot struggles to maintain a coherent thread that keeps the audience engaged. This is a stark contrast to the tightly woven and compelling storylines that defined earlier phases of the MCU.
The world-building in "Eternals" is ambitious but ultimately flawed. The film introduces a host of new characters and concepts, but it does so without the depth and clarity needed to make them resonate. The Eternals themselves, despite being portrayed by a talented cast, fail to leave a lasting impression. Their motivations and relationships are underdeveloped, making it difficult for the audience to form a meaningful connection with them.
One of the most significant challenges "Eternals" faces is its integration into the broader MCU. The film's premise and its place within the MCU timeline feel forced and out of sync with the established narrative. It raises more questions than it answers about how these powerful beings fit into the larger story arc, especially given their supposed long-standing presence on Earth.
Given the complexity of the story and the number of new characters introduced, "Eternals" might have benefited from being developed as a short series or as part of a larger cinematic event. This would have provided more time to explore the characters' backgrounds, their relationships, and their roles in the MCU, allowing for a more nuanced and engaging narrative.
In summary, "Eternals" is a visually stunning but ultimately disappointing entry in the MCU. Its ambitious scope and star-studded cast are let down by a convoluted storyline, underdeveloped characters, and a lack of coherence with the broader Marvel universe. It serves as a reminder that even the most promising projects can falter without strong storytelling and character development.
Shooting Stars (2023)
The Boy who became the King
"Shooting Stars," directed by Chris Robinson, is a sports drama that chronicles NBA legend LeBron James' high school years as a member of the "Fab 5" at St. Vincent-St. Mary High School. This team famously won the Division II National Championship, becoming the No. 1 school in the country. The film is a stylized narrative that captures the highs and lows of LeBron's early journey, and while it offers a polished and cohesive viewing experience, it sometimes feels overly dramatic and forced.
The film excels in its presentation. The text on the screen, non-linear storytelling, and dramatic music combine effectively to create an engaging atmosphere. These elements, along with well-delivered dialogues, contribute to making "Shooting Stars" an inspiring watch, particularly for young boys who might look up to LeBron James as a role model. The movie's portrayal of camaraderie, determination, and triumph makes it an ideal choice for a high school movie night or a motivational pre-game watch.
However, the movie's route of storytelling occasionally feels contrived. Some of the dramatic turns and emotional beats come off as exaggerated, detracting from the authenticity of the narrative. Despite these moments, the film manages to end on a high note, leaving the audience with a sense of accomplishment and inspiration.
In terms of sports sequences, "Shooting Stars" delivers well-choreographed basketball scenes that capture the intensity and excitement of high school competition. While it may not be the best sports movie ever made, it includes enough action to keep sports enthusiasts entertained. However, it falls short of evoking the kind of fervor that makes you want to jump out of your seat and cheer for the underdogs.
In summary, "Shooting Stars" is a solid sports drama that offers a mix of inspiration and entertainment. It's not the most groundbreaking or motivational sports film, but it serves well as a weekend watch with friends or a solo viewing experience. Its combination of stylish direction and heartfelt storytelling makes it a worthwhile addition to the genre, especially for fans of LeBron James and basketball.
Crakk: Jeetega... Toh Jiyegaa (2024)
Luck on Steroids
"Crakk - Jeetegaa Toh Jiyegaa!" directed by Aditya Datt, attempts to deliver a sports action thriller centered around the high-stakes world of extreme sports competitions. Starring Vidyut Jammwal, Arjun Rampal, Nora Fatehi, and Amy Jackson, the film dives into the adrenaline-fueled realm of legal and illegal competitions, reminiscent of events organized by Red Bull and other extreme sports promoters.
The plot revolves around Siddhant Dixit, aka Siddhu (played by Vidyut Jammwal), an adrenaline junkie driven by the legacy of his elder brother who died in a past competition. Siddhu enters a high-stakes contest in Poland where 32 global contestants vie for an $80 million prize. Arjun Rampal's character, Dev, serves as the ring leader of "Maidaan," the sinister mastermind behind the game show and its underground betting and drug trade operations.
Arjun Rampal's portrayal of Dev stands out as a classic yet flawed antagonist. His performance is reminiscent of his role in "Ra. One," delivering a mix of charisma and menace. However, his efforts are sometimes undermined by the script, which fails to provide compelling dialogue for his character. Vidyut Jammwal excels in the action sequences, bringing his martial arts prowess to the screen with a natural ease. His portrayal of Siddhu during the high-octane sports scenes is commendable, but his performance falters in dialogue-heavy and emotional scenes. The attempt to portray him as a "Tappori" from Mumbai feels forced, lacking the authenticity needed to make the character believable.
Nora Fatehi's role as Alia, an influencer associated with the game show, is largely superficial. While her dance skills and screen presence add visual appeal, her acting falls short, raising questions about her suitability for the role. Amy Jackson, playing Polish cop Patricia Novak, fares slightly better, as her polylingual character suits her natural accent. However, her overall performance lacks the depth and confidence needed to fully engage the audience.
The film's story, while promising, suffers from weak dialogue and a lackluster supporting cast. The narrative struggles to maintain coherence and fails to deliver the emotional impact it aims for. The high-octane action sequences and extreme sports scenes are the film's saving grace, providing the thrills and excitement that fans of the genre crave. However, these elements alone cannot compensate for the film's broader shortcomings.
"Crakk - Jeetegaa Toh Jiyegaa!" is reminiscent of the 2009 movie "Luck," starring Imraan Khan and Sanjay Dutt, in its attempt to blend high-stakes competition with dramatic tension. Unfortunately, it doesn't quite achieve the same level of engagement. While the film may find an audience among action enthusiasts and could serve as a guilty pleasure for some, it ultimately falls short of its potential, offering a mix of exhilarating action and missed opportunities.
Bade Miyan Chote Miyan (2024)
A cheap copycat
Ali Abbas Zafar's "Bade Miyan Chote Miyan" attempts to deliver a high-octane sci-fi action film starring Akshay Kumar and Tiger Shroff. Unfortunately, the movie falls short, presenting a collage of borrowed scenes and over-the-top action sequences that lack originality and coherence.
The plot centers on a masked antagonist wielding a powerful weapon of mass destruction, seeking revenge against India. Two army men, played by Akshay Kumar and Tiger Shroff, are tasked with thwarting this threat. This setup promises excitement but quickly devolves into a series of illogical and derivative action scenes.
From the very beginning, the film struggles with its identity. The opening scene, reminiscent of "Pathaan," sets a tone of déjà vu. This feeling persists throughout the movie, with action sequences seemingly lifted from "Prince of Persia," "War," "Baaghi," and other recent Bollywood blockbusters. Instead of paying homage, these elements come across as uninspired and stale.
Tiger Shroff reprises his familiar "Baaghi meets Heropanti" persona, mixing in elements from "War." His performance lacks the freshness needed to elevate the character. Akshay Kumar, who has proven his capability in action films like "Sooryavanshi" and "Baby," seems to be on autopilot, delivering a performance that feels routine and uninspired.
Alaya F plays a token nerd with an overly enthusiastic demeanor, failing to bring depth to her character. Manushi Chillar's role is equally underwhelming, marked by a lack of emotional range and expression. Prithviraj Sukumaran, a respected actor in South Indian cinema, is reduced to a monotonous portrayal that does not do justice to his talent. Rohit Roy, meanwhile, seems to be repeating his archetypal army man role, adding to the film's overall sense of redundancy.
The movie's script and direction fail to provide a cohesive narrative or compelling character arcs. The dialogue is often clichéd, and the plot developments are predictable and uninspired. The special effects and action choreography, while polished, cannot compensate for the lack of a strong story or character development.
In essence, "Bade Miyan Chote Miyan" feels like a fan-made project stitched together from fragments of other successful films. It lacks the innovation and originality needed to stand out in the crowded genre of Bollywood action cinema. Despite its star-studded cast and high production values, the film ultimately disappoints, failing to live up to the standards set by recent hits like "Jawan," "Pathaan," and "War."
Shaitaan (2024)
Bollywood manages to crack the code with a remake
"Shaitaan," directed by Vikas Bahl, is a supernatural horror thriller that breathes fresh life into the genre of Hindi horror cinema. Starring Ajay Devgn and R. Madhavan in lead roles, the film effectively combines spine-chilling moments with solid performances, making it a worthy watch for horror enthusiasts.
The story revolves around a family outing that takes a terrifying turn when an intruder possesses the teenage daughter, Jahnvi Rishi, subjecting her to increasingly sinister commands. This plot sets the stage for a gripping narrative filled with suspense and eerie moments that keep viewers on the edge of their seats.
Ajay Devgn and R. Madhavan deliver flawless performances, bringing depth and intensity to their characters. Their portrayal is compelling, and they skillfully avoid overshadowing each other, maintaining a balanced dynamic that enhances the film's overall impact. However, the standout performance comes from Janki Bodiwala as Jahnvi Rishi. Reprising her role from the original Gujarati version, Bodiwala excels, delivering an even more powerful and nuanced performance in the Hindi remake. Her portrayal of a teenager grappling with possession is both believable and haunting, anchoring the film's emotional core.
Anngad Raaj as Dhruv Rishi, the son, has a limited role and therefore less opportunity to leave a significant impact. Meanwhile, Jyothika, playing Jyoti Rishi, feels somewhat underutilized, leaving audiences wishing for more from her character.
"Shaitaan" excels in its technical aspects, with crisp editing that keeps the narrative tight and engaging. The film's pacing is well-managed, ensuring that there are no dull moments. The background music is another highlight, effectively enhancing the atmosphere and tension, contributing to the overall sense of unease and suspense.
Visually, the movie delivers with its atmospheric cinematography and effective use of lighting and shadows to create a genuinely creepy ambiance. The special effects are used judiciously, adding to the supernatural elements without overwhelming the story.
In conclusion, "Shaitaan" is a noteworthy addition to the horror genre in Hindi cinema. With strong performances, particularly by Janki Bodiwala, and skilled direction by Vikas Bahl, the film offers a thrilling experience that is both entertaining and chilling. It stands out for its ability to blend traditional horror elements with a compelling storyline, making it a must-watch for fans of the genre.
Kuroko no basuke (2012)
More than just Basketball
"Kuroko's Basketball," also known as "Kuroko no Basuke," is a sports anime adapted from the manga written by Tadatoshi Fujimaki. The series revolves around Kuroko Tetsuya, who joins Seirin High School with the ambitious goal of making the school's basketball team the best in Japan. Kuroko, a former member of the renowned "Generation of Miracles," aims to defeat his former teammates, who are now scattered across various rival schools. Spanning three seasons, the anime captures the highs and lows of Kuroko's journey, emphasizing themes of determination, friendship, and teamwork.
From a narrative perspective, "Kuroko's Basketball" offers an engaging and gripping storyline. The plot is well-paced, providing a balance of intense basketball matches and character development. Each member of the Seirin team, as well as the players from rival schools, is given a distinct personality and backstory, adding depth to the overall narrative. The relationships and dynamics between the characters, particularly the bond between Kuroko and his passionate teammate Kagami Taiga, are well-explored and contribute significantly to the emotional impact of the series.
However, for hardcore sports enthusiasts, "Kuroko's Basketball" may be somewhat polarizing. Unlike realistic sports anime such as "Haikyuu!!," "Kuroko's Basketball" incorporates fantastical elements, with characters possessing almost superhuman abilities. These "special powers" can sometimes feel like they give certain players an undue advantage, making the games less about realistic athleticism and more about flashy, exaggerated moves. While this adds a unique flavor to the anime and can be entertaining, it might not appeal to viewers looking for a more authentic portrayal of basketball.
In terms of animation and artwork, "Kuroko's Basketball" is visually stunning. The animation during the basketball matches is dynamic and fluid, capturing the fast-paced nature of the sport. The character designs are distinct and memorable, each reflecting their unique personalities and roles within the story. The vibrant color palette and attention to detail further enhance the viewing experience, making the anime aesthetically pleasing.
The music and sound design also deserve praise. The soundtrack complements the intense and dramatic moments of the series, while the opening and ending themes are catchy and energizing. Voice acting is another strong point, with the cast delivering performances that bring their characters to life convincingly.
In conclusion, "Kuroko's Basketball" is a captivating sports anime that combines an engaging storyline, well-developed characters, and impressive animation. While its use of fantastical elements may not cater to everyone's taste, it offers a unique and entertaining take on the genre. Whether you're a basketball fan or simply enjoy a good story about teamwork and perseverance, "Kuroko's Basketball" is worth watching. It manages to keep viewers interested with its gripping narrative and visually striking presentation, making it a memorable addition to the world of sports anime.
Madgaon Express (2024)
Indian version of Hangover
"Madgaon Express," Kunal Khemu's debut directorial venture, is a comedy film that features Divyenndu, Pratik Gandhi, and Avinash Tiwary in the lead roles. The movie attempts to weave a story around the concept of a comedy of errors, drawing noticeable inspiration from films like "Go Goa Gone," the "Hangover" series, and "Zindagi Na Milegi Dobara." However, it struggles to carve out its own identity in the genre.
The plot revolves around the much-anticipated journey of three childhood friends to Goa, which takes a wrong turn when they inadvertently get entangled in a drug racket. This narrative angle, unfortunately, falls into the cliché of portraying Goa primarily as a drug haven, a trope that has been overused in many films set in the region. This reliance on a predictable setting detracts from the film's potential to explore more unique or nuanced aspects of the locale.
Divyenndu, Pratik Gandhi, and Avinash Tiwary bring a mix of charm and energy to their roles, portraying the camaraderie and antics of childhood friends with genuine chemistry. However, the script does not always serve them well, as many of the jokes fall flat. While there are moments of humor that hit the mark, the majority of the comedic attempts fail to elicit much laughter.
The supporting cast sees Upendra Limaye and Chhaya Kadam delivering standout performances as antagonists. Their presence adds some much-needed depth and tension to the otherwise lighthearted storyline. On the other hand, Nora Fatehi, cast as the female lead, struggles to leave a positive impression. Her role feels underdeveloped and her performance comes across as superficial, which is a sore point in the film.
Kunal Khemu's direction shows promise, particularly in his ability to capture the dynamics between the three friends and the chaotic situations they find themselves in. However, the film's reliance on familiar tropes and a lack of innovative storytelling hinder it from standing out. The screenplay could have benefited from tighter pacing and more original humor to keep the audience engaged throughout.
In summary, "Madgaon Express" is an uneven ride. It offers a few laughs and some engaging moments but ultimately suffers from a lack of originality and reliance on overused stereotypes about Goa. While Divyenndu, Pratik Gandhi, and Avinash Tiwary try their best to elevate the material with their performances, the film falls short of being a memorable entry in the comedy genre. It's a light watch for a casual viewing but doesn't leave a lasting impact.
Shamitabh (2015)
A Much Needed Change
"Shamitabh," directed by R. Balki, is a satire that brings together an unusual yet captivating collaboration of talent, starring Dhanush and Amitabh Bachchan. Released in 2015, this film dared to tread a path few would have imagined, especially during a time when patriotic films, action dramas, and biopics were dominating the Indian cinema landscape. This unique narrative features a South Indian actor from the Tamil industry, Dhanush, in his second Hindi film, working alongside the legendary Amitabh Bachchan in a film that stands out for its originality and unconventional storytelling.
The film follows Danish (played by Dhanush), a small-town boy with a dream of becoming an actor, despite having no voice, no connections, and an unassuming appearance. Danish's character defies the typical Bollywood hero archetype, which usually demands good looks, height, and a commanding screen presence. Danish's journey is filled with obstacles, not only due to his lack of voice but also because of societal expectations.
Enter Akshara Pandey (played by Akshara Haasan), who becomes the catalyst for Danish's transformation. With the help of her father's technological prowess, Danish is equipped with a voice modulator. The search for the perfect voice leads them to Amitabh Sinha (played by Amitabh Bachchan), whose deep, resonant voice becomes Danish's own. This unlikely partnership between a mute aspiring actor and a disillusioned, alcoholic voice artist forms the crux of "Shamitabh."
Dhanush delivers an impressive performance as Danish, capturing the character's vulnerability and determination with finesse. His portrayal of a man battling physical limitations and societal prejudices is both poignant and inspiring. Amitabh Bachchan, as always, is exceptional. His portrayal of Amitabh Sinha, a man grappling with his own demons, adds depth to the film. The dynamic between Dhanush and Bachchan is electrifying, creating a compelling narrative that keeps the audience engaged.
Akshara Haasan, in her debut role, adds a refreshing presence to the film. Her character, Akshara Pandey, is pivotal in bridging the gap between Danish and Amitabh, and she handles the role with grace and confidence.
R. Balki's direction is commendable, as he successfully navigates the film's unique premise, blending satire with drama seamlessly. The screenplay is sharp, with moments of humor and introspection that resonate deeply. The film's music, composed by Ilaiyaraaja, complements the narrative beautifully, enhancing the emotional depth of the story.
However, "Shamitabh" is not without its flaws. The pacing of the film, especially in the second half, could have been tighter. Some subplots feel underdeveloped, and the climax, while emotionally charged, might not satisfy everyone.
In conclusion, "Shamitabh" is a bold and innovative film that explores themes of identity, ambition, and the power of voice. It stands out for its originality and the stellar performances of its lead actors. While it may not have achieved commercial blockbuster status, it remains a significant film for its daring narrative and the memorable collaboration between Dhanush and Amitabh Bachchan. It's a must-watch for those seeking a break from conventional storytelling and looking for a film that challenges norms and expectations.
Yodha (2024)
TOO MUCH PATRIOTIC, TOO LESS STORY
"Yodha," directed by Sagar Ambre and Pushkar Ojha and produced by Dharma Productions, is an action drama focusing on the Indian Army's special task force, Yodha. The film stars Siddharth Malhotra, Raashi Khanna, and Sunny Hinduja in lead roles, with Tanuj Virwani and Disha Patani in supporting roles. Despite its ambitious premise, "Yodha" falls into the trap of rehashing familiar tropes without offering anything new or compelling.
The movie kicks off with an intense mission involving the disengagement of a hijack, setting up expectations for a gripping military action film. However, it quickly becomes apparent that "Yodha" adheres to the conventional narrative often seen in Indian army-centric movies. Siddharth Malhotra's character is depicted as an almost infallible superhero, whose efforts are undermined by political interference, a cliché that feels tired and predictable.
The second half of the movie introduces an India-Pakistan plotline where the protagonist must save both countries from terrorists. This storyline has been explored numerous times in Bollywood, with successful films like "Uri" and "Madras Cafe" standing out. Unfortunately, "Yodha" does not reach the same heights and ends up being another forgettable entry in this genre, similar to "Rashtra Kavach Om."
Siddharth Malhotra, who received critical acclaim for his role as an Indian Army soldier in "Shershaah," struggles to replicate that success here. Despite his decent acting skills, he is let down by a poorly written script and unconvincing plot. Raashi Khanna, returning to Bollywood after nine years since "Madras Cafe," adds little to the story beyond her romantic involvement with the hero, highlighting a missed opportunity to develop her character meaningfully.
Sunny Hinduja delivers a commendable performance in his limited screen time, but it is unlikely to receive the recognition it deserves. Tanuj Virwani and Disha Patani manage to hold their own, yet their roles are too brief to leave a lasting impact.
Ultimately, "Yodha" is a disappointing addition to a genre that desperately needs innovation. It recycles familiar storylines without offering fresh perspectives or engaging character arcs. The film's lack of originality and depth makes it yet another missed opportunity in Bollywood's crowded action-drama landscape.
Krishna Mohini (2024)
YET ANOTHER PROBLEMATIC SHOW
"Krishna Mohini," directed by Vinod Rautela, is a weekly soap opera that ambitiously tackles the complex and often taboo subjects of gender identity and LGBTQIA+ issues within Indian society. While the series aims to shed light on these important topics, it unfortunately falls short in execution, creating more confusion than clarity.
The plot centers around Krishna Joshi, played by Debattama Saha, a 21-year-old gifted singer and the sole breadwinner of her family. She supports her younger brother Mohan Joshi, portrayed by Ketaki Kulkarni, who is grappling with gender identity issues amidst societal and familial challenges. The show's intention to highlight the struggles faced by individuals with diverse gender identities is commendable, but the portrayal is problematic.
One major flaw is the casting of a female actor in a male role with gender curiosity, which undermines the authenticity of the storyline. This choice complicates the narrative, making it difficult for viewers to engage with and understand the characters' true struggles. Instead of providing a strong, coherent storyline that sensitively addresses the challenges faced by the LGBTQIA+ community, the show often devolves into chaos and confusion.
The depiction of these themes in "Krishna Mohini" risks reinforcing existing taboos and misconceptions, especially among older viewers who may already be resistant to accepting non-traditional gender identities. The lack of a clear, respectful, and educational narrative further alienates the very audience it seeks to enlighten.
Given the sensitive nature of the subject matter, it's crucial for television shows to handle it with care, precision, and respect. "Krishna Mohini," unfortunately, misses the mark, potentially doing more harm than good. The Indian Board of Certification might need to reconsider the show's airing, ensuring that any future content on such topics is more thoughtfully produced and accurately represents the realities of those facing gender identity issues.
In summary, while "Krishna Mohini" had the potential to be a groundbreaking show addressing critical social issues, its flawed execution and confusing narrative ultimately detract from its noble intentions, leaving viewers with more questions than answers.
Yaariyan 2 (2023)
SO BAD IT'S NOT EVEN GOOD
"Yaariyan 2," directed by Radhika Rao and Vinay Sapru, serves as a standalone sequel to the sleeper hit "Yaariyan" (2014), directed by Divya Khosla Kumar. Despite the high expectations set by its predecessor's success and its memorable music, this romantic drama unfortunately falls short in several areas.
The movie stars Divya Khosla Kumar, Pearl V Puri, and Meezaan Jafri in the lead roles. The plot is convoluted and lacks coherence, making it challenging to summarize. The story kicks off with Ladli (Divya Khosla Kumar) being rescued from a forced marriage by her cousins Bajju (Pearl V Puri) and Shikhar Randhawa (Meezaan Jafri). Ladli is subsequently married to Abhay, who is disinterested due to a past love. In a twist of revenge, Ladli's former fiancé ensures that Shikhar's dream of becoming a motocross racer is shattered, leading to his banishment. The narrative then spirals into a chaotic mix of love interests, forgotten storylines, and missed subplots, ultimately culminating in a happy ending that feels unearned.
Divya Khosla Kumar, while successful as a director with "Yaariyan" and "Sanam Re," disappoints in her acting role. Her performance lacks the necessary emotional depth and expression, despite her beauty. Pearl V Puri's portrayal of the introverted and socially anxious Bajju feels forced and unconvincing. Meezaan Jafri, following his promising debut in "Malaal," fails to make an impact here, much like his role in "Hungama 2."
Yash Dasgupta, a renowned Bengali actor with a strong following in Hindi soap operas, delivers a performance that is as lifeless and uninspiring as his late-night soap opera characters. Anaswara Rajan, making her Hindi film debut at just 20 years old, likely hopes this movie is a temporary setback, as the disaster of "Yaariyan 2" could hinder her future prospects in Hindi cinema.
The film fails to offer even the guilty pleasure of being so bad it's good, or to redeem itself with a memorable soundtrack, which has been a saving grace for many T-Series productions under Bhushan Kumar. Instead, "Yaariyan 2" is a muddled and forgettable entry, lacking the charm and entertainment value that might have justified its existence.
Bel-Air (2022)
New Prince on the Blocks fails to live up to the hype
"Bel-Air," directed by Morgan Cooper, is a modern and slightly darker reinterpretation of the beloved 90s sitcom "The Fresh Prince of Bel-Air," originally starring Will Smith. The series originated from a viral fan fiction trailer created by Cooper, which showcased a more intense and contemporary vision of Will Smith's life in Bel-Air. The concept caught the attention of Will Smith himself, and the show, produced by Tasha Smith, was adapted to be slightly less dark and dramatized to make it more PG-friendly, aligning with current narratives.
The show offers a fresh take on the original premise, albeit without capturing the same charm. Jabari Banks as Will Smith delivers a performance that is both a hit and a miss. While his portrayal focuses on high school and basketball, his character is often hot-headed and overtly political, especially on issues related to race. This adds a layer of complexity but occasionally feels overemphasized.
Jimmy Akingbola's Geoffrey Thompson takes on a darker, more secretive persona, diverging significantly from the original, and presenting a more gangster-like figure. Adrian Holmes as Philip Banks, or Uncle Phil, is portrayed as more supportive and lenient, yet remains assertive, adding a nuanced dimension to his character.
Jordan L. Jones as Jazz stands out as one of the best characters, although he doesn't receive enough screen time. His presence adds a refreshing touch to the series. Olly Sholotan's Carlton Banks is depicted with a stark contrast; he is shown as loyal, playful, and successful on one hand, and indecisive, anxious, and struggling with drug addiction on the other. This bipolar portrayal adds depth but sometimes feels inconsistent.
Despite some shortcomings, the series provides an engaging and contemporary reimagining of the classic show. With season 3 on the horizon, there are high hopes for the new "Fresh Prince of Bel-Air" to further develop its characters and storylines, potentially bridging the gap between nostalgia and modern-day relevance.
Heeramandi: The Diamond Bazaar (2024)
Heeramandi: A Mirror misidentified as a Diamond
"Heeramandi," directed by Sanjay Leela Bhansali and streaming on Netflix, transports viewers to the red-light district of Heera Mandi in Lahore during the Indian independence movement of the 1920s-1940s. While the series boasts Bhansali's signature opulent set design, stunning art direction, and exquisite costumes, it falls short in terms of storytelling.
Manisha Koirala as Malikajaan and Sonakshi Sinha as Fareedan shine in their roles, delivering captivating performances that anchor the show. However, it is Aditi Rao Hydari as Bibojaan who steals the limelight with her compelling portrayal. Sanjeed Sheikh impresses as Waheeda, but it's Pratibha Ranta as Shama who charms with her limited screen time.
Despite being advertised as a main cast member, Richa Chaddha's role as Lajjo feels more like an extended cameo. The casting missteps with Sharmin Sehgal and Taha Saha, coupled with weak chemistry and dialogue delivery, detract from the series' impact. Questions arise about nepotism and favoritism, particularly with Sehgal's inclusion as Bhansali's niece.
Fardeen Khan and Shekhar Suman's comeback performances are noteworthy but lack the impact expected of them. However, Farida Jalal's presence is a pleasant surprise, showcasing her enduring talent. Mark Bennington and Jason Shah's roles as token white characters add little to the narrative.
Unfortunately, "Heeramandi" suffers from inconsistent storytelling, poorly written Urdu dialogues, historical inaccuracies, and weak casting choices. Despite its visual splendor, these shortcomings prevent the series from reaching its full potential. Overall, while "Heeramandi" offers glimpses of brilliance, it ultimately falls short of expectations, failing to deliver a cohesive and compelling narrative.
Laapataa Ladies (2023)
Laapataa Ladies: A Weekend Debate on Social Topics
"Laapataa Ladies," a comedy-drama directed by Kiran Rao, tells the story of a newly married husband who mistakenly brings home the wrong bride after losing his traditionally veiled wife on a crowded train. The plot unfolds as the husband embarks on a search for his actual wife, while the stranded wife navigates her way in an unfamiliar village, and the mistaken bride grapples with her unexpected situation.
The film delves into three important subjects: the tradition of "ghoonghat" or veiling married women, the importance of education and freedom for women, and the harmful practices associated with dowry. Ravi Kishan delivers a standout performance as Shyam Manohar, showcasing his versatility and charm once again, particularly in a character grounded in his hometown of Bihar. Sparsh Shrivastav and Pratibha Ranta also shine in their respective roles, displaying depth and emotion where required.
However, the film could have utilized Nitanshi Goel's talent more effectively, as her character's potential seemed underutilized. Despite this, the performances overall contribute to the film's narrative and themes.
"Laapataa Ladies" may not sweep awards or make headlines, but it offers a pleasant viewing experience akin to a weekend movie. While it may not reach the heights of classics like "Taare Zameen Par" or "Swades," it provides an enjoyable one-time watch with some thought-provoking themes. Similar to "Peepli Live," it sparks conversation for a few days after viewing but may not leave a lasting impact. Overall, it's a film worth watching for its performances and exploration of important societal issues, albeit without the expectation of groundbreaking cinema.
All India Rank (2023)
All India Rank: Nostalgia or Nuisance
"All India Rank," directed by Varun Grover, presents a coming-of-age comedy-drama set in the 1990s, delving into the intense competition, parental pressure, and the obsession with cracking the IIT entrance exams.
While the film attempts to capture the essence of the era, it falls short in several aspects. The weak cast is a notable drawback, with only a few standout performances, namely Bodhisattva Sharma as Vivek Singh, Sheeba Chaddha as Kalpana Bundela, and Geeta Agrawal Sharma as Manju Singh, Vivek's mother. The remaining cast members fail to leave a lasting impression, diminishing the overall impact of the film.
Moreover, the slow pace of the narrative hampers its ability to engage viewers effectively. Instead of contributing to the storyline, the sluggish pacing detracts from the viewing experience, making it difficult for audiences to stay invested in the plot.
One of the film's major shortcomings is its abrupt ending, leaving many loose ends unresolved. Despite attempting to explore various themes such as parental pressure, financial constraints, and the changing landscape of India during the era of liberalization, the story fails to delve deeply into any of these subjects, resulting in a lack of cohesion and depth.
Ultimately, "All India Rank" may serve as a nostalgia trip for individuals who experienced the IIT craze of the 90s firsthand. However, for others, it offers little more than a surface-level portrayal of the era, failing to leave a lasting impression or deliver a meaningful narrative.
Siren (2024)
Siren: A Gripping Tamil Thriller
"Siren 108," directed by Antony Bhagyaraj, is a Tamil action thriller that centers on Thilagan, an honest ambulance driver in Kanchipuram, who is wrongfully convicted of murdering his wife, Jennifer, and his friend Kathir. After spending 14 years in prison, Thilagan is granted parole for 14 days, during which he seeks revenge against Anbazhagan and DSP S. Nagalingam for the deaths of Jennifer and Kathir, and attempts to reconcile with his daughter, Malar, who harbors resentment towards him for his alleged crimes.
Jayam Ravi delivers a compelling performance as Thilagavarman, showcasing both his veteran acting skills and emotional depth, which effectively garners viewer support for his character. Keerthy Suresh's portrayal of Inspector K. Nandhini, while competent, occasionally veers into overacting, and her character lacks the depth and backstory needed to fully engage the audience. Yogi Babu provides comic relief as Velankanni, although his role feels somewhat underutilized in the overall narrative.
The film's pacing is a bit slow at the start, with the true motives and backstory unfolding more prominently in the second half. However, once the action kicks in, the stylized sequences, sound effects, and musical score enhance the viewing experience.
Samuthirakani delivers a solid performance as DSP S. Nagalingam, although his character feels somewhat familiar due to similarities with his previous roles. Ajay as Anbazhagan serves as a convincing antagonist, adding tension and conflict to the story.
Yuvina Parthavi impresses in her limited role as Malar, Thilagan's daughter, bringing depth and emotion to the character. However, the film could have benefited from further exploration of her character's arc and involvement in the plot.
Overall, "Siren 108" succeeds as a weekend masala movie, offering gripping action and entertainment for audiences. While it has its flaws, particularly in character development and pacing, it remains an enjoyable watch for fans of the genre.
Article 370 (2024)
Article 370: A Politically Charged Thriller
"Article 370" attempts to dramatize the political maneuvering behind the landmark decision to abrogate Article 370, which granted special status to the state of Jammu and Kashmir. Written by Aditya Suhas Jambhale and Aditya Dhar, the film delves into the events leading up to this significant constitutional change, including the killing of Burhan Wani, the Pulwama attack, and the parliamentary vote on Article 370.
Starring Yami Gautam and Priya Mani in prominent roles, with support from Arun Govil, Raj Arun, Vaibhav Tatwawadi, Raj Zutshi, and Kiran Karmarkar, the film boasts a talented cast. Gautam shines as NIA Agent Zooni Haksar, bringing fire and dedication reminiscent of her performance in "Uri," while Mani impresses as PMO Joint Secretary Rajeshwari Swaminathan, portraying a politically astute character with depth.
Arun Govil and Kiran Karmarkar convincingly embody the roles of the Prime Minister and Home Minister of India, drawing on real-life figures for inspiration. Raj Zutshi's portrayal of J&K Chief Minister Salahuddin Jalal adds a compelling antagonist element to the narrative.
However, the film is not without its flaws. While it purports to be a fictional tale based on real events, it takes creative liberties that result in factual inaccuracies. These inaccuracies are cleverly masked but may detract from the overall viewing experience for those familiar with the subject matter.
Moreover, "Article 370" leans more towards political drama than action, which may disappoint audiences expecting a fast-paced thriller akin to "Uri." The stylized drama outweighs the action sequences, and a more balanced approach could have elevated the film to greater heights.
Despite its shortcomings, "Article 370" offers a glimpse into the complex political landscape surrounding the abrogation of Article 370. Its release timing, just before the Lok Sabha elections and on the OTT platform Netflix, adds a layer of relevance to its narrative. Overall, while the film falls short of its potential, it remains a thought-provoking exploration of a significant moment in Indian political history.
OMG 2 (2023)
OMG 2: A Thought-Provoking Comedy-Drama
Directed by Amit Rai, "OMG 2" is a courtroom comedy-drama that tackles the taboo subject of sex education in India. Starring Pankaj Tripathi and Akshay Kumar, the film follows the story of a devout father who challenges a dogmatic school system and his own moral beliefs after his son is expelled for a viral video.
Pankaj Tripathi delivers yet another standout performance, solidifying his reputation as one of Bollywood's most versatile and talented actors. His portrayal of the conflicted father navigating societal norms and personal convictions is both poignant and humorous. Similarly, Akshay Kumar shines in his role, making a strong comeback after a series of commercial setbacks.
The supporting cast also delivers noteworthy performances, with Yami Gautam standing out as the defense lawyer who adds depth to the moral dilemma at the heart of the story. Pavan Malhotra and Govind Namdev bring comic relief and depth to their respective roles, while Anvesha Vij holds her own alongside seasoned actors, showcasing her talent and potential.
The film's music and sound direction are highlights, with memorable songs like "Oonchi Oonchi Waadi" and "Har Har Mahadev" adding to the cinematic experience. These elements, combined with a visually appealing dance number, contribute to the film's overall artistry.
"OMG 2" offers a compelling social message that challenges societal norms and sparks debate about morality and ethics. While the subject matter may be uncomfortable for some, the film's thought-provoking narrative encourages audiences to confront difficult questions about modern society.
Overall, "OMG 2" is a must-watch for its stellar performances, engaging storyline, and relevant social commentary. It is a film that will leave a lasting impression and provoke meaningful conversations long after the credits roll.
Crash Course (2022)
Crash Course: A Glimpse into the Dark Side of Education
Directed by Vijay Maurya, "Crash Course" is an Amazon Original web series that delves into the cutthroat world of coaching institutes in Kota, Rajasthan. The series centers around two rival coaching centers and the impact of their rivalry on the students who attend them.
At the heart of the story is the conflict between Ratanraj Jindal, portrayed by Annu Kapoor, and Shashank Batra, played by Bhanu Uday, as they battle for supremacy in the competitive coaching industry. While the two institutes vie for dominance, the students find themselves caught in the crossfire, navigating the pressures of academic success, peer relationships, and personal growth. Anchored by stellar performances from Annu Kapoor, Udit Arora, Gaurav Sharma, and Bhanu Uday, the series offers a compelling narrative that explores the lives of students caught in the crossfire of this intense rivalry.
The ensemble cast delivers solid performances, with Annu Kapoor commanding the screen as the ruthless Ratanraj Jindal. The young actors portraying the students, including Anvesha Vij, Riddhi Kumar, Anushka Kaushik, Hridhu Haroon, Hetal Gada, Aryan Singh, Bhavesh Balchandani, and Mohit Solanki, bring authenticity to their roles, capturing the struggles and aspirations of youth in pursuit of their dreams.
"Crash Course" offers a gritty and realistic portrayal of the challenges faced by students in Kota, shedding light on the darker aspects of the education system. The series raises important questions about the commercialization of education and the intense competition prevalent in coaching centers.
While the series boasts impressive production values, including striking cinematography and a compelling soundtrack, some viewers may find the pacing of the story to be uneven, and the character development lacking depth. However, "Crash Course" succeeds in offering a thought-provoking glimpse into the underbelly of the education industry, making it a compelling watch for those interested in exploring the complexities of academic pressure and ambition.
Yeh Kaali Kaali Ankhein (2022)
Yeh Kaali Kaali Ankhein: A Riveting Romantic Crime Thriller
Directed by Sidharth Sengupta, "Yeh Kaali Kaali Ankhein" is a Netflix original series that weaves together elements of romance, crime, and thriller. Starring Tahir Raj Bhasin, Anchal Singh, and Shweta Tripathi, the show follows the story of Vikrant Singh Chauhan, who finds himself entangled in a dangerous web of love and obsession.
The series revolves around Vikrant's tumultuous relationship with Purva Awasthi, the daughter of a powerful politician, Akheraj Awasthi. Purva's relentless pursuit of Vikrant, driven by her toxic and obsessive love, sets off a chain of events that lead Vikrant down a dark and risky path. Meanwhile, Vikrant finds solace and genuine love in Shikha, portrayed by Shweta Tripathi.
What sets "Yeh Kaali Kaali Ankhein" apart is its gripping storyline and compelling characters. Anchal Singh delivers a standout performance as Purva, portraying her complex emotions and toxic love with conviction. Tahir Raj Bhasin shines as Vikrant, capturing the character's internal turmoil and vulnerability.
The series is complemented by its haunting music and sound direction, which adds to the overall atmosphere of tension and suspense. The title track, reminiscent of the cult classic "Baazigar," sets the tone for the intense drama that unfolds.
While Shweta Tripathi's character of Shikha could have been more nuanced, the series still manages to keep viewers on the edge of their seats with its twists and turns. With a gripping ending to Season 1 and the promise of Season 2 on the horizon, "Yeh Kaali Kaali Ankhein" is sure to keep audiences hooked and eagerly awaiting the next installment.
Decoupled (2021)
Decoupled: A Refreshing Take on Relationships
Directed by Manu Joseph, the Netflix original series "Decoupled" offers a refreshing and authentic portrayal of marriage and divorce. Starring R. Madhavan and Surveen Chawla as the lead couple, Arya and Shruti Iyer, the show delves into the complexities of their relationship as they navigate the decision to separate while considering the impact on their daughter, Rohini.
What sets "Decoupled" apart is its honest and relatable portrayal of married life. The characters feel like real people grappling with real issues, and the dialogue is sharp, witty, and often laugh-out-loud funny. Madhavan and Chawla deliver standout performances, capturing the nuances of their characters' emotions with authenticity and depth.
The supporting cast adds further depth to the story, with standout performances from Arista Mehta as Rohini, Atul Kumar and Aseem Hattangadi as Arya's friends, and Akash Khurana and Shefali Shah as Shruti's parents. Each character brings their own perspective to the narrative, enriching the overall viewing experience.
One of the series' strengths is its ability to balance humor with genuine emotion. While it tackles serious themes such as divorce and co-parenting, it does so with sensitivity and humor, making it accessible and engaging for a wide audience.
Overall, "Decoupled" is a must-watch for anyone interested in thoughtful, character-driven storytelling. With its witty dialogue, stellar performances, and insightful exploration of modern relationships, it's a series that will leave a lasting impression.
Farrey (2023)
Farrey: A Remake That Falls Short of Expectations
Directed by Soumendra Padhi, "Farrey" is a heist-thriller that follows a group of teenagers attempting to cheat on an international entrance test. Led by Niyati Singh (played by Alizeh Agnihotri), the group navigates the complexities of academic pressure and privilege to achieve their goals.
The film's premise, based on the Thai film "Bad Genius," offers promise but ultimately falls short in execution. While the storyline touches on themes of class disparity and the pressure to succeed, it lacks depth in character development and storytelling.
The performances by the cast, including Alizeh Agnihotri, Sahil Mehta, Zeyn Shaw, and Prasanna Bisht, are decent but fail to elevate the material. Despite the potential for emotional resonance, the film's pacing feels rushed, leaving little room for the audience to connect with the characters on a deeper level.
One of the film's major drawbacks is its lack of a compelling soundtrack and sound direction, which contributes to moments of boredom and disengagement. Additionally, the ending feels predictable and anticlimactic, robbing the film of any lasting impact.
Overall, "Farrey" may serve as a passable one-time watch, but it ultimately fails to leave a lasting impression. With its lack of originality and missed opportunities for deeper exploration of its themes, it's a forgettable addition to the genre.
Fighter (2024)
Fighter: A Bollywood Take on Top Gun with Mixed Results
Directed by Siddharth Anand, "Fighter" is an action-packed Bollywood film that aims to capture the adrenaline-fueled world of aerial combat. Starring Hrithik Roshan, Deepika Padukone, and Anil Kapoor, the movie follows the story of the Indian Air Force (IAF) as they assemble a team to counter the looming threat from Pakistan known as Air Dragon.
Hrithik Roshan shines as Patty, the best pilot in the IAF, reminiscent of Tom Cruise's iconic character, Maverick, from "Top Gun." Deepika Padukone delivers a solid performance as Mini, the top helicopter pilot, while Anil Kapoor adds depth to the narrative as Rocky, the team leader with a troubled past.
While "Fighter" boasts impressive cinematography, music direction, and editing, the lack of originality in its story and screenplay is disappointing. The film often feels like a derivative version of "Top Gun" and its sequel, "Top Gun: Maverick," with certain scenes and story arcs appearing almost identical.
Despite the captivating visuals, the use of CGI for aerial sequences sometimes falls short, detracting from the realism of the action. However, the actors' training with real Air Force pilots is evident in their performances, lending authenticity to the film's aerial sequences.
The supporting cast, including Karan Singh Grover and Akshay Oberoi, delivers commendable performances, though the main antagonist portrayed by Rishabh Sawhney feels underdeveloped and lacking in depth.
Overall, "Fighter" offers a classic weekend movie experience with a dose of patriotism, making it a suitable choice for fans of Hrithik Roshan. However, for those familiar with "Top Gun," the film may feel like a rehashed version with little to offer in terms of originality.
Teri Baaton Mein Aisa Uljha Jiya (2024)
Teri Baaton Mein Aisa Uljha Jiya: A Visual Treat with a Lackluster Story
Directed by Amit Joshi and Aradhana Sah, "Teri Baaton Mein Aisa Uljha Jiya" is a sci-fi romantic comedy starring Shahid Kapoor and Kriti Sanon. The film explores the unconventional love story between Aryan Aghnihotri (Aaru), a robotics engineer, and SIFRA, a self-conscious humanoid, delving into the complexities and repercussions of their relationship.
Visually, the film is stunning, with vibrant cinematography and meticulous editing that elevate the viewing experience. The music and sound direction are also commendable, adding depth and emotion to the narrative.
However, where the film falls short is in its story and screenplay. While the premise holds promise, the execution leaves much to be desired. The storyline often lapses into clichés typical of Bollywood rom-coms, failing to fully capitalize on its sci-fi elements for intelligent storytelling.
Shahid Kapoor and Kriti Sanon share a charming chemistry on screen, which helps to carry the film through its weaker moments. Dimple Kapadia delivers a standout performance, further enriching the narrative with her veteran talent. The supporting cast, including Rajesh Kumar, Dharmendra, and Ashish Verma, injects humor and energy into the film with their impeccable comic timing.
Overall, "Teri Baaton Mein Aisa Uljha Jiya" offers a visually captivating ride, but its lackluster story detracts from its potential impact. The open ending teasing a sequel leaves room for improvement, and one can only hope that any future installments will better execute the intriguing premise hinted at in this film.
Thunivu (2023)
Thunivu: A Mediocre Heist Drama
Directed by H. Vinoth, "Thunivu" is an action-packed heist film starring Ajith Kumar in the role of Dark Devil, an anti-hero who sets out to rob a bank of its ill-gotten wealth. The movie aims to blend elements of a classic heist thriller with political drama and moral commentary, but ultimately falls short of its ambitious goals.
The film's premise revolves around Dark Devil's mission to reclaim 25,000 crores stolen from the people of India through a fraudulent mutual fund scheme. While the setup promises an engaging cat-and-mouse chase, the execution feels muddled and disjointed. The narrative struggles to find a cohesive rhythm, veering between action sequences, preachy messaging, and character-driven drama.
Despite Ajith Kumar's strong performance as the enigmatic Dark Devil, the lackluster storytelling fails to fully capitalize on his talents. While the action scenes are well-executed and the music complements the overall tone of the film, they are not enough to salvage a weak plot.
One of the film's major drawbacks is its attempt to tackle too many themes at once, resulting in a narrative that feels cluttered and unfocused. The exploration of the banking system and the moral ambiguity of the characters could have been intriguing if given more depth and nuance.
In the end, "Thunivu" tries to be everything-a thrilling heist film, a political commentary, and a character study-but ends up being a mediocre amalgamation of these elements. Despite its flaws, Ajith Kumar's committed performance and some well-executed action sequences may still appeal to his fans. However, for viewers seeking a cohesive and engaging cinematic experience, "Thunivu" may leave much to be desired.