Directed by
Juan Azulay | ||
Guillermo Navarro |
Cast
Mía Maestro | ... | Mia Maestro |
Produced by
Juan Azulay | ... | producer |
Flavia Lowenstein | ... | producer |
Mía Maestro | ... | producer |
Guillermo Navarro | ... | producer |
Cinematography by
Alvaro Navarro |
Editing by
Michael Rothman |
Production Design by
Amanda Hallberg |
Art Direction by
Flavia Lowenstein |
Set Decoration by
Lindsay Stephen |
Makeup Department
Saori Nakada | ... | makeup artist |
Rod Ortega | ... | key hair stylist |
Nelly Recchia | ... | key makeup artist |
Art Department
Evan Robertson | ... | additional fabrication |
Jill Salaver | ... | set dresser |
Jessica Sardas | ... | assistant art director |
Alana Shea | ... | set dresser |
Lindsay Stephen | ... | set dresser |
Saori Wall | ... | set dresser (as Mariana Renteria) |
Visual Effects by
Andy Barrios | ... | visual effects |
Scott Boyajan | ... | visual effects producer |
Cameron Coombs | ... | visual effects |
Nicolas Martinez | ... | visual effects |
Andrew McKenna | ... | visual effects supervisor |
Megan Meloth | ... | visual effects |
Bruno Parenti | ... | visual effects |
Camera and Electrical Department
Kathryn Brillhart | ... | grip |
Matthew Devitt | ... | best boy |
Collin Erie | ... | b-roll |
Nick Larson | ... | dolly grip |
Kevin Natera | ... | digital imaging technician / digital imaging technician: video assistant |
Cid Salcido | ... | first assistant camera |
Kurt Stevens | ... | camera operator |
Rick Stribling | ... | key grip |
Alan Vidali | ... | first assistant camera |
Tony Wade | ... | dolly grip |
Bunni Wyldeflower | ... | still photographer |
Editorial Department
Christina Caldwell | ... | post-production producer |
Elliott Hanes | ... | media assistant |
Clark Muller | ... | colorist |
Thanks
Cecilia Paredes | ... | special thanks |