75
Metascore
40 reviews · Provided by Metacritic.com
- 80VarietyJustin ChangVarietyJustin ChangSteven Soderbergh's elegantly coiled puzzler spins a tale of clinical depression and psychiatric malpractice into an absorbing, cunningly unpredictable entertainment that, like much of his recent work, closely observes how a particular subset of American society operates in a needy, greedy, paranoid and duplicitous age.
- 80New York Magazine (Vulture)David EdelsteinNew York Magazine (Vulture)David EdelsteinSoderbergh’s alleged last theatrical film is paranoid and hopeless, but he leaves the field with a bounce in his step.
- 80Village VoiceMelissa AndersonVillage VoiceMelissa AndersonIf Side Effects, an immensely pleasurable thriller centering around psychotropic drugs, really is Steven Soderbergh's final big-screen film, as the director claims it will be, then he has peaked in the Valley of the Dolls.
- 75The PlaylistDrew TaylorThe PlaylistDrew TaylorThe picture's conspiratorial late-night tone and fleshy after hours luridness was practically built for watching at night, when our parents think we've gone off to bed (think '80s films directed by folks like Adrian Lyne).
- 75McClatchy-Tribune News ServiceRoger MooreMcClatchy-Tribune News ServiceRoger MooreSteven Soderbergh, rightly considered one of Hollywood’s smartest movie makers, is at his cleverest in Side Effects, a canny, cunning big idea thriller in a minor key, an engrossing zeitgeist whodunit about Wall Street, Big Pharma, prescription drugs and the power we give psychiatry and psychologists.
- 63Slant MagazineSlant MagazineLike Magic Mike, Side Effects is enlivened by Soderbergh's jazzy style and laidback moralism, bringing to mind the work of another connoisseur of genre, Robert Altman.
- 60Time OutKeith UhlichTime OutKeith UhlichIt’s a reasonably diverting piece of work, falling somewhere between the high of "Magic Mike" (2012) and the low of "Haywire" (2011), among his recent efforts.
- 50The Hollywood ReporterTodd McCarthyThe Hollywood ReporterTodd McCarthyIn trying to merge this alarmist theme with an old-fashioned murder mystery, the filmmakers throw at least one plot-twist sucker-punch too many, leaving the viewer with an “Oh, come on” reaction to the entire film.