- Armond: You know, you don't wanna be too specific as a... as a presence, as an identity. You wanna be more generic.
- Lani: Generic?
- Armond: Yes. You know, it's a Japanese ethos where we are asked to disappear behind our masks as pleasant interchangeable helpers. It's tropical kabuki. And the goal is to create for the guests an overall impression of vagueness that can be very satisfying, where they get everything they want but they don't even know what they want, or what day it is, or where they are, or who we are, or what the fuck is going on.
- Armond: You have to treat these people like sensitive children. They always say it's about the money, but it's not. It's not even about the room. They just need to feel seen. Seen. They wanna be the only child. The special, chosen baby child of the hotel. And we are their mean mummies, denying them their Pineapple room.
- Mark Mossbacher: You know, I think... it's like every kid... like, growing up, wants to be the hero of the story. And in the end... you know, you're just happy you're not the villain.
- Olivia Mossbacher: Where'd you go to school?
- Rachel Patton: SUNY Potsdam.
- Paula: Hmm.
- Rachel Patton: Uh, and then I... I moved to the city to change the world and make a name for myself and pay off my loans. All of which I have yet to do, so...
- Olivia Mossbacher: Won't he pay off your loans?
- Rachel Patton: [taken aback] Shane? I...
- Paula: But he could?
- Rachel Patton: Well, uh, yes. Yeah. Yeah, he could.
- Paula: Yeah, of course, 'cause he's super rich.
- Rachel Patton: Well, his family is wealthy compared to my family-I mean, compared to most families. Yeah.
- Mark Mossbacher: Being a man, being a young man... in this time right now, can't be easy.
- Quinn Mossbacher: Why? 'Cause we can't harass girls anymore?
- Mark Mossbacher: No. Well, yeah.