IMDb RATING
6.9/10
4.4K
YOUR RATING
This movie focuses on a dozen of the five hundred characters depicted in Bruegel's painting. The theme of Christ's suffering is set against religious persecution in Flanders in 1564.This movie focuses on a dozen of the five hundred characters depicted in Bruegel's painting. The theme of Christ's suffering is set against religious persecution in Flanders in 1564.This movie focuses on a dozen of the five hundred characters depicted in Bruegel's painting. The theme of Christ's suffering is set against religious persecution in Flanders in 1564.
- Awards
- 10 wins & 7 nominations
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- GoofsA few minutes before the end of the movie, a red automobile crosses the background between two houses, while Bruegel and Nicholas Jonghelinck are speaking in the foreground.
- SoundtracksMiserere, Opus 44
By Henryk Mikolaj Górecki
Performed by the Silesia Philharmonic Choir (Chorus Master Jan Wojtacha)
Featured review
Astonishing and boring...not that everything needs a plot, but this needs more than just visuals
The Mill and the Cross (2011)
Maybe I anticipated this for too long, hearing about its production, and teaching in an Art History department myself. The result is both astonishing and boring as heck. I know, there is a kind of absorption that happens through silence and slow appreciation. And there is even the astonishment of looking without really thinking, or feeling, for the narrative or the characters.
This is, for sure, a visually wonderful movie. The way it works out the scenery and milieu of a period based on a single painting is brilliant and ambitious. The mise-en-scene might in fact be the only and singular point of it all. So on that level, eleven stars. Terrific. Mind-blowing.
But that exercise in naturalistic re-creation, in enlivening a masterpiece on canvas by Bruegel from 1564, is not, to me, enough. You will know after ten minutes whether to continue. I have heard of people being just spellbound by it all, so that hopefully would be your feeling.
I tried to make the characters have meaning on some level, either in their interactions, or in their actions alone, or through what they did to the world around them. Much of what happens feels more medieval than Renaissance, to me, but I'm sure that was researched thoroughly. (Bruegel was painting at a time when the Renaissance from Italy had made its way thoroughly north to the lowland countries and beyond.)
It is fun (and indicative of the seriousness here) that both Michael York and Charlotte Rampling took part, late in their careers. That was one of the draws, for sure. But don't expect revelations there, either. Expect in fact only what the director, Lech Majewski, intended—a film version of the painting, set in its larger context but always based on and drawing from this one admittedly fantastic painting. Which might be your starting point, before launching into this one and half hour homage.
Maybe I anticipated this for too long, hearing about its production, and teaching in an Art History department myself. The result is both astonishing and boring as heck. I know, there is a kind of absorption that happens through silence and slow appreciation. And there is even the astonishment of looking without really thinking, or feeling, for the narrative or the characters.
This is, for sure, a visually wonderful movie. The way it works out the scenery and milieu of a period based on a single painting is brilliant and ambitious. The mise-en-scene might in fact be the only and singular point of it all. So on that level, eleven stars. Terrific. Mind-blowing.
But that exercise in naturalistic re-creation, in enlivening a masterpiece on canvas by Bruegel from 1564, is not, to me, enough. You will know after ten minutes whether to continue. I have heard of people being just spellbound by it all, so that hopefully would be your feeling.
I tried to make the characters have meaning on some level, either in their interactions, or in their actions alone, or through what they did to the world around them. Much of what happens feels more medieval than Renaissance, to me, but I'm sure that was researched thoroughly. (Bruegel was painting at a time when the Renaissance from Italy had made its way thoroughly north to the lowland countries and beyond.)
It is fun (and indicative of the seriousness here) that both Michael York and Charlotte Rampling took part, late in their careers. That was one of the draws, for sure. But don't expect revelations there, either. Expect in fact only what the director, Lech Majewski, intended—a film version of the painting, set in its larger context but always based on and drawing from this one admittedly fantastic painting. Which might be your starting point, before launching into this one and half hour homage.
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- May 1, 2014
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Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- El molino y la cruz
- Filming locations
- Wieliczka, Malopolskie, Poland(mill interiors)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $312,187
- Opening weekend US & Canada
- $11,354
- Sep 18, 2011
- Gross worldwide
- $1,116,180
- Runtime1 hour 32 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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By what name was The Mill and the Cross (2011) officially released in Canada in English?
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