Directed by
Steve Barker |
Writing Credits
Rae Brunton | ... | (screenplay) |
Kieran Parker | ... | (story) & |
Steve Barker | ... | (story) & |
Rae Brunton | ... | (story) |
Cast (in credits order)
Ray Stevenson | ... | DC | |
Julian Wadham | ... | Hunt | |
Richard Brake | ... | Prior | |
Paul Blair | ... | Jordan | |
Brett Fancy | ... | Taktarov | |
Ene Frost | ... | Cotter (as Enoch Frost) | |
Julian Rivett | ... | Voyteche | |
Michael Smiley | ... | McKay | |
Johnny Meres | ... | The Breather | |
Xuki Robeli | ... | Newsreader | |
Mark Smith | ... | Nazi Soldier #1 | |
Graeme Temple | ... | Nazi Soldier #3 | |
Charlie Jeffrey | ... | Nazi Soldier #2 | |
Fergus Johnston | ... | Special Forces Soldier | |
Rest of cast listed alphabetically: | |||
Matt McClure | ... | Rescue Soldier | |
Leo Horsfield | ... | Nazi Zombie (uncredited) | |
Scott Peden | ... | Nazi Sergeant Major (uncredited) |
Produced by
Lauri Apelian | ... | Production/Financing Team |
Graham Begg | ... | executive producer |
Jamie Carmichael | ... | executive producer |
Arabella Page Croft | ... | producer |
Kieran Parker | ... | producer |
Suzanne Reid | ... | line producer |
Olivier Sonnier | ... | executive producer |
Nigel Thomas | ... | executive producer |
Charlotte Walls | ... | associate producer |
Music by
James Seymour Brett | ... | (as James Brett) |
Cinematography by
Gavin Struthers |
Editing by
Chris Gill | ||
Alastair Reid |
Casting By
Kate Plantin |
Production Design by
Max Berman | ||
Gordon Rogers |
Art Direction by
Andy Drummond |
Costume Design by
Alison Mitchell | ... | (as Ali Mitchell) |
Makeup Department
Jessica Cruickshank | ... | make-up trainee |
Maxine Dallas | ... | makeup artist |
Niamh Morrison | ... | makeup designer |
Barney Nikolic | ... | prosthetic makeup artist |
Production Management
Pamela Nelson | ... | production manager |
Second Unit Director or Assistant Director
Harry Boyd | ... | assistant director |
Andrew Gardiner | ... | floor runner |
Alison Goring | ... | second assistant director |
David McKinnon | ... | third assistant director |
Art Department
Philip Barratt | ... | art department assistant |
Stuart Bryce | ... | production buyer |
Wendy Cairns | ... | painter |
Amanda Currie | ... | stand-by art director |
Claire Fleming | ... | art department assistant |
Rebecca L.A. Hamilton | ... | scenic artist (as Rebecca Hamilton) |
Paul Lambie | ... | stand-by props |
Paul McNamara | ... | property master |
Jordan R.A. Mills | ... | props (as Jordan Mills) |
Ken Petrie | ... | painter |
Rod Petrie | ... | painter |
Lynsey Sinnamon | ... | head scenic artist |
Sound Department
Kelly-Marie Angell | ... | foley editor |
Julie Ankerson | ... | foley artist |
Jeremy Child | ... | sound effects editor |
Howard Eaves | ... | sound effects editor |
John Fewell | ... | foley artist |
Gordon Forbes | ... | sound trainee |
Linsey Hamilton | ... | sound trainee |
Alastair Mason | ... | sound recordist |
Graham McCormick | ... | boom operator |
Paul McFadden | ... | sound effects editor |
Adam Mendez | ... | adr recordist |
James Ridgway | ... | assistant re-recording mixer |
Ellie Russell | ... | supervising sound editor |
Richard Straker | ... | re-recording mixer |
Special Effects by
Mike H.G. Bates | ... | prosthetic makeup artist: Hybrid Enterprises / special makeup effects supervisor: Hybrid Enterprises |
Suzanne Bates | ... | special effects makeup: Hybrid Enterprises |
Rick Jotle | ... | special effects: equipment |
Mike Kelt | ... | special effects supervisor |
Mark Kilburn | ... | special effects makeup: Hybrid Enterprises |
Ken Petrie | ... | special effects trainee |
Mike Stringer | ... | prosthetics designer: Hybrid Enterprises |
Dawn Whitehead-Binns | ... | sculptor: Hybrid Enterprises |
Visual Effects by
Pavan Balagam | ... | visual effects (as Pavan Kumar) |
James Ballard | ... | di producer |
William Carley | ... | digital effects artist: The Difference Facility |
Geoffrey R. Case | ... | senior colourist |
Valentina Catena | ... | digital intermediate operator |
Noemie Cruciani | ... | junior compositor |
Christopher Eades | ... | executive producer: The Difference Facility |
Alexis Haggar | ... | visual effects supervisor: The Difference Facility |
Jeremy Hardin | ... | visual effects supervisor: animated sequence, Open Book |
Myfanwy Harris | ... | digital effects artist |
Fernando Martins | ... | vfx artist: animated sequence, Open Book |
Oliver Minchin | ... | digital effects artist: The Difference Facility |
Matthew Redding | ... | digital effects artist: The Difference Facility |
Thomas Urbye | ... | visual effects producer: The Look |
Paul J. Wright | ... | scanning and recording manager |
Stunts
Terry Cade | ... | stunts |
James Fleming | ... | fight arranger |
Camera and Electrical Department
Paul Bates | ... | rigging gaffer |
Theo Berman | ... | daily camera trainee |
Phil Brookes | ... | gaffer |
Tim Critchell | ... | grip |
Neil Davidson | ... | still photographer |
Dave Fowler | ... | rigging electrician |
John Harper | ... | first assistant camera |
Iain Harrison | ... | rigger |
James Harrison | ... | camera: trainee |
Derrick Peters | ... | first assistant camera: "b" camera |
Scott Rodgers | ... | second assistant camera |
Richard Stoddard | ... | camera operator: "a" camera / steadicam operator |
Animation Department
Andrew Johnston-Gray | ... | cg modeler |
Nuno Conceicao | ... | modeler |
Luis Lopes | ... | modeler |
Sam McCarthy | ... | animation producer |
Laura Seymour | ... | animation director |
Casting Department
Stuart Elliott | ... | casting: Scotland |
Costume and Wardrobe Department
Harriet Edmonds | ... | costume assistant |
Orsolya Sallai | ... | costume trainee |
Michael Weldon | ... | costume supervisor |
Editorial Department
Alec Gibson | ... | grader |
Steve Harrow | ... | post-production consultant |
Location Management
Ed Smith | ... | location manager |
Music Department
James Seymour Brett | ... | conductor |
Andy Brown | ... | music contractor |
Richard Cookson | ... | musician: viola |
Andrew Dudman | ... | score recording engineer |
Adam Langston | ... | orchestrator |
The London Metropolitan Orchestra | ... | music performed by / performer: London Metropolitan Orchestra |
David Walter | ... | music editor |
Steve Mair | ... | musician: double bass (uncredited) |
Script and Continuity Department
Claire Hewitt | ... | script supervisor |
Transportation Department
Pete Murphy | ... | driver: camera truck (as Peter Murphy) |
Additional Crew
Duncan Broadfoot | ... | floor runner |
Neil Cairns | ... | production accountant |
Stephen Carney | ... | runner |
Matt Curtis | ... | title designer |
Libby D'Arcy | ... | vp business affairs: Content Media |
Paul Dray | ... | laboratory contact |
Jim Elliott | ... | armorer |
Jo Fairweather | ... | production assistant: office |
Mark Geddes | ... | screen commissioner: SWSSC |
Glynn Henderson | ... | safety consultant |
Paul Imrie | ... | accounts trainee |
Julia Jones | ... | unit publicist |
Alexandra Keen | ... | head of legal and business affairs: Contentfilm |
Michael Klesic | ... | voice |
Amy Munro | ... | production secretary |
Beatrice Neumann | ... | production executive |
Velibor Topic | ... | voice |
Yana Yanezic | ... | voice |
Paul Zieleniec | ... | assistant accountant |
Thanks
Rachel Baker | ... | the producers would like to thank |
Kate Barker | ... | the producers would like to thank |
Ken Barker | ... | the producers would like to thank |
Sandra Barker | ... | the producers would like to thank |
Michael Byrne | ... | the producers would like to thank |
Douglas William Castle | ... | the producers would like to thank |
Adam Coles | ... | the producers would like to thank |
Mark Geddes | ... | the producers would like to thank |
Marcus Harben | ... | the producers would like to thank |
John Hooper | ... | the producers would like to thank |
Victoria Lennon | ... | the producers would like to thank |
Kevin Parker | ... | the producers would like to thank |
Domenic Pontone | ... | the producers would like to thank |
Simon Ragoonanan | ... | the producers would like to thank |
Jenny Williams | ... | the producers would like to thank |
Frank Wu | ... | the producers would like to thank |