On the 28th edition of the annual Halloween-themed “Treehouse of Horror” episode of “The Simpsons,” baby Maggie is possessed by a demon, and the voices of those tasked with exorcising it sound familiar to diehard horror fans: One of them is Ben Daniels, star of the Fox show “The Exorcist,” and the other is William Friedkin, who directed the 1973 movie.
Friedkin’s legacy extends far beyond that movie; two years earlier, he swept the Oscars with “The French Connection,” and later delivered “Sorcerer” and “To Live and Die in L.A.” The past decade found Friedkin continuing to produce edgy work, including two Tracy Letts plays (“Bug” and “Killer Joe”), numerous operas, and now a documentary, “The Devil and Father Amorth,” which premiered this fall at the Venice International Film Festival and explores the real-life context that inspired “The Exorcist.”
While visiting Lyon to deliver a masterclass at the Lumiere Festival,...
Friedkin’s legacy extends far beyond that movie; two years earlier, he swept the Oscars with “The French Connection,” and later delivered “Sorcerer” and “To Live and Die in L.A.” The past decade found Friedkin continuing to produce edgy work, including two Tracy Letts plays (“Bug” and “Killer Joe”), numerous operas, and now a documentary, “The Devil and Father Amorth,” which premiered this fall at the Venice International Film Festival and explores the real-life context that inspired “The Exorcist.”
While visiting Lyon to deliver a masterclass at the Lumiere Festival,...
- 10/27/2017
- by Eric Kohn
- Indiewire
Although the Robertson family decided to end their Duck Dynasty TV show on A&E after the 11th and final season, it's not over yet. While Duck Dynasty season 11 premiered on A&E in November 2016, and we'll have no new episodes for a while, it's not cancelled. The reality series is just on a mid-season hiatus.Duck Dynasty, season 11, returns to A&E on Wednesday, March 1, 2017. Watch a teaser for Duck Dynasty, "The Last Call," after the jump. The show stars Jase Robertson, Si Robertson, Willie Robertson, Kay Robertson, Korie Robertson and even more Robertsons. The Louisiana family owns the Duck Commander business which makes products like duck calls, for duck hunters.Read More…...
- 1/25/2017
- by TVSeriesFinale.com
- TVSeriesFinale.com
Nearly a dozen bodies — mostly of women — have been found on Gilgo Beach in New York. Are they connected? Subscribe to People now for details of the Long Island Serial Killer, on newsstands now.
He’s the sort of killer who is often social and extremely good at making people feel comfortable. He grooms his victims before he strikes. He takes risks — and sadistic pleasure — in taunting his victim’s family and friends. He probably isn’t a substance abuser.
According to two experts, this is the emerging picture of whoever is responsible for at least some of the 10-plus...
He’s the sort of killer who is often social and extremely good at making people feel comfortable. He grooms his victims before he strikes. He takes risks — and sadistic pleasure — in taunting his victim’s family and friends. He probably isn’t a substance abuser.
According to two experts, this is the emerging picture of whoever is responsible for at least some of the 10-plus...
- 10/28/2016
- by cpelisektimeinc
- PEOPLE.com
Nearly a dozen bodies — mostly of women — have been found on Gilgo Beach in New York. Are they connected? Subscribe to People now for details of the Long Island Serial Killer, on newsstands now.
It seems the closest that anyone has gotten to catching the Long Island Serial Killer may be a phone call.
Little is known about whoever is responsible for the 10-plus bodies uncovered in recent years on Gilgo Beach in Long Island, New York. No suspects have ever been identified. But the victims’ friends and family do know this: The killer or killers like to taunt them.
It seems the closest that anyone has gotten to catching the Long Island Serial Killer may be a phone call.
Little is known about whoever is responsible for the 10-plus bodies uncovered in recent years on Gilgo Beach in Long Island, New York. No suspects have ever been identified. But the victims’ friends and family do know this: The killer or killers like to taunt them.
- 10/28/2016
- by cpelisektimeinc
- PEOPLE.com
Cue up Sarah McLachlan's "I Will Remember You" because it's been one year since The Good Wife—and the world—said goodbye to Will Gardner (Josh Charles). "Dramatics, Your Honor," the game-changing season five episode of the hit CBS drama, aired on Sunday, March 23, 2014. "Don't let your life pass you by, weep not for the memories." We know there are some of you out there who haven't quite gotten over the death of Will Gardner. And that's Ok. It was traumatic, that's for sure. (Technically Charles' last episode was "The Last Call," which aired on March 30, 2014, but his character kicked the bucket on the 23rd.) "I would say I...
- 3/23/2015
- E! Online
The 2015 Writers Guild Awards were held this weekend, and the ceremony proved to be a good one for shows on HBO, FX, and CBS, as True Detective, Louie, and The Good Wife walked away with the WGA trophies for the drama and comedy categories. True Detective won two awards at the event, one for Best Drama Series and other other for Best New Series, while The Good Wife took home the top prize for Best Episodic Drama, which was awarded to the CBS series for “The Last Call,” the hour that featured the shocking death of Josh Charles’ Will Gardner and was written by executive producers Robert and Michelle King. Louie dominated on the comedy side, winning both Best Comedy Series and Best Episodic Comedy for “So Did the Fat Lady,” an episode that was written by creator and star Louie C.K. For the other winners, check out the list below.
- 2/16/2015
- by Chris King
- TVovermind.com
2015 Writers Guild Awards – Winners Announced The Writers Guild of America, West (Wgaw) and the Writers Guild of America, East (Wgae) tonight announced the winners of the 2015 Writers Guild Awards for outstanding achievement in writing for film, television, new media, videogames, news, radio, promotional, and graphic animation categories at simultaneous ceremonies at the Hyatt Regency Century Plaza in Los Angeles and the Edison Ballroom in New York City. Film Winners Original Screenplay The Grand Budapest Hotel, Screenplay by Wes Anderson; Story by Wes Anderson & Hugo Guinness; Fox Searchlight Adapted Screenplay The Imitation Game, Written by Graham Moore; Based on the book Alan Turing: The Enigma by Andrew Hodges; The Weinstein Company Documentary Screenplay The Internet’s Own Boy: The Story of Aaron Swartz, Written by Brian Knappenberger; FilmBuff Television And New Media Winners Drama Series True Detective, Written by Nic Pizzolatto; HBO Comedy Series Louie, Written by Pamela Adlon, Louis C.K.; FX New Series True Detective,...
- 2/15/2015
- by Josh Abraham
- Hollywoodnews.com
The 2015 Writers Guild Awards in television turned out to be Good and True.
RelatedTrue Detective: Rachel McAdams and Season 2 Character Details Confirmed
HBO’s True Detective picked up two WGA trophies (for Best Drama Series and Best New Series), while The Good Wife landed a trophy for “Best Episodic Drama” — honoring an individual episode — for “The Last Call,” the hour written by EPs Robert and Michelle King that followed the shocking death of Josh Charles’ Will Gardner.
On the comedy side, FX’s Louie won Best Comedy Series and Best Episodic Comedy (for the widely lauded “So Did...
RelatedTrue Detective: Rachel McAdams and Season 2 Character Details Confirmed
HBO’s True Detective picked up two WGA trophies (for Best Drama Series and Best New Series), while The Good Wife landed a trophy for “Best Episodic Drama” — honoring an individual episode — for “The Last Call,” the hour written by EPs Robert and Michelle King that followed the shocking death of Josh Charles’ Will Gardner.
On the comedy side, FX’s Louie won Best Comedy Series and Best Episodic Comedy (for the widely lauded “So Did...
- 2/15/2015
- TVLine.com
The Writers Guild of America (WGA) handed out top film honors to the screenplays of "The Grand Budapest Hotel" and "The Imitation Game" Saturday night. On the television side, "Louie" and "True Detective" were favorites, winning two prizes each. Damien Chazelle's "Whiplash" competed in the original category at the WGA Awards, while the Academy's Writers Branch, in a rare move outside of guild designation, deemed it adapted due to the fact that a scene from the feature script was the basis of a short film that screened at the 2013 Sundance Film Festival. So if "The Imitation Game" is to go on to Oscar glory, it will have to compete with Chazelle's popular film for the first time this season at the Feb. 22 Academy Awards ceremony. Additionally, presumed Best Picture frontrunner "Birdman" was not eligible for WGA (making it still significant competition with "Grand Budapest" in the original category), nor was "The Theory of Everything,...
- 2/15/2015
- by Kristopher Tapley
- Hitfix
Tonight, the Writers Guild of America handed out their awards for achievements in writing for 2014, with The Grand Budapest Hotel and The Imitation Game winning top honors, as was fully expected.
As I’ve already mentioned, the win here for The Grand Budapest Hotel doesn’t mean a thing, as it didn’t have to go up against its main competition, Birdman, which, if it had been eligible, would have easily taken the category this evening (the last six eligible screenplays to win both the Golden Globe and Critics Choice awards have gone on to win here). This category actually means a lot more for Boyhood, which has now had the last nail driven into its coffin with its loss here tonight. The least a film has won Best Picture with in the last 25 years (since the inception of the PGA awards) has been a WGA award (Braveheart), meaning Boyhood...
As I’ve already mentioned, the win here for The Grand Budapest Hotel doesn’t mean a thing, as it didn’t have to go up against its main competition, Birdman, which, if it had been eligible, would have easily taken the category this evening (the last six eligible screenplays to win both the Golden Globe and Critics Choice awards have gone on to win here). This category actually means a lot more for Boyhood, which has now had the last nail driven into its coffin with its loss here tonight. The least a film has won Best Picture with in the last 25 years (since the inception of the PGA awards) has been a WGA award (Braveheart), meaning Boyhood...
- 2/15/2015
- by Jeff Beck
- We Got This Covered
The Writers Guild of America announced the TV nominees for the 2015 WGA Awards on Thursday (December 4) morning and several new shows broke into the fields in a big way. And, of course, there were a number of big WGA Award nomination head-scratchers. Specifically, where the heck was FX's "Fargo"? The answer is below. Making perhaps the biggest splash was "Transparent," which earned three nominations and, since "Orange Is The New Black" earned two nods and "House of Cards" pick up one, that meant that Amazon Prime and Netflix are, at least for one award-giving organization, on equal footing as creators of original programming. The Jill Soloway-created "Transparent" is nominated for New Series, where it will go against "The Affair," "The Knick," "Silicon Valley" and "True Detective." "Transparent" and "Silicon Valley" are also up for Comedy Series, going against "Louie," "Veep" and "Orange Is The New Black." Lest you panic...
- 12/5/2014
- by Daniel Fienberg
- Hitfix
Nominations for the 2015 Writers Guild Awards were announced Thursday, and newcomers like Transparent and True Detective, as well as returning favorites such as The Good Wife, Louie and Game of Thrones, were both rewarded with multiple nods.
The winners will be announced on Saturday, Feb. 14, during simultaneous ceremonies in Los Angeles and New York City.
Scroll down for the nominations list…
Drama Series
Game of Thrones
The Good Wife
House of Cards
Mad Men
True Detective
Comedy Series
Louie
Orange Is the New Black
Silicon Valley
Transparent
Veep
New Series
The Affair
The Knick
Silicon Valley
Transparent
True Detective
Long...
The winners will be announced on Saturday, Feb. 14, during simultaneous ceremonies in Los Angeles and New York City.
Scroll down for the nominations list…
Drama Series
Game of Thrones
The Good Wife
House of Cards
Mad Men
True Detective
Comedy Series
Louie
Orange Is the New Black
Silicon Valley
Transparent
Veep
New Series
The Affair
The Knick
Silicon Valley
Transparent
True Detective
Long...
- 12/4/2014
- TVLine.com
It’s a good day to be a television fan. No matter what you’re watching, the WGA has you covered, honoring an eclectic round-up of small-screen entertainment for its annual awards ceremony. Thursday morning, Writers Guild of America, West (Wgaw) and the Writers Guild of America, East (Wgae) announced nominations for outstanding achievement in television, new media, news, radio, and promotional writing during 2014. Winners will be honored at the 2015 Writers Guild Awards on Saturday, February 14, 2015, at simultaneous ceremonies in Los Angeles and New York City. No one show dominated the WGA’s various categories. "Game of Thrones" and "Mad Men" nabbed nominations for individual episode nods and Drama Series, while "True Detective" squeezed into the latter category along with a mention in New Series. Amazon Prime’s "Transparent" is the heavy-hitter in the comedy category, earning spots in the Comedy Series, New Series, and Episodic Comedy categories. Check out...
- 12/4/2014
- by Matt Patches
- Hitfix
Early predictions have emerged for most Academy Award categories. As the studios reveal their hopeful offers to be released in the final months of the year, the speculation increases. But despite all the information available on the centerpiece awards, other more obscure races remain a complete mystery at this point. Among these, the Best Foreign Language Film Oscar is almost certainly the most complex to prognosticate. The lengthy process that precedes the announcement of the final nominees makes for a competition that begins months in advance in nations around the globe.
Having the opportunity to submit only one film, each country must carry out its own selection process. Once these decisions have been made, their chosen works will compete to make it to the nine-film shortlist, and eventually into the final five slots. Although this procedure allows for a certain degree of democracy, it also excludes all those other films that were left behind in their homelands. This, in turn, gives us a narrow view of what is being produced abroad.
Therefore, after lots of research and arduous educated guessing to put it together, the list below offers a more insightful look at this race before the actual individual selections are announced. For the sake of time, the amount of films is limited to five per country, but in some cases the choices are scarcer and less films are listed. While trying to speculate is always an uncertain endeavor, the factors taken into account to determine which are some of this year’s most important films in each country and their prospects of being chosen as their representative at the Academy Awards, were varied. Festival exposure, release date, the country’s previous submissions, and even the thematic elements of a few of them were considered to create this piece.
Clearly nothing is definitive at this point, but at the very least, this compilation will provide a sense of what the film industries in these territories are putting out and sharing with the world.
It is important to note that several of the films mentioned below are being handled by Mundial, a joint venture between Im Gobal and Canana, including "Gueros," "A Wolf at the Door," and "The Liberator."
Here is the first list dedicated to the Americas
Argentina
With four films presented at Cannes and several others receiving praise in festivals around the world, Argentina has several interesting options this year. Unfortunately, Lisandro Alonso’s period piece “Jauja” will almost certainly be ineligible due to its November release date, unless a qualifying one-week run is scheduled. That scenario seems unlikely. Screening in the Directors’ Forthnight, Diego Lerman’s “Refugee” (Refugiado) will open on October 3rd, also a few days after the deadline. That leaves the Almodovar-produced “Wild Tales” as the undisputed favorite. Acclaimed films such as “Natural Sciences," “The Third Side of the River”, “El Ardor“ (staring Gael Garcia Bernal), and “La Paz” are longer shots but still viable choices.
1. "Wild Tales" (Relatos Salvajes)
2. "Natural Sciences" (Ciencias Naturales)
3."The Ardor" (El Ardor)
4."The Third Side of the River" (La Tercera Orilla)
5."La Paz"
Bolivia
The last time the landlocked country submitted a film was back in 2009. However, this year offers several possibilities for the Bolivian film industry. Given its production value and historical theme, it is likely that - if they choose to send a film - it will be Mexican director Carlos Bolado’s “Forgotten” (Olvidados), which deals with the 70s Operation Condor. Another likely choice is “Yvy Maraey,” which highlights the mysticism of the country’s indigenous people and is the latest work by Juan Carlos Valdivia, whose films have represented Bolivia in 3 out of the 6 occasions they’ve participated. A long delayed road trip flick (“Once Upon a Time in Bolivia”) and a unique documentary (“Apricot”) round up the list of contenders.
1. "Forgotten" (Olvidados)
2. "Yvy Maraey: Land Without Evil" (Yvy Maraey: Tierra Sin Mal)
3. "Once Upon a Time in Bolivia" (Erase una vez en Bolivia)
4. "Apricot" (Durazno)
Brazil
Producing an impressive amount of films per year, the Brazilian film industry is seeing incredible progress recently. Particularly this year, the quality of works was exceptional across the board. Having such an overflow of great material could make it difficult to select just one. However, there are a few films that standout amongst the crowd. Fernando Coimbra’s debut feature “A Wolf at the Door” is undoubtedly the one to beat after receiving rave reviews and touring some of the most important international festivals. Its biggest competitors are the quiet character study “The Man of the Crowd” and the adorable coming-of-age tale “The Way He Looks.” Rounding up the top five are locally acclaimed “Runriver” and powerful Lgbt drama “Futuro Beach.”
1. "A Wolf at the Door" (O Lobo atrás da Porta)
2. "The Man of the Crowd" (O Homem das Multidões)
3. "The Way He Looks" (Hoje Eu Quero Voltar Sozinho)
4. "Riverrun" (Riocorrente)
5. "Futuro Beach" (Praia do Futuro)
Canada
This definitely seems like Xavier Dolan’s year. After sharing an award with New Wave patriarch Jean-Luc Godard in Cannes, the 25-year-old prodigy is almost a safe bet having two films that could represent his country. While “Mommy” is the clear favorite, it will have to go against “An Eye for Beauty, ” the latest film from Oscar-winner Denys Arcand. Both films will screen at Tiff in the upcoming weeks, just as time runs out for Canada to nominate a film by the end of September. Less probable but still great options are Dolan’s own “Tom at the Farm,” quirky black-and-white dramedy “Tu Dors Nicole,” and the well-received rural family drama “The Auction. ”
1. "Mommy"
2. "An Eye for Beauty" (Le Règne de la Beauté)
3. "Tom at the Farm" (Tom à la ferme)
4. "You's Sleeping Nicole" (Tu Dors Nicole)
5. "The Auction" (Le démantèlement)
Chile
Here is one of the few countries in the region with a very clear choice, but which sadly might decide to miss that opportunity. Alejandro Fernández Almendras ‘“To Kill a Man” won at Sundance, Rotterdam, Berlin, Cartagena amongst several other festivals and has received extremely positive reactions from critics and audiences. Yet, its opening date in its homeland (October 16th) might prevent it from being selected, which would be a regrettable mistake. A one-week run or an earlier release date would be a worthwhile investment. If they decide to leave it behind for next year, this great film would definitely miss its chance. If that is the case, the South American nation, which in recent years has garnered incredible success with films like “No” and “Gloria,” might decide to go with “The Dance of Reality,” the first film in over 20 years by veteran auteur Alejandro Jodorowsky. Other plausible candidates include “Illiterate” (starring Paulina Garcia), Marcela Said’s remarkable “The Summer of Flying Fish,” and historical biopic “Neruda.”
1. "To Kill a Man" (Matar a un Hombre)
2. "The Dance of Reality" (La Danza de la Realidad)
3. "Illiterate" (Las Analfabetas)
4. "The Summer of Flying Fish" (El Verano de los Peces Voladores)
5. "Neruda"
Colombia
Being forced to resort to mainstream cartel-themed fare in past occasions, this year has fortunately seen a fantastic reemergence of auteur-driven works in the country. Cartagena winner “Dust on the Tongue” is by far the most promising Colombian offer of the year with a thought-provoking premise. Next in line is “Mateo” about a young man struggling to pursue his passion for theater while living in a crime-ridden community. Other films include the touching “Catching Fireflies,” apocalyptic comedy “Chronicle of the End of the World,” and music-infused romance “Ciudad Delirio.” Franco Lolli’s award-winning “Gente de Bien” doesn’t have a release date yet, but will probably be in the running next year.
1. "Dust on the Tongue" (Tierra en la Lengua)
2. "Mateo"
3. "Chasing Fireflies" (Cazando Luciernagas)
4. "Chronicle of the End of the World" (Crónica del Fin del Mundo)
5. "Ciudad Delirio"
Costa Rica
Having three great films eligible for consideration, Costa Rica will likely enter the Oscar race for what would be only the third time in its history. Without a doubt, the country is spearheading Central America in terms of increased film production. Lauded throughout multiple festivals, “Red Princesses,” about a girl growing up in the Sandinista-era, is the most notable work. “Port Father,” a coming-of-age drama set in a coastal town and the comedy “All About the Feathers” are the other two that could be picked. Regardless of which one is selected, they all serve as an encouraging sign of growth for the Costa Rican industry.
1. "Red Princesses" (Princesas Rojas)
2. "Port Father" (Puerto Padre)
3. "All About the Feathers" (Por las Plumas)
Cuba
Hosting the Havana International Film Festival and its consistent investment in local talent make Cuba a unique place for film in the Caribbean. In spite of this, only a few national productions have reached cinemas this year. The three notable titles revolve around personal stories of survival and the struggles associated with living on the island. Winner of several international awards, “Behavior” is the clear favorite. “Melaza,” another local drama dealing with the economic challenges Cubans face and the gay love story “The Last Match,” complete the trio.
1. "Behavior" (Conducta)
2."Melaza"
3. "The Last Match" (La Partida)
Dominican Republic
For its size, this island nation has an impressive working industry that steadily produces films in diverse genres. The Dominican Republic will almost certainly participate again with one of the works by its homegrown talent. Screening in Toronto last year, crime romance “Cristo Rey” has the highest probability of being chosen. In second place is the documentary “The Mountain,” which centers on a unique expedition to Mount Everest by a Dominican team. Passionate road trip story “To the South of Innocence” and psychological thriller “Despertar ” conform the list of options.
1. "Cristo Rey"
2. "The Mountain"(La Montaña)
3. "To the South of Innocence" (Al Sur de la Inocencia)
4. "Despertar"
Ecuador
Seemingly dormant for many decades, the Ecuadorian film industry has recently exploded. Even though they have only submitted three times in the past, it appears they plan to make their presence more consistent moving forward. What is even more surprising, are the numerous alternatives they have to make their selection. At the top of the list is “Holiday,” which premiered in Berlin and has received considerable praise. Two other art house offers, “Silence in Dreamland” and “Saudade,” could be serious contenders. “Girl Without Fear,” a gritty crime film and “The Facilitator,” a politically charged work, have less chances but are still interesting offers.
1. "Holiday" (Feriado)
2. "Silence in Dreamland" (El Silencio en la Tierra de los Sueños)
3. "Saudade"
4. "Girl With No Fear" (Ciudad Sin Sombra)
5. "The Facilitator" (El Facilitador)
El Salvador
Sporadically producing feature length works due to the lack of initiatives that facilitate their funding, El Salvador has never entered the race. Nevertheless, there are three films that could potentially be submitted: Supernatural horror film "The Supreme Book," romantic comedy "The Re-Search," and the more viable choice, " The Four Cardinal Points," a documentary about the diverse lifestyles throughout the tiny country. The latter was exhibited commercially as part of Ambulante El Salvador for about a week, which could possibly make it eligible. But in all honesty, it is hard to think they’ll feel so inclined as to participate.
1. "El Salvador: The Four Cardinal Points" (El Salvador: Cuatro Puntos Cardinales)
2. "The Re-Search" (La ReBusqueda)
3. "The Supreme Book" (El Libro Supremo)
Guatemala
With only one submission under their belt back in 1994 and several missed opportunities in recent years, Guatemala might opt to remain out of the spotlight once again. If, however, they change their mind, there are three films that qualify to be entered. Focusing on the indigenous Maya‘s beliefs and legends, “Where the Sun is Born” is surely the most authentic and visually powerful of these films. Then there is “Pol,” a story about two teenage friends and their mishaps. Lastly, there is “12 Seconds,” a sort of slasher flick set in the countryside. It’s been 20 years since their last try, it wouldn’t hurt to see them make the effort once again.
1. "Where the Sun is Born" (Donde Nace el Sol)
2. "Pol"
3. "12 Seconds" (12 Segundos)
Honduras
Although they have never submitted an entry, the Central American country is showing signs of progress in terms of its film industry. With only two local, low budget films released this year, it is highly unlikely they will enter. Nevertheless, they do have an eligible film “11 Cipotes,” a sports comedy about a soccer team in a small town. The other film, “The Zwickys,” is surprisingly ineligible because it is mostly in English.
1. "11 Kids" (11 Cipotes)
Mexico
Now that the Mexican Academy has announced their shortlist - which strangely and inexplicably includes titles that have no scheduled release dates or that will be released after AMPAS' deadline (September 30th, 2014) - the landscape has dramatically changed. Three of the original selections mentioned here (“The Empty Hours,” “Potosi,” and “ Club Sandwich”) are not included among the finalists. It is important to note that films need to be submitted by the filmmakers in order to be considered by the Mexican Academy. One can assume that these films, though they qualify, decided not to participate. The 21 films listed include several documentaries such as “Purgatorio: A Journey Into the Heart of the Border,” “Disrupted” (Quebranto), “Eufrosina’s Revolution” (La Revolución de los Alcatraces), and “H2Omx" among others. But even if many of these are outstanding films, it is highly unlikely that the Academy will decide to go with a documentary over a narrative given their track record and the other options available. Comedic offers like the charming “Paraíso” by Mariana Chenillo, "Flying Low" (Volando Bajo), and "The Last Call" (Tercera Llamada) also made it in. Just like last year with “Instructions Not Included,” most people could assume that the film with the most commercial prospects would make for a good candidate for Oscar consideration, in this case that would be the biopic “Cantinflas," which was also listed. Fortunately, however, the selection committee often prefers to bet on films honored internationally regardless of their controversial content (“Heli,” “After Lucia,” “Silent Light,” “The Crime of Father Amaro”).
With the new additions, the possibilities have shifted. On the top spot is Alonso Ruiz Palacios’ black and white debut “Güeros,” which won in Berlin and Tribeca, and screened at Karlovy Vary. The festival pedigree will definitely help this unique road trip film set in Mexico City during the late 90s. The runner up is Luis Urquiza’s “Perfect Obedience,” though it did not have any festival exposure or a highly profitable theatrical run, the local critics praised the compelling portrayal of a depraved Catholic priest with satirical undertones. It would definitely make for a great contender if the Academy were willing to run the risk given its controversial subject matter. At number three we have Christian Diaz Pardo’s “Gonzalez,” an intriguing drama about a man looking to change his destiny by joining a for profit evangelical church. Dark comedy “ Workers,” by Salvadoran filmmaker Jose Luis Valle, comes in at number four. Lastly, there is Luis Estrada’s long awaited new film “The Perfect Dictatorship,” which made the cut despite having an October 16th release date. The film could definitely come into play; however, voters should consider the fact that its premise and humor might be too specific to the Mexican political idiosyncrasies to connect with foreign voters. Two other films that might be in the race next year are “Perpetual Sadness” (La Tirisia) and “ The Well” (Manto Acuifero)
1."Güeros"
2. "Perfect Obedience" (Obediencia Perfecta)
3. "Gonzalez"
4. "Workers"
5. "The Perfect Dictatorship" (La Dictadura Perfecta)
Nicaragua
With three submissions in over 30 years (1982, 1988, 2010), Nicaragua is the Central American nation with the most attempts at Oscar glory. More astonishing perhaps, is the fact that their first ever entry, “Alsino and the Condor,” earned them a nomination. These days production is almost non-existent. Still, the country’s most prolific filmmaker Florence Jaugey, responsible for their last submission “La Yuma,” made a small documentary titled “Class Days." It is just over 50 minutes long but actually had a theatrical run. Though eligible, it’s probable they’ll decide to skip this year. On the other hand, Jaugey has just finished a new narrative new feature, “The Naked Screen” (La Pantalla Desnuda), which will surely be part of the conversation next year.
1. "Class Days" (Dias de Clase)
Panama
An unprecedented amount of national productions were scheduled to premier in Panama during 2014. All of those four films - which by the country’s standards is an exceptional number - are documentaries. However, only two of them will be eligible given their set release dates. Out of those two, the top choice would certainly be Abner Benaim’s “Invasion” which uses reenactments in lieu of archive footage to revisit the American military intervention in the Central American country in 1989. The runner-up, “Majesty,” deals with the more lighthearted subject of carnival queens. In any case, should Panama decide to submit a film, this would be their first ever appearance.
1. "Invasion"
2. "Majesty" (Reinas)
Paraguay
Disappointed after missing the chance to submit last year's surprise hit “7 Boxes”due to the lack of a selection committee, Paraguayan authorities have stressed their wish to send a film to compete this time around. Unfortunately, it appears that their two best options might be scheduled to open theatrically past the Academy’s deadline. The documentary “Cloudy Times,” a Swiss co-production, has garnered positive reactions internationally and would be their best shot. A second choice could be the crime flick “Filthy Luck,” which sports a decent production value. But if neither of them manages to qualify, then the country’s only other option is yet another crime film “End of the Line.” In any case, hopefully they follow through with their intentions and participate for the first time.
1. "Cloudy Times" (El Tiempo Nublado)
2. "Filthy Luck" (Luna de Cigarras)
3. "End of the Line" (Fin de Linea)
Peru
The eclectic collection of Peruvian films released this year speaks of the great development the medium is experiencing in that country. The five films mentioned here represent the array of genres and stories coming out of Peru today. Given its incredible reception abroad, dark comedy “The Mute” by Daniel Vega Vidal & Diego Vega Vidal is undoubtedly the frontrunner. Behind it comes the intriguing thriller “Guard Dog” starring Peruvian star Carlos Alcántara, multi-narrative drama “The Gospel of the Flesh,” romantic tearjerker “Trip to Timbuktu,” and “Old Friends” about a group of elderly men on a mission. Definitely a though decision needs to be made.
1. "The Mute" (El Mudo)
2. "Guard Dog" (Perro Guardian)
3. "The Gospel of the Flesh" (El Evangelio de la Carne)
4. "Trip to Timbuktu" (Viaje a Tombuctu)
5. "Old Friends" (Viejos Amigos)
Uruguay
Last year the country decided to take a chance and submit the adorable animated film “Anina,” which despite not getting a nomination has become a great success. This time they have “The Militant,” a serious contender about a man retuning to his late father’s hometown. Empowered by a positive festival run, this seems to be their most ideal option. “23 Seconds,” a drama about an unlikely connection between two people and “Mr. Kaplan,” a buddy comedy by Álvaro Brechner - whose previous film “A Bad Day to Go Fishing” was selected a few years back - are the next best choices. The remaining film “At 60 km/h” is a documentary about a unique journey around the world.
1. "The Militant" (El Lugar del Hijo)
2. "23 Seconds" (23 Segundos)
3. "Mr. Kaplan"
4. "At 60 Km/h" (A 60 Km/h)
Venezuela
Dubbed as “the most expensive film ever made in Latin America” and focusing on the accomplishments of the country’s most important historical figure, selecting “The Liberator” is simply a no-brainer. Added to those qualities, the film is actually an elegantly achieved period piece that really showcases the sizable budget and director Alberto Arvelo’s talent. Two of his previous films have also represented his country in the past. On the other hand, this has been a monumental year for Venezuelan films. Festival darling “Bad Hair” would be the perfect choice if it weren’t going against the imposing major production. Other important films that could figure in the mix but have much less prospects are the emotional road-trip film “The Longest Distance,” the women-centered drama “Liz in September,” and the acclaimed thriller “Solo.”
1. "The Liberator" (El Libertador)
2. "Bad Hair" (Pelo Malo)
3. "The Longest Distance" (La Distnacia Mas Larga)
4. "Liz in September" (Liz en Septiembre)
5. "Solo"...
Having the opportunity to submit only one film, each country must carry out its own selection process. Once these decisions have been made, their chosen works will compete to make it to the nine-film shortlist, and eventually into the final five slots. Although this procedure allows for a certain degree of democracy, it also excludes all those other films that were left behind in their homelands. This, in turn, gives us a narrow view of what is being produced abroad.
Therefore, after lots of research and arduous educated guessing to put it together, the list below offers a more insightful look at this race before the actual individual selections are announced. For the sake of time, the amount of films is limited to five per country, but in some cases the choices are scarcer and less films are listed. While trying to speculate is always an uncertain endeavor, the factors taken into account to determine which are some of this year’s most important films in each country and their prospects of being chosen as their representative at the Academy Awards, were varied. Festival exposure, release date, the country’s previous submissions, and even the thematic elements of a few of them were considered to create this piece.
Clearly nothing is definitive at this point, but at the very least, this compilation will provide a sense of what the film industries in these territories are putting out and sharing with the world.
It is important to note that several of the films mentioned below are being handled by Mundial, a joint venture between Im Gobal and Canana, including "Gueros," "A Wolf at the Door," and "The Liberator."
Here is the first list dedicated to the Americas
Argentina
With four films presented at Cannes and several others receiving praise in festivals around the world, Argentina has several interesting options this year. Unfortunately, Lisandro Alonso’s period piece “Jauja” will almost certainly be ineligible due to its November release date, unless a qualifying one-week run is scheduled. That scenario seems unlikely. Screening in the Directors’ Forthnight, Diego Lerman’s “Refugee” (Refugiado) will open on October 3rd, also a few days after the deadline. That leaves the Almodovar-produced “Wild Tales” as the undisputed favorite. Acclaimed films such as “Natural Sciences," “The Third Side of the River”, “El Ardor“ (staring Gael Garcia Bernal), and “La Paz” are longer shots but still viable choices.
1. "Wild Tales" (Relatos Salvajes)
2. "Natural Sciences" (Ciencias Naturales)
3."The Ardor" (El Ardor)
4."The Third Side of the River" (La Tercera Orilla)
5."La Paz"
Bolivia
The last time the landlocked country submitted a film was back in 2009. However, this year offers several possibilities for the Bolivian film industry. Given its production value and historical theme, it is likely that - if they choose to send a film - it will be Mexican director Carlos Bolado’s “Forgotten” (Olvidados), which deals with the 70s Operation Condor. Another likely choice is “Yvy Maraey,” which highlights the mysticism of the country’s indigenous people and is the latest work by Juan Carlos Valdivia, whose films have represented Bolivia in 3 out of the 6 occasions they’ve participated. A long delayed road trip flick (“Once Upon a Time in Bolivia”) and a unique documentary (“Apricot”) round up the list of contenders.
1. "Forgotten" (Olvidados)
2. "Yvy Maraey: Land Without Evil" (Yvy Maraey: Tierra Sin Mal)
3. "Once Upon a Time in Bolivia" (Erase una vez en Bolivia)
4. "Apricot" (Durazno)
Brazil
Producing an impressive amount of films per year, the Brazilian film industry is seeing incredible progress recently. Particularly this year, the quality of works was exceptional across the board. Having such an overflow of great material could make it difficult to select just one. However, there are a few films that standout amongst the crowd. Fernando Coimbra’s debut feature “A Wolf at the Door” is undoubtedly the one to beat after receiving rave reviews and touring some of the most important international festivals. Its biggest competitors are the quiet character study “The Man of the Crowd” and the adorable coming-of-age tale “The Way He Looks.” Rounding up the top five are locally acclaimed “Runriver” and powerful Lgbt drama “Futuro Beach.”
1. "A Wolf at the Door" (O Lobo atrás da Porta)
2. "The Man of the Crowd" (O Homem das Multidões)
3. "The Way He Looks" (Hoje Eu Quero Voltar Sozinho)
4. "Riverrun" (Riocorrente)
5. "Futuro Beach" (Praia do Futuro)
Canada
This definitely seems like Xavier Dolan’s year. After sharing an award with New Wave patriarch Jean-Luc Godard in Cannes, the 25-year-old prodigy is almost a safe bet having two films that could represent his country. While “Mommy” is the clear favorite, it will have to go against “An Eye for Beauty, ” the latest film from Oscar-winner Denys Arcand. Both films will screen at Tiff in the upcoming weeks, just as time runs out for Canada to nominate a film by the end of September. Less probable but still great options are Dolan’s own “Tom at the Farm,” quirky black-and-white dramedy “Tu Dors Nicole,” and the well-received rural family drama “The Auction. ”
1. "Mommy"
2. "An Eye for Beauty" (Le Règne de la Beauté)
3. "Tom at the Farm" (Tom à la ferme)
4. "You's Sleeping Nicole" (Tu Dors Nicole)
5. "The Auction" (Le démantèlement)
Chile
Here is one of the few countries in the region with a very clear choice, but which sadly might decide to miss that opportunity. Alejandro Fernández Almendras ‘“To Kill a Man” won at Sundance, Rotterdam, Berlin, Cartagena amongst several other festivals and has received extremely positive reactions from critics and audiences. Yet, its opening date in its homeland (October 16th) might prevent it from being selected, which would be a regrettable mistake. A one-week run or an earlier release date would be a worthwhile investment. If they decide to leave it behind for next year, this great film would definitely miss its chance. If that is the case, the South American nation, which in recent years has garnered incredible success with films like “No” and “Gloria,” might decide to go with “The Dance of Reality,” the first film in over 20 years by veteran auteur Alejandro Jodorowsky. Other plausible candidates include “Illiterate” (starring Paulina Garcia), Marcela Said’s remarkable “The Summer of Flying Fish,” and historical biopic “Neruda.”
1. "To Kill a Man" (Matar a un Hombre)
2. "The Dance of Reality" (La Danza de la Realidad)
3. "Illiterate" (Las Analfabetas)
4. "The Summer of Flying Fish" (El Verano de los Peces Voladores)
5. "Neruda"
Colombia
Being forced to resort to mainstream cartel-themed fare in past occasions, this year has fortunately seen a fantastic reemergence of auteur-driven works in the country. Cartagena winner “Dust on the Tongue” is by far the most promising Colombian offer of the year with a thought-provoking premise. Next in line is “Mateo” about a young man struggling to pursue his passion for theater while living in a crime-ridden community. Other films include the touching “Catching Fireflies,” apocalyptic comedy “Chronicle of the End of the World,” and music-infused romance “Ciudad Delirio.” Franco Lolli’s award-winning “Gente de Bien” doesn’t have a release date yet, but will probably be in the running next year.
1. "Dust on the Tongue" (Tierra en la Lengua)
2. "Mateo"
3. "Chasing Fireflies" (Cazando Luciernagas)
4. "Chronicle of the End of the World" (Crónica del Fin del Mundo)
5. "Ciudad Delirio"
Costa Rica
Having three great films eligible for consideration, Costa Rica will likely enter the Oscar race for what would be only the third time in its history. Without a doubt, the country is spearheading Central America in terms of increased film production. Lauded throughout multiple festivals, “Red Princesses,” about a girl growing up in the Sandinista-era, is the most notable work. “Port Father,” a coming-of-age drama set in a coastal town and the comedy “All About the Feathers” are the other two that could be picked. Regardless of which one is selected, they all serve as an encouraging sign of growth for the Costa Rican industry.
1. "Red Princesses" (Princesas Rojas)
2. "Port Father" (Puerto Padre)
3. "All About the Feathers" (Por las Plumas)
Cuba
Hosting the Havana International Film Festival and its consistent investment in local talent make Cuba a unique place for film in the Caribbean. In spite of this, only a few national productions have reached cinemas this year. The three notable titles revolve around personal stories of survival and the struggles associated with living on the island. Winner of several international awards, “Behavior” is the clear favorite. “Melaza,” another local drama dealing with the economic challenges Cubans face and the gay love story “The Last Match,” complete the trio.
1. "Behavior" (Conducta)
2."Melaza"
3. "The Last Match" (La Partida)
Dominican Republic
For its size, this island nation has an impressive working industry that steadily produces films in diverse genres. The Dominican Republic will almost certainly participate again with one of the works by its homegrown talent. Screening in Toronto last year, crime romance “Cristo Rey” has the highest probability of being chosen. In second place is the documentary “The Mountain,” which centers on a unique expedition to Mount Everest by a Dominican team. Passionate road trip story “To the South of Innocence” and psychological thriller “Despertar ” conform the list of options.
1. "Cristo Rey"
2. "The Mountain"(La Montaña)
3. "To the South of Innocence" (Al Sur de la Inocencia)
4. "Despertar"
Ecuador
Seemingly dormant for many decades, the Ecuadorian film industry has recently exploded. Even though they have only submitted three times in the past, it appears they plan to make their presence more consistent moving forward. What is even more surprising, are the numerous alternatives they have to make their selection. At the top of the list is “Holiday,” which premiered in Berlin and has received considerable praise. Two other art house offers, “Silence in Dreamland” and “Saudade,” could be serious contenders. “Girl Without Fear,” a gritty crime film and “The Facilitator,” a politically charged work, have less chances but are still interesting offers.
1. "Holiday" (Feriado)
2. "Silence in Dreamland" (El Silencio en la Tierra de los Sueños)
3. "Saudade"
4. "Girl With No Fear" (Ciudad Sin Sombra)
5. "The Facilitator" (El Facilitador)
El Salvador
Sporadically producing feature length works due to the lack of initiatives that facilitate their funding, El Salvador has never entered the race. Nevertheless, there are three films that could potentially be submitted: Supernatural horror film "The Supreme Book," romantic comedy "The Re-Search," and the more viable choice, " The Four Cardinal Points," a documentary about the diverse lifestyles throughout the tiny country. The latter was exhibited commercially as part of Ambulante El Salvador for about a week, which could possibly make it eligible. But in all honesty, it is hard to think they’ll feel so inclined as to participate.
1. "El Salvador: The Four Cardinal Points" (El Salvador: Cuatro Puntos Cardinales)
2. "The Re-Search" (La ReBusqueda)
3. "The Supreme Book" (El Libro Supremo)
Guatemala
With only one submission under their belt back in 1994 and several missed opportunities in recent years, Guatemala might opt to remain out of the spotlight once again. If, however, they change their mind, there are three films that qualify to be entered. Focusing on the indigenous Maya‘s beliefs and legends, “Where the Sun is Born” is surely the most authentic and visually powerful of these films. Then there is “Pol,” a story about two teenage friends and their mishaps. Lastly, there is “12 Seconds,” a sort of slasher flick set in the countryside. It’s been 20 years since their last try, it wouldn’t hurt to see them make the effort once again.
1. "Where the Sun is Born" (Donde Nace el Sol)
2. "Pol"
3. "12 Seconds" (12 Segundos)
Honduras
Although they have never submitted an entry, the Central American country is showing signs of progress in terms of its film industry. With only two local, low budget films released this year, it is highly unlikely they will enter. Nevertheless, they do have an eligible film “11 Cipotes,” a sports comedy about a soccer team in a small town. The other film, “The Zwickys,” is surprisingly ineligible because it is mostly in English.
1. "11 Kids" (11 Cipotes)
Mexico
Now that the Mexican Academy has announced their shortlist - which strangely and inexplicably includes titles that have no scheduled release dates or that will be released after AMPAS' deadline (September 30th, 2014) - the landscape has dramatically changed. Three of the original selections mentioned here (“The Empty Hours,” “Potosi,” and “ Club Sandwich”) are not included among the finalists. It is important to note that films need to be submitted by the filmmakers in order to be considered by the Mexican Academy. One can assume that these films, though they qualify, decided not to participate. The 21 films listed include several documentaries such as “Purgatorio: A Journey Into the Heart of the Border,” “Disrupted” (Quebranto), “Eufrosina’s Revolution” (La Revolución de los Alcatraces), and “H2Omx" among others. But even if many of these are outstanding films, it is highly unlikely that the Academy will decide to go with a documentary over a narrative given their track record and the other options available. Comedic offers like the charming “Paraíso” by Mariana Chenillo, "Flying Low" (Volando Bajo), and "The Last Call" (Tercera Llamada) also made it in. Just like last year with “Instructions Not Included,” most people could assume that the film with the most commercial prospects would make for a good candidate for Oscar consideration, in this case that would be the biopic “Cantinflas," which was also listed. Fortunately, however, the selection committee often prefers to bet on films honored internationally regardless of their controversial content (“Heli,” “After Lucia,” “Silent Light,” “The Crime of Father Amaro”).
With the new additions, the possibilities have shifted. On the top spot is Alonso Ruiz Palacios’ black and white debut “Güeros,” which won in Berlin and Tribeca, and screened at Karlovy Vary. The festival pedigree will definitely help this unique road trip film set in Mexico City during the late 90s. The runner up is Luis Urquiza’s “Perfect Obedience,” though it did not have any festival exposure or a highly profitable theatrical run, the local critics praised the compelling portrayal of a depraved Catholic priest with satirical undertones. It would definitely make for a great contender if the Academy were willing to run the risk given its controversial subject matter. At number three we have Christian Diaz Pardo’s “Gonzalez,” an intriguing drama about a man looking to change his destiny by joining a for profit evangelical church. Dark comedy “ Workers,” by Salvadoran filmmaker Jose Luis Valle, comes in at number four. Lastly, there is Luis Estrada’s long awaited new film “The Perfect Dictatorship,” which made the cut despite having an October 16th release date. The film could definitely come into play; however, voters should consider the fact that its premise and humor might be too specific to the Mexican political idiosyncrasies to connect with foreign voters. Two other films that might be in the race next year are “Perpetual Sadness” (La Tirisia) and “ The Well” (Manto Acuifero)
1."Güeros"
2. "Perfect Obedience" (Obediencia Perfecta)
3. "Gonzalez"
4. "Workers"
5. "The Perfect Dictatorship" (La Dictadura Perfecta)
Nicaragua
With three submissions in over 30 years (1982, 1988, 2010), Nicaragua is the Central American nation with the most attempts at Oscar glory. More astonishing perhaps, is the fact that their first ever entry, “Alsino and the Condor,” earned them a nomination. These days production is almost non-existent. Still, the country’s most prolific filmmaker Florence Jaugey, responsible for their last submission “La Yuma,” made a small documentary titled “Class Days." It is just over 50 minutes long but actually had a theatrical run. Though eligible, it’s probable they’ll decide to skip this year. On the other hand, Jaugey has just finished a new narrative new feature, “The Naked Screen” (La Pantalla Desnuda), which will surely be part of the conversation next year.
1. "Class Days" (Dias de Clase)
Panama
An unprecedented amount of national productions were scheduled to premier in Panama during 2014. All of those four films - which by the country’s standards is an exceptional number - are documentaries. However, only two of them will be eligible given their set release dates. Out of those two, the top choice would certainly be Abner Benaim’s “Invasion” which uses reenactments in lieu of archive footage to revisit the American military intervention in the Central American country in 1989. The runner-up, “Majesty,” deals with the more lighthearted subject of carnival queens. In any case, should Panama decide to submit a film, this would be their first ever appearance.
1. "Invasion"
2. "Majesty" (Reinas)
Paraguay
Disappointed after missing the chance to submit last year's surprise hit “7 Boxes”due to the lack of a selection committee, Paraguayan authorities have stressed their wish to send a film to compete this time around. Unfortunately, it appears that their two best options might be scheduled to open theatrically past the Academy’s deadline. The documentary “Cloudy Times,” a Swiss co-production, has garnered positive reactions internationally and would be their best shot. A second choice could be the crime flick “Filthy Luck,” which sports a decent production value. But if neither of them manages to qualify, then the country’s only other option is yet another crime film “End of the Line.” In any case, hopefully they follow through with their intentions and participate for the first time.
1. "Cloudy Times" (El Tiempo Nublado)
2. "Filthy Luck" (Luna de Cigarras)
3. "End of the Line" (Fin de Linea)
Peru
The eclectic collection of Peruvian films released this year speaks of the great development the medium is experiencing in that country. The five films mentioned here represent the array of genres and stories coming out of Peru today. Given its incredible reception abroad, dark comedy “The Mute” by Daniel Vega Vidal & Diego Vega Vidal is undoubtedly the frontrunner. Behind it comes the intriguing thriller “Guard Dog” starring Peruvian star Carlos Alcántara, multi-narrative drama “The Gospel of the Flesh,” romantic tearjerker “Trip to Timbuktu,” and “Old Friends” about a group of elderly men on a mission. Definitely a though decision needs to be made.
1. "The Mute" (El Mudo)
2. "Guard Dog" (Perro Guardian)
3. "The Gospel of the Flesh" (El Evangelio de la Carne)
4. "Trip to Timbuktu" (Viaje a Tombuctu)
5. "Old Friends" (Viejos Amigos)
Uruguay
Last year the country decided to take a chance and submit the adorable animated film “Anina,” which despite not getting a nomination has become a great success. This time they have “The Militant,” a serious contender about a man retuning to his late father’s hometown. Empowered by a positive festival run, this seems to be their most ideal option. “23 Seconds,” a drama about an unlikely connection between two people and “Mr. Kaplan,” a buddy comedy by Álvaro Brechner - whose previous film “A Bad Day to Go Fishing” was selected a few years back - are the next best choices. The remaining film “At 60 km/h” is a documentary about a unique journey around the world.
1. "The Militant" (El Lugar del Hijo)
2. "23 Seconds" (23 Segundos)
3. "Mr. Kaplan"
4. "At 60 Km/h" (A 60 Km/h)
Venezuela
Dubbed as “the most expensive film ever made in Latin America” and focusing on the accomplishments of the country’s most important historical figure, selecting “The Liberator” is simply a no-brainer. Added to those qualities, the film is actually an elegantly achieved period piece that really showcases the sizable budget and director Alberto Arvelo’s talent. Two of his previous films have also represented his country in the past. On the other hand, this has been a monumental year for Venezuelan films. Festival darling “Bad Hair” would be the perfect choice if it weren’t going against the imposing major production. Other important films that could figure in the mix but have much less prospects are the emotional road-trip film “The Longest Distance,” the women-centered drama “Liz in September,” and the acclaimed thriller “Solo.”
1. "The Liberator" (El Libertador)
2. "Bad Hair" (Pelo Malo)
3. "The Longest Distance" (La Distnacia Mas Larga)
4. "Liz in September" (Liz en Septiembre)
5. "Solo"...
- 8/22/2014
- by Carlos Aguilar
- Sydney's Buzz
Best Drama Actress is one of the most competitive categories at this year's Emmys, with strong performances submitted by most of the contenders, but I think Julianna Margulies ("The Good Wife") has the edge, and here's why: -Break- Emmy Episode Analysis: Will voters embrace a heartbroken Julianna Margulies on 'The Good Wife'? 1. Her episode is dynamite She submitted "The Last Call" to Emmy judges. In it, her character Alicia is shocked to learn about the shooting death of her former colleague and lover Will Gardner (Josh Charles). The episode runs Margulies through the emotional gamut as she tries to figure out if Will spent the last day of his life angry with her. 2. Her character has the most empathy Not only in mourning for her friend but in the throes of guilt, she arguably has more empathy than anyone else in the category. Her rivals are often sympathetic,...
- 8/21/2014
- Gold Derby
Best Drama Actress is one of the most competitive categories at this year's Emmys, with strong performances submitted by most of the contenders, but I think Julianna Margulies ("The Good Wife") has the edge, and here's why: -Break- Emmy Episode Analysis: Will voters embrace a heartbroken Julianna Margulies on 'The Good Wife'? 1. Her episode is dynamite She submitted "The Last Call" to Emmy judges. In it, her character Alicia is shocked to learn about the shooting death of her former colleague and lover Will Gardner (Josh Charles). The episode runs Margulies through the emotional gamut as she tries to figure out if Will spent the last day of his life angry with her. 2. Her character has the most empathy Not only in mourning for her friend but in the throes of guilt, she arguably has more empathy than anyone else in the category. Her rivals are often sympathetic,...
- 8/21/2014
- Gold Derby
Because it's NBC's turn to air the Primetime Emmy Awards this year, and because the Peacock would understandably rather air its lucrative Sunday night NFL package in September, the ceremony will take place in late August again. And as an added wrinkle, this year's ceremony will actually happen on a Monday, August 25 at 8 p.m., with Seth Meyers hosting. Between now and then, Dan and I will be making our picks for both who should and will win many of the major categories — if you're wagering, keep in mind that Dan tends to be much better at predicting the winners than I am, but also that he was just as flummoxed as I by last year's winners like Jeff Daniels, Merritt Wever and Bobby Cannavale — continuing as we shift into the acting categories with comedy and drama supporting actress. Outstanding Supporting Actress in a Comedy Series Mayim Bialik, "The Big Bang Theory" Julie Bowen,...
- 8/18/2014
- by Alan Sepinwall
- Hitfix
Gold Derby editors Paul Sheehan, Chris Beachum and I agree on one thing regarding the Emmy contest for Best Drama Actress: we have no confidence in our predictions. Five of the six nominees can win. (Sorry, Robin Wright.) -Break- Below, the titles of the specific episodes the nominees submitted to Emmy judges. Refer to these as you watch our Editors slug it out in the video at the bottom of this post. Lizzy Caplan, "Masters of Sex" Episode: "Pilot" Claire Danes, "Homeland" Episode: "The Star" Michelle Dockery, "Downton Abbey" Episode: "Episode 4.1 Julianna Margulies, "The Good Wife" Episode: "The Last Call" Kerry Washington, "Scandal" Episode: "The Fluffer" Robin Wright, "House of Cards" Episode: "Chapter 26" Follow Gold De..."...
- 8/14/2014
- Gold Derby
In our new prediction slugfest, Gold Derby Editors are thrown into a tizzy by Robin Wright's episode submission for "House of Cards" as Best Drama Actress and debate whether her choice will help or hurt her chances. Claire Danes ("Homeland") is out front in all our predictions to three-peat for this role, but we also make room for Julianna Margulies ("The Good Wife") to win again despite last year's snub. Joining me in our latest video (watch below) are Rob Licuria, Daniel Montgomery and Charles Bright as we analyze the episodes submitted to Emmy judges as examples of their best work from the past TV season. Danes went with "The Star," Margulies submitted "The Last Call" and Wright ultimately decided on "Chapter 26." Other nominees: Kerry Washington for "Scandal" ("The Fluffer"), Lizzy Caplan for "Masters of Sex" ("Pilot") and Michelle Dockery for "Downton Abbey&..."...
- 8/13/2014
- Gold Derby
Christine Baranski. has reaped an Emmy bid as Best Drama Supporting Actress for each of the first five seasons of "The Good Wife" but has yet to win. As she told us during a recent webcam chat (watch below), her reward has been getting to play one part for so long: "You can take your character through a lot of stories and a lot of places emotionally. Learn how to be comfortable in front of a camera and grow into your character. The fact the work is recognized is exceptional." Join the fun Emmy discussions going on right now in the Gold Derby message boards -Break- Baranski plays Diane Lockhart, an opinionated senior partner at a Chicago law firm. In this most recent season, she saw her firm go through upheaval as partner Alicia Florrick (Julianna Margulies) resigned and her business partner Will Gardner (Josh Charles) was killed in a courtroom.
- 8/6/2014
- Gold Derby
After being snubbed out last year, 2011 Best Drama Actress champ Julianna Margulies ("The Good Wife") is back in the hunt for a bookend. This marks her fourth nomination in five years for playing Alicia Florrick and her tenth overall bid. She won the first of her six nominations for "ER" for its first season back in 1995. Let's take a look at "The Last Call," her episode submission this time around. -Break- Join the red-hot discussion about the Emmys going on right now in our fiery forums Synopsis: The episode opens on Alicia as she hears the news that Will Gardiner (Josh Charles) has been shot and killed in a courtroom shooting by his client. Grieving over the loss of her former lover, friend and colleague, she tries to make sense of the tragic killing she turns to Diane (Christine Baranski) for comfort. In her grief, Alicia finds a voicemail that Will left for her shor.
- 8/4/2014
- Gold Derby
Christine Baranski ("The Good Wife") has been nominated for five straight years for Best Drama Supporting Actress. This is her 11th Emmy nod in total, after winning for her supporting work on the comedy series "Cybill" back in 1995. She was nominated a further three times for that role, once for a guest role on "Frasier," and then twice more recently for her guest work on "The Big Bang Theory." Is Baranski overdue and poised to upset frontrunner Anna Gunn ("Breaking Bad")? -Break- Exclusive: Emmy episode submissions for 'Louie,' 'The Good Wife,' Jim Parsons, Claire Danes, ... Synopsis: "The Last Call" deals with the immediate aftermath of the shocking death of Will Gardner (Josh Charles). Diane Lockhart (Baranski) has rushed to the hospital after hearing about the tragic news, and grieves over the loss of her partner and best friend. Diane consoles a heartbroken...
- 8/2/2014
- Gold Derby
Hannibal, “Mizumono”
Written by Steve Lightfoot and Bryan Fuller
Directed by David Slade
Aired May 23rd, 2014
“I let you know me… see me. I gave you a rare gift, but you didn’t want it.” – Hannibal Lecter
If there’s such thing as arthouse television, Hannibal‘s second season is it, a thirteen-hour fever dream of blood, orchestral music, and psychological mind games. Above all, it was a cinematic tragedy, a symbolically-rich tale of a man courting the devil and (most likely) living to tell about it, set against the backdrop of television’s most arresting visual palette.
“Mizumono” is the sweet, sweet cherry on the top of Hannibal‘s breathtaking sophomore effort, a dramatic crescendo catalyzed by one small mistake made on Will’s part: leaving the scent of Freddie Lounds on himself before visiting Hannibal. When Lecter realizes what Will has done, his heart breaks and Hannibal dares...
Written by Steve Lightfoot and Bryan Fuller
Directed by David Slade
Aired May 23rd, 2014
“I let you know me… see me. I gave you a rare gift, but you didn’t want it.” – Hannibal Lecter
If there’s such thing as arthouse television, Hannibal‘s second season is it, a thirteen-hour fever dream of blood, orchestral music, and psychological mind games. Above all, it was a cinematic tragedy, a symbolically-rich tale of a man courting the devil and (most likely) living to tell about it, set against the backdrop of television’s most arresting visual palette.
“Mizumono” is the sweet, sweet cherry on the top of Hannibal‘s breathtaking sophomore effort, a dramatic crescendo catalyzed by one small mistake made on Will’s part: leaving the scent of Freddie Lounds on himself before visiting Hannibal. When Lecter realizes what Will has done, his heart breaks and Hannibal dares...
- 7/13/2014
- by Kate Kulzick
- SoundOnSight
The 2014 Emmy nominations were, as per usual, both thrilling and infuriating (mostly the latter). For every inspired nod (congrats, Kate McKinnon!) there was one that had me scratching the skin off my scalp (no best drama nod for The Good Wife?!). So without further adieu, I give you the good, the bad and the downright ugly from this year’s list.
Related Emmys 2014: The Complete Nominations List
I’m Super-Ecstatic About:
* The Academy recognizing True Detective‘s unsung hero Woody Harrelson (in addition to, of course, Matthew McConaughey).
* Masters of Sex‘s Lizzy Caplan scoring a best lead actress nod.
Related Emmys 2014: The Complete Nominations List
I’m Super-Ecstatic About:
* The Academy recognizing True Detective‘s unsung hero Woody Harrelson (in addition to, of course, Matthew McConaughey).
* Masters of Sex‘s Lizzy Caplan scoring a best lead actress nod.
- 7/10/2014
- TVLine.com
The Good Wife wrapped production on Year 5 some two months ago, but leading lady Julianna Margulies is still basking in the afterglow of a season many consider to be one of broadcast television’s best in recent memory.
At a recent SAG Foundation panel hosted by yours truly (and excerpted below), the actress — a two-time Emmy winner — reflected on the show’s extraordinary year, singled out her favorite episode (spoiler alert: it’s not one of the obvious ones!), teased Alicia’s big Season 6 dilemma, and speculated about Wife‘s (approaching) end date.
Tvline | Many broadcast shows are petering out...
At a recent SAG Foundation panel hosted by yours truly (and excerpted below), the actress — a two-time Emmy winner — reflected on the show’s extraordinary year, singled out her favorite episode (spoiler alert: it’s not one of the obvious ones!), teased Alicia’s big Season 6 dilemma, and speculated about Wife‘s (approaching) end date.
Tvline | Many broadcast shows are petering out...
- 6/18/2014
- TVLine.com
Got a scoop request? An anonymous tip you’re dying to share? Send any/all of the above to askausiello@tvline.com
Question: Got any scoop for season 2 of Reign? —Nicole
Ausiello: “Any” might be an understatement, Nicole. French Court is going to be visited by four new faces in Season 2, including Princess Claude, the never-before-seen daughter of Catherine and Henry. The “very sexually advanced” young lady will get herself into plenty of mischief, perhaps even more than Narcisse, another (much older) new face who will serve as a sparring partner for her mother. Then there’s Conde, known as the “Prince of the Blood,...
Question: Got any scoop for season 2 of Reign? —Nicole
Ausiello: “Any” might be an understatement, Nicole. French Court is going to be visited by four new faces in Season 2, including Princess Claude, the never-before-seen daughter of Catherine and Henry. The “very sexually advanced” young lady will get herself into plenty of mischief, perhaps even more than Narcisse, another (much older) new face who will serve as a sparring partner for her mother. Then there’s Conde, known as the “Prince of the Blood,...
- 6/18/2014
- TVLine.com
The Good Wife, Season 5, Episode 16, “The Last Call”
Written by Robert King and Michelle King
Directed by Jim McKay
Airs Sundays at 9pm Est on CBS
Death closes off the greatest venture we can ever undertake with another human being: the effort to know them fully. In life, a person’s true self is elusive, but we convince ourselves it is somehow attainable, dancing just out of our reach. But in death, all ellipses become periods, all question marks are left to dangle. There is no person left to know. There are no answers left to find. There’s just the seeking, and the void.
“The Last Call” follows Alicia as she confronts this harsh, nearly unacceptable truth, as she tries to decipher a brief, tantalizing voicemail from Will that is as ambiguous and tinted with possibility as all of their conversations were when he was alive. So long as Will lived,...
Written by Robert King and Michelle King
Directed by Jim McKay
Airs Sundays at 9pm Est on CBS
Death closes off the greatest venture we can ever undertake with another human being: the effort to know them fully. In life, a person’s true self is elusive, but we convince ourselves it is somehow attainable, dancing just out of our reach. But in death, all ellipses become periods, all question marks are left to dangle. There is no person left to know. There are no answers left to find. There’s just the seeking, and the void.
“The Last Call” follows Alicia as she confronts this harsh, nearly unacceptable truth, as she tries to decipher a brief, tantalizing voicemail from Will that is as ambiguous and tinted with possibility as all of their conversations were when he was alive. So long as Will lived,...
- 3/31/2014
- by Jordan Ferguson
- SoundOnSight
Previously on The Good Wife: Will Gardner was shot and your heart broke. That's all the previously you really need to know. "The Last Call" was essentially the second part of Will Gardner's swan song, a goodbye to him and his portrayer Josh Charles. There were tears. There were laughs. It was The Good Wife at its best. The episode picked up right where "Dramatics, Your Honor" ended. Alicia was given the phone to speak with Kalinda. Yep, our girl Kalinda had to give Alicia the devastating news. Alicia's immediate response? "I can't…" And then tears. Our tears too. The Good Wife writers quickly inserted a comedic scene with Eli having to introduce Peter by reading a...
- 3/31/2014
- E! Online
Grief manifests itself in so many ways. Sunday's (March 30) episode of "The Good Wife" put several versions of grief on display in a wonderful tribute to a beloved character.
Alicia's grief
Obviously, Alicia's grief was going to be front and center of the episode but the writers took a gut-wrenchingly realistic look at how death really affects people's lives. Alicia got a voicemail from Will shortly before the courtroom shooting and it ... said nothing. He said her name, got interrupted and said he'd have to call her back.
Instead of going for some dramatic voicemail -- like the ones Alicia plays out in her head, where Will is angry or conciliatory or loving towards her -- the show made both their last in-person meeting and the last time Alicia will hear Will's voice entirely inconsequential.
It doesn't stop Alicia from running around trying to make sense of the voicemail, needing...
Alicia's grief
Obviously, Alicia's grief was going to be front and center of the episode but the writers took a gut-wrenchingly realistic look at how death really affects people's lives. Alicia got a voicemail from Will shortly before the courtroom shooting and it ... said nothing. He said her name, got interrupted and said he'd have to call her back.
Instead of going for some dramatic voicemail -- like the ones Alicia plays out in her head, where Will is angry or conciliatory or loving towards her -- the show made both their last in-person meeting and the last time Alicia will hear Will's voice entirely inconsequential.
It doesn't stop Alicia from running around trying to make sense of the voicemail, needing...
- 3/31/2014
- by editorial@zap2it.com
- Zap2It - From Inside the Box
Fans of “The Good Wife” were plunged into a state of shock Sunday, when Will Gardner (Josh Charles) was shot to death in a courtroom while defending murder suspect Jeffrey Grant (guest star Hunter Parrish). TheWrap has viewed next Sunday's episode, “The Last Call,” and can reveal … well, not much, without spoiling the episode for you. (And we know how much some of you folks hate spoilers.) See video: ‘Good Wife’ Star Josh Charles On Shocking Death: ‘Everything's Going to Be Ok!’ So instead, we'll tease you just to the point of climax with a bunch of almost-reveals. (Non-spoiler alert:.
- 3/28/2014
- by Tim Kenneally
- The Wrap
The Good Wife fans, we have this to tell you: You thought Will's death was bad? Wait until you see how everybody reacts to it. There. Will. Be. Tears. In "The Last Call," viewers will see how Alicia, Diane, Kalinda, Cary and even David Lee deal with Will's death as they begin to realize the affect it will have on all of their lives and deal with their grief, anger and overwhelming sadness. As Josh Charles told Retta, it is worse than last week. We're talking Emmys here, people. This is raw. What you'll need to get through The Good Wife's "The Last Call" episode: News: The Good Wife's new man Wine. Probably just a bottle. Hey, if you're of age, why not...
- 3/28/2014
- E! Online
The Good Wife is getting a little more Goode in season five. Matthew Goode has been upped from guest star to series regular for the remainder of the current season, E! News has confirmed. The Watchmen star made his first appearance in "Dramatics, Your Honor," the 15th episode of the season and the one featuring that shocking twist. Yes, that twist. Goode will appear in the follow up, "The Last Call," and have a pivotal scene with Alicia Florrick (Julianna Margulies). A source close to the show said Goode will stick around for the rest of this season, but couldn't comment on his status for the recently announced sixth season. News of Goode's casting first as a recurring guest star broke in...
- 3/28/2014
- E! Online
Grab your box of tissues, "Good Wife" fans. Sunday's (March 30) episode, titled "The Last Call," is just as heartbreaking as one would expect in the wake of Will Gardner being shot and killed at the end of last week's episode.
We can't give away too much, but suffice to say that Alicia, Diane, Cary and Kalinda are each starting to work through their shock and grief -- and in very different ways. As the preview above shows, Alicia has to deal with the last call Will made to her, a voicemail on her phone from just before the courtroom shooting.
There are a few "bright" spots within the episode -- David Lee is a pleasant surprise in the wake of the news, and Eli Gold has a small humorous moment in the first few scenes.
Furthermore, and not that this show ever has bad acting, but the entire thing could...
We can't give away too much, but suffice to say that Alicia, Diane, Cary and Kalinda are each starting to work through their shock and grief -- and in very different ways. As the preview above shows, Alicia has to deal with the last call Will made to her, a voicemail on her phone from just before the courtroom shooting.
There are a few "bright" spots within the episode -- David Lee is a pleasant surprise in the wake of the news, and Eli Gold has a small humorous moment in the first few scenes.
Furthermore, and not that this show ever has bad acting, but the entire thing could...
- 3/28/2014
- by editorial@zap2it.com
- Zap2It - From Inside the Box
Josh Charles played Will Gardner on The Good Wife for almost five years, and the actor is opening up about his decision to leave the show and what he thought of his violent send-off.
Josh Charles Talks About Will Gardner's Death
Sunday night, The Good Wife shocked fans by killing off one of the principal characters and one of the most beloved characters on the show, Will Gardner. In a truly unpredictable turn of events, Will was shot dead in a courtroom after his distressed client, a young man accused of murder, grabbed a gun and started shooting frantically.
“I know people will be shocked and some fans will be upset, and maybe even angry, and I can take the hit on that one. If they’re going to blame anybody, they can blame me,” Charles told TV Line on Monday.
Now that the cat’s out of the bag,...
Josh Charles Talks About Will Gardner's Death
Sunday night, The Good Wife shocked fans by killing off one of the principal characters and one of the most beloved characters on the show, Will Gardner. In a truly unpredictable turn of events, Will was shot dead in a courtroom after his distressed client, a young man accused of murder, grabbed a gun and started shooting frantically.
“I know people will be shocked and some fans will be upset, and maybe even angry, and I can take the hit on that one. If they’re going to blame anybody, they can blame me,” Charles told TV Line on Monday.
Now that the cat’s out of the bag,...
- 3/25/2014
- Uinterview
Fans of "The Good Wife" were left stunned Sunday (March 23) when Will Gardner's client Jeffrey Grant (guest star Hunter Parrish) crumbled under the pressure of being on trial for murder and stole a guard's gun, opening fire inside the courtroom. Gardner later died at the hospital.
Actor Josh Charles' exit seemingly comes out of nowhere, since the show managed to keep this completely under wraps. But it actually has been in the works since Season 4, when Charles asked to leave the show.
In the above video, Charles explains that he felt it was time to move on. "There's been a lot of people that have asked me what the reason is why I wanted to leave the show. I thought that I felt however much that I enjoyed the experience, that I was ready for the next chapter in my life, both creatively and personally," says Charles.
While it's...
Actor Josh Charles' exit seemingly comes out of nowhere, since the show managed to keep this completely under wraps. But it actually has been in the works since Season 4, when Charles asked to leave the show.
In the above video, Charles explains that he felt it was time to move on. "There's been a lot of people that have asked me what the reason is why I wanted to leave the show. I thought that I felt however much that I enjoyed the experience, that I was ready for the next chapter in my life, both creatively and personally," says Charles.
While it's...
- 3/24/2014
- by editorial@zap2it.com
- Zap2It - From Inside the Box
A signature brew of camaraderie, knockabout humor, excessive quaffing, questionable life choices, hand-to-hand combat, and explosive surprises,The World’S End reteams director Edgar Wright with actors Simon Pegg and Nick Frost, following their hits Shaun of the Dead (2004) and Hot Fuzz (2007).
It stars Pegg as an immature 40-something who drags four friends on a 12-pint drinking marathon in the small English town of Newton Haven where they grew up.
The gang’s goal is to reach the final pub – The World’s End – even as events take an unpredictable turn.
The World’S End also includes Paddy Considine, Martin Freeman, Eddie Marsan, and Rosamund Pike, and opens in theatres everywhere on Friday, August 23rd.
Enter for your chance to receive a pass (Good for 2) to the advance screening of The World’S End on August 22nd at 7:00 Pm in St. Louis.
Answer the following:
The editing on The...
It stars Pegg as an immature 40-something who drags four friends on a 12-pint drinking marathon in the small English town of Newton Haven where they grew up.
The gang’s goal is to reach the final pub – The World’s End – even as events take an unpredictable turn.
The World’S End also includes Paddy Considine, Martin Freeman, Eddie Marsan, and Rosamund Pike, and opens in theatres everywhere on Friday, August 23rd.
Enter for your chance to receive a pass (Good for 2) to the advance screening of The World’S End on August 22nd at 7:00 Pm in St. Louis.
Answer the following:
The editing on The...
- 8/14/2013
- by Movie Geeks
- WeAreMovieGeeks.com
A signature brew of camaraderie, knockabout humor, excessive quaffing, questionable life choices, hand-to-hand combat, and explosive surprises,The World’S End reteams director Edgar Wright with actors Simon Pegg and Nick Frost, following their hits Shaun of the Dead (2004) and Hot Fuzz (2007).
The tale of The World’S End begins on June 22nd, 1990. In their suburban U.K. town of Newton Haven, five boys in the prime of their teenage youth celebrate the end of school by attempting an epic pub crawl together. Despite their enthusiasm and the downing of a slew of pints of beer, they fall short of seeing their quest through, to the last pub on their list, The World’s End.
Twenty-odd years later, “the five musketeers” have each left their hometown and are now husbands, fathers, men with careers – with the flashing-red-light exception of their voluble onetime ringleader, Gary King (Simon Pegg), who is now...
The tale of The World’S End begins on June 22nd, 1990. In their suburban U.K. town of Newton Haven, five boys in the prime of their teenage youth celebrate the end of school by attempting an epic pub crawl together. Despite their enthusiasm and the downing of a slew of pints of beer, they fall short of seeing their quest through, to the last pub on their list, The World’s End.
Twenty-odd years later, “the five musketeers” have each left their hometown and are now husbands, fathers, men with careers – with the flashing-red-light exception of their voluble onetime ringleader, Gary King (Simon Pegg), who is now...
- 8/7/2013
- by Movie Geeks
- WeAreMovieGeeks.com
The country hottie and his wife of seven years are expecting their third child together, and the ‘Home’ singer revealed the gender of their bundle of joy live on stage during a concert! Watch the adorable clip, and find out what they’re having.
Dierks Bentley, 37, is so excited to be a dad for the third time, he couldn’t wait to include his fans in all of the baby joy! At a special fan club concert in Nashville on June 9, he asked fans to write down what they thought the country crooner was having — and even suggest names for the little one!
Dierks Bentley’s Surprise Fan Video
“You guys mean everything to us and that’s why we’re always trying to give you guys the fan club exclusive,” Dierks says in the beginning of his video. “And for today for the Last Call Ball 9, we thought it...
Dierks Bentley, 37, is so excited to be a dad for the third time, he couldn’t wait to include his fans in all of the baby joy! At a special fan club concert in Nashville on June 9, he asked fans to write down what they thought the country crooner was having — and even suggest names for the little one!
Dierks Bentley’s Surprise Fan Video
“You guys mean everything to us and that’s why we’re always trying to give you guys the fan club exclusive,” Dierks says in the beginning of his video. “And for today for the Last Call Ball 9, we thought it...
- 6/11/2013
- by Christina Stiehl
- HollywoodLife
The Walking Dead Episode 306
“Hounded”
Written By: Scott M. Gimple
Directed By: Dan Attias
Original Airdate: 18 November 2012
In This Episode...
Let’s start in the prison. Rick is on the phone, talking to a young woman who claims that she and her group are someplace safe. Rick begs like a child to let his group join theirs. The caller agrees to ask the rest of the group and will call back in two hours. He waits. A man calls next, asking if Rick has killed anyone. He admits that he has, and is fully honest. The man asks about his wife. Rick won’t talk about it; the man hangs up. He gets a couple more calls like this: short, secretive, random, and utterly frustrating. The last call he receives is from Lori. Yes friends, if you hadn’t figured it out before this point (and really, you should have...
“Hounded”
Written By: Scott M. Gimple
Directed By: Dan Attias
Original Airdate: 18 November 2012
In This Episode...
Let’s start in the prison. Rick is on the phone, talking to a young woman who claims that she and her group are someplace safe. Rick begs like a child to let his group join theirs. The caller agrees to ask the rest of the group and will call back in two hours. He waits. A man calls next, asking if Rick has killed anyone. He admits that he has, and is fully honest. The man asks about his wife. Rick won’t talk about it; the man hangs up. He gets a couple more calls like this: short, secretive, random, and utterly frustrating. The last call he receives is from Lori. Yes friends, if you hadn’t figured it out before this point (and really, you should have...
- 11/19/2012
- by Alyse Wax
- FEARnet
Man, 34, held in Turin on suspicion of killing Nigerian prostitute after police discover potentially incriminating manuscript
A philosophy graduate and would-be novelist who wrote a tortured story about a young man who murdered a Nigerian prostitute in Turin has been arrested on suspicion of carrying out an almost identical killing in real life.
Daniele Ughetto Piampaschet, 34, has denied murdering Anthonia Egbuna, 20, and dumping her body in the river Po in November 2011, even though details of her death are eerily echoed by his typed manuscript entitled The Rose and the Lion, in which the protagonist kills a Nigerian prostitute rather than share her with other men, believing it "the only way to preserve her purity intact."
In a case reminiscent of the 1992 film Basic Instinct, police found the nine-page manuscript among Egbuna's possessions and traced it back to Piampaschet, a regular customer who had become obsessively jealous of her, investigators believe.
A philosophy graduate and would-be novelist who wrote a tortured story about a young man who murdered a Nigerian prostitute in Turin has been arrested on suspicion of carrying out an almost identical killing in real life.
Daniele Ughetto Piampaschet, 34, has denied murdering Anthonia Egbuna, 20, and dumping her body in the river Po in November 2011, even though details of her death are eerily echoed by his typed manuscript entitled The Rose and the Lion, in which the protagonist kills a Nigerian prostitute rather than share her with other men, believing it "the only way to preserve her purity intact."
In a case reminiscent of the 1992 film Basic Instinct, police found the nine-page manuscript among Egbuna's possessions and traced it back to Piampaschet, a regular customer who had become obsessively jealous of her, investigators believe.
- 8/22/2012
- by Tom Kington
- The Guardian - Film News
It’s Friday, so you know what that means – lots more films released in cinemas across the country and this is week it’s a mixed bag. From the horrors of The Innkeepers, Harsh Light of Day and The Pact to the comedy stylings of Simon Pegg and Will Ferrell in A Fantastic Fear of Everything and Casa de Mi Padre respectively.
Nationwide Releases The Pact
“At 4.47 Pm Nicole Barlow Arrived At 550 Claremont Avenue. At 8.23 Pm She Phoned Her Daughter. It Was The Last Call She Ever Made.”
Following her mother’s funeral, Annie reluctantly returns to her childhood home – a place that she’d rather forget. Now her sister Nicole and cousin have inexplicably disappeared, she is forced to unlock the doors to the past to discover the hidden secrets of the house and in doing so finds a room that she has no memory of. Things take a...
Nationwide Releases The Pact
“At 4.47 Pm Nicole Barlow Arrived At 550 Claremont Avenue. At 8.23 Pm She Phoned Her Daughter. It Was The Last Call She Ever Made.”
Following her mother’s funeral, Annie reluctantly returns to her childhood home – a place that she’d rather forget. Now her sister Nicole and cousin have inexplicably disappeared, she is forced to unlock the doors to the past to discover the hidden secrets of the house and in doing so finds a room that she has no memory of. Things take a...
- 6/8/2012
- by Phil
- Nerdly
To celebrate the release of The Pact, which is released in cinemas June 8th by eOne, we have three posters – signed by the films director Nicholas McCarthy, to give away!
“At 4.47 Pm Nicole Barlow Arrived At 550 Claremont Avenue. At 8.23 Pm She Phoned Her Daughter. It Was The Last Call She Ever Made.”
Following her mother’s funeral, Annie reluctantly returns to her childhood home – a place that she’d rather forget. Now her sister Nicole and cousin have inexplicably disappeared, she is forced to unlock the doors to the past to discover the hidden secrets of the house and in doing so finds a room that she has no memory of. Things take a sinister turn and Annie soon realises that she isn’t alone in the house…
Thanks to eOne we have three signed posters to giveaway. All you have to do to win one is answer the following...
“At 4.47 Pm Nicole Barlow Arrived At 550 Claremont Avenue. At 8.23 Pm She Phoned Her Daughter. It Was The Last Call She Ever Made.”
Following her mother’s funeral, Annie reluctantly returns to her childhood home – a place that she’d rather forget. Now her sister Nicole and cousin have inexplicably disappeared, she is forced to unlock the doors to the past to discover the hidden secrets of the house and in doing so finds a room that she has no memory of. Things take a sinister turn and Annie soon realises that she isn’t alone in the house…
Thanks to eOne we have three signed posters to giveaway. All you have to do to win one is answer the following...
- 6/2/2012
- by Phil
- Nerdly
It’s time for another entry in our regular feature the poster round-up, and yet again it is a jam-packed update, with not one but two new poster for G.I. Joe: Retaliation, a new re-designed Neighborhood Watch poster, the posters for the fear-filled flicks The Pact and Jack & Diane, and a one-sheet for Dolph Lundgren’s latest action extravaganza, Stash House.
G.I. Joe: Retaliation
A follow-up to the 2009 release of G.I. Joe: Rise Of The Cobra, which grossed over $300M worldwide, Paramount Pictures, MGM and Skydance Productions, in association with Hasbro and di Bonaventura Pictures, commences production on G.I. Joe: Retaliation. In this sequel, the G.I. Joes are not only fighting their mortal enemy Cobra; they are forced to contend with threats from within the government that jeopardize their very existence. The film stars D.J. Cotrona, Byung-hun Lee, Ray Park, Adrianne Palicki, Jonathan Pryce, RZA, Ray Stevenson, Channing Tatum...
G.I. Joe: Retaliation
A follow-up to the 2009 release of G.I. Joe: Rise Of The Cobra, which grossed over $300M worldwide, Paramount Pictures, MGM and Skydance Productions, in association with Hasbro and di Bonaventura Pictures, commences production on G.I. Joe: Retaliation. In this sequel, the G.I. Joes are not only fighting their mortal enemy Cobra; they are forced to contend with threats from within the government that jeopardize their very existence. The film stars D.J. Cotrona, Byung-hun Lee, Ray Park, Adrianne Palicki, Jonathan Pryce, RZA, Ray Stevenson, Channing Tatum...
- 4/23/2012
- by Phil
- Nerdly
Welcome to the first edition of Trailer Trash our (probably more often than) weekly series showcasing the latest trailer releases – after all, why not pack them all into one easy to watch feature than bombard you every five minutes with trailer after trailer? This “issue” we’ve got trailers for a diverse range of films, including The Angel’s Share, Storage 24, Magic Mike, Devil’s Carnival, Your Sister’s Sister, Chernobyl Diaries, High School and The Pact.
The Angel’s Share
From director Ken Loach, and scripted by regular collaborator Paul Laverty, The Angels’ Share introduces Robbie, an ex-offender and new father who embarks on an adventure with his new found friends to a whisky distillery and discovers that turning to drink might just change his life. Set in Scotland, and starring newcomer Paul Brannigan, The Angels’ Share is a bitter sweet comedy caper. The Angel’s Share hits UK cinemas on 1st June.
The Angel’s Share
From director Ken Loach, and scripted by regular collaborator Paul Laverty, The Angels’ Share introduces Robbie, an ex-offender and new father who embarks on an adventure with his new found friends to a whisky distillery and discovers that turning to drink might just change his life. Set in Scotland, and starring newcomer Paul Brannigan, The Angels’ Share is a bitter sweet comedy caper. The Angel’s Share hits UK cinemas on 1st June.
- 4/19/2012
- by Phil
- Nerdly
On MSNBC's The Last Call Wednesday night, Lawrence O'Donnell gave props to Stephen Colbert for sticking by former Godfather Pizza CEO and scandal-beleaguered presidential candidate Herman Cain, despite everyone else turning their backs on him. "Even Fox News has rewritten its position on Herman Cain from the 'women are all lying' to 'when are you gonna drop out?' There is only one Herman Cain true believer left in the political media -- Stephen Colbert -- the right-wing reactionary played by Stephen Colbert, the actor, refuses to give up on his dream of a Cain presidency and he is still trying to show Cain how to rewrite his troubles to his advantage."...
- 12/1/2011
- by James Crugnale
- Mediaite - TV
Donald Trump continued duking it out with MSNBC host Lawrence O'Donnell, yesterday, though he upped the ante a bit by threatening to sue. "I heard, because his show is unwatchable, that @Lawrence has made many false statements last night about me," Trump tweeted. "Maybe I should sue him?" On Wednesday's The Last Call, O'Donnell responded to Trump's lawsuit threat. "That's awfully soft for Donald, isn't it?" O'Donnell hit back.
- 10/27/2011
- by James Crugnale
- Mediaite - TV
A man on horseback, which I knew was Gibbs (Mark Harmon) finds a Db on the ground. He's then held at gunpoint. 4 Days Earlier: Tony (Michael Weatherly) comments on the graduates' "alcohol-induced purple haze." On the Baltimore Pd, every graduate threw up, which he calls good times. Yes Tony if you say so. McGee (Sean Murray) calls him Hendrix. Ziva (Cote de Pablo) thinks he graduated too soon. Ziva is also about to graduate. McGee asks what she's done her degree in. Ziva says she's got her naturalization interview, it's "how an alien becomes a citizen." Tony: "I know what it is Et." Referring to it as due process. Tony saying Ziva graduated from "English as a tenth language" was funny. Gibbs mentions the eighth letter of the alphabet. Tony tells Gibbs it's 'G'. No, it's 'H' for homicide. How could he get that wrong. Vance (Rocky Carroll) tells them...
- 10/18/2011
- by mhasan@corp.popstar.com (Mila Hasan)
- PopStar
The judgements and recriminations were out in full force this week in Miami, with Delko (Adam Rodriguez) and Ryan (Jonathan Togo) deeming the suspected quarterback to be guilty even before the evidence was in. Yes you've guessed the one time Jesse (Eddie Cibrian) was needed around to be objective. With Delko coming up with the old, "guilty people run" line. So what was that he did back at the end of season 7 in the episode Seeing Red, when he came charging out in the car with his father and was shot at by Calleigh (Emily Procter). How wrong was he here and not so much as an apology or remorse for wrecking someone's life. The scene opens with Ryan and Delko chasing the suspect and Ryan attempting to to follow suit when he jumps the railing and barely hangs on. Ryan almost made it. With flashes of the suspect, Brady...
- 8/17/2011
- by mhasan@corp.popstar.com (Mila Hasan)
- PopStar
Eerie links are beginning to crop up between the Long Island serial killer's victims. Last week, we reported on the events that led to the tragic death of Amber Lynn Costello. Now, Christine Pelisek and Roja Heydarpour talk to the family and boyfriend of Melissa Barthelemy about her final hours, uncover the escort agency she worked for, and reveal what she had in common with another victim, Megan Waterman.
Melissa Barthelemy was last seen on July 12, 2009, sitting on a curb outside the Bronx basement apartment she shared with her five cats. The 24-year-old Buffalo native had a "date" that night, but she wouldn't tell her on-again, off-again boyfriend with whom.
Related story on The Daily Beast: A Serial Killer on the Loose in Los Angeles
Had she done so, it might have provided a critical clue to her murder.
Barthelemy, who moved to New York from Buffalo in 2007 to work as a hairstylist,...
Melissa Barthelemy was last seen on July 12, 2009, sitting on a curb outside the Bronx basement apartment she shared with her five cats. The 24-year-old Buffalo native had a "date" that night, but she wouldn't tell her on-again, off-again boyfriend with whom.
Related story on The Daily Beast: A Serial Killer on the Loose in Los Angeles
Had she done so, it might have provided a critical clue to her murder.
Barthelemy, who moved to New York from Buffalo in 2007 to work as a hairstylist,...
- 4/25/2011
- by Christine Pelisek & Roja Heydarpour
- The Daily Beast
Amber Lynn Costello had been in the sex trade since she was 17. Last September she booked a date for $1,500 and headed out into the night. She never came back. In this week's Newsweek, Christine Pelisek has the inside story of a serial-killer victim's final hours.
A call from a stranger, a negotiation over sex, and an agreed-upon price-$1,500-that made it even easier than usual for a heroin user supporting herself through prostitution to cast aside caution and head out into the night alone. For 27-year-old Amber Lynn Costello, who had been selling herself since the age of 17, the offer was much higher than usual, yet in other respects not out of the ordinary. But on the evening of Sept. 2, 2010, Costello made that date and never came back.
Related story on The Daily Beast: A Serial Killer on the Loose in Los Angeles
For safety reasons, she used the cell phone belonging to her roommate,...
A call from a stranger, a negotiation over sex, and an agreed-upon price-$1,500-that made it even easier than usual for a heroin user supporting herself through prostitution to cast aside caution and head out into the night alone. For 27-year-old Amber Lynn Costello, who had been selling herself since the age of 17, the offer was much higher than usual, yet in other respects not out of the ordinary. But on the evening of Sept. 2, 2010, Costello made that date and never came back.
Related story on The Daily Beast: A Serial Killer on the Loose in Los Angeles
For safety reasons, she used the cell phone belonging to her roommate,...
- 4/17/2011
- by Christine Pelisek
- The Daily Beast
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