Few feats in filmmaking are rarer that churning out a string of classics within the span of a few years. It's the cineaste equivalent of, I dunno, whatever sports metaphor you deem fit to slot in here. John McTiernan did it by delivering "Predator," "Die Hard," and "The Hunt for Red October" back-to-back-to-back, while Francis Ford Coppola did him one better by helming "The Godfather," "The Conversation," and "The Godfather Part II" within the span of two years before returning five years later with "Apocalypse Now." But for my money, fews runs can match that of Akira Kurosawa in the '50s, a time in which the Japanese legend gifted us with "Rashōmon," "Ikiru," "Seven Samurai," "Throne of Blood," and "The Hidden Fortress," all before the decade was over.
Now, in the latest bid to boost 2024's sagging box office with an exciting theatrical re-release, Janus Films is celebrating "Seven Samurai...
Now, in the latest bid to boost 2024's sagging box office with an exciting theatrical re-release, Janus Films is celebrating "Seven Samurai...
- 6/7/2024
- by Sandy Schaefer
- Slash Film
Toronto-based Syndicado Film Sales has picked up international rights to “Petroleo,” the fiction debut of doc Spanish filmmaker Álvaro F. Pulpeiro, lauded worldwide for his sensory and lyrical filmmaking, most recently displayed in the Cph:Dox-selected “So Foul a Sky.”
The Galician-born filmmaker said the project which was significantly influenced by Pier Paolo Pasolini’s unfinished book “Petrolio,” will draw inspiration “from Michelangelo Antonioni’s “The Passenger” (1975), the visual intensity of “Apocalypse Now” (1979) and the digital noir of “Miami Vice” (2006).”
“Petroleo” will compete for the €30,000 Filmin Award for best title in the Film to Come section at the inaugural Ecam Forum co-production market, unspooling June 10-14 in Madrid.
Aleksandar Govedarica, Syndicado Film Sales’ CEO said: “I had the privilege of working with Álvaro on his previous film [“So Foul a Sky”] and I was captivated by his vision and storytelling; we therefore boarded “Petroleo” back in 2022. It’s a project that’s impossible to ignore in its timeliness.
The Galician-born filmmaker said the project which was significantly influenced by Pier Paolo Pasolini’s unfinished book “Petrolio,” will draw inspiration “from Michelangelo Antonioni’s “The Passenger” (1975), the visual intensity of “Apocalypse Now” (1979) and the digital noir of “Miami Vice” (2006).”
“Petroleo” will compete for the €30,000 Filmin Award for best title in the Film to Come section at the inaugural Ecam Forum co-production market, unspooling June 10-14 in Madrid.
Aleksandar Govedarica, Syndicado Film Sales’ CEO said: “I had the privilege of working with Álvaro on his previous film [“So Foul a Sky”] and I was captivated by his vision and storytelling; we therefore boarded “Petroleo” back in 2022. It’s a project that’s impossible to ignore in its timeliness.
- 6/5/2024
- by Annika Pham
- Variety Film + TV
George Lucas established himself as a blockbuster filmmaker with 1977’s Star Wars, which has had an enduring legacy in cinema. However, before undertaking the epic space opera saga, Lucas was once considering directing a war drama film focusing on the Vietnam War, which Francis Ford Coppola eventually directed.
Francis Ford Coppola’s Apocalypse Now was initially developed by George Lucas (Credit: United Artists).
The 1979 war drama Apocalypse Now was initially going to be helmed by Lucas, who was involved in the project since the writing stage. Moreover, Lucas and writer John Milius had an extremely outrageous idea for the film’s production as the duo intended to shoot on actual locations where the war was still taking place. Here is everything you need to know about what could’ve been George Lucas’ Apocalypse Now.
George Lucas Almost Directed Apocalypse Now Before Creating Star Wars
Directed by Francis Ford Coppola, Apocalypse Now...
Francis Ford Coppola’s Apocalypse Now was initially developed by George Lucas (Credit: United Artists).
The 1979 war drama Apocalypse Now was initially going to be helmed by Lucas, who was involved in the project since the writing stage. Moreover, Lucas and writer John Milius had an extremely outrageous idea for the film’s production as the duo intended to shoot on actual locations where the war was still taking place. Here is everything you need to know about what could’ve been George Lucas’ Apocalypse Now.
George Lucas Almost Directed Apocalypse Now Before Creating Star Wars
Directed by Francis Ford Coppola, Apocalypse Now...
- 6/2/2024
- by Pratik Handore
- FandomWire
Known for portraying Sonny Corleone in The Godfather trilogy, the late actor James Cann considered himself similar to his iconic character, asserting that it has been the reason he enjoyed playing roles in Francis Ford Coppola’s iconic film trilogy.
James Caan in Elf | Credit: NewLine Cinema
It could also be deemed as the reason why he did not hesitate when it came to negotiating the financial details with the legendary filmmaker upon being offered his 1979 film Apocalypse Now. The Oscar-nominated film was initially offered to Caan, as he later revealed in an interview. But he turned down the offer after failing to reach an agreement with Coppola regarding his compensation for the movie.
James Caan Turned Down Apocalypse Now Due to Financial Concerns
In a 1981 interview, James Cann highlighted the complexities that come with balancing artistic integrity and financial considerations, while reflecting on his collaboration with the acclaimed filmmaker...
James Caan in Elf | Credit: NewLine Cinema
It could also be deemed as the reason why he did not hesitate when it came to negotiating the financial details with the legendary filmmaker upon being offered his 1979 film Apocalypse Now. The Oscar-nominated film was initially offered to Caan, as he later revealed in an interview. But he turned down the offer after failing to reach an agreement with Coppola regarding his compensation for the movie.
James Caan Turned Down Apocalypse Now Due to Financial Concerns
In a 1981 interview, James Cann highlighted the complexities that come with balancing artistic integrity and financial considerations, while reflecting on his collaboration with the acclaimed filmmaker...
- 6/2/2024
- by Laxmi Rajput
- FandomWire
Civil War is a fictional war drama film written and directed by Alex Garland. The A24 film is set in the near future in a dystopian future suffering from a civil war. We follow the story of a group of journalists racing against time to get to Washington D.C. so that they can interview the President before the rebel factions take over the White House and kill the President. Civil War stars Kirsten Dunst, Wagner Moura, Cailee Spaeny, Stephen McKinley Henderson, Nick Offernman, Sonoya Mizuno, Jefferson White, Nelson Lee, Evan Lai, Jesse Plemmons, Karl Glusman, Jin Ha, and Juani Feliz starring in supporting roles. So, if you loved the war drama and a story about journalists in Civil War here are some similar movies you could watch next.
Madras Cafe (Netflix & Rent on Prime Video) Credit – Viacom 18 Motion Pictures
Madras Cafe is a political action thriller film directed by Shoojit Sircar.
Madras Cafe (Netflix & Rent on Prime Video) Credit – Viacom 18 Motion Pictures
Madras Cafe is a political action thriller film directed by Shoojit Sircar.
- 5/28/2024
- by Kulwant Singh
- Cinema Blind
Legendary actor James Caan was known for his role as Sonny Corleone in Francis Ford Coppola’s The Godfather. The actor received an Academy Award nomination for his role as Don’s eldest son and was often regarded as one of the greatest actors of the generation. Caan also starred in films such as Misery, The Gambler, and Elf.
Caan has also turned down many noted roles that turned out to be game-changers for the actors who ended up playing them. Among films such as The French Connection and Apocalypse Now, Caan was rumored to be offered the role of Han Solo in Star Wars. While Harrison Ford played the iconic character, Caan reportedly had a crude response to it.
James Caan’s Crude Response To Harrison Ford Playing Han Solo Harrison Ford in Star Wars: A New Hope | Credits: Lucasfilm Ltd./20th Century Fox
Harrison Ford’s role as...
Caan has also turned down many noted roles that turned out to be game-changers for the actors who ended up playing them. Among films such as The French Connection and Apocalypse Now, Caan was rumored to be offered the role of Han Solo in Star Wars. While Harrison Ford played the iconic character, Caan reportedly had a crude response to it.
James Caan’s Crude Response To Harrison Ford Playing Han Solo Harrison Ford in Star Wars: A New Hope | Credits: Lucasfilm Ltd./20th Century Fox
Harrison Ford’s role as...
- 5/26/2024
- by Nishanth A
- FandomWire
The 2024 Cannes Film Festival concluded on Saturday, May 25 following two weeks packed with screenings, stars, press and parties. With the prizes having been handed out for the festival’s 77th anniversary, we can now start looking at what contenders might be in the best spot to get into the upcoming Oscar race. Let’s examine the winners from this year’s festival and see the history that each category has when it comes to the Oscars.
In recent years, we’ve seen the festival serve as a huge springboard for major players in the Oscar derby. Three of the last four winners of the festival’s top prize, the Palme d’Or, have nabbed Best Picture nominations: “Parasite” (2019), “Triangle of Sadness” (2022) and “Anatomy of a Fall” (2023). Other big winners at recent festivals that became big Oscar players include “Drive My Car,” “The Zone of Interest” and “BlacKkKlansman.” This year’s...
In recent years, we’ve seen the festival serve as a huge springboard for major players in the Oscar derby. Three of the last four winners of the festival’s top prize, the Palme d’Or, have nabbed Best Picture nominations: “Parasite” (2019), “Triangle of Sadness” (2022) and “Anatomy of a Fall” (2023). Other big winners at recent festivals that became big Oscar players include “Drive My Car,” “The Zone of Interest” and “BlacKkKlansman.” This year’s...
- 5/25/2024
- by Charles Bright
- Gold Derby
Netflix’s love for documentary series is unparalleled. Documentaries used to be rare watches. They were found on television channels dedicated to a specific topic. Netflix was one of the many Ott platforms that merged entertainment with educational documentaries that covered every kind of subject for people to watch. You name it, they have it. Toughest Forces on Earth is about three ex-armed forces men who are keen to do something adventurous. The Netflix deal just happened to fall on their laps, and their lives have changed ever since.
The 8-episode documentary series is all about the excitement of the hosts, Dean Stott, Cameron Fath, and Ryan Bates; all ex-armed forces men are given the chance to train with the elite armed forces of many countries around the world. They learn about combat skills by putting themselves to the test. The three men travel across the world in different terrains...
The 8-episode documentary series is all about the excitement of the hosts, Dean Stott, Cameron Fath, and Ryan Bates; all ex-armed forces men are given the chance to train with the elite armed forces of many countries around the world. They learn about combat skills by putting themselves to the test. The three men travel across the world in different terrains...
- 5/23/2024
- by Smriti Kannan
- Film Fugitives
You only have to take a quick look at a ranking of the Palme d’Or winners to recognize that the winners circle for the prize represents some of cinema’s greatest accomplishments. “Taxi Driver,” “Apocalypse Now,” “Parasite,” “Paris, Texas,” “The Leopard,” and many more masterpieces were correctly bestowed Cannes’ highest honor, and the swaths of great films to receive the Palme since the festival’s beginning in 1946 have given the prize a prestige that arguably surpasses the Oscar or more widely recognizable trophies.
But the quality of any film is a subjective matter, and every Palme d’Or is ultimately decided not by an exact science, but by a small jury handpicked every year to judge the titles in the festival’s main competition. So, for all the great movies in the Palme pantheon, there are plenty that haven’t aged well in the decades since, or those that...
But the quality of any film is a subjective matter, and every Palme d’Or is ultimately decided not by an exact science, but by a small jury handpicked every year to judge the titles in the festival’s main competition. So, for all the great movies in the Palme pantheon, there are plenty that haven’t aged well in the decades since, or those that...
- 5/23/2024
- by Wilson Chapman
- Indiewire
Francis Ford Coppola is best known for his work on The Godfather trilogy. The accomplished filmmaker is one of the era-defining filmmakers of the 70s up to the 90s, where he made some of the best works of his career. Apocalypse Now, The Outsiders, Peggy Sue Got Married, Bram Stoker’s Dracula, and The Rainmaker were some of his other great works.
Adam Driver as Cesar Catilina in Megalopolis | American Zoetrope
The director is coming up with his next ambitious film, Megalopolis, his return as a director after almost 14 years. The film was recently screened at Cannes, with the cast and Coppola talking about the movie at a press conference. The director spoke about how he was able to self-finance the film after selling off his successful winery that he started in 2008.
Francis Ford Coppola Started His Own Winery Chain That Helped Fund Megalopolis Francis Ford Coppola started his winery...
Adam Driver as Cesar Catilina in Megalopolis | American Zoetrope
The director is coming up with his next ambitious film, Megalopolis, his return as a director after almost 14 years. The film was recently screened at Cannes, with the cast and Coppola talking about the movie at a press conference. The director spoke about how he was able to self-finance the film after selling off his successful winery that he started in 2008.
Francis Ford Coppola Started His Own Winery Chain That Helped Fund Megalopolis Francis Ford Coppola started his winery...
- 5/22/2024
- by Rahul Thokchom
- FandomWire
Fred Roos, the Oscar-winning producer of The Godfather Part II and many other notable films, has died. He was 89.
Roos had a long relationship with Francis Ford Coppola, serving as producer or co-producer on many of the director’s best known films, including the second and third Godfather films (the second bringing him his Oscar), The Conversation, Apocalypse Now, One From The Heart and The Cotton Club.
Most recently, Roos served as executive producer of Coppola’s Megalopolis, which premiered this week at the Cannes festival.
Born in Santa Monica, Roos began his film career in the mailroom at talent agency McA.
Roos had a long relationship with Francis Ford Coppola, serving as producer or co-producer on many of the director’s best known films, including the second and third Godfather films (the second bringing him his Oscar), The Conversation, Apocalypse Now, One From The Heart and The Cotton Club.
Most recently, Roos served as executive producer of Coppola’s Megalopolis, which premiered this week at the Cannes festival.
Born in Santa Monica, Roos began his film career in the mailroom at talent agency McA.
- 5/21/2024
- ScreenDaily
Fred Roos, the longtime producing and casting collaborator of Francis Ford Coppola, has died at age 89.
Roos famously found Jack Nicholson and Harrison Ford, launching both actors’ respective careers, and even helped cast Carrie Fisher alongside Ford in “Star Wars.” He is credited for also boosting the careers of Kirsten Dunst, Diane Keaton, Laurence Fishburne, Frederic Forest, Diane Lane, Nicolas Cage, Richard Dreyfuss, Rob Lowe, Tom Cruise, Patrick Swayze, Emilio Estevez, Jennifer Connelly, Billy Bob Thorton, Marshall Bell, and more.
Roos later served as the casting director for Coppola’s “The Godfather,” leading auteur Coppola to deem Roos “one of the great casting talents in the last 40 years of American movies” in a 2004 interview with the Chicago Tribune.
Roos produced follow-up film “The Godfather: Part II,” “Apocalypse Now,” and Coppola’s recent “Megalopolis,” for which he also helped cast the star-studded ensemble. In 1974, both Roos and Coppola earned two Oscar...
Roos famously found Jack Nicholson and Harrison Ford, launching both actors’ respective careers, and even helped cast Carrie Fisher alongside Ford in “Star Wars.” He is credited for also boosting the careers of Kirsten Dunst, Diane Keaton, Laurence Fishburne, Frederic Forest, Diane Lane, Nicolas Cage, Richard Dreyfuss, Rob Lowe, Tom Cruise, Patrick Swayze, Emilio Estevez, Jennifer Connelly, Billy Bob Thorton, Marshall Bell, and more.
Roos later served as the casting director for Coppola’s “The Godfather,” leading auteur Coppola to deem Roos “one of the great casting talents in the last 40 years of American movies” in a 2004 interview with the Chicago Tribune.
Roos produced follow-up film “The Godfather: Part II,” “Apocalypse Now,” and Coppola’s recent “Megalopolis,” for which he also helped cast the star-studded ensemble. In 1974, both Roos and Coppola earned two Oscar...
- 5/21/2024
- by Samantha Bergeson
- Indiewire
Mike Figgis has been shooting a behind-the-scenes documentary for the past 18 months about the making of Francis Ford Coppola’s Megalopolis. It’s called Megadoc.
Figgis told me Monday that it’s been edited but there’s allowance for the fact that the film played in competition here at the Cannes Film Festival. He recorded an interview with the cinema titan the other day.
Figgis, who was introduced into the Coppola clan back in the mid 1990s after directing Nicolas Cage in Leaving Las Vegas, told me that the documentary is “very much a fly-on-the-wall” and also features conversations with various cast members — Adam Driver, Aubrey Plaza, Dustin Hoffman, Shia Labeouf — and Coppola’s wife Eleanor Coppola, who shot the footage and directed her own study of her husband’s work for the acclaimed Hearts of Darkness: A Filmmaker’s Apocalypse, about the making of 1979s Apocalypse Now.
He will go...
Figgis told me Monday that it’s been edited but there’s allowance for the fact that the film played in competition here at the Cannes Film Festival. He recorded an interview with the cinema titan the other day.
Figgis, who was introduced into the Coppola clan back in the mid 1990s after directing Nicolas Cage in Leaving Las Vegas, told me that the documentary is “very much a fly-on-the-wall” and also features conversations with various cast members — Adam Driver, Aubrey Plaza, Dustin Hoffman, Shia Labeouf — and Coppola’s wife Eleanor Coppola, who shot the footage and directed her own study of her husband’s work for the acclaimed Hearts of Darkness: A Filmmaker’s Apocalypse, about the making of 1979s Apocalypse Now.
He will go...
- 5/21/2024
- by Baz Bamigboye
- Deadline Film + TV
Fred Roos, the casting director turned producer who jump-started the career of Jack Nicholson and collaborated often with Francis Ford Coppola, sharing a best picture Oscar with the filmmaker for The Godfather Part II, has died. He was 89.
Roos died Saturday at his home in Beverly Hills, a publicist announced.
It’s part of Hollywood lore that before Harrison Ford became a famous actor, he was laboring as a carpenter to make ends meet. What some might not know is that it was at Roos’ house where Ford was woodworking when the casting director befriended him, eventually pushing him for roles in George Lucas’ American Graffiti (1973) and Star Wars (1977) and Coppola’s The Conversation (1974).
And it was Roos who convinced Lucas — who had been leaning toward Amy Irving — that Carrie Fisher should portray Princess Leia in Star Wars. (Roos did not have an official role on that film.)
Roos, however,...
Roos died Saturday at his home in Beverly Hills, a publicist announced.
It’s part of Hollywood lore that before Harrison Ford became a famous actor, he was laboring as a carpenter to make ends meet. What some might not know is that it was at Roos’ house where Ford was woodworking when the casting director befriended him, eventually pushing him for roles in George Lucas’ American Graffiti (1973) and Star Wars (1977) and Coppola’s The Conversation (1974).
And it was Roos who convinced Lucas — who had been leaning toward Amy Irving — that Carrie Fisher should portray Princess Leia in Star Wars. (Roos did not have an official role on that film.)
Roos, however,...
- 5/21/2024
- by Chris Koseluk
- The Hollywood Reporter - Movie News
Fred Roos, casting director for landmark films such as “American Graffiti” and who went on to have a close relationship with Francis Ford Coppola, including producing best picture winner “Godfather Part II” and “Apocalypse Now,” died Saturday in Beverly Hills. He was 89.
Roos was both casting director and executive producer on Coppola’s most recent film “Megalopolis” which premiered last week at the Cannes Film Festival. Last year, Coppola posted a photo of Roos with Adam Driver on Instagram and thanked him for his work on the long-gestating epic.
Roos was instrumental in helping stars including Tom Cruise, Jack Nicholson, Carrie Fisher and Richard Dreyfuss get their early notable roles.
His long collaboration with Coppola as producer or co-producer included “The Conversation,” “One From the Heart,” “The Outsiders,” “Rumble Fish,” “The Cotton Club,” “The Godfather Part III,” “Tetro,” “Youth Without Youth” and “Tucker: The Man and His Dream.”
Roos was not credited,...
Roos was both casting director and executive producer on Coppola’s most recent film “Megalopolis” which premiered last week at the Cannes Film Festival. Last year, Coppola posted a photo of Roos with Adam Driver on Instagram and thanked him for his work on the long-gestating epic.
Roos was instrumental in helping stars including Tom Cruise, Jack Nicholson, Carrie Fisher and Richard Dreyfuss get their early notable roles.
His long collaboration with Coppola as producer or co-producer included “The Conversation,” “One From the Heart,” “The Outsiders,” “Rumble Fish,” “The Cotton Club,” “The Godfather Part III,” “Tetro,” “Youth Without Youth” and “Tucker: The Man and His Dream.”
Roos was not credited,...
- 5/21/2024
- by Pat Saperstein
- Variety Film + TV
Fred Roos, the Oscar-winning The Godfather Part II producer and longtime executive producer for Francis Ford Coppola and Sofia Coppola, died Saturday in Beverly Hills at 89, four days shy of his 90th birthday.
The news about Roos, who won his Godfather Part II Oscar and later was nominated for Coppola’s Apocalypse Now, comes as Francis Ford Coppola is here at the Cannes Film Festival, 45 years after winning the Palme d’Or for Apocalypse Now. Coppola is in town with his $120 million passion project Megalopolis, which had its world premiere last week. Roos is billed as producer on Megalopolis.
The news also comes after Coppola’s wife of 61 years, Eleanor, died April 12. Roos was an executive producer on Hearts of Darkness, her famed documentary about the making of Apocalypse Now that won them both an Emmy in 1992.
Roos was Francis Coppola’s co-producer on The Conversation, The Godfather Part II and Apocalypse Now,...
The news about Roos, who won his Godfather Part II Oscar and later was nominated for Coppola’s Apocalypse Now, comes as Francis Ford Coppola is here at the Cannes Film Festival, 45 years after winning the Palme d’Or for Apocalypse Now. Coppola is in town with his $120 million passion project Megalopolis, which had its world premiere last week. Roos is billed as producer on Megalopolis.
The news also comes after Coppola’s wife of 61 years, Eleanor, died April 12. Roos was an executive producer on Hearts of Darkness, her famed documentary about the making of Apocalypse Now that won them both an Emmy in 1992.
Roos was Francis Coppola’s co-producer on The Conversation, The Godfather Part II and Apocalypse Now,...
- 5/21/2024
- by Anthony D'Alessandro
- Deadline Film + TV
“Chances are you’ve never heard of Preston Thomas Tucker; dreamer, inventor, visionary — a man ahead of his time.”
Chances are you’ve never heard of the movie made about him either. Like the car he had created in his name, it came and went in nearly the same breath. And yet, also like the car, the film’s legacy and staying power lies in the strength of its parts, as well as the personal passion put into it by its maker, Francis Ford Coppola. In fact, it’s hard not to watch his 1988 film “Tucker: The Man and His Dream” and discern a link between Coppola and the film’s eponymous character. Played by a still boyish Jeff Bridges with a glint in his eye and a manic energy that veers between zealous enthusiasm and fevered paranoia, Tucker is a man entwined with his dreams. Much like Coppola, he is driven by family,...
Chances are you’ve never heard of the movie made about him either. Like the car he had created in his name, it came and went in nearly the same breath. And yet, also like the car, the film’s legacy and staying power lies in the strength of its parts, as well as the personal passion put into it by its maker, Francis Ford Coppola. In fact, it’s hard not to watch his 1988 film “Tucker: The Man and His Dream” and discern a link between Coppola and the film’s eponymous character. Played by a still boyish Jeff Bridges with a glint in his eye and a manic energy that veers between zealous enthusiasm and fevered paranoia, Tucker is a man entwined with his dreams. Much like Coppola, he is driven by family,...
- 5/21/2024
- by Harrison Richlin
- Indiewire
The American Society of Cinematographers has re-elected Shelly Johnson for a second term as its president and voted in three VPs and other officers.
The ASC Board of Governors also elected Vice Presidents Charlie Lieberman, Patti Lee and Cynthia Pusheck; Treasurer Charles Minsky; Secretary Dejan Georgevich; and Sergeant-at-Arms Chris Chomyn.
“This past year has been a challenging time for our industry, and the ASC has strived to serve as the glue to keep our community together,” Johnmson said in a statement. “Cinematographers are an open collective, willingly sharing our knowledge and values for the betterment of the art form. Our focus is to help create a healthy and vibrant existence that evolves with the forward movement of our industry.”
Johnson is a four-time ASC Award nominee whose long list of credits includes Apocalypse Now, Captain America: The First Avenger, The Wolfman and the upcoming Elevation and Aftermath. He was elected...
The ASC Board of Governors also elected Vice Presidents Charlie Lieberman, Patti Lee and Cynthia Pusheck; Treasurer Charles Minsky; Secretary Dejan Georgevich; and Sergeant-at-Arms Chris Chomyn.
“This past year has been a challenging time for our industry, and the ASC has strived to serve as the glue to keep our community together,” Johnmson said in a statement. “Cinematographers are an open collective, willingly sharing our knowledge and values for the betterment of the art form. Our focus is to help create a healthy and vibrant existence that evolves with the forward movement of our industry.”
Johnson is a four-time ASC Award nominee whose long list of credits includes Apocalypse Now, Captain America: The First Avenger, The Wolfman and the upcoming Elevation and Aftermath. He was elected...
- 5/20/2024
- by Erik Pedersen
- Deadline Film + TV
One of only nine directors to win the Palme d’Or twice, Francis Ford Coppola took home his first 50 years ago — back when the award was still called the Grand Prix — for The Conversation.
A psychological thriller starring Gene Hackman as a morally conflicted surveillance expert in San Francisco, The Conversation couldn’t have been released at a more appropriate time. Hitting U.S. theaters on April 7, 1974, the movie asked pointed questions about power, responsibility and technology — subjects that had been top of the American mind for two years as a result of the Watergate scandal. It was pure serendipity; Coppola had started writing the screenplay in the 1960s. Just four months after the film’s release, Richard Nixon would resign the presidency for his role in the infamous cover-up.
In the intervening years, the film has only seen its cultural resonance increase. In 1995, it was chosen for preservation by...
A psychological thriller starring Gene Hackman as a morally conflicted surveillance expert in San Francisco, The Conversation couldn’t have been released at a more appropriate time. Hitting U.S. theaters on April 7, 1974, the movie asked pointed questions about power, responsibility and technology — subjects that had been top of the American mind for two years as a result of the Watergate scandal. It was pure serendipity; Coppola had started writing the screenplay in the 1960s. Just four months after the film’s release, Richard Nixon would resign the presidency for his role in the infamous cover-up.
In the intervening years, the film has only seen its cultural resonance increase. In 1995, it was chosen for preservation by...
- 5/19/2024
- by Shannon L. Bowen
- The Hollywood Reporter - Movie News
Luke Wilson "appreciated" taking almost a year to shoot 'Horizon: An American Saga'.The 52-year-old actor plays Matthew Van Weyden in Kevin Costner's two-part Western - which is set to be followed by another four movies - and he enjoyed spending a huge chunk of time making the films because it is so "rare" to work at a slower pace in modern Hollywood.He told Deadline: “It’s a long shoot. I mean, I was saying that I’d always kind of envied reading about those movies like 'Apocalypse Now', where it would last a couple of years where it really became your life. "Because the way the movie business is now, the first movie I did was 35 days, and that was considered low-budget, but now they’ve got it whittled down to 22-day shoot. "So to work on something like this, where Kevin really was patient...
- 5/19/2024
- by Viki Waters
- Bang Showbiz
Megalopolis created an astonishing buzz as the movie went on to be the most ambitious project of Francis Ford Coppola in recent times. When many major studios backed off from the movie, the director who developed the script for decades, self-financed the project.
Adam Driver in Megalopolis. Credit: Francis Ford Coppola/Yt
Coppola is one of the most talented auteurs currently working in Hollywood. His cinematic visions have done wonders with several big titles including his masterpiece trilogy, The Godfather and acclaimed war movie, Apocalypse Now. However, his most recent work Megalopolis has met with disastrous critical reviews.
Francis Ford Coppola Doesn’t Regret Making Megalopolis Francis Ford Coppola. Credit: Dick Thomas Johnson/Wikimedia Commons
Megalopolis’ reviews following the Cannes premiere of the Francis Ford Coppola dream project were not what the director had expected. The movie mostly met with mixed reviews and the Adam Driver, Nathalie Emmanuel, Shia Labeouf...
Adam Driver in Megalopolis. Credit: Francis Ford Coppola/Yt
Coppola is one of the most talented auteurs currently working in Hollywood. His cinematic visions have done wonders with several big titles including his masterpiece trilogy, The Godfather and acclaimed war movie, Apocalypse Now. However, his most recent work Megalopolis has met with disastrous critical reviews.
Francis Ford Coppola Doesn’t Regret Making Megalopolis Francis Ford Coppola. Credit: Dick Thomas Johnson/Wikimedia Commons
Megalopolis’ reviews following the Cannes premiere of the Francis Ford Coppola dream project were not what the director had expected. The movie mostly met with mixed reviews and the Adam Driver, Nathalie Emmanuel, Shia Labeouf...
- 5/18/2024
- by Lachit Roy
- FandomWire
If you dove head first into Francis Ford Coppola’s Megalopolis, you would get a concussion. The filmmaker’s supposed opus––a glitzy, gargantuan, long-gestating project that he conceived of in the late ‘70s, attempted to make more than once in the ‘80s, rewrote countless times over the last four decades, and eventually self-financed for $120 million due to lack of external support––has had cinephiles like myself drooling over its scope and potential for years. Alas, there is no deep end in this pool.
Don’t let that deter you though. Receive it with a healthy dose of doubt and let it reshape (and perhaps healthily lower) your expectations. Because, at the end of the day, for better and for worse, in awe and in tired confusion, Megalopolis is a garish wonder to behold.
Coppola recently said that “[his] first goal always is to make a film with all [his] heart,” and...
Don’t let that deter you though. Receive it with a healthy dose of doubt and let it reshape (and perhaps healthily lower) your expectations. Because, at the end of the day, for better and for worse, in awe and in tired confusion, Megalopolis is a garish wonder to behold.
Coppola recently said that “[his] first goal always is to make a film with all [his] heart,” and...
- 5/17/2024
- by Luke Hicks
- The Film Stage
Above: 1980 Japanese poster for Apocalypse Now. Design by Eiko Ishioka, artwork by Haruo Takino.With Francis Ford Coppola’s long-gestated Megalopolis having premiered yesterday at Cannes, it's a good time to look back at the posters from his 60-year-long career. The only problem is that many posters for his films are either too well known or nothing to write home about. Like Coppola’s career itself, there are peaks and valleys—one of my very first posts for Notebook, almost exactly fifteen years ago, was about the gorgeous design for The Rain People (1969)—but a career retrospective of his posters seems like it might result in less than the sum of its parts. Yet of all his posters there are three rare Japanese designs that have always stood out as utterly extraordinary: two for Apocalypse Now (1979) and one for Bram Stoker’s Dracula (1992).I’ve always seen these posters attributed to Eiko Ishioka,...
- 5/17/2024
- MUBI
The long-awaited Cannes premiere of Francis Ford Coppola’s passion project Megalopolis has finally happened and while the audience at Cannes seemingly loved the movie, the critics are… well… polarized, to say the least. We have already seen some mixed reviews not long after the secret buyers’ screening, which did not go as planned for Coppola, and while the filmmaker has put a lot of effort into the marketing campaign, Cannes was the next important stop for the movie, which is still looking for a distributor. The movie is expected to get a limited theatrical release this year ahead of the awards season, but based on the early reactions, Megalopolis might not be as grand as the story behind it suggests.
Megalopolis is an interesting story altogether. The movie was conceived way back in 1979, while Coppola was filming Apocalypse Now, one of the greatest war movies ever made and it...
Megalopolis is an interesting story altogether. The movie was conceived way back in 1979, while Coppola was filming Apocalypse Now, one of the greatest war movies ever made and it...
- 5/17/2024
- by Arthur S. Poe
- Fiction Horizon
The premiere of Francis Ford Coppola’s “Megalopolis” was every bit the sensation people were expecting—with some critics calling the self-financed neo-Roman civic engineering drama a masterpiece and others calling it a disorganized mess.
The 85-year-old auteur, one of the few to have won the Palme D’Or twice, was sure to bring the same level of chaotic energy to his post-screening press conference. He took shots at the studios and suggested the tech companies might permanently dethrone them,
The best was when a man with a European accent, citing the film’s hope for the future, asked the writer-director if he has fears about today’s political climate when “men like Donald Trump are in charge.”
Coppola cited the worldwide trend to “neo-right, even fascist traditions, which is frightening for anyone alive during the horrors of World War II.”
He concluded that it is up to artists to shine a light on that,...
The 85-year-old auteur, one of the few to have won the Palme D’Or twice, was sure to bring the same level of chaotic energy to his post-screening press conference. He took shots at the studios and suggested the tech companies might permanently dethrone them,
The best was when a man with a European accent, citing the film’s hope for the future, asked the writer-director if he has fears about today’s political climate when “men like Donald Trump are in charge.”
Coppola cited the worldwide trend to “neo-right, even fascist traditions, which is frightening for anyone alive during the horrors of World War II.”
He concluded that it is up to artists to shine a light on that,...
- 5/17/2024
- by Jordan Hoffman
- Gold Derby
Francis Ford Coppola has done well at Cannes, winning the Palme d’Or twice, for “The Conversation” (1974) and “Apocalypse Now” (1979), another film mired in controversy during production that sailed into release as a critical and box office success ($85 million worldwide), nominated for eight Oscars and winning two. Now the winemaker is back in Cannes with controversial “Megalopolis,” a 2 hour, 18 minute movie which he debuted at a gala premiere Thursday night to the usual sustained standing ovation (measured between seven and 10 minutes). There were a few boos at the press screening. He had dreamed of making the overstuffed extravaganza for 40 years since he wrote early versions of it in the ‘80s, but finally spent $120 million of his own money to produce and direct it.
Coppola faced drama on the set. He replaced VFX and art department members over clashes in filmmaking methods. Adam Driver, who plays a Robert Moses-style builder who...
Coppola faced drama on the set. He replaced VFX and art department members over clashes in filmmaking methods. Adam Driver, who plays a Robert Moses-style builder who...
- 5/17/2024
- by Anne Thompson
- Indiewire
On Friday afternoon, at the most anticipated press conference of the 77th Cannes Film Festival, legendary filmmaker Francis Ford Coppola fielded questions about his latest work, Megalopolis, which had its world premiere at the fest in competition on Thursday night, deeply diving critics and audience members. The presser started more than half an hour late, a little unusual for Cannes, which unlike Hollywood events, generally run on time. But the filmmaker arrived in high spirits, stating that hearing applause at the premiere gave him feelings of “relief and joy.”
Coppola, 85, spent decades — and $120 million of his own money — trying to get the sci-fi epic across the finish line. The shoot was chaotic, THR reported in real time, with key creative talent quitting or being fired along the way; and this week The Guardian quoted sources from the set who suggested that Coppola made unwanted advances towards actresses.
Coppola was not...
Coppola, 85, spent decades — and $120 million of his own money — trying to get the sci-fi epic across the finish line. The shoot was chaotic, THR reported in real time, with key creative talent quitting or being fired along the way; and this week The Guardian quoted sources from the set who suggested that Coppola made unwanted advances towards actresses.
Coppola was not...
- 5/17/2024
- by Scott Feinberg and Scott Roxborough
- The Hollywood Reporter - Movie News
Francis Ford Coppola, the fabled director behind classics like The Godfather and Apocalypse Now, has poured 40 years of his life and $120 million of his own money into his latest passion project, Megalopolis. This self-funded sci-fi epic follows an architect with the power to stop time as he attempts to rebuild a devastated metropolis as a utopia, despite facing opposition from the corrupt Mayor.
Francis Ford Coppola | Source: Wikimedia Commons/Gerald Geronimo
With a star-studded cast including Adam Driver, Giancarlo Esposito, and Aubrey Plaza, expectations are definitely high for this long-awaited film. Making Megalopolis was an expensive and laborious procedure; thus, its box office performance will have a significant influence on Coppola’s legacy in the future.
Since the movie’s May 16, 2024, Cannes Film Festival premiere, initial reviews have been released, and they are polarizing.
Francis Ford Coppola’s Megalopolis: A Cinematic Revolution or a Misfire?
At its Cannes Film Festival premiere on Thursday,...
Francis Ford Coppola | Source: Wikimedia Commons/Gerald Geronimo
With a star-studded cast including Adam Driver, Giancarlo Esposito, and Aubrey Plaza, expectations are definitely high for this long-awaited film. Making Megalopolis was an expensive and laborious procedure; thus, its box office performance will have a significant influence on Coppola’s legacy in the future.
Since the movie’s May 16, 2024, Cannes Film Festival premiere, initial reviews have been released, and they are polarizing.
Francis Ford Coppola’s Megalopolis: A Cinematic Revolution or a Misfire?
At its Cannes Film Festival premiere on Thursday,...
- 5/17/2024
- by Siddhika Prajapati
- FandomWire
Who is Francis Ford Coppola? A wondrous madman? A delicate tyrant? It’s clear he loves chaos and knows you love it too. Is this why he’s so attracted to working with actors who have their own chaotic (often despicable) public personas? Is he drawn to working with and capturing them because he believes they’ll understand him and his process more than others or is he trying to understand something about himself? Maybe both. Filmmaking is his art and art is his way of reckoning with the world around him. It’s why his re-edits are often better than the originals. Time has granted him more understanding and he does his best to transmute that back into the work. Time is also an obsession of his, so much so that to view any of his work without also contextualizing where it sits within his personal history is a...
- 5/17/2024
- by Harrison Richlin
- Indiewire
When news first began circulating that distributors found Francis Ford Coppola’s long-awaited passion project “Megalopolis” tough to market, people were quick to shrug their shoulders in response. How could a film by the legendary “The Godfather” and “Apocalypse Now” director be hard to market? Well, those who shrugged their shoulders had not yet seen “Megalopolis.”
What is “Megalopolis”?
Continue reading ‘Megalopolis’ Review: Francis Ford Coppola’s Epic Is A Madman’s Fever Dream [Cannes] at The Playlist.
What is “Megalopolis”?
Continue reading ‘Megalopolis’ Review: Francis Ford Coppola’s Epic Is A Madman’s Fever Dream [Cannes] at The Playlist.
- 5/16/2024
- by Rafa Sales Ross
- The Playlist
A chilling historical drama rendered with impeccable sleight of hand, Rithy Panh’s “Rendez-vous avec Pol Pot” (“Meeting With Pol Pot”) reveals its political dimensions through layers of obfuscation. While based partially on real events (and on the writings of American war journalist Elizabeth Becker), it crafts a fictitious tale of three French journalists attempting to interview Cambodian dictator Pol Pot in 1978. Although its outcomes echo the real experiences of Becker, Scottish academic Malcolm Caldwell, and American reporter Richard Dudman, the film is as much about a specific moment in time as it is about the mechanics of propaganda, which it refutes and embodies in equal measure.
A narrow 4:3 frame introduces the movie’s analogues for Becker, Caldwell, and Dudman, who make their approach by air in the hopes of exposing the opaque Cambodian regime. Irene Jacob plays Lisa Delbo; like Becker — whose work influenced Panh’s 1996 documentary “Bophana:...
A narrow 4:3 frame introduces the movie’s analogues for Becker, Caldwell, and Dudman, who make their approach by air in the hopes of exposing the opaque Cambodian regime. Irene Jacob plays Lisa Delbo; like Becker — whose work influenced Panh’s 1996 documentary “Bophana:...
- 5/16/2024
- by Siddhant Adlakha
- Variety Film + TV
Atlas Farted: Coppola’s Labor of Love a Lackluster Saga
While he’s one of the greatest film directors of all time, mostly thanks to a handful of films he delivered during the 1970s New American Cinema movement, Francis Ford Coppola’s long-gestating, wholly self-financed Megalopolis is an unfortunate dud rife with archaic tendencies and stillborn ideas. Out of touch in almost every conceivable way, it’s the riskiest endeavor of his career, which is saying something considering the innovative risks taken with some of his greatest achievements and formidable financial misfires.…...
While he’s one of the greatest film directors of all time, mostly thanks to a handful of films he delivered during the 1970s New American Cinema movement, Francis Ford Coppola’s long-gestating, wholly self-financed Megalopolis is an unfortunate dud rife with archaic tendencies and stillborn ideas. Out of touch in almost every conceivable way, it’s the riskiest endeavor of his career, which is saying something considering the innovative risks taken with some of his greatest achievements and formidable financial misfires.…...
- 5/16/2024
- by Nicholas Bell
- IONCINEMA.com
Is Francis Ford Coppola’s controversial magnum opus “Megalopolis” any good?
The two hour and 20 minute dystopian drama certainly divided the audience at the Cannes Film Festival on Thursday night with its collision course of shocking scenes: a doctored sex tape featuring Adam Driver, Shia Labeouf in drag playing a Trumpian figure and Aubrey Plaza dominating her way through a slew of men.
But there was still a huge amount of respect for iconic director Coppola, who received a four-minute standing ovation upon entering the room. After the credits rolled — which included a tribute to his late wife Eleanor — and the standing ovation began, Coppola hugged Driver and Giancarlo Esposito and got emotional as he made a speech dedicating the film to hope and family.
“Thank you all so much. It is so impossible to find words to tell you how I feel,” Coppola said, then introducing his family members in the audience.
The two hour and 20 minute dystopian drama certainly divided the audience at the Cannes Film Festival on Thursday night with its collision course of shocking scenes: a doctored sex tape featuring Adam Driver, Shia Labeouf in drag playing a Trumpian figure and Aubrey Plaza dominating her way through a slew of men.
But there was still a huge amount of respect for iconic director Coppola, who received a four-minute standing ovation upon entering the room. After the credits rolled — which included a tribute to his late wife Eleanor — and the standing ovation began, Coppola hugged Driver and Giancarlo Esposito and got emotional as he made a speech dedicating the film to hope and family.
“Thank you all so much. It is so impossible to find words to tell you how I feel,” Coppola said, then introducing his family members in the audience.
- 5/16/2024
- by Ellise Shafer
- Variety Film + TV
The most awaited film this year at the Cannes Film Festival, Francis Ford Coppola’s Megalopolis, had its world premiere Thursday night, with the dystopian epic decades in the making landing a seven-minute standing ovation.
Coppola, the 85-year-old director and five-time Oscar winners, bowed as the lights came up inside the Grand Theatre Lumiere. He was congratulated by his Cotton Club star Richard Gere and got a hug from Cannes boss Thierry Fremaux as the ovation carried on.
Said Coppola to the crowd finally: “Thank you all so much — it is impossible to find words how I feel.” He then introduced those around him — including his granddaughter and son and collaborator Roman Coppola and sister Talia Shire. He called his cast “family” and emphasized the movie’s end message: “We should pledge allegiance to our families…that children should inherit a beautiful world from us.”
Coppola gives a speech after...
Coppola, the 85-year-old director and five-time Oscar winners, bowed as the lights came up inside the Grand Theatre Lumiere. He was congratulated by his Cotton Club star Richard Gere and got a hug from Cannes boss Thierry Fremaux as the ovation carried on.
Said Coppola to the crowd finally: “Thank you all so much — it is impossible to find words how I feel.” He then introduced those around him — including his granddaughter and son and collaborator Roman Coppola and sister Talia Shire. He called his cast “family” and emphasized the movie’s end message: “We should pledge allegiance to our families…that children should inherit a beautiful world from us.”
Coppola gives a speech after...
- 5/16/2024
- by Nancy Tartaglione, Anthony D'Alessandro and Baz Bamigboye
- Deadline Film + TV
Francis Ford Coppola’s long-gestating and much-discussed sci-fi epic Megalopolis had its world premiere on Thursday night at the Cannes Film Festival, and was greeted with a 10-minute standing ovation inside the Grand Lumiere Theatre, as he gave a hug to each of his his principal stars — among them Nathalie Emmanuel, Adam Driver, Aubrey Plaza and Giancarlo Esposito — and threw his hat into the cheering crowd.
Coppola, who lost his wife Eleanor last month, eventually interrupted the applause to take a microphone and introduce the members of his family who were with him, including his son, Roman Coppola, and sister, Talia Shire, both of whom worked on the film. He then said of his other collaborators on the film: “They were all my family. And in fact, as [Driver’s character] Cesar says [in the film], ‘We are all one family.'”
Added the filmmaker: “The most important thing we have, the most...
Coppola, who lost his wife Eleanor last month, eventually interrupted the applause to take a microphone and introduce the members of his family who were with him, including his son, Roman Coppola, and sister, Talia Shire, both of whom worked on the film. He then said of his other collaborators on the film: “They were all my family. And in fact, as [Driver’s character] Cesar says [in the film], ‘We are all one family.'”
Added the filmmaker: “The most important thing we have, the most...
- 5/16/2024
- by Scott Feinberg
- The Hollywood Reporter - Movie News
In the long-gestating, career-encompassing allegory that is “Megalopolis,” director Francis Ford Coppola puts his name above the title and, in the film’s lone act of modesty, the words “A Fable” beneath it. To call this garish, idea-bloated monstrosity a mere “fable” is to grossly undersell the project’s expansive insights into art, life and legacy. Here, backed by an estimated $120 million of the “Godfather” director’s own money, is the sort of big swing audiences and critics have come to adore him for: a ginormous, recklessly ambitious epic in which humanity’s eternal themes — greed, corruption, loyalty and power — threaten to suffocate a more intimate personal crisis. In this case, a conservative politician and a forward-thinking urban designer clash over a mythic city’s future, with unwieldy results.
It’s Coppola’s fortune, and he can spend it as he likes, but grandiose title aside, it’s not at...
It’s Coppola’s fortune, and he can spend it as he likes, but grandiose title aside, it’s not at...
- 5/16/2024
- by Peter Debruge
- Variety Film + TV
The character in Megalopolis played by Adam Driver with idealistic passion, Cesar Catilina, is a visionary genius intent on saving New York City by building a utopian future, dislodging the elite ruling class in the process. In many ways, Cesar’s mission, both noble and egomaniacal, seems a direct reflection of the dogged determination of Francis Ford Coppola to get this movie made at any cost. The “fable” could almost be an allegory for the pursuit of a dream in which an auteur can still make a monumental epic without compromise in a Hollywood that marginalizes art to focus purely on economics.
The first sparks of the idea came to Coppola in the early 1980s, and he’s been developing it on and off ever since — doing table reads with major-name actors, shooting 30 hours of second unit footage in Manhattan in 2001 and then almost abandoning the project six years later when funding proved elusive.
The first sparks of the idea came to Coppola in the early 1980s, and he’s been developing it on and off ever since — doing table reads with major-name actors, shooting 30 hours of second unit footage in Manhattan in 2001 and then almost abandoning the project six years later when funding proved elusive.
- 5/16/2024
- by David Rooney
- The Hollywood Reporter - Movie News
Some 45 years ago, the Cannes Film Festival invited Francis Ford Coppola to bring his latest project to the French Riviera for a special “work-in-progress” screening. The movie’s production had already achieved a mythic status as an example of Murphy’s Law made manifest, from last-minute actor replacements to monsoons to storylines being added, subtracted and rewritten on the fly. Coppola had sunk a lot of his own money into the project, since the studios had been reluctant to finance what seemed like a huge folly. The director had staked...
- 5/16/2024
- by David Fear
- Rollingstone.com
Francis Ford Coppola has fought many battles in his filmmaking career, but none is probably as intense as his production of the Vietnam War film Apocalypse Now. Based on Joseph Conrad’s novella Heart of Darkness, the filmmaker reportedly faced a chaotic shoot that involved lead actor Martin Sheen having a heart attack and built sets being destroyed.
Many behind-the-scenes stories have been shared about the movie in the past and it was also the subject of a documentary Hearts of Darkness – A Filmmaker’s Apocalypse. One interesting but sad trivia about the film was the butchering of a water buffalo at the climax of the film. The buffalo was reportedly slaughtered for real and was part of the local tribes’ custom, though Coppola refused to slay an animal for a movie.
Francis Ford Coppola Initially Refused To Harm An Animal For Apocalypse Now Martin Sheen in Apocalypse Now
After...
Many behind-the-scenes stories have been shared about the movie in the past and it was also the subject of a documentary Hearts of Darkness – A Filmmaker’s Apocalypse. One interesting but sad trivia about the film was the butchering of a water buffalo at the climax of the film. The buffalo was reportedly slaughtered for real and was part of the local tribes’ custom, though Coppola refused to slay an animal for a movie.
Francis Ford Coppola Initially Refused To Harm An Animal For Apocalypse Now Martin Sheen in Apocalypse Now
After...
- 5/16/2024
- by Nishanth A
- FandomWire
The Cannes Film Festival hosted the world premiere of Megalopolis, the latest film from director Francis Ford Coppola. This star-studded ensemble cast marks Coppola’s return to the Croisette, where he previously premiered both Apocalypse Now (1979) and The Conversation (1974), winning the prestigious Palme d’Or for each film.
Related: ‘Megalopolis’ Review: Francis Ford Coppola’s Mad Modern Masterwork Reinvents The Possibilities Of Cinema – Cannes Film Festival
Coppola was joined by the stars of the film including Adam Driver, Shia Labeouf, Aubrey Plaza, Laurence Fishburne, Grace Van der Waal, Chloe Fineman and Giancarlo Esposito who all walked the red carpet at the Grand Théâtre Lumière, Thursday, May 16.
Related: ‘Megalopolis’ Debuts At Cannes With 7-Minute Standing Ovation
Other guests who attended the gala included Jury Members Omar Sy, Nadine Labaki and President of the Jury Greta Gerwig, Teyana Taylor, Zaho de Sagazan, Sergei Loznitsa, Aishwarya Rai Bachchan, Yseult, and Irène Jacob.
Related: Cannes 2024 in Photos: Parties,...
Related: ‘Megalopolis’ Review: Francis Ford Coppola’s Mad Modern Masterwork Reinvents The Possibilities Of Cinema – Cannes Film Festival
Coppola was joined by the stars of the film including Adam Driver, Shia Labeouf, Aubrey Plaza, Laurence Fishburne, Grace Van der Waal, Chloe Fineman and Giancarlo Esposito who all walked the red carpet at the Grand Théâtre Lumière, Thursday, May 16.
Related: ‘Megalopolis’ Debuts At Cannes With 7-Minute Standing Ovation
Other guests who attended the gala included Jury Members Omar Sy, Nadine Labaki and President of the Jury Greta Gerwig, Teyana Taylor, Zaho de Sagazan, Sergei Loznitsa, Aishwarya Rai Bachchan, Yseult, and Irène Jacob.
Related: Cannes 2024 in Photos: Parties,...
- 5/16/2024
- by Robert Lang
- Deadline Film + TV
Many questions abound as Francis Ford Coppola‘s self-budgeted epic “Megalopolis” heads into its Cannes debut. Will the film be received more generously than its LA industry screening in March? Will Coppola find a distributor for it on the Croisette? And will “Megalopolis” survive controversy and be a smash success at the festival much like Coppola’s 1979 masterwork “Apocalypse Now“?
Read More: ‘Megalopolis’ Teaser: One Man Wants To Create A Utopia In Francis Ford Coppola’s Passion Project
IMAX is banking on “Megalopolis” no matter what happens after its premiere.
Continue reading ‘Megalopolis’: IMAX Commits To Limited Release Of Francis Ford Coppola’s Latest As Director Still Searches For Domestic Distributor at The Playlist.
Read More: ‘Megalopolis’ Teaser: One Man Wants To Create A Utopia In Francis Ford Coppola’s Passion Project
IMAX is banking on “Megalopolis” no matter what happens after its premiere.
Continue reading ‘Megalopolis’: IMAX Commits To Limited Release Of Francis Ford Coppola’s Latest As Director Still Searches For Domestic Distributor at The Playlist.
- 5/16/2024
- by Ned Booth
- The Playlist
Whether you like Quentin Tarantino's wild and idiosyncratic approach to filmmaking or not, it's hard to deny that his work has made an immeasurable contribution to the development of pop culture as we know it today. But none of this would be the case if Tarantino weren't arguably one of the biggest movie buffs in the modern film industry. So if you haven't seen these 20 movies personally recommended by Quentin Tarantino, we suggest you do so as soon as possible!
20 Great Movies Tarantino Recommends Watching
20. Abbott and Costello Meet Frankenstein
19. Apocalypse Now
18. The Bad News Bears
17. Black Sabbath
16. Dazed and Confused
15. Deep Red
14. Easy Rider
13. Enter the Void
12. Frances Ha
11. The Great Escape
10. Mad Max: Fury Road
9. Rio Bravo
8. The Skin I Live In
7. The Social Network
6. Sorcerer
5. There Will Be Blood
4. Top Gun: Maverick
3. Toy Story 3
2. Unfaithfully Yours
1. West Side Story
The filmmaker's oeuvre is characterized by...
20 Great Movies Tarantino Recommends Watching
20. Abbott and Costello Meet Frankenstein
19. Apocalypse Now
18. The Bad News Bears
17. Black Sabbath
16. Dazed and Confused
15. Deep Red
14. Easy Rider
13. Enter the Void
12. Frances Ha
11. The Great Escape
10. Mad Max: Fury Road
9. Rio Bravo
8. The Skin I Live In
7. The Social Network
6. Sorcerer
5. There Will Be Blood
4. Top Gun: Maverick
3. Toy Story 3
2. Unfaithfully Yours
1. West Side Story
The filmmaker's oeuvre is characterized by...
- 5/16/2024
- by louise.everitt@startefacts.com (Louise Everitt)
- STartefacts.com
It had been reported earlier that Francis Ford Coppola’s newest movie, Megalopolis, was going to be a tricky sell for distributors because, even though there is a definite commercial appeal, there was also an artsy quality to it that might make it seem less accessible to sell to general audiences. However, as the first clip and the teaser trailer have shown, the new film from the Apocalypse Now director has stunningly dynamic cinematography and some very cinematic special effects sequences. It has the look of a grand sci-fi epic, and The Hollywood Reporter has revealed that it will be getting the treatment of a grand cinema epic as the film will be screening in IMAX globally.
IMAX CEO Richard Gelfond addressed the press Thursday as Cannes about Megalopolis. He stated, “The film is going to get an IMAX release. One of the things that we pride ourselves on is being filmmaker-friendly.
IMAX CEO Richard Gelfond addressed the press Thursday as Cannes about Megalopolis. He stated, “The film is going to get an IMAX release. One of the things that we pride ourselves on is being filmmaker-friendly.
- 5/16/2024
- by EJ Tangonan
- JoBlo.com
Imax has committed screens around the world to show Francis Ford Coppola’s “Megalopolis,” the company’s CEO Richard Gelfond confirmed at a Cannes Film Festival event on Thursday.
The film’s trailer, which debuted on Tuesday, said that “Megalopolis” would be coming to Imax theaters this year — but it was not specified that the release would be global.
The run-up to the premiere of Francis Ford Coppola’s self-financed epic at Cannes on Friday has been filled with anticipation and controversy, partly because “Megalopolis” has yet to secure a U.S. distributor — though a global release with Imax may help sweeten the pot. The film has found distribution in France and other international territories, including the U.K., Spain and Italy.
“Megalopolis” follows architect Cesar Catilina (Adam Driver), who after an accident destroys a New York City-esque metropolis, works to rebuild it as a sustainable utopia. Corrupt mayor Franklyn...
The film’s trailer, which debuted on Tuesday, said that “Megalopolis” would be coming to Imax theaters this year — but it was not specified that the release would be global.
The run-up to the premiere of Francis Ford Coppola’s self-financed epic at Cannes on Friday has been filled with anticipation and controversy, partly because “Megalopolis” has yet to secure a U.S. distributor — though a global release with Imax may help sweeten the pot. The film has found distribution in France and other international territories, including the U.K., Spain and Italy.
“Megalopolis” follows architect Cesar Catilina (Adam Driver), who after an accident destroys a New York City-esque metropolis, works to rebuild it as a sustainable utopia. Corrupt mayor Franklyn...
- 5/16/2024
- by Ellise Shafer and Matt Donnelly
- Variety Film + TV
Marlon Brando is among the pantheon of the greatest actors to have ever graced the silver screen. He popularized the art of method acting and maintaining the intensity of his characters throughout production. His award-winning and acclaimed performances in A Streetcar Named Desire, On the Waterfront, and The Godfather continued to be analyzed and admired by current actors.
Marlon Brando as Colonel Walter Kurtz in Apocalypse Now
One of his most recognizable antagonistic performances was in Francis Ford Coppola’s Apocalypse Now, Brando has had an infamous reputation for being difficult to work with. During the film, Brando and his co-star Dennis Hopper had a misunderstanding, where Brando threw a tantrum, resulting in a feud that almost turned physical.
Dennis Hopper Got Pissed With Marlon Brando’s Insults and Almost Fought Him
Marlon Brando requested his scenes to be shot separately from Dennis Hopper in Apocalypse Now
By the late 70s,...
Marlon Brando as Colonel Walter Kurtz in Apocalypse Now
One of his most recognizable antagonistic performances was in Francis Ford Coppola’s Apocalypse Now, Brando has had an infamous reputation for being difficult to work with. During the film, Brando and his co-star Dennis Hopper had a misunderstanding, where Brando threw a tantrum, resulting in a feud that almost turned physical.
Dennis Hopper Got Pissed With Marlon Brando’s Insults and Almost Fought Him
Marlon Brando requested his scenes to be shot separately from Dennis Hopper in Apocalypse Now
By the late 70s,...
- 5/16/2024
- by Rahul Thokchom
- FandomWire
After 13 years, Francis Ford Coppola is back in the director’s seat with a new upcoming project entitled ‘Megalopolis’. The film is scheduled to premiere at Cannes Film Festival 2024 and will break the hiatus since ‘Twixt’, Coppola’s latest release in 2011. Not only is ‘Megalopolis’ scheduled to release this year, but Coppola has announced that this will not be his last film, as he is also working on developing another film. However, let’s not get ahead of ourselves. This is everything we know about Francis Ford Coppola’s ‘Megalopolis’.
'Megalopolis' - Scrapbook To Screenplay Like many upcoming films, the plotline has remained vague. Since this film takes place in the future, there is no history we can look into or research to put together the plot. According to a first look from Vanity Fair, ‘Megalopolis’ is about “the personal, political, and romantic clashes that arise during a battle to...
'Megalopolis' - Scrapbook To Screenplay Like many upcoming films, the plotline has remained vague. Since this film takes place in the future, there is no history we can look into or research to put together the plot. According to a first look from Vanity Fair, ‘Megalopolis’ is about “the personal, political, and romantic clashes that arise during a battle to...
- 5/16/2024
- by Abigail Johnson
- Hollywood Insider - Substance & Meaningful Entertainment
The tagline for the 2024 Cannes Film Festival should probably be “Back to the Future.” Indeed, four Hollywood legends who first established themselves in the 1970s as part of the “New Hollywood,” and haven’t been back to festival in decades, are front and center on the Croisette this year.
At the fest’s opening ceremony on Tuesday night, three-time Oscar winner Meryl Streep was presented with an honorary Palme d’Or, 35 years after her only prior visit to the fest. In 1989, she came with Fred Schepisi’s A Cry in the Dark, which had opened in the U.S. in late 1988, landing her a best actress Oscar nom, but bombing at the box office. Streep’s presence at the fest was strategic: She reportedly only came because she wanted to try to boost the film’s profile ahead of its European release, and the fest reportedly only accepted the film...
At the fest’s opening ceremony on Tuesday night, three-time Oscar winner Meryl Streep was presented with an honorary Palme d’Or, 35 years after her only prior visit to the fest. In 1989, she came with Fred Schepisi’s A Cry in the Dark, which had opened in the U.S. in late 1988, landing her a best actress Oscar nom, but bombing at the box office. Streep’s presence at the fest was strategic: She reportedly only came because she wanted to try to boost the film’s profile ahead of its European release, and the fest reportedly only accepted the film...
- 5/15/2024
- by Scott Feinberg
- The Hollywood Reporter - Movie News
When Francis Ford Coppola arrived in Cannes in 1979 to premiere an unfinished version of “Apocalypse Now,” he had endured a gauntlet of bad press. His Vietnam saga’s budget kept ballooning, forcing Coppola to offer his car, his home, even the profits from “The Godfather” as collateral to cover overages. The production was biblically plagued — its original star Harvey Keitel was fired days into shooting, his replacement, Martin Sheen, suffered a near-fatal heart attack, a typhoon destroyed much of the set and a shoot intended to last six weeks stretched over 16 months. To the chattering classes, “Apocalypse Now” had all the makings of a cinematic catastrophe. It turned out to be quite the opposite.
In a press conference at Cannes, Coppola was blunt: “There were too many of us. We had access to too much money, too much equipment, and, little by little, we went insane.”
Forty-five years later, Coppola...
In a press conference at Cannes, Coppola was blunt: “There were too many of us. We had access to too much money, too much equipment, and, little by little, we went insane.”
Forty-five years later, Coppola...
- 5/15/2024
- by Brent Lang, Tatiana Siegel and Matt Donnelly
- Variety Film + TV
Every production that airs on screens in Hollywood has two stories – one that it portrays and another that happened behind the scenes. Famed for filming award-winning movies like The Godfather, The Conversation, and Apocalypse Now, Francis Ford Coppola stands tall in the list of acclaimed filmmakers. However, he has seen days where his projects nearly went to a loss due to concerning behaviors from his actors like Marlon Brando and now is having a similar impact on his own movies because of none but his own behavior.
Francis Ford Coppola in his early days
A string of reports from the sets of the upcoming ambitious leap from the director, Megalopolis, has added a layer of disbelief. Renowned for his cinematography, vision, and dedication to the craft, crew admissions have held him accountable for nearly ruining the flick’s shooting. Ironically, all of it mirrors largely what he faced himself during...
Francis Ford Coppola in his early days
A string of reports from the sets of the upcoming ambitious leap from the director, Megalopolis, has added a layer of disbelief. Renowned for his cinematography, vision, and dedication to the craft, crew admissions have held him accountable for nearly ruining the flick’s shooting. Ironically, all of it mirrors largely what he faced himself during...
- 5/15/2024
- by Imteshal Karim
- FandomWire
Francis Ford Coppola is a visionary in the vast landscape of modern filmmaking and all of Hollywood. The director of The Godfather, Apocalypse Now, and Bram Stoker’s Dracula, the filmmaker-screenwriter is the recipient of five Academy Awards and more. And his latest movie, also a self-financed passion project, Megalopolis, is set to premier at the Cannes Film Festival.
Francis Ford Coppola (Image: World Travel & Tourism Council/Wikimedia Commons)
Yet despite his talent, the filmmaker gives much of the praise for the career he has made to his late wife, Eleanor Coppola. But in an old interview, despite remarking how marriage changed his life for the better, he asked young women to not marry early.
Francis Ford Coppola Doesn’t Think Women Should Get Married Early Francis Ford Coppola with his late wife Eleanor (Image: Instagram | @francisfordcoppola)
Francis Ford Coppola enjoyed a long and loving marriage with his late wife,...
Francis Ford Coppola (Image: World Travel & Tourism Council/Wikimedia Commons)
Yet despite his talent, the filmmaker gives much of the praise for the career he has made to his late wife, Eleanor Coppola. But in an old interview, despite remarking how marriage changed his life for the better, he asked young women to not marry early.
Francis Ford Coppola Doesn’t Think Women Should Get Married Early Francis Ford Coppola with his late wife Eleanor (Image: Instagram | @francisfordcoppola)
Francis Ford Coppola enjoyed a long and loving marriage with his late wife,...
- 5/15/2024
- by Maria Sultan
- FandomWire
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