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- Searching for stability and justice, Timur "The Lame" becomes a world conqueror in order to unify all people, nations, and tribes under one banner.
- An agent of the Uzbek special services, Timur Saliev, is conducting an operation to seize the Scorpion terrorist group when he learns that his brother, whom he considered dead, is alive and belongs to this very organization.
- The story of Sultan Jalaluddin Manguberdi, the last Khwarazmshah of the Turkic Anushteginid dynasty who defeated Mongols in many battles.
- After the death of her husband, Zulfiya Zakirova raises five sons and a daughter alone. The Second World War begins. Five sons of Zulfiya go to the front.
- A coming of age story about a high-schooler, Sanjar, and his friends.
- The film tells the story of an elderly couple living a peaceful life in a village, with their eldest son living nearby and their youngest son working abroad. It depicts the struggle and conflict between two generations.
- Soviet Kazakhstan in 1979. Sher becomes an intern in a team led by the competent Soviet investigator Snegirev. The team is chasing a cannibalistic serial killer. The authorities order the criminal to be treated in a mental hospital due to concerns that this incident might negatively affect the Moscow Olympic Games if it receives international attention. Pak Ruslan, whose 2012 debut feature Hanaan received favorable reviews from film festivals in Busan, Locarno, and Toronto, presents a strong portrayal of bizarre murders and the destruction of a corrupt state system in his second feature Three, a joint project between Kazakhstan, Uzbekistan, and South Korea.
- Islam and terrorism have nothing in common. The lack of purpose in life encourages young people to join the radicals. The main goal of the film is to show the audience the reverse side of the romanticized life of ISIS fighters.
- Spring, 1943, Kalinin Front. Girls snipers undergo a baptism of fire. Graduates of the shooting school are at the front for the first time. One of them is eighteen-year-old Uzbek Jamila.
- Since Fatima and Zuhra's brother did not come home one day, Fatima is worried and goes outside to look for him. Then, the street thugs kidnap and rape Fatima. Fatima commits suicide.
- Maria is suffering from the strangest illness. It resembles cancer but with one distinct difference: The disease somehow connects Maria to another woman's fate named Donna Maria. This woman - Donna Maria - lives in the 15th century. Maria begins to leap in time and live-travels through the scenes. She gradually discovers the absolute brutality of historical life. She learns that Donna Maria was a Hungarian princess taken to a Bursa harem as a concubine of Ottoman's Sultan. In one scene, Maria defends her re-born liberty when Donna Maria stands against her as an enemy straight on the battlefield. She comprehends that this bloody battle is the only way to become free. It is the battle of her life and death and a leap of faith. Through this manner and until the end of the film, Maria begins to recognize that Donna Maria is her ancestor and the pattern of the struggle itself. She comprehends that she, likewise her ancestor, must come face-to-face with her disease if she wants to become free from her fear of death.
- Coming-age drama about Sanjar and his friends' life at school, created by Iwaxy
- The story is about Hashim, who, as often happens with boys, gets into various troubles.
- This movie is about a military "Sniper" guy who goes through secret service. This boy tries to get into a gang of militants. It thwarts the plan of the wicked who want to commit a terrorist act. He ensured the security of his homeland even though he gave his life. The film is dedicated to the memory of law enforcement officers who sacrificed their lives for the peace of Uzbekistan against terrorist acts.
- A group of Islamic terrorists take a bus with hostages nearby border of Uzbekistan, but one of passengers manages to call to her husband - captain of frontier guard Jasur. He starts in pursuit of the bus.
- Kamil's peaceful life with his three wives in the remote region of Turkestan is disrupted when a fourth wife arrives. Changes simultaneously rush at a family that seem far from a historical upheaval that destroys long-standing family traditions. The film merges various motifs and images. The motifs of a polygamous family caught in a civil war between White forces and enemies clash with horizontal and vertical images. The images of building interiors indicate where characters and history overlap with an outside scenery. The signs of violent events to come are foreshadowed against a static background. A rare film in the history of Central Asian films, it shows a civil war and the changes in women's lives under patriarchy and war.