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- A man is wrongfully arrested and tortured to death after he is suspected of being part of a revolutionary group.
- In the 17th century a warrior woman fights for the independence of Angola. After witnessing the murder of her son and watching her people being humiliated by Portuguese colonizers, Njinga will become a Queen and struggle for their liberation embodying the motto: those who stay fight to win.
- Beauty, seduction, betrayal and the ultimate struggle for power play out in an Angolan lifestyle magazine house.
- In 1998, a man finds love but loses everything. Sixteen years later, in 2014, he returns, seeking revenge amidst love and hate, hope and despair, loyalty and betrayal.
- When the air-conditioners mysteriously start to fall in city of Luanda, Matacedo (security guard) and Zezinha (housemaid) have the mission of retrieving their boss's ac.
- A young man drifts through a post-disaster African landscape looking for his mother's ghost.
- Abuses by the Portuguese slave traders in their colony of Angola are depicted through the torture of one prisoner, based on ignorance and incomprehension.
- Film Producer and Director, Ne Kunda Nlaba, a descendant of the Kingdom of Kongo and his team take on a journey in search this once great African Empire also known as Kongo Dia Ntotila.
- When a chinese merchant brings to a neighbourhood of Luanda a peculiar holy plastic figure of Our Lady, a mourning mother will seek peace, a committed barber starts a new cult and a stray kid will look for revenge for his lost friend.
- What happens in a world gone mad - when it becomes brother against brother??
- When a professional assassin has a bad day at work, her whole world is shaken and her mark proves to hide more than one enigma behind the surface.
- A Ne Kunda Nlaba's untold story and biopic documentary film about Kimpa Vita a 22 years old young woman burned alive on 02 July 1706 in Mbanza Kongo in the Kongo Kingdom for the revolution against slavery.
- Dois grupos de jovens em idade escolar (entre os 15 e os 18 anos), organizados em torno de Sebas e Tchi, vêem-se obrigados a conviver na mesma escola, sendo por isso levados a partilhar momentos de aprendizagem e entreajuda que nunca sonharam ser possíveis. Apesar desta circunstância os aproximar fisicamente, os dois grupos mantêm até ao final uma grande rivalidade que se materializa na disputa entre os seus diferentes grupos de hip hop, nas equipas de basquete, nos namoros, etc. Esporadicamente, e quando um objectivo comum os une, viverão momentos de convívio saudável e vantajoso para todos mas que, fruto das personalidades muito marcadas dos líderes dos dois grupos, rapidamente se dissolverão. A alegria e jovialidade própria de uma história centrada na juventude são muitas vezes cortadas pelo facto de nem tudo serem rosas na relação entre o herói e o seu antagonista sendo continuamente criadas as condições para que haja sempre tensão entre os dois grupos - por vezes essa tensão revela-se na criatividade, outras vezes na oposição às relações amorosas entre membros dos dois grupos e outras vezes ainda através de acções que ameaçam prejudicar um dos grupos Os 150 episódios correspondem aproximadamente ao decurso de um ano lectivo durante o qual o conflito entre os dois grupos se desenvolve através de histórias/problemas parcelares que vão encontrando soluções parciais para que, no final, o grande conflito dê lugar a uma situação harmónica.
- Born in Mauritania and raised in Mali, Abderrahmane Sissako received a scholarship to study film in Moscow, after graduating from school. To learn Russian, he was sent to Rostov on the Don river for an entire year. On the endless train ride from Moscow to Rostov, he met Baribanga, an Angolan student who was going to the same language school. That year, far from home, the two Africans became friends. Almost two decades later, Sissako decides to search for Baribanga. Rostov-Luanda tells two stories, the search for the long-lost friend, that leads to an encounter with present-day Angola. It is also a personal retrospective, a film about departure and journeying, from Mauritania, to Mali and then to the former Soviet Union, and the new destination in the film, Angola. The film weaves histories of many countries and their intertwinement, the confusion of a continent becomes a sensual experience, and we perceive something of the history of Africa.
- A group of children, fleeing the war, is taken to Luanda accompanied by a nun. When they reach the airplane, 11-year-old N'dala decides to leave the group and to explore the city. The nun then starts her unceasing quest for the missing boy. N'dala, carrying only a textile bag and a toy car made of wire, walks through the busy streets filled with people and traffic. Later he finds the tranquility of the beach, where he meets the old fisherman Antonio, with whom he becomes friends. Not much later, he meets the lively, whimsical Zé, who is a little older than he is. N'dala starts to experience the city and its inhabitants as increasingly forbidding and he would most like to return to his countryside. Then he meets Joka, a fringe figure who persuades him to help with a robbery in exchange for money. With this film, Maria Joao Ganga wanted to provide a realistic sketch of the bitter political situation in Angola. One of her most important motivations for making In the Empty City was to provide a picture of an African city without awakening feelings of a patronizing sympathy or associations with the sensationalism of war.
- Thirty-five years ago Matias Santana was only six when he witnesses the brutal murder of his parents, with his unborn brother, Dias, still in his mother's womb. Flash forward and the brothers have both taken up careers serving their country, Dias leading an elite police force and Matias a general in the military. When Dias and Matias learn that Ferreira, Angola's number one crime boss, is the same man who murdered their parents, one seeks revenge and the other justice. But Ferreira is running his operations from Cape Town, out of their jurisdiction. Now Dias and Matias must illegally cross into South Africa without getting caught and take down the man who took their parents. The only thing standing in their way is each other.