Bass music heavyweights Flux Pavilion and Nghtmre have joined forces to deliver a new single titled “Feel The Love,” enlisting Jamie Lewis for vocal duties. The two producers have a bit of a history together, as Nghtmre had previously supported Flux Pavilion on his Tesla tour.
“Feel The Love” is as heavy as you’d expect it to be considering the musical forces behind the track. The two artists work some dubstep magic in the single, and the drops consist of clanking metallic synths and hard hitting half time beats that converge into a massive wall of sound.
Flux Pavilion and Nghtmre’s collab has been passed around the internet for a while now in the form of low quality live rips, and we’re stoked that their efforts will finally receive an official release.
“Feel The Love” will arrive tomorrow via Circus Records, and you can grab the pre-order right here.
“Feel The Love” is as heavy as you’d expect it to be considering the musical forces behind the track. The two artists work some dubstep magic in the single, and the drops consist of clanking metallic synths and hard hitting half time beats that converge into a massive wall of sound.
Flux Pavilion and Nghtmre’s collab has been passed around the internet for a while now in the form of low quality live rips, and we’re stoked that their efforts will finally receive an official release.
“Feel The Love” will arrive tomorrow via Circus Records, and you can grab the pre-order right here.
- 8/4/2016
- by Connor Jones
- We Got This Covered
If you want to be one of the first to hear brand new music from the world’s hottest DJs, you go to Ultra Music Festival. Each and every year, artists bring their latest and greatest to the fest and premiere tracks that have never been heard before.
This year was no different, especially in the case of superstar Martin Garrix, who brought with him no less than 10 brand new songs. It’s a risky move bringing that much new music to a festival set, especially when so many of the tracks sounded quite different than what we’re used to from the Dutch producer, but Garrix pulled it off with aplomb.
In what was a historic set for Ultra, given that the producer is the youngest person ever to close the main stage on opening night, Garrix unleashed an arsenal of new music, all of it showcasing a unique...
This year was no different, especially in the case of superstar Martin Garrix, who brought with him no less than 10 brand new songs. It’s a risky move bringing that much new music to a festival set, especially when so many of the tracks sounded quite different than what we’re used to from the Dutch producer, but Garrix pulled it off with aplomb.
In what was a historic set for Ultra, given that the producer is the youngest person ever to close the main stage on opening night, Garrix unleashed an arsenal of new music, all of it showcasing a unique...
- 3/19/2016
- by Matt Joseph
- We Got This Covered
Yikes. This is not the way you want to start your morning. America Ferrera was on hand to announce the Golden Globe nominees, but if you believed the Globes’ official Twitter account, it was not Ferrera but Gina Rodriguez onstage at the Beverly Hilton Hotel in Beverly Hills this morning. Here’s the tweet containing the error that’s since been deleted. But that wasn’t the only time the Hollywood Foreign Press Association misidentified the actress they’d hired to announce their nominations. The mistake was made in not one but two of their tweets. Mislabeling an actress once? Awkward. Twice? Inexcusable. (That's America Ferrera, not Gina Rodriguez) pic.twitter.com/49ncWUatqt — Jamie Lewis (@jlew8) December 10, 2015 What makes this all the more embarrassing is that both of these Latina actresses have won Golden Globes, Ferrera for “Ugly Betty” in 2007 and Rodriguez this year for “Jane the Virgin.” And today,...
- 12/10/2015
- by Emily Rome
- Hitfix
The Golden Globes nominations are here – and so is an awkward Twitter flub.
When tweeters hopped over to the Golden Globes' Twitter page this morning, something was off – America Ferrera stood on stage, but it was Gina Rodriguez who was tagged in the Globes' tweets.
If you need a refresher, this is America Ferrera, star of Sisterhood of the Traveling Pants and Ugly Betty and all-around national treasure.
via Giphy
And this is Gina Rodriguez, Golden Globe winner (and a nominee this year!), Jane the Virgin star and apple of the world's eye.
via Giphy
Both are TV darlings, Latina American and really,...
When tweeters hopped over to the Golden Globes' Twitter page this morning, something was off – America Ferrera stood on stage, but it was Gina Rodriguez who was tagged in the Globes' tweets.
If you need a refresher, this is America Ferrera, star of Sisterhood of the Traveling Pants and Ugly Betty and all-around national treasure.
via Giphy
And this is Gina Rodriguez, Golden Globe winner (and a nominee this year!), Jane the Virgin star and apple of the world's eye.
via Giphy
Both are TV darlings, Latina American and really,...
- 12/10/2015
- by Diana Pearl, @dianapearl_
- People.com - TV Watch
Although this article doesn’t explicitly contain any significant spoilers, it is always advisable to watch a film before reading about it too deeply.
In his own words, the intended audience for Russ Meyer’s films was “some guy…in the theatre with semen seeping out of his dick.” His work in the sexploitation subgenre is credited with bringing nudity and sleaze into the American cinematic mainstream and his gravestone declares him ‘King of the Nudies.’ And yet his magnum opus has been reclaimed as a work of female empowerment, a subversive text that has inspired music videos by the Spice Girls and Janet Jackson, lent its name to a New York women’s bar and even been referenced in Xena and Buffy the Vampire Slayer. Despite dismissing it after a first viewing in the mid-1970s as “retrograde male-objectification of women’s bodies and desires further embellished by a...
In his own words, the intended audience for Russ Meyer’s films was “some guy…in the theatre with semen seeping out of his dick.” His work in the sexploitation subgenre is credited with bringing nudity and sleaze into the American cinematic mainstream and his gravestone declares him ‘King of the Nudies.’ And yet his magnum opus has been reclaimed as a work of female empowerment, a subversive text that has inspired music videos by the Spice Girls and Janet Jackson, lent its name to a New York women’s bar and even been referenced in Xena and Buffy the Vampire Slayer. Despite dismissing it after a first viewing in the mid-1970s as “retrograde male-objectification of women’s bodies and desires further embellished by a...
- 7/12/2015
- by Jamie Lewis
- SoundOnSight
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