Outlander is returning in the summer of 2023, and Starz has released a trailer for season seven of the romantic drama series. The sixth season of eight episodes finished airing in May. The seventh season will have 16 installments.
Starring Caitriona Balfe, Sam Heughan, Sophie Skelton, Richard Rankin, John Bell, Cesar Domboy, Lauren Lyle, Caitlin O'Ryan, Paul Gorman, Mark Lewis Jones, Jessica Reynolds, Alexander Vlahos, Sarah Collier, Hugh Ross, Chris Larkin, Andrew & Matthew Adair, Antony Byrne, Euan Bennet, New Dennehy, Kyle Rees, Robin Scott, Robin Laing, Glen Gould, Simon R. Baker, Joanne Thompson, Caleb Reynolds, Braeden Clarke, Morgan Holstrom, David Berry, and Maria Doyle Kennedy, the series follows a British Army nurse from 1945 who travels back in time and falls in love with a Highlander in 1743.
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Starring Caitriona Balfe, Sam Heughan, Sophie Skelton, Richard Rankin, John Bell, Cesar Domboy, Lauren Lyle, Caitlin O'Ryan, Paul Gorman, Mark Lewis Jones, Jessica Reynolds, Alexander Vlahos, Sarah Collier, Hugh Ross, Chris Larkin, Andrew & Matthew Adair, Antony Byrne, Euan Bennet, New Dennehy, Kyle Rees, Robin Scott, Robin Laing, Glen Gould, Simon R. Baker, Joanne Thompson, Caleb Reynolds, Braeden Clarke, Morgan Holstrom, David Berry, and Maria Doyle Kennedy, the series follows a British Army nurse from 1945 who travels back in time and falls in love with a Highlander in 1743.
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- 12/24/2022
- by TVSeriesFinale.com
- TVSeriesFinale.com
It’s all a matter of perspective. If you’ve never known a privileged existence, what difference to your world would an apocalypse truly introduce? There’s always been fire for She (Elle-Máijá Tailfeathers) and He (Braeden Clarke). There’s always been tragedy. Whether living under the oppressive rule of Canadian law or being ignored and/or disrespected when leaving the reservation for the cities that they were told would open their arms if only they gave into demands for assimilation, life has always been a struggle to reconcile the present with an immovable past and uncertain future. So when the lightning and thunder turn to earthquakes and hurricanes, it’s no surprise that She and He sip their drinks at the bar and laugh while everyone else around them goes insane.
Because this is an indigenous story, there’s also an element of perspective where it concerns Mother Nature.
Because this is an indigenous story, there’s also an element of perspective where it concerns Mother Nature.
- 9/11/2022
- by Jared Mobarak
- The Film Stage
By Jennie Punter
From icons and industry veterans to emerging directors and new faces, the stories and creative power of Indigenous women are featured at the 2022 Toronto festival.
Buffy Sainte-Marie alighted opening night Sept. 8 to launch Toronto’s streetfest, just an hour before the premiere of Madison Thomas’ “Buffy Sainte-Marie: Carry It On,” The doc explores the artistry and activism of the Cree singer-songwriter — the only Indigenous person to win an Oscar (for song “Up Where We Belong” from “An Officer and a Gentleman” in 1983).
Buoyed by the ascendant advocacy and investment of Canada’s Indigenous Screen Office (Iso) and the longstanding grassroot networks across the arts, this year’s slate further broadens the festival’s evolving programming ethos with narrative films that reflect the histories, dreams, and day-to-day realities of Indigenous women filmmakers and their communities.
For the “Bones of Crows,” esteemed multihyphenate Marie Clements held close the stories...
From icons and industry veterans to emerging directors and new faces, the stories and creative power of Indigenous women are featured at the 2022 Toronto festival.
Buffy Sainte-Marie alighted opening night Sept. 8 to launch Toronto’s streetfest, just an hour before the premiere of Madison Thomas’ “Buffy Sainte-Marie: Carry It On,” The doc explores the artistry and activism of the Cree singer-songwriter — the only Indigenous person to win an Oscar (for song “Up Where We Belong” from “An Officer and a Gentleman” in 1983).
Buoyed by the ascendant advocacy and investment of Canada’s Indigenous Screen Office (Iso) and the longstanding grassroot networks across the arts, this year’s slate further broadens the festival’s evolving programming ethos with narrative films that reflect the histories, dreams, and day-to-day realities of Indigenous women filmmakers and their communities.
For the “Bones of Crows,” esteemed multihyphenate Marie Clements held close the stories...
- 9/9/2022
- by Jennie Punter
- Variety Film + TV
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