![The Misandrists (2017)](https://m.media-amazon.com/images/M/MV5BMTk2MTIyNTc3Ml5BMl5BanBnXkFtZTgwMzE2NDMzNTM@._V1_QL75_UX140_CR0,1,140,207_.jpg)
![The Misandrists (2017)](https://m.media-amazon.com/images/M/MV5BMTk2MTIyNTc3Ml5BMl5BanBnXkFtZTgwMzE2NDMzNTM@._V1_QL75_UX140_CR0,1,140,207_.jpg)
If Jill Soloway’s declaration of “topple the patriarchy” at the 2016 Emmy Awards represented the mainstreaming of radical feminism, here’s the film to make it scary again. “The Misandrists” is the latest film from Canadian provocateur Bruce Labruce, a low-budget, high-fantasy tale of radical lesbian separatists living a cult-like existence. It’s a wild romp with all the campy noir you might expect in a film by the father of queercore.
For the uninitiated, Labruce is a queer filmmaker, actor, critic, and self-described reluctant pornographer. He came up as filmmakers like Gregg Araki, Todd Haynes, and Cheryl Dunye established the New Queer Cinema, but Labruce embraced a strictly anti-establishment queer aesthetic aligned with the underground punk scene. His aesthetic weds sexually explicit images, stilted B-movie acting, and cult film tropes like zombies and vampires, along with more traditional narrative filmmaking techniques. Kurt Cobain famously called Labruce’s 1991 debut, “No Skin Off My Ass,...
For the uninitiated, Labruce is a queer filmmaker, actor, critic, and self-described reluctant pornographer. He came up as filmmakers like Gregg Araki, Todd Haynes, and Cheryl Dunye established the New Queer Cinema, but Labruce embraced a strictly anti-establishment queer aesthetic aligned with the underground punk scene. His aesthetic weds sexually explicit images, stilted B-movie acting, and cult film tropes like zombies and vampires, along with more traditional narrative filmmaking techniques. Kurt Cobain famously called Labruce’s 1991 debut, “No Skin Off My Ass,...
- 2/15/2017
- by Jude Dry
- Indiewire
![Tiger Girl (2017)](https://m.media-amazon.com/images/M/MV5BMTgyODIxMDYtYjA0ZC00YmI5LThmMmYtZTRiN2Q2NDg4Mjg5L2ltYWdlXkEyXkFqcGdeQXVyNjg2OTQyNzg@._V1_QL75_UY207_CR4,0,140,207_.jpg)
![Tiger Girl (2017)](https://m.media-amazon.com/images/M/MV5BMTgyODIxMDYtYjA0ZC00YmI5LThmMmYtZTRiN2Q2NDg4Mjg5L2ltYWdlXkEyXkFqcGdeQXVyNjg2OTQyNzg@._V1_QL75_UY207_CR4,0,140,207_.jpg)
Berlin’s Panorama lineup also includes new films from Us, China and Brazil.
Berlin’s Panorama strand is now complete following the addition of 24 additional titles.
A total of 51 works from 43 countries have been chosen for screening in the section, including 21 in Panorama Dokumente and 29 feature films in the main programme and Panorama Special. 36 of these films will be getting their world premieres at the Berlinale.
The German production Tiger Girl by Jakob Lass will open this year’s edition of Panorama Special at Berlin’s Zoo Palast cinema, along with the previously announced Brazilian production Vazante.
Among newly confirmed films are UK Sundance title God’s Own Country, Luca Guadagnino’s Call Me By Your Name, Cate Shortland’s Berlin Syndrome, feminist fairy tale The Misandrists by Berlinale regular Bruce Labruce, Erik Poppe’s The King’s Choice and Belgian-French-Lebanese co-production Insyriated which stars Hiam Abbass as a woman trapped in an apartment during war.[p...
Berlin’s Panorama strand is now complete following the addition of 24 additional titles.
A total of 51 works from 43 countries have been chosen for screening in the section, including 21 in Panorama Dokumente and 29 feature films in the main programme and Panorama Special. 36 of these films will be getting their world premieres at the Berlinale.
The German production Tiger Girl by Jakob Lass will open this year’s edition of Panorama Special at Berlin’s Zoo Palast cinema, along with the previously announced Brazilian production Vazante.
Among newly confirmed films are UK Sundance title God’s Own Country, Luca Guadagnino’s Call Me By Your Name, Cate Shortland’s Berlin Syndrome, feminist fairy tale The Misandrists by Berlinale regular Bruce Labruce, Erik Poppe’s The King’s Choice and Belgian-French-Lebanese co-production Insyriated which stars Hiam Abbass as a woman trapped in an apartment during war.[p...
- 1/25/2017
- by andreas.wiseman@screendaily.com (Andreas Wiseman)
- ScreenDaily
The winner of the Eurimages Lab Project Award from Haugesund’s Works In Progress presentations was Katrín Ólafsdóttirs The Wind Blew On from Iceland.
The new prize, worth $56,000 (€50,000) was given to “the most promising cutting-edge film presented as a work in progress”.
The jury was comprised of Norwegian filmmaker Bent Hamer, Dorien van de Pas of the Netherlands Filmfund, and Heidi Zwicker of Sundance.
Head of New Nordic Films Gyda Velvin Myklebust noted that the award was aimed at a film that was “experimental in form or content”.
Of the 20 films presented, industry buzz was highest for pitches including Izer Aliu’s energetic and funny teenage story 12 Dares; Norwegian debut The Tree Feller; Fenar Ahmad’s Danish criminal underworld drama/thriller Darkland, Danish debut Winter Brothers; family animation Richard The Stork (already a hot seller for Global Screen); absurdist Norwegian comedy Lake Over Fire; and Danish drama Mesteren, starring Soren Malling and Jakob Oftebro and directed by [link...
The new prize, worth $56,000 (€50,000) was given to “the most promising cutting-edge film presented as a work in progress”.
The jury was comprised of Norwegian filmmaker Bent Hamer, Dorien van de Pas of the Netherlands Filmfund, and Heidi Zwicker of Sundance.
Head of New Nordic Films Gyda Velvin Myklebust noted that the award was aimed at a film that was “experimental in form or content”.
Of the 20 films presented, industry buzz was highest for pitches including Izer Aliu’s energetic and funny teenage story 12 Dares; Norwegian debut The Tree Feller; Fenar Ahmad’s Danish criminal underworld drama/thriller Darkland, Danish debut Winter Brothers; family animation Richard The Stork (already a hot seller for Global Screen); absurdist Norwegian comedy Lake Over Fire; and Danish drama Mesteren, starring Soren Malling and Jakob Oftebro and directed by [link...
- 8/26/2016
- by wendy.mitchell@screendaily.com (Wendy Mitchell)
- ScreenDaily
The word “notorious” can be loosely tossed around when describing a filmmaker that veers even slightly outside of mainstream cinematic confines, but when applied to Bruce Labruce, the term couldn’t be more accurate. Scenes of hardcore gay porn, Nazi fetishism and explicit gore, either separately or brazenly combined, are just a few of the subjects Labruce explores in films like No Skin Off My Ass, Skin Gang, Super 8 1/2, Hustler White and The Raspberry Reich.
Labruce’s latest film, Otto; Or, Up With Dead People, is a meditation on homosexuality, cinema and intimate relationships through the filter of a zombie flick. The first of his films to employ a full-on horror convention (zombies), Otto furthers Labruce’s boundary pushing reputation. And yet, mainstream audiences have taken the bait. Yes, it’s true—Otto is the first zombie film with hardcore gay porn scenes to screen at Sundance.
Labruce generously took...
Labruce’s latest film, Otto; Or, Up With Dead People, is a meditation on homosexuality, cinema and intimate relationships through the filter of a zombie flick. The first of his films to employ a full-on horror convention (zombies), Otto furthers Labruce’s boundary pushing reputation. And yet, mainstream audiences have taken the bait. Yes, it’s true—Otto is the first zombie film with hardcore gay porn scenes to screen at Sundance.
Labruce generously took...
- 3/30/2009
- Fangoria
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