- Born
- Height5′ 4½″ (1.64 m)
- Agata Kulesza is a Polish actress who works in theater and cinema. She graduated with distinction from the Aleksander Zelwerowicz Theatre Academy in Warsaw. She has been part of the artistic team at the Ateneum Theater in Warsaw since 2011. Kulesza's role in Rose (2011) earned her the Best Actress award from the Polish Film Awards. She gained international recognition for her role in the movie Ida (2013), for which she received the Los Angeles Film Critics Association Award for Best Supporting Actress and her second Polish Film Awards for Best Actress.- IMDb Mini Biography By: Adam
- SpouseMarcin Figurski(2006 - 2020) (divorced, 1 child)
- Seductive voice and intense facial features
- Often plays grief-stricken women who suffer terrible tragedies
- Usually appears in strongly upsetting dramas
- Often does voice work
- Agata and dancing partner Stefano Terrazzino were the winners of Taniec z gwiazdami (2005) (the eighth edition of the Polish version of 'Dancing with the Stars'). She was the first winner to donate the reward to charity.
- Last name is pronounced Kulesha.
- In 2012 she received the 'Annual Award of the Polish Ministry of Culture and National Heritage' for her film work.
- Took ballet and singing lessons as a child before deciding to become an actress.
- Having been awarded the Best Actress Eagle (Polish Film Award) for her performances in Rose (2011) and Ida (2013), she's one of only two actresses to win the category twice. The other is Kinga Preis, who won for Cisza (2001) and Komornik (2005).
- [on Pawel Pawlikowski] He is a wonderful filmmaker, very focused, very intent on what he wants to achieve. He was also very open to discussion when we first met and decided the details of Wanda as a whole person. I know he did a lot of research for this picture and I had a feeling of a partnership when we worked together - that was very valuable for me.
- [on playing the role of Wanda in Ida (2013)] When I am approached with any script or proposal I always try analyze my character first as a human being, stripped of historic or political circumstances. In this film it was difficult because it is a very special case that is strongly connected to our country's history. Wanda is a tragic character and different emotions are pulling her apart. I had to accept the fact that there were real women - as in this case - who did evil things, but who could also remain charismatic and very easy to relate to.
- [on Ida (2013)] The background for this story is very significant, but all in all what we see is this solitude and longing for a human connection. It transcends the fact that the characters are Jewish, that these are the 1960s, and is universal. That is its strength.
- [on Agata Trzebuchowska] Agata is a very intelligent and emotional young woman, very knowledgeable about art and culture in general. I think this made her extremely curious on set, she really wanted to know what drives the characters to act the way they do. The work was of course different because she didn't have any professional training and I didn't judge her for that. Especially because she is such a fast learner and by the end she had managed to convey great emotion without overplaying anything. When I first saw the completed picture I called her up and said "Agatka, you can't act, but you made a beautiful role!"
- [on the possibility of an Oscar nomination for Ida (2013)] I do not see myself as a person with hang-ups. I do not need to play in foreign films to prove anything to anyone. My position here is secured and satisfactory. I do not feel any complexes, when thinking of actresses from abroad .
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